Strategies of Power and Antinomianism: The Occult Underground
Strategies of Power and Antinomianism: The Occult Underground
h e nrik bogdan
the occult underground:
Strategies of Power and Antinomianism
Introduction
In a candlelit room covered with heavy incense, five persons sit cross-legged in a circle on the
floor. They are dressed in flowing black robes and have their eyes closed, as if in meditation. After
a few minutes one of them rises to his feet and moves into the centre of the circle, facing east. He
draws a deep breath and then intones the names “Atay, Aiwass, Malkuth, Ve Gedulah, Ve Gebu-
rah, Le Olam, Amen”, while touching his forehead, chest, phallus, right shoulder, left shoulder,
and finally clasping the hands. The intonation of the names is deep and powerful, and it feels as
if the whole room is vibrating. He then proceeds to drawing a pentagram in the air at the four
quarters of the compass with a wand, while intoning a name of God after the drawing of each
pentagram: “Ye-ho-wau, Adónaí, Eheieh, and Agla”. Returning to the middle, he stands with his
feet together and the arms outstretched in imitation of the slain Osiris, and calls out: “Before me
Raphael, behind Gabriel, on my right hand Michael, on my left hand Auriel. For about me flames
the Pentagram, and in the column stands the six-rayed star”. He then repeats the first part of the
ritual and concludes with “Amen”. Silently, he resumes his seat on the floor, and a few minutes
pass, before a second person lifts up a book, and starts to recite a poem by the occultist Aleister
Crowley, called Hymn to Pan:
The poem continues in a rhythmic and ecstatic fashion, culminating with the words:
A few minutes of silence follows, and then the same person slowly starts to chant the words “Io
Pan, Io Pan Pan!” over and over again, and the other persons join in. The chanting becomes
louder and faster and one person starts to beat on a drum in the same rhythm as the chanting. All
present have their eyes closed and visualise the Greek fertility god Pan and projects this image on
the person who recited the poem. The chanting goes faster and faster until it finally explodes into
ecstasy and the leader screams out “lashtal”, while quickly taking hold of a goblet of wine and a
plate with five small pieces of bread. Each member eats a piece of the bread and drinks wine from
the goblet in silence. After a few more minutes the same person that performed the opening ritual
stands up and performs the same ritual over again.
   The ritual is called Mass of Pan and its purpose is to invoke the powers of that particular
pagan god. It was performed in Gothenburg, Sweden by members of an international magical
order called Ordo Templi Orientis, or Order of the Oriental Templars (OTO). The OTO is one
of many occultist societies which are active in Western society, and it would be fairly safe to state
that such organisations exist in virtually every major city in the West today, even though little
research has been done to establish the exact numbers of practitioners of this particular form of
Western spirituality. In his pioneering work The Occult Underground published in 1974 James
Webb argued that there exists a dichotomy between the “Establishment” and the “Occult Under-
ground”, a dichotomy essentially between reason and “rejected knowledge”.
   But what is this all about? What is occultism? Does really an “occult underground” exist? This
paper sets out to discuss these questions with the objectives to describe and discuss contemporary
occultism and thus shed light on misconceptions and alternative understandings of a significant
strand of contemporary religious belief. The article is divided into two parts. In the first (longer)
part, occultism is placed within the broader context of Western esotericism, and it is discussed
how historians of religions understand the term occultism. This paper also discusses what might
be understood by an “occult underground” and what its relationship is with other forms of West-
ern culture. The second (shorter) part illustrates a number of key elements of contemporary oc-
cultism, exemplified through the beliefs and practices of Dragon Rouge, the Swedish occultist
movement.
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Part One
Western esotericism
Occultism is frequently associated with sinister and evil practices in the public mind, and it is not
uncommon to encounter the notion in popular media that occultism is merely another name for
Satanism. This negative view is, however, often based on misconceptions of what occultism actu-
ally stands for and it often shows little or no knowledge of the scholarly approach to this particular
current in Western spirituality. The majority of scholars who deal with occultism tend to use the
term specifically in relation with 19th century developments within a broader field of research
called Western esotericism.
   In current scholarly usage, the term Western esotericism refers to a particular form of thought
which has been present in Western culture at least since the Renaissance, with roots stretching
back into late antiquity. Esotericism can be described as a form of spirituality which stresses the
importance of the individual’s quest for knowledge, or gnosis, of the divine aspect of existence.
