Charles Dickens's Hard Times: Critical Analysis
المدرس المساعد عالء لطيف عبد الزهرة
38730038870
جامعة الكوفة
المدرس المساعد أسماء عبد األمير عبيس
جامعة القادسية
حسام رشيد حمود
جامعة الكوفة
Abstract
This paper studies the novel Hard Times by Charles Dickens. It investigates how English people
and society suffered poverty, persecution, and injustice of the industrial era. It shows also how
individualism plays a very crucial role in people' life in gathering its power and dominance by
rape and violating rights, independence and freedom. The paper gives us a very clear picture
about the difference between fact and fancy.
Key words: fact, fancy and dystopia.
Introduction
Hard Times is a novel written in the Victorian Age by Charles Dickens. This fiction shows tyranny
and oppression of manufacturers and owners of factories during the 19th century. Dickens
explores how drastically the Industrial Revolution changed lives of people particularly farmers.
This literary work does not merely inspire readers and students but it also proves that Dickens is
interested in politics and social affairs of people especially England. The novel covers the lives of
both lower and middle class who suffered oppression and poverty. One of the most important
purposes of Dickens in writing his novel Hard Times is to comment on the faults and mistakes of
inventing machines; in addition to that it brought pollution and malformation for nature. It also
discusses violating and exploitation by the manufacturers.
1
The negative view point of Dickens concerning the Industrial Revolution which he relied on in
the history of England in the 19th century made lots of politicians and socialists hate him.
However, "Dickens's main intention, as Leavis says, was to comment on certain key
characteristics of Victorian civilization. He was concerned about the difference… between Fact
and Fancy. The purpose of the novel was to emphasize… that… any method of ruling product or
affairs that lacks sympathy, love and understanding between human being -, is in the end…
bitterly destructive"( Fielding,132).
In this fiction, Dickens gives us a general idea about the lives of farmers and how the life of city
influenced them. For example, children of peasants enrolled in schools or educational institutes
and educated on facts and nothing else. Their journey to classes became boring. They believed
that their lives were just like machines at factories. Coketown is the fictional city in which
Dickens describes not only the poor people and their suffering, misery and oppression, but also
how prosperous individuals lived at exploiting and limiting freedom and independence of the
lower social class. In fact, Hard Times is a realistic novel that depicts how the industrialization in
England drastically changed the lives of people. The poor people work 24 hours as machines
without getting their independence and rights, and they do not have enough time to care for
their children and this of course would leave very negative impact on their lives. We can say that
a lot of families suffered psychological problems because of work pressure at factories. On the
other hand, the owners of those mills and manufactures live wealthily and peacefully depending
on violating the rights of other. The novel also discusses the disadvantages of smoke which
extends all over the cities and would eventually pollute and deform nature. Hard Times is a novel
that describes the educational system of schools at the Victorian Age. It explains how teachers
teach pupils merely facts and do not give their pupils any opportunity to express their ideas and
thoughts. They do not teach them about imagination. The attitude of teachers is very strict and
tough. This would influence their lives and they would believe that all educational places are just
for learning facts like mathematics. Dickens in his novel Hard Times comments on the difference
between facts and fancy. Teachers have to teach pupils literature and the important role of
literary works in the lives of people due to its great impact. Dickens relates the life of
undervalued workers and their children at school for instance the owners of mills and factories
always try to apply their utilitarian principles at both schools and factories to control the lives of
people and want to tell citizens of England that it is very hard and complex to break-up or resolve
2
this crisis. The owners are the controllers of the English life. They think that they would transfer
authority and become the makers of rules to legislate new laws that suit their lives.
Dystopia in Hard Times
For more than one century, dystopian narrative has been a literary genre. Some writers of
written dystopian novels believe that this genre of literature can amuse its readers, and also has
the ability to cultivate them to make them understand the meaning of the world where they live.
The periods of great black looks or the lack of hopes to see the aspects of things far worse which
are abridged by wars, arrogance, tyranny and many other happenings have been written by the
dystopian novelists.
Many critics and writers defined the word dystopia in various ways. This word is associated with
the notion of “badness”. It is difficult to define dystopia because every definer has his/her point
of view; therefore, it becomes a subjective term in literature. Actually, dystopia becomes
complex and it is associated with fictional works where its definition is narrowed down.
