II. Unfair Competition: Wilf Intellectual Property Spring 2016
II. Unfair Competition: Wilf Intellectual Property Spring 2016
I. General Material
a. Theories of IP
i. Labor theory (Locke) [Pitney]
1. Reap what you have sewn
2. How much labor?
ii. Personality/Persona theory (Hegel) [Holmes]
1. Property deeply connected to you
iii. Utilitarian – what’s best for society (Bentham)
1. Create incentives for creation of products
b. Goal of IP
i. Protection of new and improved goods
ii. Discourage unfair competition in marketplace (INS v. AP)
iii. Promote disclosure of ideas into public domain (patent system)
iv. Incentive to create and invest in creations (trademarks protection)
c. Regimes of IP
i. TM – symbol used by person in commerce to indicate source
ii. TD – total image of product – overall appearance of it
iii. TS – protects economic secretive information from not being known by those who would
gain from its disclosure
1. Holder of a TS must take reasonable precautions to ensure its secrecy
iv. Copyright – original works of authorship fixed in tangible medium of expression (protects
expression)
v. Patent – requirements: novel, useful, nonobvious
d. Overall Issues
i. Preemption
1. Balance between state/federal law and public domain (Sears, Compco, Bonito
Boats)
ii. Public policy issues
II. Unfair Competition
a. Misappropriation protects against direct competitor
i. The intentional, illegal use of the property/funds of another person for one’s own use or
other unauthorized purpose . . . or by any person with a responsibility to care for an
protect another’s assets (a fiduciary duty).
ii. Note:
1. Quasi-property right
2. Common Law protection
3. Protects facts
4. Basis for Trade Secret (TS) law
iii. International News Service v. Associated Press
1. Held that AP has a quasi-property right in its published news stories as against:
a. Direct competitors (here, INS)
b. Long enough to recoup investments/labor
2. AP has no rights in its new publications as against the public
b. Palming off
i. Basis for TM protection
ii. Definition: misrepresenting something for something which it is not
iii. Avoid by: distinct/clear labels on your products
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c. Federal Preemption
i. If protected by patent or copyright (federal law), state cannot create similar state
protection because Congress implicitly was creating a public domain
ii. Sears
1. There was no patent
2. Patent decides what will/won’t be protected
3. If design were creative enough, then it could have been patented but b/c it was not
why not benefit from cheap knockoffs
iii. Compco
1. State law is preempted by patent law which defines public domain implicitly by
specifically recognizing what is patentable inventions.
iv. Bonito Boats
1. Boat design hull case
2. Florida state statute provided protection against copying boat hulls
a. Allowing state protection:
i. Impedes public use and utilitarian ideals
ii. Promotes forum shopping (certain states will try to offer most
protection)
d. Not all state IP laws are preempted – state law about marketing or implementation may be
ok—must act differently than patent
III. Trade Secrets (TS)
a. Theories of TS Protection (2)
i. Utilitarian
1. Property theory
a. Protecting against the theft of proprietary information encourages
investment in such information incentive
2. Ruckelhaus v. Monsanto Co.
a. Holding: The Court found that Monsanto’s TS was property and, as such,
could be taken under the Fifth Amendment to give to the public.
3. Kewanee Oil v. Bicron
a. Holding: The Court reasoned that TS law provides additional incentive to
innovate beyond those of Patent law.
ii. Deterrence of Wrongful Acts
1. Tort theory
a. Punishes and prevents illicit behavior while upholding reasonable
standards of commercial behavior
b. Based on assumption that D (misappropriator) stood in confidential
relations with the P (Kewanee Oil v. Bicron)
2. Kewanee Oil v. Bicron
a. Held that TS and patent are not in conflict because:
i. TS law encourages invention in areas where patent law does not
reach and prompts the independent innovator to proceed with
discovery and exploitation of his invention knowing he can gain
protection under state TS law before getting a patent
iii. Contract law
1. Different contracts can state that one must protect the secret. If you don’t then it’s
breach and misappropriation of TS.
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position in a related field because of a likelihood of divulging this information in his or her
new job.
1. Inevitable Disclosure Doctrine Test (Redmond):
a. Was ex-employee in privity to sensitive information in former position?
b. Is the new position in a related field?
c. Is there a likelihood of divulging the sensitive information in new position?
