Peter Batchelar and Richard Wright Time Pieces Guitar Music through the Ages in Two VolumesTime Pieces for Guitar Volume 1 Year Trad. Poor Wayfaring Stranger page 2 Trad. The Oak and the Ash 2 Trad. El noy de la mare 3 Trad. The Sixpence 4 Trad. Angel Band 4 ©1275 Anon. Ductia 5 1340 Machaut Douce dame jolie 5 1360 Anon. Personent hodie 6 1530 Anon, La rocha el fuso 6 ©1550 Anon, La volta 7 ©1570 Anon. Passa Mesure Galliard 7 1588 Arbeau Three Dances from Orchésographie 8 1597 Dowland Can she excuse my wrongs? from The First Boke of Songes or Ayres 9 1627 Frescobaldi Atria detta la Frescobalda from II secondo libro di toccate 10 1650 Anon. Golden Slumbers i 1682 Visée Menuet from Livre de guittarre dédié au roy i 1736 Handel Gavotte from Atalanta 12 1736 JS. Bach O Jesulein siiss, o Jesulein mild, BWV 493 13 1745, Felton Farewell Manchester 14 ¢1770 Anon Drink to me only with thine eyes 14 1785 Haydn Menuet, Hob. IX/8 No. 12 15, 1788 Paisiello Nel cor pit non mi sento from L’amor contrastato 16 1824 Beethoven Ode to Joy from Symphony No. 9 17 1825 Sor ‘Valse from Op. 51 No. 1 17 1843 Aguado Leccién from Nuevo método para guitarra 18 1896 Grieg, Ballad from Lyric Pieces Op. 65 18 1900 Falla Cancién 20 1902 Granados Dedicatoria from Cuentos de la juventud 21 1923 Youmans/Caesar ‘Tea for Two from No, No, Nanette 22 1943 Kabalevsky ‘Waltz from 24 Little Pieces, Op. 39 24 1956 Bernstein/Sondheim One Hand, One Heart from West Side Story 25 1966 Lennon/McCartney Here, There and Everywhere 26 1982 Blake Music-Box Dance from The Snowman 28 2004 ‘Wright Ballroom Blues 30 2005 Tommis The Dangers of Poking Holes in Ice 31 2006 Crowdy Spider on the Move 32 Published by ABRSM (Publishing) Ltd, a wholly owned subsidiary of ABRSM (© 2008 by The Associated Board of the Royal Schools of Music esyvel Beller Heemibaben 2ol@Poor Wayfaring Stranger ‘Trad. (Spiritual) Risoluto J = c.80 Pe ” Sf f (© 2008 by The Associated Board of the Royal Schools of Music The Oak and the Ash Trad. (English) Flowing J =c.80 41 mf = S t F nf r This famous old ballad is also known as Rosemary Lane or A North Country Maid. In addition, the tune appears in The Fitewilliam Virgina! Book, as part of Quodlings Delight by Giles Farnaby. {© 2008 by The Associated Boned of the Royal Schools of Music ABILEI noy de la mare Trad. (Catalan) Gently J.= 40 Pp dole El noy deta mare The Son of the Virgin (© 2008 by The Associated Board of the Royal Schools of Music AB MII 3The Sixpence Trad. (Lish) (or ‘It is not the tear’) Flowing J = c.72 (© 2008 by The Associated Board of the Royal Schools of Musie Angel Band ‘Trad. (Spiritual) Lively J=.100 (Ten it~ de angels ia the band!) oO s a “I ofr rooptrr 4 ABMIIc.1275 Ductia Anon. Gently 4.=.76 P ‘The ductia was a medieval instrumental dance-form, usually with short repeated sections. © 2008 by The Associated Board of the Royal Schools of Music 1340 Douce dame jolie Guillaume de Machaut (c.1300-1377) Leggiero 4 = c.120 4 4 4 4 ng ~ = = 4 mf ‘This tune is a virelais ~a simple French musical form related to dancing, (© 2008 by The Associated Board of the Royal Schools of Music ABI 51360 Personent hodie Anon. This processional hymn (‘On this day earth shall ring’) was one of 70 or so songs published in the collection Piae cantiones (1582). Itis probably best known, however, from Gustav Holst’s arrangement of 1916. (© 2008 by The Associated Board of the Royal Schools of Music c.1530 La rocha el fuso Anon. Sturdy = .120 This is a galliard ~a lively dance in triple time. '© 2008 by The Associated Board of the Royal Schools of Music 6 AB MILc.1550 La volta Anon. Lively J.