In 1868 J. S. Mills used the word dystopia in his political speech in the state of Ireland where he
used the word in contrast with the term utopia. In his speech, he roughly criticizes the policy of
government on Irish property stating that “What is commonly called Utopian is something too
good to be practicable; but what they [the government] appear to favour is too bad to be
practicable.”
Jan Pospíšil says "by merely coining the word to contrast what had been thus far called Utopia,
he delimited its basic concept. On the basis of this speech, the Oxford English Dictionary
describes dystopia as “an imaginary place or condition in which everything is as bad as possible.”
It will be argued that despite the fairly wide development of dystopian literature, the definition
of the term does not necessarily need to be more complex than the one proposed by this entry.
As dystopia is defined as being the reverse of utopia, the latter term must be elaborated on prior
to attempting to define the former. Utopia is a fictional village created by Thomas More in his
eponymous book. It represents his concept of an ideal society. More thus created the framework
for future “utopian” novels".
3
Dystopia is a combined word which means a bad place. It denotes an imperfect or incomplete
thing. Some writers in literature have used this meaning as an imagined society where everything
is gloomy and wistful. Dystopia is the corruption of government that does not give its people
what they need, require and aspire. It awards its followers what they want just to gain their
utilities depending poor or uneducated citizens who do not understand and know laws and
political rules that run and organize the lives of people.
In literature, the effective and open device to criticize the sociopolitical conditions mirroring on
defects, distorting and bad management of the imagined and ideal societies could be done by
dystopian literature. The representation of bad and weak places expanding the potential of the
future social order is offered by literary dystopia. The hero or heroine in dystopian literature
often feels the struggle to liberate or award freedom. Existing inquires about the sociopolitical
systems of society are awfully wrong and inaccurate.
Swift's Gulliver's Travels(1726), Voltaire's Candide(1759), Orwell's Ninteen Eighty Four(1949)and
others are the most prominent dystopian literature writers. The writers of dystopian literature
believe that destructive and negative visibility of the future or near-future society can be offered
by dystopia. It is argued that technology might be one of the main reasons behind dividing
people into social classes. This would effect the creation of nature that makes it unproductive.
Ignorance, insufficiency, overpopulation and capitalism are the most important evils of dystopia.
Dickens is the founder of dystopian fantasy in English literature(Gardner,141). His novel Hard
Times is a dystopian reflection of the insufficiency of society in Victorian Age. He gives us a look
about how the rich and poor people live in one place and might embrace the same religion but
unfortunately they are unequal in rights and freedom. "The life of a population with a rich variety
of qualitative distinctions and complex individual descriptions of functioning and impediments to
functioning, using a general notion of human need and human functioning in a highly concrete
context, it provides the sort of information required to assess quality of life and involves the
reader in the task of making the assessment"(Nussbaum,15). Coketown is a fictional city where
Dickens discusses the rules and traditions of capitalism and their utilities in north England. He
depicts the very wide gap between social policies and the applied rules in factories. He also
challenges those who claim that the increase of technology and the development of production
would change lives of England.
4
Hard Times is a "direct indictment on Utilitarianism"(Narita,186). Dickens strongly criticizes the
utilitarian system of education and the different types of school, he describes teachers and their
relationships with the owners of manufactures and how they always try to confirm negatively
that the system which have been applied by the capitalism and utilitarianism is the only method
that could increase and improve the lives of people of the English nation in particular.
Utilitarianism in educational system refuses to teach and cultivate pupils and students the
imagination or any imagined subject that deals with fancy and supernatural elements. What they
believe is just facts. They argue that life depends on truth and there is no existence to
imagination. Some critics think that imagination would destruct and limit the advantage of both
utilitarian and capitalist system because they believe that this would fail their plans, ambition,
arrogance and pretension.
Although the main concern of Dickens’ Victorian era was the Enlightenment-era schism between
reason and emotion, disconnection between fact and fancy in the anthology of dystopian
literature as well as in Dickens’ works plays a very important role. Fixation facts and exclusion
imagination are the central theme in Hard Times which demonstrates the misery that results
when children are completely cut off from imagination and fancy and subjected to a utilitarian
and facts-only education. "Lack of imagination, fancy, and emotion in Dickens’ works leads to
standardization and loss of identity"(Micaela,7).