Furthermore, esotericism is characterised by a holistic world view in which everything is connect-
ed through so-called mystical links. Since man is seen as a microcosm of the macrocosm, increased
knowledge about the natural world is considered to lead to increased self-knowledge. In the same
manner, self-knowledge is seen as a corresponding knowledge of the divinely permeated natural
world. The idea of mystical links is fundamental to the “Occult sciences” (a notion dating from
the 16th century) such as astrology, magic and alchemy, in which the knowledge of and manipula-
tion with the links form the basic modus operandi of these so-called sciences. For instance, in the
case of alchemy the transmutation of base metals such as lead to gold was not merely interpreted
from a chemical perspective, but also in a corresponding spiritual sense in which the transmuta-
tion was seen as a spiritual process of the alchemist him/herself leading from an un-enlightened
soul (lead) to enlightenment (gold). In a similar way, magic and astrology presupposes the idea
that outer phenomena such as planets and stars influence the human psyche, and through the
manipulation of the mystical links it is believed that favourable influences can be attracted, while
negative influences in their turn might be averted. This idea is illustrated by the example of the
Renaissance philosopher and esotericist Marsilio Ficino (1433–1499) who describes a magical
working. According to Ficino, destructive forms of melancholia are often caused by an unsound
influence of the negative aspects of the planet Saturn (which in astrology is seen as a melancholic
planet), and in order to diminish these negative influences, the magician should attract the more
benevolent and joyful influences from a planet such as Venus instead. The attraction of Venus’
influence is achieved through the reciting of poems and hymns dedicated to the goddess Venus,
through being surrounded by material objects corresponding to Venus (such as silver jewellery
and statues and paintings of the goddess Venus), and through eating food which corresponds
to Venus such as white meat from poultry and fish and sugar. According to esoteric theory, it is
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through their capacity of being specially linked to the planet Venus – through the mystical links
– that these particular items possesses the ability to draw down the influence from that particular
planet.
    These ideas can be encountered already during late antiquity, if not earlier, in religious tradi-
tions such as Hermetism and Gnosticism, but it was not until the Renaissance that a wide range of
traditions such as Christian mysticism, mediaeval magic, hermetism/hermeticism, neo-platonism,
astrology, alchemy and Christian Kabbalah were seen as not only compatible with each other, but
even as different branches of one and the same tree. This tree was seen as an ancient philosophy,
philosophia perennis, which was believed to have survived from the remotest times of man’s his-
tory.
    Western esotericism should not, however, be understood as a single clearly identifiable tra-
dition, but rather as a scholarly construct along the lines of Wittgenstein’s family resemblance
theory expressed through a wide range a currents such as Paracelsism, Naturphilosophie, Rosicru-
cianism and Theosophy. Modern examples of esoteric currents include occultism, neo-paganism
and the New Age movement. According to the French scholar Antoine Faivre, the esoteric form
of thought is characterised by six constitutive components: First, the idea of correspondences.
These are symbolic and concrete correspondences between all the visible and invisible parts of the
universe. Second, living nature: the entire universe is a living organism traversed by a network of
sympathies or antipathies that link all natural things (usually described as mystical links). Third,
imagination and mediations: to the esotericist the imaginative faculty of man is of incalculable
importance as a tool for spiritual enlightenment. Connected to this is the importance attributed
to rituals, symbolic images, and intermediary spirits between man and the Godhead. Fourth, the
experience of transmutation: just as it is considered to be possible to transmute base metals into
gold, so it is considered to be possible to refine the spiritual properties in man and to achieve en-
lightenment or Unio Mystica with the Godhead. Fifth, the praxis of the concordance: the syncre-
tistic approach to two or more traditions that aims at obtaining superior illumination. Sixth, and
last, transmission: the esoteric knowledge must be transmitted from a teacher to a pupil (Faivre
1994: 10–15). This last component includes the notion of initiation that became an important
feature of Western esotericism from the eighteenth century onwards, especially in organisations
such as the Order of Freemasons (1717) and later magical movements such as The Hermetic Order
of the Golden Dawn (1887).
