edwardswmary
Joined Apr 2017
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.
Badges2
To learn how to earn badges, go to the badges help page.
Ratings1
edwardswmary's rating
Reviews1
edwardswmary's rating
April in Blue: User review
April in Blue is a scintillating short film exploring sexuality, intimacy and break up of a relationship, spiced up with manipulation and intrigue –lots of issues packed into 11 minutes.
Christian Hogarth has done a fantastic job as writer/director. The script scorches along in a believable way, digging deeper as the "game" evolves. Only the classic mother-in-law scenario jars as being formulaic. The parenthood/children question allows Andy McCutcheon to shine with passion before he disintegrates in a heart wrenching plea for attention. Kenzie Nothnagel as Christine, is fantastic throughout: sassy, sexy and intriguing.
The lighting is finely pitched to suggest a warm bedroom intimacy indoors and getting colder as the mood changes from playfulness to bitterness and pain.
April in Blue ends with a manipulated twist, leaving the audience to question what they have just witnessed and ready to watch it again. April in Blue cries out for a prequel or a sequel. . . .
April in Blue is a scintillating short film exploring sexuality, intimacy and break up of a relationship, spiced up with manipulation and intrigue –lots of issues packed into 11 minutes.
Christian Hogarth has done a fantastic job as writer/director. The script scorches along in a believable way, digging deeper as the "game" evolves. Only the classic mother-in-law scenario jars as being formulaic. The parenthood/children question allows Andy McCutcheon to shine with passion before he disintegrates in a heart wrenching plea for attention. Kenzie Nothnagel as Christine, is fantastic throughout: sassy, sexy and intriguing.
The lighting is finely pitched to suggest a warm bedroom intimacy indoors and getting colder as the mood changes from playfulness to bitterness and pain.
April in Blue ends with a manipulated twist, leaving the audience to question what they have just witnessed and ready to watch it again. April in Blue cries out for a prequel or a sequel. . . .