Cutlery Story PDF
Cutlery Story PDF
with a
Short Summary on the Selection and Care of Knives
and
Minimum Requirements of Today's Kitchen
by
Lewis D. Bement
published by
THE ASSOCIATED CUTLERY INDUSTRIES OF AMERICA
DEERFIELD, MASSACHUSETTS
1950
FOREWORD
~-'/~
five
molten copper he had
a much harder metal
-and so the Bronze
Age was born, about
3000 B.C., one of
ancient man's great-
est advances, made because he wanted a lasting edge on his
cutlery.
The next great step in cutlery art resulted from the discovery
of iron. It is believed that iron was discovered some 2,000 years
before the close of the Bronze Age but was slow in coming into
general usage, because of the greater heat required to smelt the
ore and difficulty in working it, and the Iron Age therefore is
generally accepted as beginning about 1000 B.C. With the
discovery of iron began the slow development of smelting and
forging and the experiments which resulted in the making of
steel. For steel, which has revolutionized human life and which
is the very core of modern industry, was the result of man's
unceasing efforts to perfect knives and other weapons and was
first used only for them.
Steel is a combination of iron and carbon, and the control of
carbon and the refining- to practical elimination - of other
foreign elements are the most important steps in steel making.
In early times there were wide variations in the finished prod-
uct, and in the 13th and 14th centuries much romance sprang
up around certain forges. The skill of some steel makers was
cloaked in greater secrecy than has proved the case with our atom
bomb production. Mythology gives us "Excalibur," the sword
made famous by King Arthur, who pulled it from a stone; and
"Balmung," which Siegfried with the help of one of the Gods
forged three times, and with it cut his great anvil in two with
one stroke.
;4~~eat7~
It was recognized by the ancients that if steel cooled slowly
it was relatively soft and ductile whereas if it was cooled quickly
I
it became hard and brittle. We read that one of the early secrets
of hardening was to heat the forged blade to a "cherry red," then
plunge it through the heart of a Nubian slave. Later, more
humanely, it was averred that a red-headed boy near the quenching
tank would be equally effective.
It is interesting to note that the Hittites, a white race in Asia
Minor, supposedly began working the iron ore deposits along the
Black Sea even before 1300 B.C. and were the earliest distributors
of iron, which they introduced first into Assyria. The Assyrian
army was possibly the first to be equipped with weapons of iron.
Metal for the famous Damascus weapons was made in India, and
Damascus steel was produced by laminating strips of high carbon
steel with milder steel in layers, a type of steel structure still used
in axes and some shears in which the cutting edge is high carbon
steel backed up by a low carbon steel and welded to it.
aeven
The dagger as a table knife apparently came into its own in
the 15th century, which produced some of the finest examples of
the craftsman's art, and has been carried
over into modern times. The ordinary
citizen's girdle dagger was an all-purpose
knife equally effective for cutting a throat
or carving a joint. Only the nobility
carried daggers specially designed for
table use, and these were triumphs of
the cutler's and jeweller's art, with handles
inlaid with precious stones, carved ivory,
decorated porcelain, and rare metals, their
sheaths of tooled leather embossed and
metal-inlaid. The knife reflected the man
-and the culture of the Renaissance.
The knife changed table manners. An
Italian writer in 1530 notes that "it is not
good manners to lick your greasy fingers -
and salt should be taken from the salt- BANQUET DAGGER
cellar with the point of the knife, from
which the grease has been removed." Good knives were held in
such esteem that "pairs of knives" appear in the inventories of
estates drawn at this time.
The invention of the fork made pointed table knives
unnecessary, although it is said the Cardinal Richelieu had his
table knives ground to a round point because one of his frequent
guests picked his teeth with the point of his knife. At any rate,
Louis XIV in 1669 made it illegal to carry pointed knives or for
innkeepers to place them on the table.
During the 16th century table knives were curved and
widened to better hold food- green peas or beans possibly.
eight
~~ tJ/ t~ 'PDdet
M {fta4p ~Idle
The forerunner of the pocket
knife is found in examples of the
early table knives, the blades of
which folded into the handles. A
pocket knife is listed in an inven-
tory dated 1380, and there are
clasp or spring knives mentioned
as early as 1650. The develop-
ment of the art of writing, which
was done at first entirely with
goose-quill pens, gave rise to the
"pen-knife" for trimming the
SHEATH, KNIFE and 2-PRONG FORK quill. We also find the name
"jackknife" used before 1600.
