We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
You are on page 1/ 10
‘Stephen Sachs is an svard-inning playwright and director and the
o-istic director of The Fountain Theatre in Los Angeles. [is ply,
‘Sweet Nothing indy Ear, ron the 1997 California Governor s Media A
ess Award for Theat, vas &finalish forthe PEN West Literary Award
fOrDrama, and was awarded grant from theNational Endowmest forthe
‘Ads. Iteceived its World premiere at The Fountain Theatre with subse
{quentproductions atthe Vetory Gardens Theater in Chicago sndatCleve
Fd Siensiage. The movievihts, for which Sachs has writen the screen
ply, htve been optioned by Barwood Films. Other plays Sachs seen un-
Serhisdivecuon Los Angelos and San Francisco are Mother Day, The
Golden Gate (Best Play Avard, DramaLogue), The Baroni the Thee,
and Racha. Hisawardses decir mclod the Best Director Award fom
Drama-Loguefive yearsinar0%, the L.A. Weekly Award forBest Produc
tion of he Yen, and the est ofthe Yea from the Los Angeles Ties for
tvo af his prodactions. Sachs i member ofthe Dramatists Guild, PEN
Center USA West, and the Society of Stage Directors and Chorcogra-
hers: He current lvesinLas Angeles withhis wifeandtwo chien
SWEET NOTHING IN MY EAR
Alay in Two Acts
by
STEPHEN SACHS
Dramatic Publishing
‘Woodstock, Minois * London, England * Metboure, Australiswe" NOTICE ***
“Te ame al ck acting hs is we ar conta exchsely
THE DRAMATIC PUBLISHING COMPANY su wwe pemision
ing perme mayb en Ray fs gen a
{dew tne play pod wther or ot ts preset fo pit
[Eu ete rol ain charge Apap prom my tine
‘Sd before an tune” Al ings sonoeng stn and mack hr
‘Gould be asdeme
7.0. 19, Wood in S098
(COPYRIGHT LAW GIVES THE: AUTHOR OR THE AUTHOR'S AGENT
‘THE EXCLUSIVE RIGHT TO MAKE COPIES Ts i oi ih =
Fen for ei fic Ate tn i ig om he op ey
‘eshe fr tok uk el for the peruse of thi ook. Ceci
‘feemc of sph ty aa cng tas ene
‘cai we Ts we sy ged cpg No ales le
‘Sven mn ete ne ek wot prin ose
Se pin, Noy hs wk may be mpd or ae my ft
(2 ey cng Soe cna cing poopy eet
‘ef or any iment gran sae was pom
‘Sto pase, oye fe pees cer by co
rani hou feof ey. Al his cng to bed he
dea atin am na lon ae pn ng
‘tion ncn i od oc ee
x pecormise of ay tng nd ecodigs mentioned in th ly whch
tee tr cnpgh he ronan of the eoprg ones mt eed ot
(lier ong aed eins nh pb ain oad
LeMenoxcex by
ited ioe Usted Se of Arson
“At Roker
(SWEEP NOMING IUMY EAR)
foregut ooceing alter ahs co the mu’ pe:
ste Gaman, The Sst Guna Agu} aes Wes End ve #13
‘ow Yon NY fis tos
IMPORTANT BILLING AND CREDIT REQUIREMENTS
All producers of the play must give ereit tothe suthors)
‘of the play in all programs distributed in connection with
pesformances of the ply and in all instances in which the
lll ofthe play appears for purposes of advertising, publi-
zing or olherwis exploling lee play andor a production
‘The name of the author(s) must also appear on a separate
line, on which no other name appears, immediately fol
lowing the tle and must appeat in size of type not less
than filly percent the size of the le type. Biographical
information on the authors), if included inthis book, may
be used on all programs. On all programs tks novice muss
copper
“Produced by special atrangement with
‘THE DRAMATIC HUBLISHING COMPANY of Woodstock, Minos”‘The Language of the Play
‘This is not a “deat” play. I's a play with deaf and hear
ing characters
In performance, it must be accessible to both @ deaf and
hearing audience at the same time. It requites a seamless
blend of American Sign Language and spoken English. The
two languages happen simultaneously throughout the per-
formance ofthe pla).
"The role of Dan requires a heating actor who signs well
‘As a hearing man in deaf family, he is called upon to inter-
pret speech into sign language, “voice” ASL into speech,
for switch his voice off completely and purely sign. When”
ever Dan is slone with say member of his deaf family, he
‘would only sign and not use his voice (unless indicated).
Al the deaf characters of the play—Laura, Max, Sally,
Adam, Dr. Walters—use only American Sign Language.
‘They ate simultaneously “Voiced” or “voice acted” from
the side of the stage by a member of the Company. When,
Dan switches off his voice and purely signs, he is simul
neously “voiced by 8 Company member.
‘The Company must be four hearing actors who sign
‘They sit on the periphery of the stage, never leaving,
throughout the play. They perform three functions: 10
fice” the actors who sign, to sign the actors who speak,
and to step forward asthe supporting players
‘Deaf audience members experience this play signed en-
tirely in thei language. Hearing audience members—most
who know nothing of sign language—have the experience
of watching the play in sign language while hearing it acted
at the same time
‘Two languages become one
= Stephen Sachs
SWEET NOTHING IN MY EAR was originally produced by
Deborah Lawlor and esis Korbman for The Foutsin These
In Ls Angele, June 1997. war directed by Stephen Sache, st
desig by Set to Go; costume design by Mariel McEwan; lghe
ing design by J. Kent Inasy slide projections were crested by
Evan Mower, and the production stage manager wes Jesica
Koriman, The cao was ae follows
Den. ee ioe Kins
Lae "TERRYLENE.
Adam Gaal MANGANELLT
Voice of Laura | Pam Sect. SENNIFER MASSEY
Dr. Weisman j Voie of Dan. SOHN BENITEZ
Babar Cannan | Voices of Sally, Adu, De. Waters
[ELIZABETH BARRETT
Max ooo aa [BERNARD BRAGG
Voie of Mit Be iy eCAL BARTLET?
Sally ses FREDA NORMAN
De. Wai 1 NIKEE WALTRIP
SWEET NOTHING IN MY EAR was produced 4 the Victory
Gardens Theater in Chicago by Simon Levy for The: Fountain
Teste and MCT. Productions, Mateh 1998. war divested by
Stephen Sechs; st design by Sels to Go; costume design By
‘Kine Knanishu,Hghting design by Jee! Moritz; sound design
bby Lindsay Jones; stida projections were created by Evan
‘Mower, and the production stage manager was Meredith Seott,
Britain, The east was ae follows
Dan PHIL LesreR
Tara ee CL TaNNeBAUNEGRECO
Adam “GkoRGE SCOTT KARTHEISER
Voice of Laura Pam Scat TENNIFER MASSEY
Dr. Weisman Voice of Dan SOHN BENITZ.
Barbara Cannon [ Voiees of Selly, Adam, Dr. Walters
Max CHUCK BAIRD.
Voice of Mat) Br. Fiat ‘CAL BARTLETT
Sly oe ‘IREE WALTRIP
Dr. Waller eas etree RACES