secularised forms of esotericism differ from the earlier forms in five aspects (Hanegraaff 2004:
489–516). First, due to the impact of scientific materialism and positivism, the understanding of
the correspondences changed from a divinely permeated system linking together the micro- and
macrocosm worlds, to a disenchanted world view ruled by impersonal laws of causality. Second,
the traditionally Christian syncretism of esotericism was challenged by the influx of Eastern re-
ligiosity, most notably Hinduism and Buddhism. Third, the impact of the theories of evolution,
which in esotericism assumed the form of a belief in not only the spiritual progress of the indi-
vidual, but also in the belief of the spiritual evolution of mankind (a prime characteristic of the
New Age-movement). Fourth, the influence of psychology, and in particular the psychology of
Carl Gustav Jung (1875–1961). Concepts and beliefs that earlier were given religious meanings
and explanations, became increasingly interpreted as aspects of man’s psyche. Jung’s theory of the
anima and animus, the importance attributed to the unconscious, the process of individuation,
and the theory of archetypes can, in more or less modified forms, be found in many forms of
contemporary esotericism. Finally, the fifth aspect through which secularised forms of esotericism
differ from Renaissance esotericism – the impact of capitalist market economy on the domain of
spirituality. The perhaps clearest example of this impact is the New Age movement which can be
seen as a spiritual supermarket (Hanegraaff 2004: 489–519). One might add the importance placed
on personal religious experiences and the will of each individual to these five new characteristics.
The latter is seen in many contemporary forms of esotericism as a divine or supernatural aspect of
man (Bogdan 2007: 16–17).
   One of the secularised forms of esotericism – and the one that concerns this essay – is occult-
ism. The word occultism derives from the Latin occultus (“hidden, secret”, from occulere, “to cover
over, hide, conceal”) and it tends to be used among scholars to denote specific developments
within Western esotericism during the 19th and 20th centuries. According to Hanegraaff, the term
can be used in two senses: a descriptive sense of occultism and an analytic and typological sense:
“it is used as referring not only to these currents as such, but to the type of esotericism that they
represent, and that is also characteristic of most other esoteric currents from about the mid-19th
century onwards (such as spiritualism, modern Theosophy, or new magical currents in the lineage
of the Hermetic Order of the Golden Dawn, up to and including such recent developments as the
New Age movement)” (Hanegraaff 2005: 888). It is in this analytic and typological sense that oc-
cultism is being used in the present essay, with a focus on new magical currents.
   Occultism, and in particular magical currents, represents a highly eclectic form of esoteri-
cism with a strong emphasis on the experiential or practical aspects of esotericism. This practical
orientation is made evident through a wide range of techniques aimed at causing altered states of
consciousness. These techniques, which often are of a highly ritualistic nature, include evocations
and invocations of angels, demons and other entities, astral journeys, meditation on symbols such
as tarot cards, sexual magic, and (to a lesser extent) the use of drugs for a spiritual purpose. Apart
from these dominantly Western techniques, it is also common to encounter mystical techniques
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of Eastern origin, such as various forms of Hindu and Buddhist yoga. What all these various
techniques have in common is that they are practical as opposed to theoretical. In other words,
occultism is often something which is practiced. The practical orientation of occultist forms of
spirituality such as magical currents is often emphasised by the chief exponents of these particular
currents. Not only do they emphasise the importance of putting the esoteric knowledge into prac-
tice in a general way throughout most of their published works, but it is also significant that all
the major authorities of these magical currents have published handbooks on how magic should
be performed. To a certain extent, the emphasis on the practical aspect of occultism stands in con-
trast with the more dogmatic emphasis which is to be encountered in many forms of traditional
Christianity, especially Protestant forms with their notion of salvation through faith. However,
when compared to other modern alternative forms of spirituality it becomes evident that the prac-
tical and experiential emphasis is not a unique feature to be encountered only in occultist forms
of spirituality. On the contrary, this emphasis is common in most new religious movements with
their focus on the individual, in particular from the 1960s onwards. As such, occultism can be seen
as a good example of how contemporary forms of alternative spirituality mirror the general trends
of modern and post-modern Western society with its shift from community oriented structures,
towards individual oriented structures, and from religion to “spirituality”.
threat towards Western morals as a consequence of major changes in post-modern Western soci-
ety. Or to put it in the words of La Fontaine:
           Sociologists have explained the allegations, in both the United States and Britain, as a
           ‘moral panic’. This is not, as some people seem to think, a way of talking about mass
           hysteria, but a technical term coined by sociologists to refer to social movements that
           define actions, groups or persons as threats to fundamental social values. A moral panic
           is the construction of a social problem as something more serious than a routine issue
           of social control (La Fontaine 1998: 19–20).
