Lolarobot
Joined Nov 2012
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The Baltimorons (2025)
Directed by Jay Duplass. Written by Michael Strassmam.
It's after midnight and I just finished The Baltimorons - and I can't stop thinking about it. I'm a Gen X woman who has always loved the Duplass Brothers' work, but this one hit differently. It's funny, raw, intimate, and so emotionally true. From the very first scene, it felt like I was actually living in Baltimore with these characters - breathing their air, walking their streets, feeling every messy, beautiful emotion right along with them.
The acting was absolutely spectacular. Every performance was so natural that it didn't even feel like acting. It felt like I was watching real people in real time, with all their awkward pauses, vulnerabilities, and quiet moments of connection. The chemistry between the leads was magnetic - you could feel the tenderness, the hesitation, the spark that shouldn't work on paper but completely does.
And that's what I loved most: this May-December romance between an older woman and a younger man was handled with such honesty and depth. No gimmicks, no jokes at anyone's expense - just two souls finding each other in an unexpected place. I'm so glad to finally see stories like this told with respect and realism. For too long, we've been fed the tired trope of the older man and the younger woman, as if that's the only kind of "acceptable" love worth portraying. The Baltimorons turns that idea on its head and reminds us that love doesn't follow rules - it just happens, and sometimes it's beautiful.
The writing and cinematography were equally impressive - subtle, authentic, and full of feeling. I don't even know how to describe the style; it's not like most movies. There's a newness to it, something that blends indie realism with emotional depth in a way I've never quite seen before.
We need more films like this - brave, heartfelt, and unafraid to show real people and real relationships in all their imperfect glory. The Baltimorons is a 10 out of 10 for me. Truly unforgettable. What I wouldn't give to find this type of magical relationship myself.
It's after midnight and I just finished The Baltimorons - and I can't stop thinking about it. I'm a Gen X woman who has always loved the Duplass Brothers' work, but this one hit differently. It's funny, raw, intimate, and so emotionally true. From the very first scene, it felt like I was actually living in Baltimore with these characters - breathing their air, walking their streets, feeling every messy, beautiful emotion right along with them.
The acting was absolutely spectacular. Every performance was so natural that it didn't even feel like acting. It felt like I was watching real people in real time, with all their awkward pauses, vulnerabilities, and quiet moments of connection. The chemistry between the leads was magnetic - you could feel the tenderness, the hesitation, the spark that shouldn't work on paper but completely does.
And that's what I loved most: this May-December romance between an older woman and a younger man was handled with such honesty and depth. No gimmicks, no jokes at anyone's expense - just two souls finding each other in an unexpected place. I'm so glad to finally see stories like this told with respect and realism. For too long, we've been fed the tired trope of the older man and the younger woman, as if that's the only kind of "acceptable" love worth portraying. The Baltimorons turns that idea on its head and reminds us that love doesn't follow rules - it just happens, and sometimes it's beautiful.
The writing and cinematography were equally impressive - subtle, authentic, and full of feeling. I don't even know how to describe the style; it's not like most movies. There's a newness to it, something that blends indie realism with emotional depth in a way I've never quite seen before.
We need more films like this - brave, heartfelt, and unafraid to show real people and real relationships in all their imperfect glory. The Baltimorons is a 10 out of 10 for me. Truly unforgettable. What I wouldn't give to find this type of magical relationship myself.
This show is so refreshing! I eagerly wait for the few times a year that Netflix actually puts out something worthwhile, and Wayward definitely delivers. First, I love Mai Martin. I've been following her as a comedian for years, and I admire her work as a creator-she's brought a few television shows to life, and this one is just incredible.
I really appreciate seeing a female-centric show with a strong, talented main cast. The performances are amazing. I loved discovering the two young actresses-fresh faces who bring so much energy and depth-and of course, Toni Collette is phenomenal as always. Mai Martin, you truly did a great job, and I'm glad you're being given these opportunities to create.
The thriller and drama elements are gripping, and the story itself is so unique. It's also poignant, because these kinds of situations do exist in real life. I'm currently on episode three (almost episode four), and I already know I'll be sad when it ends.
I also love the details: the music woven through the series is perfect, and the dark cinematography creates an intense, edge-of-your-seat atmosphere. As a Gen X viewer, I found these elements especially satisfying.
This is absolutely a 10/10 in my book. I honestly don't understand anyone giving this a low rating. Please, Netflix, make more shows like this. I can't wait to see what new creators like Mai Martin bring next!