2. PepsiCo v. Redmond
a. Holding: Redmond, a former PepsiCo executive taking a new executive
position at Quaker Oats, was enjoined from taking that new position under
the inevitable disclosure doctrine, when he would inevitably draw upon his
knowledge of PepsiCo’s strategies regarding the soft-drink industry (where
they were competing) in his new position as VP of Operations at Quaker
Oats.
b. Test applied in Redmond
i. Was there privity?
1. Redmond was in privity to information by being a Pepsico
executive
ii. Was D in a related field?
1. Quaker Oats was in the sports drink industry directly
competing with Pepsico
iii. Was there a likelihood of divulging information at new
position?
1. He would be dealing with marketing strategies and would
inevitably draw upon his Pepsico knowledge at meetings, in
creating a plan, strategy, etc.
iv. Redmond had a fiduciary duty not to disclose the Pepsico
information to Quaker Oats that would inevitably be breached.
i. How Does Disclosure of TS Happen?
i. Ways that disclosure may occur (5)
1. Publishes the secret in a journal or another forum to which competitors have
access
2. Sells commercial product that embodies the TS
a. Is the secret apparent to buyers of the product from the product itself?
3. Disclosure by a 3rd party – someone other than the TS owner
a. A 3rd party independently discovers the TS and discloses it (produces it,
discloses it, writes about it, etc.)
4. Inadvertent disclosure
a. A truly accidental inadvertent disclosure will not defeat a TS claim provided
reasonable efforts to maintain secrecy have been taken
b. Widespread inadvertent disclosure (i.e. mistaken email blast) will defeat a
TS claim
5. Government required disclosure (i.e. taking under Fifth Amendment) to serve a
social useful public purpose
j. Defenses to a TS Misappropriation Claim
i. Several defenses
1. Reverse Engineering
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b. Sources of Protection
i. Federal registration (most common) Lanham Act
ii. State common law (exists even when lose registration, etc.)
c. What Can be Protected as a TM?
i. Trademark (TM)
1. Word, symbol, or device
2. Requirement for a TM
a. Use in Commerce or Bona Fide Intention to Use
i. Used in commerce; or
1. Zazu v. L’Oreal
2. Court: ZAZU mark was not used in commerce when only a
few bottles had been sold, without proper labels, to friends as
a test case.
3. Factors:
a. Market- stream of commerce
b. Must be external to ordinary purchaser
c. Affixation of labels
d. Not merely token sales
e. Good faith
ii. Bona fide intention to use in commerce
b. Distinctiveness
i. Inherent – no secondary meaning required
1. Arbitrary or Fanciful (strongest mark).
a. Test: No logical relationship between mark and source
b. No logical relationship between mark and underlying
product.
c. Exxon – with gasoline
d. Kodak – with cameras
e. Apple – with computers
f. Nike “swoosh” – with athletic shoes
2. Suggestive
a. Test: No literal description of goods and services – so
imagination is required to infer
b. Evokes or suggests a characteristic of the underlying
product.
c. Some imagination on part of consumer to connect
mark with source
d. Coppertone – with sun-tan lotion (suggestive of sun-
tan lotion but doesn’t describe the product)
ii. Acquired distinctiveness (through secondary meaning)
iii. Descriptive
1. Test: describes a characteristic or quality of the underlying
product
a. Holiday Inn – hotel rooms
b. All Bran – breakfast cereal
c. Vision Center – optical services
2. 3 types of descriptive marks
a. Describes product or service
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2. Junior user uses someone else’s mark not as a TM but merely to describe its own
goods or services
3. Elements
a. Use other than as a mark
b. Descriptive of goods or services of party
c. Used in good faith
4. Example
a. Target sues company that advertises using “Target Practice”
b. Company can claim fair use defense
ii. Nominative Fair Use
1. Affirmative defense
2. Elements
a. Product or service in question is not identifiable without use of the TM
b. Only so much of the TM is used as is reasonably necessary to identify the
product or service
c. User does nothing to suggest sponsorship or endorsement by TM holder
3. Junior user uses another’s TM deliberately to refer to that party for purposes such
as:
a. News reporting
b. Commentary or criticism
c. Parody
d. Advertising (comparative advertising)
iii. Functional
1. Utility (Qualitex)- Question of degree- how functional object really is
a. Color is descriptive- but here it has a secondary meaning- advertising
b. No issue of color depletion/crowding out
c. There is infinite combination of colors- colors and patterns, etc
d. Multi-colors eliminate this problem
2. Advertised utility (Traffix- expired utility patent was strong inference of utility)
a. Made the representation of utility- regardless of whether its actually useful
3. Aesthetic functionality (Wallace)
a. Design is essential for use or description of item
b. Wallace international silversmiths
i. Court: The baroque silverware was TM protectable because it was
aesthetically functional. Need the swirly design in order to compete
in the silverware market.