One sees that man's search for better knives is as old as his
search for better living, and that the history of cutlery paralleled,
reflected and has indeed shaped the history of man.
74e~~
The concentrated manufacture of cutlery seems to have had
its greatest development in England. As early as 1298 the Cutler's
Guild of the London Company tried to suppress the illegal sale of
"foreign cutlery"- by which was meant knives made by another
guild, an indication of the power of these early associations or
trade unions of craftsmen.
The Cutlery Guilds, of which the London, Hallamshire, and
nine
Sheffield were the most powerful, prescribed that a man to become
a journeyman or master cutler should serve seven years' apprentice-
ship; that apprentices' hours of work should be from 6 a.m. to
9 p.m.; and that when they had served their time, apprentices
should be paid fifty pounds ($25.00), which was considered
sufficient to set a man up as an independent master.
The greatest concentration of cutlers appears to have been in
the Sheffield area, where master cutlers were so numerous and
powerful that they controlled the lives of all the citizenry. The
guild system systematized the fundamental processes which are still
the foundation of good cutlery manufacture. Modern changes and
improvements have been due mostly to the greater knowledge we
now have of materials used, of more accurate control of the qualities
of materials, and of precision instruments for the regulation of
heating and other processes.
ten
produced more uniform ingots than any previously made. His
I
process, with various refinements, was used to make fine cutlery
steel as recently as 1940 but has now been largely superseded by
the electric furnace, which produces the finest steel in the history
of cutlery. It is rapidly replacing cutlery steel made by the
Bessemer and open-hearth process. Accuracy of control in the
electric furnace results in steel which has enabled the American
cutlery industry to assume world leadership.
f!leven
to make four times as many blades per hour as two men under the
English guild system. Since beam hammers operate with very rapid
strokes and reheating is seldom necessary, the finished product was
more uniform than hand forging.
Although steel and other raw materials had to be imported,
Yankee ingenuity cut the costs of production without sacrificing
quality and successfully met Sheffield competition. In 1837
another cutlery plant was opened in Shelburne Falls, Massachusetts,
and during the next twenty years several others followed in
Connecticut and New York State. While there are a few plants
scattered over several states, the cutlery industry in America today
is pretty well concentrated in New England, New York and Ohio.
twelve
when the blade is a pale straw-color, whereas a pocket knife blade
is drawn to a purple, and a knife blade, in which flexibility as well
as hardness is required, is usually drawn to a pale blue. This process
of tempering must be done slowly. Originally, as in hardening,
the color perception of the workman was all-important, but now
tempering is done in mechanical ovens, eliminating human guess-
work and so accurately timed that variations are kept to a minimum.
~
When the blade comes from the tempering oven it is ready
for rough grinding. This used to be done on a coarse, natural
sand-stone some six feet in diameter and nine inches across. The
grinder rode the stone on a heavy wooden saddle, or horsing, which
extended slightly beyond the top center of the stone; and the stone
revolved away from the grinder. Holding the blade in a wooden
jig known as a "flat-stick," and using his arms and shoulders and
frequently his entire weight, the grinder "rode" the blade until he
reduced the gauge very nearly to that of the finished knife. This
was a hazardous occupation for the grinder. Stones sometimes burst
with crippling or fatal results.
Working with hands and feet
soaked with the water used to
keep the stone cool, and in-
haling dust and spray, only
the very husky grinder lasted
more than a few years before
he contracted what was called
"grinders' consumption" -
which was phthisis or a type
of silicosis. Today rough
grinding is done on batteries ROUGH GRINDING
thirteen
of four machines run by one operator whose job is to load and
unload the "backers" which have replaced the original "flat-stick."
And machine grinding has made the product more uniform.
After the rough grind the next step is whettening the blade;
another wet grinding operation but done on finer stones than those
used for rough grinding. This process removes the rough-grind
marks and produces a smooth surface ready for polishing. Today,
excepting on the finest knives, and those which are taper ground
from handle to point, whettening is done mechanically on what
is called a "double header," a machine consisting of two wheels
held in a frame so that they are directly opposed to and turning
towards each other, one wheel being movable horizontally in the
frame and operated by a foot pedal. The operator, holding the
back of the blade on a rest, pulls the blade back and forth between
the wheels, at the same time bringing the wheels together under
pressure by means of the foot pedal. These wheels are surfaced
with walrus hide or felt and doped with wax and emery "cake"
applied as needed by the operator, and which whetten out the rough-
grind marks from both sides of the blade simultaneously.
