g_ryder
Joined May 2012
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Reviews28
g_ryder's rating
Pleasant and haunting at the same time, the powerful combination of music synchronized with visuals and the chant at the beginning makes the film an experience that could well induce a trance in sensitive, intuitive people that can lead to a realization that Time is not linear in an absolute sense, and that the 'experience' of Time is multi dimensional – even leading to an experience of timelessness or Eternity.
The film has universal symbolism about the contrast between raw, primordial nature that symbolizes the beginning of time for all practical purposes (creation), and technology –that seemingly speeds up time as it approaches the end point of all technology – which is destruction. I am surprised that no one mentions that it symbolizes Time Fractals (concept developed by Terence Kenna- the process of the ever increasing rate of change of events in temporal reality culminating in the Eschaton ) and thereby gives us an inkling of the counter-concept of Time/Temporal Reality - and that is: Eternity ( in which both the concepts of change and static fail to apply).
Incidentally, Mckenna developed the Time Fractals concept and the theory from the study of 'I Ching', but also co-related it with the Native American/ Meso-American concept of Circular Time in the process of the cycles of Creation-Destruction.
Eternity is not an infinitely long period of linear time, and therefore eternity cannot be conceived by reason, only fleetingly felt or glimpsed in intuitive, synthesis experience. Linear time is conceived by rational thought working on memory, that then extrapolates its generalizations to extend this conceived linearity which is appropriately limited only to one's lifetime and therefore it is a misconception to generalize it beyond the memory, beyond the personal experiences and the History of mankind.
This does not mean that linear time is a total misconception. It is only in linear time (can also be called objective time) that the synchronization of all the living, sentient beings of a world and (by extension) of the universe can possibly take place. The point here is that to make a 'leap of logic' to extend the validity of linear time indefinitely to the past and the future is fallacious and misleading. Even logically it is inconceivable that time extends infinitely backwards into the past – it brings up absurdities and paradoxes that cannot be cannot be resolved if we stick to a fixed conception of linear time that can be extended indefinitely into the past or future.
One way of resolving this absurdity and paradox is to conceive of time as the rate of change of events taking place in the physical world, rather than stubbornly stick only to the notion of 'objective time as recorded by a clock' (a notion that has been 'hard programmed' into us by the standard science based educational system). Secondly, when we are in a synthesis, intuitive or imaginative mode of experience, these fixed notions of linear time are necessarily suspended for this mode of experience to be of any significance.
The film has universal symbolism about the contrast between raw, primordial nature that symbolizes the beginning of time for all practical purposes (creation), and technology –that seemingly speeds up time as it approaches the end point of all technology – which is destruction. I am surprised that no one mentions that it symbolizes Time Fractals (concept developed by Terence Kenna- the process of the ever increasing rate of change of events in temporal reality culminating in the Eschaton ) and thereby gives us an inkling of the counter-concept of Time/Temporal Reality - and that is: Eternity ( in which both the concepts of change and static fail to apply).
Incidentally, Mckenna developed the Time Fractals concept and the theory from the study of 'I Ching', but also co-related it with the Native American/ Meso-American concept of Circular Time in the process of the cycles of Creation-Destruction.
Eternity is not an infinitely long period of linear time, and therefore eternity cannot be conceived by reason, only fleetingly felt or glimpsed in intuitive, synthesis experience. Linear time is conceived by rational thought working on memory, that then extrapolates its generalizations to extend this conceived linearity which is appropriately limited only to one's lifetime and therefore it is a misconception to generalize it beyond the memory, beyond the personal experiences and the History of mankind.
This does not mean that linear time is a total misconception. It is only in linear time (can also be called objective time) that the synchronization of all the living, sentient beings of a world and (by extension) of the universe can possibly take place. The point here is that to make a 'leap of logic' to extend the validity of linear time indefinitely to the past and the future is fallacious and misleading. Even logically it is inconceivable that time extends infinitely backwards into the past – it brings up absurdities and paradoxes that cannot be cannot be resolved if we stick to a fixed conception of linear time that can be extended indefinitely into the past or future.
One way of resolving this absurdity and paradox is to conceive of time as the rate of change of events taking place in the physical world, rather than stubbornly stick only to the notion of 'objective time as recorded by a clock' (a notion that has been 'hard programmed' into us by the standard science based educational system). Secondly, when we are in a synthesis, intuitive or imaginative mode of experience, these fixed notions of linear time are necessarily suspended for this mode of experience to be of any significance.
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