ii. Alternate design impossible
iii. Expands functionality to include aesthetic functionality!
4. Competitive necessity (Traffix) – someone wants it enough to make it useful
a. Wilf calls this “need to use”
5. Exception to functionality defense: if there are alternatives (i.e. other color
options) available it is likely protectable (In re Morton)
iv. Descriptive Use
1. TM is being used otherwise than as a mark
2. It’s being used to describe the goods or services of the junior user
v. Genericide
1. Over time a once stronger mark has become generic
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i. Product name
ii. Product shape
iii. Product color
iv. Product packaging (TD)
b. Palming off (eventually becomes TM)
i. Intent to deceive
ii. Consumer confusion- easier to prove – more objective
c. TM: Right to prevent subsequent use of same/ similar mark if subsequent
use is likely to confuse as to origin of product
i. Related Use Doctrine: protection against use of TM on
product/service that would reasonably be thought by buying
public to come from same source
2. Requirements for Common Law TM Protection:
a. Use in commerce Zazu!!
i. Good faith and in ordinary course of trade
ii. May accrue through solely intrastate use
iii. Test: Symbol becomes TM upon bona fide use of symbol- in
commerce in connection with relevant good/service
1. Token use is insufficient
2. Use must be lawful
3. Courts look at totality of circumstances
iv. Scope: where mark has been used and is likely to expand
b. Tea Rose Doctrine
i. Rule: geographic protection is limited to within zone of reputation
of senior user of mark.
1. Restrained to where TM is actually used and “zone of
natural expansion”
ii. Hanover star milling (Tea Rose)- tea rose flour- 2 good faith users
– operating in different areas (Midwest vs east)- Q of prior
appropriation is irrelevant when markets so separate
1. Tea rose doctrine:
a. Natural zone of expansion
i. Protects goodwill and place around goodwill
b. Natural zone of expansion factors
i. previous business activity
ii. Previous expansion or lack thereof
iii. Dominance in contiguous areas
iv. Presently planned expansion
v. Possible market penetration based on volume,
growth, customer base, and advertising
2. Rule: Lanham Act overruled Tea Rose Doctrine by
establishing nationwide rights in TM upon registration of
mark.
a. See Dawn Donuts
iii. Dawn Donuts
1. P had federal TM and sought to enjoin D’s use of TM in area but P hadn’t used it
there for 30+ yrs
2. Court: No injunction because failure to police mark.
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a. D can use Dawn Donuts in his secondary market until Dawn Donuts comes
into that market
j. Incontestibility
i. Creates a quiet title after a number of years
ii. Zazu
1. Hair salon had a hair coloring product called Zazu. Never used it, just had a plan to
eventually use it and sold a few bottles privately. L’oreal used product name Zazu.
2. An unregistered plan to use a mark in commerce creates no trademark rights for
the owner.
iii. Park’n Fly
1. Park’n fly = airport parking lots. Obtained incontestable status for the mark form
USPTO. Dollar park and fly operated similar parking lot business. PNF sued DPNF.
DPNF counterclaimed saying it’s generic and shouldn’t be registered.
2. Incontestable mark that is generic can be canceled at any time under §14©.
Descriptive marks can’t be incontestable unless they have secondary meaning.