Blades sold with dull finish get their final polish on the
"double-header" with very fine or flour emery. High mirror finish
blades go to a polisher with cotton buffs which operate like a
washing-machine wringer with rapidly revolving rollers. As these
machines have a tendency to roll the edge of the blade, sharpening
down to the perfect "V" edge must be done by hand. The better
grades of pocket knives are generally hand whettened after
mirror finishing.
After the final polishing operation the blade is ready to be
mounted. On fixed-blade knives the principal handle materials
are rosewood, boxwood, cocobolo, and a few other imported hard-
woods; domestic walnut, beech, maple; and, growing in popularity,
fourteen
a plastic-impregnated wood bearing several trade names, the best
known being Pakkawood. Colored plastics, hard rubber, genuine
staghorn, water buffalo, and other horns, bone, and mother-of-pearl
are also used for handles, the last being used mostly for fine pocket
knives, fruit knives, and table knives. Many knife manufacturers
get their wood for handles in log or plank form; others are supplied
by handle specialists. Considerable skill is required in making the
fine-looking handle that will not split or check. Handles are riveted,
pushed on, and held by friction, or cemented.
It should be noted finally that good design of both blade and
handle is important. One of the earmarks of a good knife is its
balance. Its weight should be at the handle end, and when held
loosely in the hand it should have a "hang" that is comfortable to
the hand and wrist. Proper "hang" is of special importance in
the longer knives and is a feature looked for and expected by the
professional user.
flfteen
Generally speaking, there are four kinds of tangs; full tang,
which extends to the end of the handle, half tang, flat or "push"
tang and round or rat-tail tang. Full or half tang blades fixed with
two or more rivets are the least susceptible to being separated from
the handle. Except for table knives, the flat tang is used mostly
on low priced knives. Flat tang blades for household use are often
held only by friction and soon work loose when alternately wet
and dried out. The flat tang, however, is wholly successful in
industrial knives which never are wet and the handle held firm
with a pin driven BOLSTER
through the end
of the tang. Both
+
RAT TAIL TANG
[;.USHTAN~
the flat and round
c ~
tang are satisfac- 0 C)
tory in table
knives since the FULL TANG
oj
bolster keeps
moisture from
working down
and relieves most
L 0
HALF TANG
DIAGRAM OF TANGS
of the strain to which the tang is subjected. The flat tang is also
satisfactory when a handle such as hard rubber or plastic is moulded
on the tang.
sixteen
the manufacture of which precision tools reduce hand adjustment
to a minimum, the assembly and adjustment of a fine pocket knife
require great skill and experience.
In pocket knives other factors besides the blades' parts must
be considered. Here the greatest strain comes on the bolster, as
the strength of a pocket knife depends on the rivet, which acts as
'
~
a hinge and is anchored to the bolster. The diameter of this rivet
is obviously important. The bolsters in a pocket knife are riveted,
spot welded, or crimped onto the ends of the linings, which are
usually brass, nickel silver, or steel which is used on the lower
- I MASTER BU..Dt
BACK
TANG
BOLSTER LINING
SPRING
EDGE
51010 CENTER SCALE
•
'\~PUNC"
END RIVET
BOLSTER SPRING
SCREWDRIVER
/J6Venteen
priced knives. Fine tooling and expert :fitting of pocket knife parts
are required to make blades open smoothly, fold into the handle
at just the right pitch to lie flat, and lie at the right height to leave
the nail mark easily accessible.
I
No one will dispute the fact that the most important test of
J
any cutting tool is how well its blade will take and hold an edge.
To make a knife which will hold a good cutting edge the manu-
facturer must use a steel of high quality, the tempering must be
done accurately to obtain the perfect degree of hardness for the
particular service the knife is designed to render, and the grinding
must be skillfully done so as to reduce to a minimum the resistance
to cutting.
eighteen
was non-corrosive and stainless. This, about 1920, cutlers
began to use extensively for table knife blades and household and
other cutlery. Since then not only has the steel structure been
improved but staip.less steels are now being made that contain as
high as 120 points of carbon, and is being used by several manu-
facturers. This is generally known as High Carbon Stainless.
About 1930 steel mills began the production of a cold-rolled
stainless steel which had a reasonably hard surface and did not
require heat treating. This came in double beveled strips with its
thickest cross-section running down the center and tapering to a
thin gauge at the edges. The making of a so-called blade from this
steel was very simple. A stamping press and a dry grinding stone
were all the equipment necessary to make a very low priced product
which, in recent years, has been somewhat improved by grinding-
on one side at least - so that it can be whettened and brought to
a sharp edge which will give service comparable to its cost.
