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Jazz Saxophone Solo Transcription

1. The document is a musical transcription of a tenor saxophone solo by Gene Ammons from his recording "Juggin' Around" with Bennie Green. 2. It transcribes Ammons' solo note-for-note using standard musical notation over three sections and solos. 3. The transcription provides a detailed record of Ammons' improvised solo performance for educational and analytical purposes.

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anastas kamilarov
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306 views3 pages

Jazz Saxophone Solo Transcription

1. The document is a musical transcription of a tenor saxophone solo by Gene Ammons from his recording "Juggin' Around" with Bennie Green. 2. It transcribes Ammons' solo note-for-note using standard musical notation over three sections and solos. 3. The transcription provides a detailed record of Ammons' improvised solo performance for educational and analytical purposes.

Uploaded by

anastas kamilarov
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Tenor Sax Juggin' Around

Gene Ammons' solo from his recording with Bennie Green Transcribed by
240 bpm "The Swingin'est" Charles McNeal

4   
1st Bridge
             
                 
 3



   
            
               
3

 
Solo Break
          Rhythm Changes

        3
                
3 3

                             
   
                                 
              
                    
3

                    Bend up
        
2011
       
                        
3

                                  3

            
            
          
                  
              Lay Back

                        
     3
     
                          
3
 3

                                  
     3

                 
               3

2
2011
                      
         
  
    
                          
 
                  3

                        
3

3
2011

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