Because PNF got incontestability means that it’s not a descriptive mark and DPF
infringed.
k. Consumer Confusion
i.
l. Purpose of TM
i. Distinguish products from multiple sources
ii. Lower search costs –more distinctive = lower cost-
iii. Promote product consistency- Incentive to maintain quality- invest in goodwill
iv. Prevents free-riders
v. Improves quality of language
vi. Regulate competition - Reduce deceptive practices
m. Benefits of Federal Registration
i. Presumption of strong mark – burden of proof shifts to alleged infringer to rebut validity
ii. Prima facie evidence of proprietary claim
iii. Incontestability after 5 years
iv. Constructive nationwide notice of existence of TM
v. In national database at PTO
V. Right of Publicity
a. Protects an individual’s marketable image or persona
b. Basically exclusively in the celebrity realm
c. 16 states have common law rights of publicity
d. 15 states have statutory rights of publicity
e. Criteria
i. Celebrity or famous/well known individual
ii. Indicia of identity
iii. Property right
iv. Right to profit from identity
v. Violation causes monetary/economic harm
f. Definition
i. Right of a person whose identity has commercial value to control commercial use of that
identity
g. Justifications
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a. Court: The total image – including White in front of the jeapordy board –
invokes her identity in public mind though they don’t actually think they’re
seeing White (there’s no deception)
k. Conflict between PR and Copyright
i. Copyright
1. Fixed and tangible medium of expression
2. Federal regime offers predictability
3. Robuts fair use exception
ii. PR
1. May be unfixed – i.e. voice, live, sporting event
2. No federal regime – varies from state to state
3. Emerging fair use exception
l. Purpose
i. Economic incentives
ii. Non-economic incentives
1. Safeguards natural rights
2. Prevents unjust enrichment at celebrity’s expense
iii. Promotes efficient allocation of resources
m. PR versus TM law
i. TM
1. Protects: goodwill/reputation
2. There is a tangible form of TM in TD
3. Test for infringement:
a. Dilution
b. Likelihood of Confusion
ii. PR
1. Protects: reputation/persona
2. There is a tangible form of PR
3. No need for prior commercial use like in TM
4. Test for infringement
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a. AHP created a plastic bust of MLK not authorized by center who held MLK’s
Rights of Publicity
b. Court: Granted an injunction to stop producing the plastic bust
c. Test Applied:
i. Could the exploitation have occurred during MLK’s lifetime?
ii. There are problems created with this uncertainty as to whether PR survives death
1. May increase forum shopping
2. How far does it descend down a bloodline?
o. Defenses
i. Newsworthiness
1. Zacchinni v. Scripps
a. Publishing company showed video of human cannonball without his
consent.
b. Court: Human cannonball has a right to publicize his own act and profit
from the fruits of his own labor
i. Reasoning: it’s his labor, personality, and utility. If others show
video for free, he loses his persona.
c. Zacchinnie Rule: TV station ahs right to report newscast of legitimate
public interest which would be protected by individual’s right of publicity
unless actual intent of station was to appropriate the benefit of the
publicity (was actual intent to profit from his being famous?)
i. TV station was free-riding
ii. Parody
1. Cardtoons
a. Parody has fair use exception ONLY IF non-commercial use
b. Court: This was a political parody so it’s non-commercial
2. Fair use factors
a. Principle and character of use
b. Use as advertisement
c. Amount of use
d. How it is appropriated
e. Effect on market
3. Why do we allow parody exception?
a. Transformative
b. Directed toward particular use
c. We’re concerned about crowding out
4. Satire is not a fair use
iii. Fair Use Exception (borrowed from copyright)
1. Factors to consider
a. Character/purpose of use
i. Commentary/criticism is OK
ii. Educational purposes is OK
b. Amount of use
c. Affect on market
iv. Transformation/Creating a PR regime
1. From TORT to PROPERTY (MLK)
2. Finding JUSTIFICATIONS (Zacchinni)
3. Creating FAIR USE DEFENSE (Cardtoons)
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movie in post-production. Lee had the final say on all of Aalmuhammed’s contributions. Aalmuhammed did
not have a written contract with Lee or Warner Brothers. Aalmuhammed requested but was denied credit as a
cowriter of the movie. Instead, Aalmuhammed was in the credits as “Islamic Technical Consultant.”
Aalmuhammed brought suit against Lee, his production companies, and Warner Brothers, seeking a
declaratory ruling that Malcolm X was a joint work, and that Aalmuhammed was a coauthor. The district court
granted Lee summary judgment. Aalmuhammed appealed.