More recently there have become available new alloy steels
containing vanadium and molybdenum, which when added to
chromium increase the toughness of the steel and thereby lengthen
the life of the blade. Of these the most extensively used today is
chrome-vanadium steel, which has stain resisting qualities and,
when chrome plated, is practically stainless as long as the protec-
tive plating lasts.
We have already described the process of forging, which has
an important effect on steel structure, beating out impurities and
compacting and making finer the tiny grains or molecules which
make up the structure of the material. The grade of the steel is
frequently determined by fineness of grain- the finer the grain,
the tougher the steel. Hammer forging continued as common
practice until the latter part of the 19th century, when sheet stock
rolled to gauges approximately the thickness of the finished knife
nineteen
began to be used. Blades from early sheet stock did not have the
same edge-holding qualities as the forged blades, but in recent
years mechanical and metallurgical techniques have so improved
that there is very little detectable difference between the forged and
sheet stock blades, provided heat treating and grinding are compa-
rable. However, there are two schools of thought on the subject.
The advocates of forging believe that forging adds greater tough-
ness, while the sheet stock advocates maintain that several passes
through the rolling mill will densify the structure just as much as
forging and that the more accurate control of the heat during the
rolling process makes
for greater uniformity
TANG OF FLAT STOCK BLADE in the finished steel.
Several of our plants
produce blades made by
both processes. A forged
TANG OF FORGED BLADE
knife can usually be rec-
ognized by the fact that the tang tapers and is thinner at the butt
end; sheet stock is uniform gauge for its entire length.
Regardless of the quality of its steel, its proper heat treat-
ment, and whether it is forged or not, the ultimate value of a
finished blade depends upon the way it is ground. Methods and
degrees of grinding differ widely. Grinding can be and usually is
the most costly of the various manufacturing steps; and it can be
thoroughly done or skimped, for to the untrained eye incorrect
grinding is very hard to detect.
For the most perfect cutting edge a knife should be ground
to a taper from the handle to the point as well as to the edge. A
knife so ground can, if the point is held against a fixed surface, be
bent in a perfect diminishing arc from the point to the handle in
a degree governed by the flexibility of the blade. Taper grinding
twenty
is more costly and is worth
it and is found only in the
highest grades of knives -
especially those used by
professionals.
In general terms there
are two major types of grind,
common!y referred to as "flat
grind" and "hollow" or "con-
cave grind." These in turn
break down into four types
of edging; the uniform "V" TAPt:R GRIND and ARC
SERRATED EDGE
twenty-one
a knife so ground has greater resistance to damage from contact
with a hard substance and being twisted.
When steel was scarce and good knives a rarity man took
pride in his cutlery, valued it highly, and knew how to keep a knife
twenty-two
sharp. And he saw to it that his cutlery equipment was efficiently
selected. The modern householder all too often is careless in his
selection of knives, leaves his kitchen woefully undersupplied with
the right knives, and takes poor care of the knives he has. He
forgets the indispensable knife deserves thought both in its pur-
chase and its maintenance.
The cutting edge of a knife requires attention if it is to
perform its function efficiently. Regardless of the steel of which
it is made and the skill which has gone into its manufacture, a fine
cutting edge will give or turn over when brought into contact with
a hard surface. Even ordinary slicing tends to turn a fine edge,
and when it is turned it appears to be dull.
Have you ever watched your butcher, a professional knife
user, when he takes up his knife to cut your meat? Before he
makes a cut he gives the edge of his knife a few strokes on his
steel. He is not sharpening his knife but re-setting and re-aligning
the microscopic teeth which form the cutting edge of any blade,
a process which "revives" and makes perfect the cutting edge
.many times before the edge becomes actually dull and requires
sharpening. Every knife user should learn to use a steel and follow
the professional practice of always giving a knife a few strokes
on the steel before using it. It is a trick readily learned. The
conventional method is to hold the steel horizontally slightly
slanted away from you in the left hand, hold the knife by the handle
in the right hand, rest the edge at the heel lightly near the point
of the steel at an angle of about 20
degrees, and draw the blade towards
you against the edge and across the
steel from heel to point. Use only
light pressure. Repeat this operation
on the other side of the steel with the
twenty-three
other side of the edge. Three or four
strokes on each side are enough.
Simple, indeed!