The “Satanist” can be seen as a scapegoat who personifies the fears of Western society, much in
the same manner as the “Muslim fundamentalist” today embodies the perceived threat to Western
culture in the public mind. Just as the public image of Muslims often rests upon prejudices and
a striking lack of knowledge, so the understanding of the “Satanist” in the 80s and early 90s was
characterised by a lack of differentiation and knowledge. “Satanist” could thus include anything
from self-professed satanists to occultists and witches, even though these three categories might in
fact have very little in common. The notion of a satanic or occult underground, as expressed by
the believers of the “satanic panic”, thus rested on beliefs which had very little to do with reality.
   The very notion of an occult underground can thus be questioned – if understood as an organ-
ised cult of child molesters and cannibals. However, if occultism is used in the current scholarly
fashion to denote secularised forms of esotericism then it is possible to actually consider occultists
as forming an “underground” of their own. Indeed, the term “occult underground” was used at
the title for James Webb’s now classical study of various forms occultist currents published in
1974, in which he claimed that “the dichotomy of Underground and Establishment is one of the
most important concepts to have emerged from recent social changes” (Webb 1974: 2). According
to Webb the very essence of the occult underground is its opposition to the so-called establish-
ment:
           The occult is rejected knowledge: that is, and Underground whose basic unity is that of
           opposition to an Establishment of Powers That Are (Webb 1974: 192).
From this perspective, then, its is thus possible to view occultism as an underground, but in order
to do this it is necessary to discuss what is actually meant by the term “underground” in more
detail, and how it might be possible to use the term in connection with occultism. In popular
parlance, the term underground – when used to designate a social group – often implies some sort
of group of people who are considered to either be in opposition to mainstream society, or to exist
as it were outside the bounds of the society. As such, a social underground might be interpreted in
terms of a liminal community as understood by Victor Turner. According to Turner, phenomena
which in one way or another fall outside the societal structure form the basis of an ‘anti-structure’.
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Turner enumerates such diverse phenomena as ‘subjugated autochthones, small nations, court
jesters, holy mendicants, good Samaritans, millenarian movements, “dharma bums”, matrilateral-
ity in patrilineal systems, patrilaterality in matrilineal systems, and monastic orders as examples of
anti-structures (Turner 1991: 125). These liminal occurrences interested Turner from a sociologi-
cal perspective, and despite their apparent differences they share three important characteristics:
           Yet all have this common characteristic: they are persons or principles that (1) fall in
           the interstices of social structure, (2) are on its margins, or (3) occupy its lowest rungs
           (Turner 1991: 125).
According to Turner, the primary function of these liminal phenomena is to maintain and
strengthen the social structure(s) by forming an anti-structure. The liminal persons or principles
indirectly set the standards for the normal or structured society. That which is not liminal is nor-
mal, and therefore part of the structured sphere of society. If the idea of anti-structure is applied
to the “occult underground”, it becomes clear that much of the criticism levelled against occult-
ists in fact highlights what is considered to be normal in society: it is not “normal” to worship
strange entities in our society; it is not “normal” to perform magical rituals; it is not “normal” to
use sex for a spiritual purposes; and (in case of modern Satanism) it is not “normal” to worship
Satan or to identify oneself with the evil side of the traditionally Christian dualistic worldview
(not counting the fact that most satanists identify Satan as actually representing the good side,
and not the other way round), and so on. Many of the prejudices levelled against occultists thus
actually stem from a need to define how one should act and what one should believe in. At the
same time, however, the anti-structure might work from the opposite direction in the sense that
occultists themselves consciously choose to distance themselves from certain aspects of society and
thereby construct new strategies of meaning and identity that are based on a rejection of what is
seen as traditional values. This is, of course, not something that is unique to occultists but is also
to be found in most so-called subcultures. Subcultures are often defined in opposition to other
forms of culture, such as high, popular, mass, and/or folk culture. Even though the demarcation
between such forms of culture can be criticised (when does one form end and the other begin?)
the approach is nonetheless important as a tool for understanding contemporary Western society
(Lynch 2005).