Holding
For a work to be a joint work, there must be (1) a copyrightable work, (2) two or more authors, and (3) the
authors must intend that their contributions to the work be combined into one, inseparable work. A valuable
and copyrightable contribution to a work does not necessarily constitute authorship, as it is defined under the
statutory definition of a joint work. Significantly, authorship for the purposes of determining whether there are
“two or more authors” in terms of a joint work is not the same as authorship for the purposes of determining
whether a contribution to a work is independently copyrightable. Some of the criteria for a determination of
joint authorship for purposes of a joint work include: a joint author exercises supervisory control over the
work; joint authors objectively indicate “manifestations of shared intent to be coauthors”; and the success of
the work is the result of the contributions of both joint authors, and the relative shares of credit for that
success cannot be determined among the joint authors. In the case at bar, even though Aalmuhammed made
valuable—even independently copyrightable—contributions to Malcolm X, Aalmuhammed cannot be
considered a coauthor for purposes of determining whether the movie is a joint work. It cannot be said that
Aalmuhammed exercised any supervisory control over the movie. That role belonged to Lee, who had the final
say on all of Aalmuhammed’s contributions. Nor can it be said that Lee or Warner Brothers, or even
Aalmuhammed exhibited any objective manifestations of shared intent to be coauthors. Aalmuhammed’s
contributions were certainly valuable to the movie. And his script edits could even be independently
copyrightable. This is not sufficient for Aalmuhammed to be deemed a coauthor for the purpose of trying to
prove that Malcolm X is a joint work. The district court’s grant of summary judgment to Lee is affirmed.
Test for co-authorship absent contract
o Control --> the mind creating the work
o Objective manifestation -- credit --> really who controls the credits
o Contribution to audience appeal --> very little to do w/©
NY Times v. Tasini
Facts
Newspaper took article by freelance authors published in print medium & included them w/o
authorization in database--access as single article
Newspaper defendant: safe harbor provision § 201© as a revision of a collective work
Tasini: never agreed to this and only sold their work for purposes of print edition
Holding
When you make a collective work only have it w/in the collection, the database is outside the collection
How is a database different?
o Taken out of its context and severed from everything else
o It's no longer a revision it's a new work
Creates either a work as very small part of an immense document or, since it may be set apart through a
search engine, as a single work
NYT infringed on © rights of freelancers
o But really not winning in the end because NY times is now going to make a contract provision about
this so that it's not a problem and they aren't paying them twice
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Viacom v. YouTube
Facts
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YouTube (defendant) was a website that allowed users to upload and view videos for free. In order to upload a video, a
user was required to accept YouTube’s terms and conditions, which stated, among other things, that any content the
user uploads could not be infringing. Viacom International, Inc., et al. (plaintiffs) were copyright owners whose content
was infringed upon on YouTube’s website. The plaintiffs brought suit against YouTube for direct and secondary copyright
infringement. The plaintiffs presented evidence of emails and a report from the YouTube creators referencing well-
known infringing content on the YouTube website. The district court granted YouTube summary judgment under a safe
harbor provision in the Digital Millennium Copyright Act (DMCA). Specifically, the district court held that YouTube did not
have actual knowledge or awareness of specific infringing activity as required by 17 U.S.C. § 512(c)(1)(A) and that such
knowledge was necessary for an internet service provider (ISP) to have the right and ability to control such activity under
17 U.S.C. § 512(c)(1)(B). The plaintiffs appealed.
Holding
Under the safe harbor provision in 17 U.S.C. § 512(c)(1)(A), an ISP will not be guilty of direct or secondary copyright
infringement if it (i) does not have actual knowledge that the material is infringing, (ii) is not aware of facts under which
infringing activity is apparent, and (iii) upon learning of any infringement, removes or disables access to the material
quickly. In addition, to avail itself of this safe harbor, the ISP must not get a financial benefit directly attributable to the
infringing activity when the ISP has the right and ability to control the activity. In this case, although the district court was
correct as to its finding that the DMCA requires an ISP to have actual knowledge or awareness of specific infringing
activity, the district court erred in concluding that a reasonable jury could not find that YouTube had such actual
knowledge or awareness. Given the emails to and from YouTube executives as well as a report from a YouTube executive
that referenced the amount of infringing material on YouTube’s website, a reasonable jury could conclude that YouTube
had actual knowledge or awareness of specific infringing activity. Accordingly, summary judgment was inappropriate.