Or you can rest the point of the
steel on the edge of a table and draw
the blade back and forth only on the
top side of the steel, turning the edge of the blade towards you on
the up stroke and away from you on the down stroke.
Sharpening is another matter, which some people prefer to
leave entirely to the professional but can be done in the home
with a little practice. A simple device for sharpening is the abra-
sive stick or the stone mounted with a wooden handle. The stick
is used in a similar manner to the steel and the stone is used to
stroke the edge much like sharpening a scythe. With either of
these methods the blade is held firmly and more pressure is applied
in drawing the stone against the edge. There are several mechan-
ical devices of various degrees of effectiveness with hand operated
stones which attach to the wall or table and are turned with a crank.
The most effective and fool-proof of these is the electric motor
driven sharpener. The mechanical sharpeners which consist of a
series of hard steel discs or wheels between which the knife edge
is drawn may be used on a cannelled edge knife, but are not recom-
mended for any hollow or "V" edge ground knife. And lastly,
there is still no substitute for the old reliable oil stone, coarse on
one side and smooth on the other, which takes more time and care
but gives the keenest, smoothest edge.
A pocket knife is honed at a less acute angle than a kitchen
knife. Although the edge of a pocket knife blade can be re-set
with a steel, the oil stone is required for good sharpening.
In using the oil stone, which, as the name implies, is to be first
moistened and then kept moistened with a few drops of light oil,
twenty-/011/T
lay the knife blade :flat on the stone and then raise the back about
an eighth of an inch to get the proper angle, and draw the blade
against the edge first on
one side and then on the
other. About twenty
strokes on each side will
sharpen a knife that is
not unusually dull. Use
the coarse side for the
first eight or ten strokes,
then finish it on the
smooth side.
twenty-five
It is unfair to expect the housewife to do her many hours of
kitchen work with poor or scanty equipment, and that is especially
true of her knives, which she uses constantly. She should be able
to take pride in her working cutlery as she does in her table silver,
and it should be remembered that good quality does not come
cheap. The first requirement of the efficient kitchen is high
quality cutlery. Nothing else will give lasting satisfaction.
twentv-N
1. A 3 or 3 Y2 inch Paring Knife. For a dozen inci-
dental uses for which there is no
~ 1§§#1 t
substitute.
5.
A 7 or 8 inch Long-Handle Pot Fork. For getting
food from kettle; for use as serving
-==-:?~
fork, etc.
twenty-seven
Add to this basic set, as you can, the following eight pieces.
twenty-eight
6. An 8 inch Scalloped or Saw-toothed Bread Knife
~ ~ ~
7. Poultry Shears
S~a~Ut~
Personal preference often enters into the choice of a slicer
or carver from the many patterns available. Some like a straight-
edge medium-width blade, others like a blade to have a sweep.
One important thing to remember is that a wider blade does a
better job on hot meat, whereas the narrower the blade the easier
twenty-nine
VARIOUS SHAPES OF SLICERS
it is to slice cold meat. Hot meat falls away from the blade; when
meat is cold and the fats harden it tends to cling to the blade.
Therefore the narrower the blade the less resistance.
There are many other cudery items designed for special pur-
poses which add to the efficiency of the well equipped kitchen, such
as the short spatula for spreading butter, the cake and hamburg
turners, and pie servers, to name a few.
Always be kind to the cutting edge of any knife by using a
cutting board against which to slice any food to be cut through.
thirtv
74&e ~ldete4
There is no substitute for a sharp knife on the table. Regard-
less of the flatware used, a sharp knife for cutting meat adds
immeasurably to the enjoyment of the meal. For the well appointed
table there are available well designed sharp knives with handles
made of several attractive materials which, although not as elabo-
rate as those made in the Middle Ages, are appropriate and add
dignity in combination with any place setting.
c = j)J-0~~~--j
PAKKAWOOD
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SILVER OVERLAY
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HORN
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STAG
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STAG
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PLASTic
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PLASTIC
::>
EIGHT ATTRACTIVE TABLE KNIFE DESIGNS
thirty-one
In their respective fields pocket knives are as essential as
adequate household equipment. While many business men today
do not carry a pen knife, those that do would not be without one
and find many daily situations where a good knife is most con-
venient and useful. For mechanics, artisans in many fields, and
farmers a rugged pocket knife is indispensable. On the range the
Sleeveboard Pen
~ Congress Pen
Senotor Pert
Utility
thirty-two
pocket knife is a surgical instrument. There is a wealth of patterns
to choose from and for the out-of-doors man as well as those whose
occupations are less active there are designs for every need.
