THEATRICAL SPEECH CHOIR SCRIPT
9 – HENRI BECQUEREL
INTRO:
Lalalalalalalala
Lalalalalala
Lalalalalala
Lalalalala
A cuncti--s mundo scaena
Nos sunt actores
Moriendum est
Moriendum est
Moriendum e--st
(everyone: goes under large cloth)
BEGIN:
TECHNICAL: CLASSICAL MUSIC PLAYS
All the world's a stage
And all the men,
(men: peak out the cloth)
and women
(women: peak out of cloth)
merely players
They have their exits and their entrances
And one man in his time
Plays many,
(hihilahin na yung cloth)
many, many, many, ma--ny parts
(everyone: yung nalilito)
His acts being seven ages
THEATRICAL SPEECH CHOIR SCRIPT
9 – HENRI BECQUEREL
INFANT:
At first, the infant
TECHNICAL: PLAY MIKROKOSMOS MUSIC BOX
Mewling and puking in the nurse's - AH! Oh dear! Where is the baby?
(everyone runs to the left side after ibato ni Ara yung baby papunta sa left side, position
ng speakers, position ng schoolboy; natira si Ara and detective sa right na part)
• Nurse: Oh my God, where is the freaking baby? I.. AM.. SCREWED!
• Detective-like character: TECHNICAL: OMINOUS MUSIC PLAYS He's one of
us now, circling in this twisted and endless cycle! Ahihihihihi!
SCHOOLBOY
(everyone: nagkakagulo-gulo, Fiona and Alexa's act happens) TECHNICAL: CLASSICAL
MUSIC PLAYS
• Alexa: You have to go to school!
• Fiona: NO! Stop you have no idea what's happening!
• Alexa: Shut up you're just a kid you have no idea WHAT is HAPPENING!
And then, the whining schoolboy
With his satchel, and shining morning face!
Creeping, creeping, creeping like a snail unwillingly to school!
LOVER:
(carlo: ibabato yung doll papunta sa right, kung nasan sina Ara and detective earlier;
TECHNICAL: LA VIE EN ROSE PLAYS
everyone: goes into La Vie En Rose position, does the dance, medyo worried si
Angelica kasi she is aware she is in a cycle and she can't do anything)
And then, the lover
Sighing like furnace
With a woeful ballad made to his mistress eyebrow
THEATRICAL SPEECH CHOIR SCRIPT
9 – HENRI BECQUEREL
SOLDIER:
TECHNICAL: OMINOUS MUSIC PLAYS (BATTLEFIELD 4 THEME MUSIC)
Then, a soldier
Full of strange, strange oaths
(everyone: goes into position)
And bearded like a pard
(soldiers: loads gun)
Jealous in honor
(carlo: pinatay si Ethan)
Sudden and quick in quarrel!
(soldiers: pinatay yung natira; everyone na namatay; ranice: nasa likod, gitna)
• Ranice: Do I really need to fight THESE battles? It’s exhausting. *umiyak*
• Roan: (silence) Dear? *whispers to Ranice*
• Ranice: What do you mean I’ll make it through?
• Roan: Trust me. Follow me. *umikot, bumagsak para mag-blend in sa mga binarily)
• Ranice: Where did you go?
{explanation behind that ^ : May nakasulat na "Problems" sa gun ng soldiers, basically,
binaril nila yung mga tao ng PROBLEMS, and yung mga bumagsak, hindi kinaya, and
isa doon si Ranice. May magsusupport kay Ranice kaya maiinspire siyang tulungan
yung iba na hindi makaget over sa problems nila}
Seeking the bubble, bubble, bubble reputation even in the cannon's mouth
THEATRICAL SPEECH CHOIR SCRIPT
9 – HENRI BECQUEREL
JUSTICE:
(roan: goes back to standing position, stomps two times; everyone: gagawin choreo sa
Do You Hear the People Sing) TECHNICAL: Do You Hear the People Sing plays
{Si Ranice, she got through her problems. Dahil doon, nainspire siyang tulungan yung
iba sa pagget over sa problems. Hence, tinutulungan ng mga hindi nabaril AND
RANICE na MAKABANGON yung people from their PROBLEMS}
(everyone: goes to arch position, stomps two times)
TECHNICAL: OMINOUS MUSIC PLAYS (BATTLEFIELD 4 THEME MUSIC)
And then, the Justice
In fair, round belly
With good capon lined
With eyes severe, and beard of formal cut
Full of wise saws and modern instances
(everyone: position ng MO-DERN-IN-STAN-CES)
And so
(everyone: two stomps)
He plays
(everyone: two stomps)
His part
(everyone: two stomps)
THEATRICAL SPEECH CHOIR SCRIPT
9 – HENRI BECQUEREL
OLD MAN:
(everyone: position sa When I'm 64, choreo goes on)
TECHNICAL: WHEN I’M SIXTY FOUR PLAYS
• Jamela: Gosh, grandpa! You're literally the most WORTHLESS piece of trash!
• Luis: Forgive me, gra-
• Jamela: SHUT UP
The sixth age shifts
Into the lean and slippered pantaloon
With spectacles on nose, and pouch on side
• Everyone: clowns grandpa, inaasar nila kasi kuba and matanda na, magtatawanan
• Luis:
His youthful hose well saved
A world too wide for his shrunk shank; and his big manly voice
Turning again towards childish trebles, pipes, and whistles in his sound
DEAD MAN
• Ara: Aha! I won the bet, the kid made a difference and-
(ara: sees the kid is now old, and is dying)
(luis: stares at ara, falls down and dies; everyone: in shock; luis: is pulled out of scene;
everyone: two stomps,
TECHNICAL: SAFE AND SOUND PLAYS
Safe and Sound plays, everyone: goes into position sa entrance ng Safe and Sound)
• Everyone:
I remember tears streaming down your face when I said I'll never let you go
When all those shadows almost killed your light
I remember you said don't leave me here alone
But all that's dead and gone and past tonight
Just close your eyes the sun is going down
You'll be alright, no one can hurt you now
THEATRICAL SPEECH CHOIR SCRIPT
9 – HENRI BECQUEREL
Come morning light, you and I'll be safe and sound
Ooh (8x)
The last scene of all
That ends this strange, strange, eventful history
Is second childishness and mere oblivion
Sans teeth, sans eyes, sans taste, sans everything
Just close your eyes
(everyone: nakatayo na)
You'll be alright
(everyone: goes back to first position)
• Ara, Fiona, Ange, Earl, Ranice, Luis, Erik: NO WHY ARE WE GOING BACK
Come morning light
You and I'll be safe and sound
(everyone: statue first position)
BEGIN:
TECHNICAL: SCARY MUSIC PLAYS (IT BG MUSIC)
All the world's a stage
• Ara, Fiona, Ange, Earl, Ranice, Luis, Erik: NO
And all the men, and women merely players
(everyone: sinister voice, everyone drops; actors shout NO)