Additionally, the court concludes that the district court was incorrect in its holding that knowledge or awareness is
necessary for an ISP to have the right and ability to control such activity under 17 U.S.C. § 512(c)(1)(B). Such knowledge
or awareness is not necessarily a requirement under this subsection and the district court must reconsider this section’s
applicability to this case on remand. The district court’s grant of summary judgment to YouTube is vacated and the case
is remanded.
Perfect 10 v. Amazon
Facts
In response to image searches, Google, Inc.’s (Google) (defendant) search engine communicated thumbnail versions of
images to the user. Google stored the thumbnails on its servers. Google did not store the full versions of the images on
its servers. If users clicked on a thumbnail, Google sent HTML instructions to the user’s computer on where to find the
full image on a third party website. The image then appeared from the third party website in a window, framed by
additional information from Google. This process was known as “in-line linking.” Google obtained revenue from certain
of these third party websites through advertising agreements. Perfect 10 (plaintiff) operated a subscription website for
pictures of nude models. Google’s search engine returned thumbnails of copyrighted Perfect 10 images. Perfect 10
brought a copyright infringement suit against Google and Amazon.com, Inc. (defendants). The district court granted
Perfect 10 a preliminary injunction. The district court found that Perfect 10 was likely to succeed in its claim that the
defendants violated Perfect 10’s display right by posting the thumbnails, but that Perfect 10 was not likely to succeed in
its claim that the defendants violated Perfect 10’s distribution right by linking to full size images via the thumbnails. The
district court found that the defendants’ display of the thumbnails was not fair use. The defendants appealed.
Holding
In determining whether a work was fair use, the court looks to four factors: (1) the purpose and character of the use; (2)
the nature of the copyrighted work; (3) the substantiality of the portion used in relation to the copyrighted work as a
whole; and (4) the effect on the potential market for or value of the copyrighted work. In conducting this analysis, the
single most important factor is the transformativeness of the allegedly infringing use. A work is transformative if it adds
something new, with a further purpose or different character, altering the original work with new expression, meaning,
or message. Here, as an initial matter, the court affirms the district court’s decision that Perfect 10 did not make a prima
facie showing that the defendants violated Perfect 10’s distribution right. The defendants’ websites do not distribute
Perfect 10’s images; rather, they send HTML instructions to a user’s computer on where to find the images. The
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defendants thus do not directly infringe upon the distribution right because they do not, themselves, distribute the
images. The district court also correctly held that Perfect 10 failed to make a prima facie showing that the defendants
violated Perfect 10’s display right with respect to the process of in-line linking. Although the full images appear in a
framed Google window, they are still displayed from a third party website, not Google’s website. The district court also
correctly held that Perfect 10 made a prima facie showing that the defendants violated Perfect 10’s display right with
respect to the thumbnail images. The defendants store thumbnail versions of the copyrighted images and show those
versions to users who search for them. This is clearly a display of Perfect 10’s images. That being said, however, the
defendants’ display of the images was transformative and a fair use. (1) The defendants’ purpose of displaying the
thumbnail images is completely different than Perfect 10’s purpose. Perfect 10 displays their copyrighted images for
entertainment or aesthetic purposes. The defendants’ purpose in displaying the reduced thumbnail version of the
images is to direct users where to find the full size version of the images. The defendants use the thumbnails as a
“pointer.” They are a means to an end; they are not meant to provide entertainment or aesthetic value. The defendants’
use is highly transformative and so even though the defendants receive revenue from its search engine, the first factor
weighs in favor of the defendants. (2) The images are creative works and so this factor weighs against a finding of fair
use. (3) Although the defendants copied the images in their entirety, they reduced the images and given the purpose of
allowing users to recognize the images to click through to view the full-size versions, the substantiality of the use was
reasonable. This factor is neutral. (4) Thumbnails generally are not a substitute for their full-size counterparts and thus
generally do not affect the full-size market. However, it is possible that thumbnails are effectively equivalent to the full-
size images when viewed on mobile devices. Thus there may be harm to Perfect 10’s mobile market for the images and
the court determines that this factor is also neutral. In sum, given the highly transformative nature of the thumbnails,
the court determines that the defendants’ use was fair. Accordingly, the district court’s grant of preliminary injunction is
reversed and the case is remanded.