   Understanding the “occult underground” as a subculture has the advantage of contrasting it
with high culture and popular or mass culture. High culture is often understood as the culture
of the ruling class that is based on classic literature, art, and philosophy (Lynch 2005: 6). From
a religious perspective, I would argue that the religion of high culture is based on traditional
Christian values as expressed through scholarly theology and the established Christian churches
and denominations. There is a long tradition of animosity towards certain aspects of Western eso-
tericism and occultism among representatives of high culture. For instance, the Catholic Church
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has not only condemned the ideas of individual esotericists such as the Renaissance philosopher
Giordano Bruno (burned at the stake by the Inquisition in 1600), but has also issued papal bulls
against organisations such as the Order of Freemasons. Esoteric traditions were often interpreted
as various forms of heresies by the Church, or sometimes even as “devil worship” and “Satan-
ism”. Although Western esotericism from the Renaissance to the mid-19th century was set in an
essentially Christian context, the esotericists posed a serious threat towards the Church in that the
esotericist had no need for an intermediary link between man and God, i.e. the Church with its
priests became superfluous as the esotericist (and the mystic) sought personal Gnosis and contact
with the Godhead. From the mid-19th century and onwards, the criticism of the Church by oc-
cultists has many times been quite fierce.
   In a similar manner, historians of science and philosophy generally maintained a negative atti-
tude towards esotericism up till the appearance of the works of Frances Yates. Esoteric beliefs and
practices were often considered to embody unreason and unscientific reasoning, and were thus
held to be in opposition to the positivistic ideals of natural science. Yates, on the contrary, argued
that the Hermetic Tradition (understood as esotericism) was not only congenial to modern sci-
ence, but the causal factor of the emergence of modern science. This drastic reinterpretation of
the emergence of modern science has been criticised, but Yates’ theories have nonetheless been
instrumental in changing the attitude of historians of science and philosophy towards esotericism.
Today, the categorical stance against everything connected with esotericism is not as prevalent
as it used to be among scholars. Instead, esotericism is often seen as an important factor in the
understanding of early modern science.
   The relationship between popular culture and occultism is perhaps even more complicated
than the relationship between high culture and occultism. Popular culture can be defined as the
shared environment, practices and resources of everyday life (Lynch 2005: 15), which in practice
means those forms of Western culture which most people encounter in their day-to-day life. On
the one hand, popular culture is characterised by a general negative stance towards most forms of
religion and spirituality. This negative stance is symptomatic of Western society as a secularised
and post-modern society with its emphasis on natural science, as the way to truth. If something is
scientifically “proven” it must be true. This negative stance can also be found in certain forms of
popular culture when dealing with occultism. There appears to exist many misconceptions in the
public mind regarding what occultist currents such as ritual magic, Wicca and Satanism actually
consist of. Usually, these misconceptions centre on the basic premise that the various forms of
occultist spirituality deal with some ill-defined form of devil worship. Furthermore, occultism is
often reduced to some sort of youth revolt against the beliefs of adult society, and that occultism
is something that mostly concerns teenagers. This negative understanding of occultists is often
promoted by the popular press that tends to take a negative stance when reporting on occultist
forms of spirituality.
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   On the other hand, there are other forms of popular culture in which it is possible to detect a
much more positive attitude towards occultism. More specifically, it is in such forms of popular
culture as literature, role-playing and computer games, comics, TV-series, movies and music that
aspects of occultism are presented in more positive ways than when compared the way in which
occultism is portrayed by the popular press. In these forms of popular culture, occultist practices
such as ritual magic and the invocation of pagan gods are often presented as valid forms of spiritu-
ality which are no better or worse than other forms of spirituality. Expressions of popular culture
such as the Harry Potter books and films, the TV series Buffy the Vampire Slayer, musicians
such as Ozzy Osborne and David Bowie, and comics such as Promothea all include references to
occultism in one form or another. At the same time, there are of course many examples where oc-
cultism is portrayed in a prejudiced manner, even in these forms of popular culture, but it is nev-
ertheless possible to maintain the idea that notions pertaining to occultism tend to be presented
in a positive way – and this at an increasingly scale.
