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jhseeker

Joined Nov 2005
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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jhseeker's rating
The Go-Between

The Go-Between

7.1
3
  • Feb 10, 2014
  • A poor interpretation of the story and a wasted opportunity.

    How to Lose Friends & Alienate People

    How to Lose Friends & Alienate People

    6.4
    8
  • Mar 30, 2009
  • This movie is better than its audience

    Oh dear we don't like it when our super-hero love interest develops a brain do we?

    Something has happened to people, they have lost the ability to enjoy, a simple feel-good, love story/comedy? Kirsten Dunst is a revelation - funny, sexy and real. I laughed out loud ooh at least five times and I'm not ashamed to say had a tear in my eye a couple of times too. The cast, acting and script is great, I watch a lot of films right across the board and I haven't seen one in this genre that has been as successful. Those who disagree please tell me where I can find some! I'm sure the book is good too but I think you have to judge it on its own merits.
    The Sacrifice

    The Sacrifice

    7.9
  • Feb 21, 2006
  • some stilted acting - but still a masterpiece

    In my view the interior scenes with the family are highly awkward and the movements they are directed to make, although ambitiously designed to mirror Renaissance painting or a dance, seem just very pretentious, whereas the exteriors seem more successful to me, I don't know, maybe it's just because there's more space. I also found Susan Fleetwood's crying fit unconvincing and I found her erotic dishevelment embarrassingly contrived. I think this is his most overrated film, maybe due to it being his last, I still think it has some incredible scenes and themes that make it stand head and shoulders above most in modern cinema.

    I have seen them all quite a few times each -I think my order of merit would be: 1.Andrei Rubylev - for sheer majesty of vision. 2.Solaris - amazingly weird. 3.Nostalgia - the most accessible - similar theme to Sacrifice but more effectively told. ...the rest are all incredible dreams 4.Stalker 5.Sacrifice 6.Mirror 6.Ivans Childhood.

    They have all changed my life and are never far from my mind.

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