=.66 ‘ ‘The volta was a popular leaping and turning dance for couples (Italian voltare, ‘to turn’). It is related to the galliard and exists in ‘many different versions. (© 2008 by The Associated Board af the Royal Schools of Music c.1570 Passa Mesure Galliard ‘Anon Moderato J=.100 pr F fF FoF F ‘Passa Mesure’ is a derivative of the Ttalian passamezzo, meaning ‘a step and a halt’. wl a '© 2008 by The Associated Board of the Royal Schools of Music AB SAIL 71588 Three Dances Thoinot Arbeau from Orchésographie (1520-1595) Branle d’Ecosse Steadily J= 0.92 i oo ye FO OP PF FP 6 m, ™, vl 4 4) $l 4 4 4 4 Not too slow J= c.88 mf ft Les bouffons Fairly fast J = c.52 f ‘pte goed df Ppl } P f © 2008 by The Associated Board of the Royal Schools of Music 8 ABIL1597 Canshe excuse my wrongs? john Dowland from The First Booke of Songes or Ayres (1563-1626) Allegretto J = .100 fi Dowland also used this melody for a lute solo, The Karl of Essex Galliand. (© 2008 by The Associated Board of the Royal Schools of Music AB SAIL 91627 Aria detta la Frescobalda | itotamo Frescobaldi 153 from II secondo libro di toccate (1583-1643) Moderato J = 0.63 0 all Pop fer ep ee he ©2008 by The Asie Bord ofthe Roya Schools of Masi 10 AB MIIc.1650 Golden Slumbers Anon. Gently J=c.100 —} F (© 2008 by The Astocated Board of the Royal Schools of Music 1682 Menuet Robert de Visée from Livre de guittarre dédié au roy (.1655—c.1730) Boldly 4=¢.120 3 St * ° * Sf {© 2008 by The Associated Board of the Royal Schools of Music ABBA cr1736 Gavotte George Frideric Handel from Atalanta (Act III) (1685-1759) 2 ‘© 2008 by The Associated Board of the Royal Schools of Music 12 ABIL1736 O Jesulein siiss, Johann Sebastian Bach o Jesulein mild (1685-1750) BWV 493 Andante J=c.84 Mor V throughout ™p cl—_ a— CilI——— ae a a PrprPr op f TPP P Cere rh rh Fe form is as a Catholic hymn. It was used in a setting by Samuel Scheidt (1650) and appeared in the Musicalishes Gesang-Buch (1736) by Georg Schemelli (© 2008 by The Associated Board of the Royal Schools of Music AB SAI 13c.1745 Farewell Manchester William Felton (or ‘Felton’s Gavot’) (1715-1769) Andantino J=.60 (© 2008 by The Associated Board of the Royal Schools of Music c.1770 Drink to me only with thine eyes Anon. Andante J=c.100 (© 2008 by The Associated Board of the Royal Schools of Music 14 AB 34111785 Menuet Joseph Haydn Hob. IX/8 No. 12 (1732-1809) sc yj —_— rf {© 2008 by The Associated Board of the Royal Schools of Music ABIL 151788 Nel cor piu non mi sento Giovanni Paisiello from L’amor contrastato (1740-1816) Andantino J = «66 y a om P Iv 5 a m | | | aS |] 3 ® 7 | My heart no longer leaps with gladness from Love Hard Won [© 2008 by The Associated Board of the Royal Schools of Music 16 AB MIL182. Ode to Joy Ludwig van Beethoven from Symphony No. 9 (Choral) (1770-1827) Allegro J=c.120 f 2B m 4 |__f | pS * _ ¢ $= + >t = — J , | fF Ff (© 2008 by The Associated Board of the Royal Schools of Music ae 1825 Valse Fernando Sor from Op. 51 No. 1 (1778-1839) Allegro J. = c.50 P i ‘ t = P — Pp oF (© 2008 by The Associated Boatd of the Reyal Schools of Music