~----&,-.-:--,;ve<:J:f ~ CIO>
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~-=:::::::::::: ~ -Kl < Peo
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Screwdriver-caplifter long Oip
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SheepFoot
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Copirtg
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Skinning
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VI
STANDARD POCKET KNIVE BLADES
S~'4 ~leUte4
In the early days of this country the knife was a necessary tool
and weapon of the pioneer, and the Bowie, or sheath, knife has
taken its place in American history. In the Indian wars a common
pioneer battle-cry was "Give it to 'em up to Green River!"-which
meant "up to the hilt" because one of the popular sheath knives
of the time had etched "Green River Works" across the blade
where it entered the handle.
The knives of the pioneers were the forerunners not only of
the modern military knife, which has become one of the most
important pieces of equipment for the American soldier, but also
the sportsman's and trapper's knife.
\
thirty-three
Among the finest products of the American cutlery 1ndustry
are the many types of sportsman's knives, designed for every pur-
pose of the hunter and fisherman, and unsurpassed in quality.
thirty-jPUr
fruit, and pruning knives. Textile, tire, paper, and rope manu-
facturers require special knives; and some 20 special patterns of
knives are used by the shoe industry. Such knives as putty knives
and scrapers, linoleum, and many others are used in ship-building,
house building, and in most other industries using materials other
than metals.
American cutlery is inseparable from American industry.
~tptUt~
As is the case with most commodities, the purchaser gets the
quality of cutlery that he is willing to pay for. The grade of steel
and the care with which it is brought through the critical processes
of manufacture are, in most instances, the determining factors in
the sales price. Operations can be skimped and cheaper materials
used to reduce the cost, but only to the detriment of the finished
product and the resultant dissatisfaction to the purchaser. With
reasonable care a good knife will last a lifetime. The difference
of a dollar or more in the cost of a knife when spread over its life
is nothing compared to the satisfaction the better product gives.
Since it is difficult for the layman to recognize the difference
in quality it is safest to purchase cutlery from reputable dealers
and buy brands used by reputable cutlery manufacturers. Dollar
for dollar there is no finer cutlery to be had than that being pro-
duced in our American cutlery factories today where they have
the know-how and excel in both materials and styling, put-up
and finish.
Good cutlery is an investment in daily satisfaction and
deserves care and discrimination in its selection. The purchase of
quality cutlery and of essential patterns is an investment that will
never be regretted.
' thirty-five
Members of
'
Associated Cutlery Industries
of America
NAME LOCATION BRAND
H. Boker & Company New York, N.Y. "Tree Brand"
Chas. D. Briddell, Inc. Crisfield, Md. "Briddell"
W. R. Case & Sons Company Bradford, Pa. "Case :XX"
Cattaraugus Cutlery Company Little Valley, N.Y. "Cattaraugus"
John Chatillon & Sons Co. New York, N.Y. "Foster"
The Clement Company Northampton, Mass. "Delvin"
Clyde Cutlery Company Clyde, Ohio "Clyde"
Colonial Knife Company Providence, R. I. "Colonial"
Ekco Products Company Chicago, Ill. "Flint" "Geneva Forge"
The Goodell Company Antrim, N.H. UGoodell"
Hyde Manufacturing Co. Southbridge, Mass. "Hyde"
Imperial Knife Company Providence, R. I. 1"Hammer Brand"
"Jackmaster Brand"
Kinfolks, Inc. Little Valley, N.Y. "Kinfolks"
Lamson & Goodnow Mfg. Co. Shelburne Falls, Mass. "I.amson"
National Silver Company New York, N. Y. "Royal Brand"
Northampton Cutlery Co. Northampton, Mass. "Northampton"
Ontario Knife Company Franklinville, N. Y. "Tru-Edge"
Queen Cutlery Company Titusville, Pa. "Q"
Quikut, Inc. Fremont, Ohio "Quikut"
Russell-Harrington Cutlery Co. Southbridge, Mass. "Dexter" "Russell"
Schrade-Walden Cutlery Co. Walden, N.Y. {"Schrade"
"Everlastingly Sharp"
Ulster Knife Company New York, N. Y. "Ulster"
Union Cutlery Company Olean,N. Y. "Ka-Bar"
Utica Cutlery Company Utica, N.Y. "Kutmaster"
The V oos Company New Haven, Conn. "Voos" "Empire"
Western States Cutlery Co. Boulder, Col. "Western Cutlery"
Copyright 1950
Lewis D. Bement