ii. Facts are not copyrightable. They can only become protectable when they are
compiled in a way that expresses a minimal degree of creativity for originality
(idea/expression dichotomy)
iii. To be protectable as a compilation, the selection, coordination and arrangement of
the factual information must satisfy the minimal degree of creativity
1. Sweat of the Brow does not confer copyright protectability—in EU it does
2. Feist Publications v. Rural Telephone
a. Rural made telephone book as required in exchange for their grant of
monopoly over NW Kansas residents. Feist copied directly infringing on
right to reproduction
b. Court: The individual listings were not protectable when they were found
factual and as a compilation—as a whole telephone book—it’s
unprotectable because there is no minimal modicum of originality when the
information of their customers is only listed in alphabetical order.
c. How can we make a telephone book protectable?
i. Organize listings by people who move frequently versus people who
do not
ii. Put pictures of people next to their listings
d. What compilations of facts—similar to Feist—would receive
protection?
i. Zagat’s Guide—creative enough for originality because lists
businesses based on how much of a rating they get
ii. Angie’s List—creative enough because of arrangement/different
methods of expression of the facts/ideas
iii. Blue Book for Cars—probably creative enough
e. US News Law School Rankings are Sufficiently Original
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ii. Court
1. Story is in public domain
iii. Hand Abstraction Test
1. Take out all which is non-copyrightable (ideas, facts, public
domain)
2. Compare what is left to original to see if there is infringement
f. Arnstein v. Porter
i. These were musical compositions infringement claim
ii. Court
1. Prong 1—substantial similarity
a. Ordinary observer test
2. Prong 2—access
a. Showing substantial similarity is prima facie evidence
of access
3. Possible defenses
a. Independent creation never had access
b. May have had access but those cord progressions are
common everywhere substantially similar to ALL
songs
g. Gaste v. Kaiserman
i. Even when there is striking similarity you will need to still establish
some sort of access
h. Hoeling
i. Story of the Hindenburg crash based on sabotage
ii. This is based on historical fact—question is how much is fact versus
expression
iii. Test:
1. Whether infringing copy supplants the original
2. Whether there is a substantial taking
3. Whether there is fixated work
k. Fair Use Defense
i. Affirmative defense
ii. General considerations
1. How much use should be protected?
2. Only after PLAINTIFF makes a prima facie case
3. Permits fair use when work is:
a. Criticism/commentary
b. Parody
c. News reporting
d. Teaching
e. Scholarship
f. Research
iii. 4 Pronged Test
1. Purpose and Character of the Infringing Use
a. Test
i. Is use commercial or noncommercial?
1. Commercial
a. Market exchange
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b. For-profit
c. Establishes market effect
d. For commercial purpose
e. In commercial setting
f. Harper (court found that publication in Time was
commercial)
2. Noncommercial
a. “Time-shifting” like in Betamax
i. Using VCR to record Tv shows. But Betamax has
many legitimate, non-infringing uses. Can also
use to copy uncopyrighted material, as well as
material of which copyright owners have
permitted copying.
ii. Is use transformative or superseding?
1. Transformative:
a. Is infringing use recasting as different purpose?
b. Exs.
i. Thumbnail
ii. Book review
iii. Comparative advertising
iv. Creative documentaries
v. Morphing photographs
vi. Use in secondary markets
2. Nature of Underlying Copyrighted Work (least significant factor)
a. Test
i. Creative?
1. Creative cuts against finding fair use
ii. Pre-publication? (Harper and Row)
1. If copyrighted work is pre-publication, cuts against finding
fair use
3. Amount and Substantiality of Copyrighted Work that is Taken
a. Test
i. Quantitative (percentage taken)
ii. Qualitative (Harper and Row)
4. Effect and Value on the Current and Potential Market for the Copyrighted Work
a. Test
i. Actual harm
ii. Potential harm
1. Reputational
2. Possibility of expanding into new markets
a. Texaco found that the affect of archiving the journal
articles was on potential market and that weighed in
favor of copyright holder
b. Betamax taught us that timeshifting does not affect
the potential marketability of the copyrighted work
3. Alternative rights to be sold
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l. Parody Defense
i. Courts generally hold that infringing works that are parodies are presumptively fair use
(Campbell)
ii. Expands likelihood of proving fair use
1. Always transformative uses
2. Always taking the heart of the copyrighted work (less quantitative taking/more
qualitative taking)
3. Never causes harm to copyrighted works’ market b/c by definition different
market
iii. Campbell v. Acuff-Rose Music
1. “Oh Pretty Woman” found to be a parody because they only copied that which was
necessary
2. Rules
a. Tells us that a parody is always transformative but that it needs to take
from the heart of the original copyrighted work in order to be a parody
b. Parody also by definition ensures that the potential market for the
copyrighted work will not be adversely affected
iv. Suntrust
1. The Wind Done Gone parody was defense to copyright infringement claim
2. It wasn’t general commentary on civil war
a. But was commentary on poor depiction in GWTW
PART OF FAIR USE!!!
