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Poem Analysis: Gabu by Carlos Angeles: Jerilou Jean Bass 12-Service Hannah Mikhail Chua Trisha Ann Kirsty Ihalas

Carlos Angeles was a Filipino poet born in 1921 who wrote the poem "Gabu" about watching the rough sea at Gabu beach. The poem uses sea imagery to represent the impermanence and chaos of life. It describes the restless sea battering the shore and spreading salt across the landscape, representing how even the most important things in life can be lost. Though life is constantly changing, the poem suggests we all desire stability and permanence, just as the sea pursues the shore.

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Hannah Mikhail Chua
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719 views3 pages

Poem Analysis: Gabu by Carlos Angeles: Jerilou Jean Bass 12-Service Hannah Mikhail Chua Trisha Ann Kirsty Ihalas

Carlos Angeles was a Filipino poet born in 1921 who wrote the poem "Gabu" about watching the rough sea at Gabu beach. The poem uses sea imagery to represent the impermanence and chaos of life. It describes the restless sea battering the shore and spreading salt across the landscape, representing how even the most important things in life can be lost. Though life is constantly changing, the poem suggests we all desire stability and permanence, just as the sea pursues the shore.

Uploaded by

Hannah Mikhail Chua
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Jerilou Jean Bass 12-Service

Hannah Mikhail Chua


Trisha Ann Kirsty Ihalas

POEM ANALYSIS: GABU


by Carlos Angeles

ABOUT THE AUTHOR:

Carlos A. Angeles

 Born on May 25, 1921 in Tacloban City, Leyte


 Graduated from Rizal High in 1938
 Various universities in pre-med and pre-law
 Did not return to school after World War II
 1950 to 1958 - Chief of the Philippine bureau of International News Service
 Board of directors of International PEN, Philippine chapter

GENRE

 Philosophical (Existentialist)
 Lyric Poem

PERSONA

 Probably someone on a beach at Gabu, watching the rough sea, contemplating


life

THEME

 Life can be restless like the sea; temporal, but desires permanence.
.

MEANING AND IMAGERY

1.) The battering restlessness of the sea


Insists a tidal fury upon the beach
At Gabu, and its pure consistency
Havocs the wasteland hard within its reach.
 Gabu
 A place in Ilocos Norte near the sea
 Often, when typhoons occur, places like this are affected greatly
 Tsunami
 The sea is restless and can be destructive
 Sea = Life
 Battering restlessness = Impermanent
2.) Brutal the daylong bashing of its heart
Against the seascape where, for miles around,
Farther than sight itself, the rock-stones part
And drop into the elemental wound.
 The turmoil of the sea is continuous and powerful
 Brutal bashing = life’s chaos
 Elemental wound = Depths of the sea

3.) The waste of centuries is grey and dead


And neutral where the sea has beached its brine,
Where the split salt of its heart lies spread
Among the dark habiliments of Time.
 The sea has been there for centuries
 Waste of centuries = Past
 Once the sea touches shore, it becomes neutral
 Spilt salt = Bad luck
 Saltiness of the sea describes it’s darkness/deadness
 Time bears the “spilt salt” of life

4.) The vital splendor misses. For here


At Gabu where the ageless tide recurs
All things forfeited are most loved and dear.
 The brilliance necessary for life is not there because in life even the most
important things are lost

5.) It is the sea pursues a habit of shores.


 Waves show that the sea is constantly moving, but always towards the shore
 Life is bounded by time, always moving, but what we all desire is a stable and
eternal ending
 Spiritual context: Shore = afterlife

FIGURES OF SPEECH

 Metaphor
 Sea = life
 Personification
 The vital splendor misses
 the sea pursues
 Synechdoche
 Brutal the daylong bashing of its heart
 Paradox
 All things forfeited are most loved and dear
REACTION
 Always remember that our lives are fleeting
 The only constant thing in life is change
 Life can be rough, like the sea
 But we can believe that if the sea can find stability once it meets the shore, we
can find it too

Reference: DIWA Senior High School Series: 21st Century Literature from the
Philippines and the World

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