I really appreciate seeing a female-centric show with a strong, talented main cast. The performances are amazing. I loved discovering the two young actresses-fresh faces who bring so much energy and depth-and of course, Toni Collette is phenomenal as always. Mai Martin, you truly did a great job, and I'm glad you're being given these opportunities to create.
The thriller and drama elements are gripping, and the story itself is so unique. It's also poignant, because these kinds of situations do exist in real life. I'm currently on episode three (almost episode four), and I already know I'll be sad when it ends.
I also love the details: the music woven through the series is perfect, and the dark cinematography creates an intense, edge-of-your-seat atmosphere. As a Gen X viewer, I found these elements especially satisfying.
This is absolutely a 10/10 in my book. I honestly don't understand anyone giving this a low rating. Please, Netflix, make more shows like this. I can't wait to see what new creators like Mai Martin bring next!
Jason Buxton's Sharp Corner is a masterclass in slow-burn tension, anchored by one of Ben Foster's most riveting performances to date. Partnered with Cobie Smulders in a deeply affecting role, this 2024 thriller balances intimate family drama with edge-of-your-seat suspense, delivering a story that's as emotionally charged as it is gripping.
The film's premise is deceptively simple: Josh McCall (Foster) and his wife Rachel (Smulders) move with their young son, Max, to a rural home on a picturesque - yet perilous - stretch of road. On their very first night, tragedy strikes when a speeding car fails to navigate the dangerous bend and crashes into their yard, killing the driver. From that moment on, the McCall family's life tilts toward a dark trajectory.
Foster is nothing short of extraordinary as Josh, a man consumed by the compulsion to "save" future crash victims. His performance is so palpable that you can feel every flicker of panic, hope, and desperation. What begins as a noble impulse transforms into a consuming obsession, one that threatens his marriage, his child's safety, and ultimately his own sanity. Smulders provides the perfect counterbalance, grounding the film with warmth and clarity as Rachel, the voice of reason watching her husband slip further away.
Buxton's direction is razor-sharp, evoking the rural isolation and quiet dread that permeates every frame. The pacing is taut yet deliberate, allowing the psychological unraveling to feel both inevitable and devastating. There are no wasted scenes; every moment either deepens the tension or sharpens our understanding of the characters.
While the plot is straightforward, Sharp Corner thrives on the richness of its layers - the way it examines heroism turned toxic, love strained to the breaking point, and the human need to find meaning in chaos. It's a thriller that doesn't rely on cheap tricks or overblown spectacle. Instead, it trusts its actors, its writing, and its audience to sit in the unease and ride the emotional curve to the very end.
Sharp Corner is a must-watch - a rare thriller that marries high-stakes tension with genuine emotional depth. If you think you know where it's going, you don't. And when it ends, it lingers.
The film's premise is deceptively simple: Josh McCall (Foster) and his wife Rachel (Smulders) move with their young son, Max, to a rural home on a picturesque - yet perilous - stretch of road. On their very first night, tragedy strikes when a speeding car fails to navigate the dangerous bend and crashes into their yard, killing the driver. From that moment on, the McCall family's life tilts toward a dark trajectory.
Foster is nothing short of extraordinary as Josh, a man consumed by the compulsion to "save" future crash victims. His performance is so palpable that you can feel every flicker of panic, hope, and desperation. What begins as a noble impulse transforms into a consuming obsession, one that threatens his marriage, his child's safety, and ultimately his own sanity. Smulders provides the perfect counterbalance, grounding the film with warmth and clarity as Rachel, the voice of reason watching her husband slip further away.
Buxton's direction is razor-sharp, evoking the rural isolation and quiet dread that permeates every frame. The pacing is taut yet deliberate, allowing the psychological unraveling to feel both inevitable and devastating. There are no wasted scenes; every moment either deepens the tension or sharpens our understanding of the characters.
While the plot is straightforward, Sharp Corner thrives on the richness of its layers - the way it examines heroism turned toxic, love strained to the breaking point, and the human need to find meaning in chaos. It's a thriller that doesn't rely on cheap tricks or overblown spectacle. Instead, it trusts its actors, its writing, and its audience to sit in the unease and ride the emotional curve to the very end.
Sharp Corner is a must-watch - a rare thriller that marries high-stakes tension with genuine emotional depth. If you think you know where it's going, you don't. And when it ends, it lingers.