It is noticeable in all concerns of the genre of dystopian literature the issue of injustice and
corruption in structures of government and it is perhaps the most pronounced. In many cases,
the plot of dystopian novels revolves around the corruption of government and the weakness of
the educational system applied in schools. It depicts the suffering of the people and how the
flaws and deterioration of the economic system in Victorian Era had murdered the innocence of
children. "George Orwell imagines a society in which the citizens are constantly monitored and
controlled by their government which employs propaganda, manipulation, and brainwashing in
order to control individual thought and produce desired behavior" (Micaela,8). Dickens, in his
two novels(Great Expectations & Hard Times)deals with the legal and economic systems. He
thinks that lawyers take bribes instead of exposing truth and achieving it. They are concerned
with their private properties and desires.
5
The inequality of social class and the wide gap between the destitution of the poor and the
luxury of the rich are the other concern of Dickens. What is meant in this concern is to reflect the
realistic facts of his society and to resolve these crises by building new society relying on justice,
helping each other, rights and independence. Dickens illustrates the symbols of ash and fire in
Hard Times. He always tries to bridge the wide gap between luxury rich and indigence of poor
people in which they are unequal. Undoubtedly, Dickens refuses the ideas of bourgeois or the
beneficiaries of applying these economic systems and rules. Some scientists and critics believe
that laws and ideas of bourgeois might consist of virtues according to the religion they embrace
and the religious men they follow.
Fact and Fancy in Hard Times
By writing the novel Hard Times for the ordinary people, Dickens discusses in a way abasement,
indignity, maltreatment and negative effects of the Industrial Revolution, generally in Europe and
England in particular. He recognizes that his society needs to read books, stories, and essays
which include imagination and fancy and not only relying on facts. Theatre and circus are the two
places which supply people with imaginative and fantastic pictures. Dickens thinks that life is not
just about facts but there is more in life.
Society, in Hard Times, is classified into two different distinctions: the owners of factories and
the undervalued workers in the Victorian Age. The novel is about three parts, the first part is
concerned with sowing. The second is about reaping and the last one is about gathering or
garnering. These names are refereeing to the Bible. "What you sow you reap and then you
harvest. Hard Times is about what you harvest when using only facts. Facts are a symbol of
something that is unchangeable and fancy is something that is changeable in people's
imagination and mind. Dickens maintain in his novel that fact and fancy must work together, so
the individual can succeed in life, and become a healthy human being"(Anna,3).
The events of Hard Times take their place in a fictional city(Coketown). This city is jail for the
ordinary and poor people who were treated as animals. The meaning of the city refers to coal
that was used to power factories during the Industrial Revolution. Coketown is a city of
pollution. It can be described as follows: "it was a town of red brick, or of brick that would have
6
been red if the smoke and ashes had allowed it; but as matters stood it was a town of unnatural
red and black like the painted face of a savage"(28). Workers do not get their true wages. They
are obliged to work for long hours to cover their basic needs in order to live. This is the fact that
Dickens always displays in his writings. He concentrates on one thing that all human beings are
equal in their rights and responsibilities. He describes this fact in Hard Times:" the measured
motion of their shadows on the walls, was the substitute Coketown had to show for the shadows
of rustling woods; while, for summer hum of insects, it could offer, all the year around, from the
dawn of Monday to the night of Saturday, the whirr of shafts and wheels"(148).
Conclusion
Hard Times is a novel concerning the difference between fact and fancy. It is about decay and
abasement of undervalued workers and their families who work 24 hours without taking their
rights and independence. Hard Times is a revolt against the Industrial Revolution in the Victorian
Age. Dickens in his writings especially Hard Times, studies the social, economic and political
issues of people and their government. He realizes that life is not just a fact running society
relying on the economic processes as Mr. Gradgrind did with his pupils and his family. He always
relates his teaching with what the capitalistic owners of mills and factories wish merely to build
very big wealth and flourish.
Dickens explores how drastically the Industrial Revolution changed lives of people particularly
farmers. This literary work does not merely inspire readers and students but it also presents and
proves that Dickens is interested in politics and social affairs of people especially in England. The
novel covers the lives of both lower and middle classes who suffered oppression and poverty.
One of the most important purposes of Dickens in writing his novel Hard Times is to comment on
the faults and mistakes of inventing machines which pollute and decrease the quality of the
natural and mineral sources. Also, it aims at discussing the violating and exploiting by the
manufacturers.
7
Reference
Bedford, Sybille. Aldous Huxley: A Biography. London: Chatto & Windus, 1973. Booker, M. Keith.
