Wasil_2

Never before in cinema have I seen a relationship in which I would so genuinely believe. In every word, move, look, gesture of Merab (Levan Gelbakhiani) I can see and feel an ordinary young artist struggling with self-identification and experiencing first love.

The idea of portraying gay romance in such a conservative country as Georgia could give the director Levan Akin many reasons to be moralistic and pretentious. Yet the end result is by no means like this. In every scene, every word, it is subtle, naturalistic, thought-provoking without any unnecessary preachiness. Opinions and feelings are conveyed through music and dance, which enables the film to achieve all its purposes in a delicate yet decisive way.

Akin does not portray Georgian society as something evil. As everywhere, there are people who hate, people who do not understand and people who support. 'And Then We Danced' is a meaningful masterpiece made by those who support not only for those who need the support, but also for those who do not understand yet.

Mr Rogers as a symbol of pure kindness and love, which everyone can get out of themselves. Shows transformations in mass culture and people's mentality as a background of the story it's telling. Although very hopeful, the film provides a realistic approach that we cannot make world a perfect place. But we surely can make it a better place, even if just a little bit.

"The greatest thing we can do is to let people know that they are loved and capable of loving"

The Irishman is an epic story of rising to power in the Mob's reality. It doesn't stop there, however, and this is what makes it more than another film of its genre. It provides a sublime contemplation on morality, it searches for a point of ruthless behaviour and a point of a professional career itself.