Folsom v. Marsh
Facts
Common law doctrine based upon English precedents
Abridged abridgment rule (abridgments now © infringement) -- fair use allows expansion of protection
Holding
We must often, in deciding questions of this sort, look to the nature and objects of the selections, the quantity and value
of the material used, and the degree in which the use may prejudice the sale or diminish the profits or supersede the
objects of the original work
MGM Studios Inc. V. Grokster
Facts
Grokster and StreamCast (Grokster) (defendants) distributed free software that allowed users to share electronic
files with each other, including copyrighted materials such as songs, without permission. In distributing the
software, Grokster promoted the software’s ability to allow users to download copyrighted works for free and
made no effort to limit the infringement that was taking place. Metro-Goldwyn-Mayer Studios (MGM) (plaintiff), a
group of copyright holders, sued Grokster for copyright infringement. The district court granted summary
judgment in favor of Grokster and the court of appeals affirmed. The Supreme Court granted certiorari.
Holding
A company that distributes a device and promotes its ability to infringe copyright is liable for the resulting
infringement of third parties. Although the Supreme Court in Sony v. Universal City Studios, 464 U.S. 417
(1984) held that Sony was not secondarily liable for distributing VCRs that enabled infringement because a VCR is
capable of non-infringing uses, the Court did not hold that if a product is capable of a non-infringing use, the
manufacturer can never be held liable for resulting third party infringement. On the contrary, where the
distributor actually promotes the infringing capabilities of a product, it may be held liable for resulting
infringement. In this case, Grokster promoted its software as having the capability of downloading popular
copyrighted music and even responded to requests for help in how to do so. In addition, Grokster marketed its file
sharing product directly to former users of Napster, software well known for its infringing capabilities. Thus,
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although Grokster’s software is capable of non-infringing uses, the fact that the company promoted the illegal
uses of the software makes it secondarily liable for the infringing acts of the third party users. The judgment of
the court of appeals is vacated and the case is remanded.
o Potential non-infringing use exists but there is no safe harbor because of inducement theory
Promotion of software to infringe --> alternative to napster
o Go back to factor (1) --> dispositive factor
Distinction made
Commercial/non-commercial
Since there is a significant commercial benefit; tilts toward commercial
Transformative/non-transformative
Adds value to promotion of science and arts
Economic
Cultural
Changing the © material
Changing the use of the © material
Not merely supplementing --> factor 4
o Factor (4) is very important
o Factor 1 and factor 4 are interconnected
Dastar
Facts
Eisenhower wrote book on the crusades and gave the rights to Fox to make it into a tv series
Fox copyright rights expired in 1977 leaving the tv series in the public domain
Dastar wanted to expand from just cd's so took these episodes in the public domain and edited them to make their
own tv series
o No reference to the crusade series
Fox sued for copyright infringement
Court awarded Dastar's profits to Fox
Court of appeals affirmed
Holding
Depends on what "origin" in the lanham act means
Using the literal meaning would be difficult because once copyrighted that person would still be the "origin" and it
wouldn't just be them but also writers, directors, etc. --> very long and complex line
"origin of goods" would go against what they decided in walmart v. smarra brothers
If Fox renewed copyright then it would have been infringement
Dastar is the origin so not violating lanham act
Lanham Act § 43(a) claim: false designation of origins
Right of attribution --> moral right
o Once you go into the public domain, all the TM attribution rights get lost
Ex: Traffix case
Ex: Shredded wheat case
Ex: Vanna White --> if we have a © then we have a trumping of rights of publicity
§ 301 preemption: 2 prongs: (1) within ambit of subject matter (2) seeking to vindicate equivalent right
What does this say about attribution, authorship, public domain, scope of copyright?
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