The Dystopian Impulse in Modern Literature: Fiction as Social Criticism. London: Greenwood
Press, 1994. PDF e-book.
Claeys, Gregory. "News from Somewhere: Enhanced Sociability and the Composite Definition of
Utopia and Dystopia." History 98, no. 330 (2013): 145-73.
Claeys, Gregory. The Cambridge Companion to Utopian Literature. Cambridge: Cambridge
University Press, 2010. PDF e-book.
Davidson, Peter. George Orwell: A Literary Life. Houndmills: Macmillan, 1996. "Dystopia, n.". OED
Online. Oxford University Press. March 2016,
http://www.oed.com/view/Entry/58909;jsessionid=48980D2837EF5F213D07A676
18F436D4?redirectedFrom=Dystopia.
Dickens, Charles. Hard Times. Eds. Kathleen Helal & Cynthia Brantley John. New York: Pocket
Books, 2007.
Gottlieb, Erika. Dystopian Fiction East and West: Universe of Terror and Trial. Montreal: McGill-
Queen's Press-MQUP, 2001.
Margrejt, Anna. The theme of Facts and Fancy in Hard Times by Charles Dickens. Iceland:
University of Iceland press,2011.
Mill, John Stuart. “Volume XXVIII – Public and Parliamentary Speeches Part November1850 –
November 1868 [1850].” In Collected Works of John Stuart Mill, Edited by Bruce L. Kinzer and
John L. Robson. Toronto: University of Toronto Press. Retrieved 2015-02-16,
http://oll.libertyfund.org/titles/mill-the-collected-works-of-john-stuart-millvolume-xxviii-public-
and-parliamentary-speeches-part-i.
Moylan, Tom. Scraps of the Untainted Sky. Boulder: Westview Press, 2000. 57
Narita, Shuji. "The Transition of Dickens's Social Criticism as Seen in His Later Novels" Osaka
Keidai Ronshu, 2009, 180-192.
8
Nussbaum, Martha. Poetic Justice: The Literary Imagination and Public Life. Boston: Beacon
Press, 1997.
Orwell, George. The Collected Essays, Journalism and Letters, Volume IV – In Front of Your Nose.
Edited by Sonia Orwell and Ian Angus. London: Secker & Warburg, 1968. PDF e-book.
Paik, Peter Y. From Utopia to Apocalypse: Science Fiction and the Politics of Catastrophe.
Minneapolis: U of Minnesota P, 2010. Print
Pospíšil, Jan. The Historical Development of Dystopian Literature. Czech: Faculty of Arts, Palacký
University press, 2015.
Rosen, Elizabeth K. Apocalyptic Transformation: Apocalypse and the Postmodern Imagination.
Plymouth: Lexington, 2008. Print.
Sanders, Andrew. Charles Dickens Resurrectionist. New York: St. Martin’s, 1982. Print.
Sen, Sambudha. London, Radical Culture, and the Making of the Dickensian Aesthetic. Columbus:
The Ohio State UP, 2012.
9
األوقات الصعبة للكاتب شاركز ديكنز:تحليل نقذي
المستخلص
ذذرس ىذه اٌٌرلح اٌثحثٍح نمذا ًذحٍٍال ٌحاالخ ًأًضاع اجرّاعٍح صعثح جذا فً رًاٌح األًلاخ اٌصعثح ٌٍىاذة
شاروز دٌىنز فً طزٌمح اٌرحًٍٍ اٌنمذي ًاٌرحمٍك ِن ٌِضٌعح األًلاخ اٌصعثح ًِا ٌيا رِزٌح عاٌٍح اٌذالٌح
عنذ اٌناس االنىٍٍز ًاَخزٌن فً عصز صناعً ًِادي انعذِد فٍو اٌزًح اإلنسانٍح ًذفشد حاالخ اٌفمز
ًاٌّعاناج ِن عذَ اٌعذاٌح ًاألطيار ًوذٌه عزضد اٌزًاٌح حاٌح اٌّذىة اٌفزدي فً حٍاج اٌناس ًذسخٍز لٌذيُ
ًسٍطزذيُ نحٌ خزق اٌحمٌق ًاالغرصاب ًانريان ٌٍحزٌاخ ًاالسرمالي ِع وً ىذا اٌزًاٌح ساعذخ عٍى
وشف اٌصٌرج اٌجٍٍح حٌي االخرالف تٍن اٌحمٍمح ًاٌٌىُ.
11