ABMI 71843 Leccion Dionisio Aguado from Nuevo método para guitarra (1784-1849) Alla marcia 4 = ¢.92 St P tf (© 2008 by The Associated Board of the Royal Schools of Music 1896 Ballad Edvard Grieg from Lyric Pieces Op. 65 (1843-1907) Lento lugubre J =<.40 1 P 1© 2008 by The Associated Board of the Royal Schools of Music 18 ABMIL° Un poco mosso I 8 I rl I *y poP FP ap Pe Tempo I vil P —= crese. molto r po PO ae ro? Sf dim. Pp —=—_ Pp ti ® ie fe AB SAIL 71900 Cancion Manuel de Falla (1876-1946) Moderato J.=.60 use thumb throughout i mf 24 7 © Copyright 1980 by Manuel de Falla ~ Unign Musical Ediciones, SI. Madrid/ Manel de Falla Ediciones, SL, ‘This arrangement © Copyright 2008 by Manuel de Falla ~ Union Musical Ediciones, $1, Madrid/Manuel de Falla Ediciones, S., All Rights Reserved, International Copyright Secure. Reproduced by permission of Chester Music Lt. 20 AB AAI1902 Dedicatoria from Cuentos de la juventud Andantino J = ¢.60 1 a< P cantabile 3 as ° roRr UF OF Dedistion fom Sores fh Young {© 2008 by The Associated Board of the Royal Schools of Music AB MI Enrique Granados (1867-1916) 21923 Tea for Two Vincent Youmans (1898-1946) from No, No, Nanette ‘Words by Irving Caesar Gentle swing G-Th deena 0 mp ee ‘Music by Vincent Youmans, Words by Irving Caesar (© 1924 Harms Inc, USA (50%) Chappell Mosic Ltd, London W6 8BS, (50%) Warner/Chappell Music Ltd, London W6 BBS, ‘Reproduced by permission of Faber Music Ltd All Rights Reserved, i P a P aI 22 AB BAIABMIL 231943 Waltz Dmitry Kabalevsky from 24 Little Pieces, Op. 39 (1904-1987) Non troppo allegro J. = 0.66 ‘© Copyright 1967 by Anglo Soviet Music Press. ‘Arranged by permission of Boosey & Hawkes Music Publishers Led 24 ABMII1956 One Hand, One Heart Leonard Bernstein (1918-90) from West Side Story ‘Words by Stephen Sondheim Tenderly J. = c.40 F - PRP Copyright renewed. Leonard Bernstein Music Publishing Company LLC, Publisher. Boosey & Hawkes In, Sole Agent. International copyright secured. Arranged by permission of Boosey & Hawkes Music Publishers Ld, AB 3411 251966 Here, There John Lennon (1940-1980) and Everywhere Paul McCartney (b.1942) With feeling = c.88 | P ? Pr * = — ors Mscy sk enon & Pa Carey Sean Nason ‘reel pom Nc be L.A Rahs Reenter See 26 ABILFN ~y — F i ‘Here, There and Everywhere’ can be heard on the Beatles album Revolver, ABIL 271982 Music-Box Dance Howard Blake from The Snowman (b.1938) Tempo di valse J = ¢.120 P rf © 1982 Hightridge Music Le, This rangement © 2008 by Highnige Mai Li Reproduced by permission of Faber Music Ld, All Rights Reserved. 28 AB BAI1 === fF cantabile AB MIL 292004 Ballroom Blues Richard Wright (6.1952) Slow waltz J. =«.48 pee A rall. molto atempo =) (© 2008 by The Associated Board of the Royal Schools of Music 30 ABM2005 The Dangers of Colin Tommis Poking Holes in Ice (0.1958) Persistent J=.126 (crack!) (glug... glug...) * Damp alll strings with left hand. = Snap pizzicato: hold string between thumb and index finger, pull away from fingerboard, then let go so it snaps back, (© 2008 by The Associated Board of the Royal Schools of Music AB MII 312006 Spider on the Move Andy Crowdy (6.1961) Lively swing 0-23) J= 0.132 m > o> mf : 23 m ( vo) i > F {© 2008 by The Associated Board of the Royal Schools of Music Music origination by Andrey Jones Printed in England by Caligraving Ltd, Thetford, Norfolk 32 ABIL att