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"Airplane!" is a unique American comedy film where the satire and the silliness flow naturally, where the comedy stems from a plot deliberately not taking itself or its characters at all seriously, and where the witty retorts and the Pythonesque surrealism abound and coalesce brilliantly into a hilarious work of genius. I adored all the puns, the wordplay, the exaggeration... This is one of my favorite comedy films now. It's what would happen if American comedy allowed itself to be a little more British.

As a huge fan of David Tennant, I had watched clips of "Blackpool" before. Mostly the musical bits. I had just never gotten around to watching the whole thing before. And here's my verdict. I absolutely loved it. The story itself was very well written. Half-way through, though, you realise that it's more about the growth of the characters and about the changes in their relationships, than about the unsolved murder or Ripley's money troubles.

I loved that the three main characters were nicely complex: they are broken in some ways but very good people in others. That is, Ripley isn't just a gambling bastard out to make a profit, Peter isn't just an officer intent on nailing him and his son because he falls in love with Natalie, and Natalie isn't JUST a bored, unhappy woman. Part of it, of course, is the writing. We see Ripley's adoration of his children, and even his tense relationship with his wife shows that he really loves her. He is also fiercely independent, and seems to care about the economic future of his town. As for Peter, we see how gone he is for Natalie almost at once, but we also see that his moral compromise and his obsessive investigation is something he is pulled towards slowly, not something inherent in him. There is a lot more to him: determination, and copious amounts of charm, cleverness and sarcasm. As for Natalie, she is, besides a wife and mother unhappy in her marriage, an altruistic woman who, despite having fallen in love with Peter, has the strength of character to break it off and decide she won't leave Ripley until Ripley gives her his blessing. The two children were also nuanced. Danny isn't just a troubled teenager who deals drugs and has trouble with the police. He is also very depressed and starving for affection from his father. He's also possibly the bravest of the bunch. And Shyanne isn't a brat marrying an older man to spite her father. She genuinely loves Steve AND adores her father.

The acting was phenomenal. No matter how much I try, I cannot seem to find a bad thing to say about David Tennant's acting. He is wonderfully nimble, enormously charming, endlessly magnetic, and the way he conveys the emotions of his character is beautifully clear. He is quite simply a dream. David Morrissey shined through and through. He was perfect for the part, especially in portraying the contrast in the different sides to Ripley. It wasn't hard to buy what a good father he can be and what a bastard he can be as well. Very well done on his part. Sarah Parish was measured and explosive when she needed to be. She played the moral dilemmas very, very well, but also clearly let us see how her marriage has affected Natalie before she met Peter. Great acting over all from all of the cast.

The music choices were a few times in complete disharmony with the story, but most of the time this served to get further inside the characters' minds. Loved how surreal the sequences were sometimes. My favourites were "Should I Stay or Should I Go," "Cupid," "The Boy with the Thorn In His Side," and "Viva Las Vegas."

I recommend this mini-series to everyone. It is a great story that is a lot of fun to watch, and a refreshing departure from the usual TV crime-fiction.