   But why is occultism increasingly being portrayed in a positive way in popular culture? There
are a number of reasons for why certain aspects of spirituality are portrayed the way they are in
popular culture, but in the case of occultism, one can discern a long tradition of presenting certain
aspects of occultism in a positive way. For instance, astrology appears to be particularly congenial
to the sentiments of the public, and consultation of horoscopes does not seem to have decreased
with the impact of secularisation, but rather the opposite. This can be interpreted as a reaction
against modernity and secularisation to a certain extent, as a form of re-enchantment of the
world. However, I would argue that the increasingly positive depictions of occultism in popular
culture should not be understood so much from what occultism stands for, but rather from an
understanding of how popular culture often “takes over” subcultures and integrates them. This
integration does not only concern subcultures such as the rave, reggae (Rastafarian), and punk
cultures, but also such wide scale groups as the New Age movement. The comparison of how New
Age ideals and practices have become an integrated part of popular culture is particularly relevant,
since both occultism and New Age stem from Western esotericism. New Age, understood in senso
lato, originally began as a spiritual countercultural movement in the 1960s and was characterised
by a criticism of Western society expressed through terms of secularised esotericism (Hanegraaff
1998). One of the aspects of Western society that the early New Age movement criticised was the
capitalist market economy and its focus on materialism as opposed to spiritual values. By the late
70s and early 80s, however, the New Age movement had become what it originally had set out
to criticise: a spiritual supermarket which had been integrated with popular culture. In the case
of occultism, it is still too early to say whether or not it will become equally integrated, but it is
nevertheless obvious that many of the prime characteristics of occultism seem to resonate with
popular culture: the focus on the individual, resistance towards the established and institutional-
ised forms of religion, the focus on experiences, and the idea that there is more to existence than
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mere materialism. The integration of aspects of the underground into the established society or
overground is something which Webb calls “underground establishment”:
            But even dissent can be institutionalized. The 19th century saw the growth of that body
            of recognized intellectual opposition to the Establishment which has since become so
            prominent a feature of Western society. It is perhaps confusing, after emphasizing so
            much the dichotomy between Establishment and Underground, to call this group an
            Underground Establishment - but this is precisely what it is (Webb 1974: 351).
Webb mentions vegetarianism, anti-vivisection, women’s rights and kindness to animals as ex-
amples of beliefs that were prominent in the occult underground at the end of the 19th century,
and which became prominent aspects of modern society. At the turn of the 20th century we can
observe a similar process whereby key notions of occultist spirituality has become mainstream in
late modern society, such as the sacrality of the self, the belief in nature as something sacred, to
name but two. This does not mean that the occult underground has changed Western society of
course, but it shows that occultist spirituality is shaped by the society which it criticises and that
it is symptomatic of values and beliefs associated with late modernity.
P a r t t wo
“old aeon”, but according to his own esoteric religion Thelema (Greek for Will) founded in 1904,
the “new aeon” was to be characterised by freedom. The morals and ethics of Western society and
Christianity were often regarded as restraints and restrictions imposed upon the individual, and in
order to progress spiritually one had to break free from bonds of the “old” values. Often enough,
the most explicit way of breaking free was to adopt a new antinomian sexual morality, based on
Crowley’s holy text The Book of the Law, which encouraged people to have sex with whomever
one wanted, provided that the other partner approved. Crowley’s view on sex differed consider-
ably from the traditional Christian belief that sex is the cause of sin. On the contrary, Crowley
regarded sex as a potent way to spiritual enlightenment, and on the basis of this assumption he
developed a particular form of sexual magic that he taught the elite of his disciples. To Crowley
and his followers, sex was interpreted as a way to challenge the morals of Western society and a
means to break free from them (Bogdan 2006). The identification of the individual’s freedom
with sexual liberty was, however, not unique to Crowley, but can be found in many other occult-
ists forms of spirituality, and also in many new religious movements (especially from the 1960s
and onwards). It is evident from Crowley’s lifestyle and writings that he deliberately sought to
provoke and chock the public. For instance, in his magnum opus Magick in Theory and Practice
(1930) Crowley blatantly stated in chapter XII “Of the Bloody Sacrifice: and Matters Cognate”
that he had sacrificed “a male child of perfect innocence and high intelligence” no less than
150 times every year between 1912 and 1928, which would amount to the somewhat staggering
amount of 2400 sacrificed children! (Crowley 1930: 95, note 4) It is quite clear from the context,
however, that Crowley was not making a confession of literally sacrificing little babies, but made a
tongue-in-cheek reference to sexual magic. The popular press did not interpret passages like this in
a favourable way, though, and a fierce campaign was mounted against Crowley in the British yel-
low press during the 1920s. With headlines such as “The most wicked man in the world” and “A
man we would like to hang” Crowley was denounced as a devil worshiper, a drug addict (which he
in fact was) and a murderer. For instance, the Sunday Express reported on March 4, 1923:
           This man Crowley is one of the most sinister figures of modern times. He is a drug
           fiend, an author of vile books, the spreader of obscene practices. Yet such is his intel-
           lectual attainment and mental fascination that he is able to secure reputable publish-
           ers for his works and attract to him men and women of means and position (Sunday
           Express, March 4, 1923).
It is significant to note that the charges levelled against Crowley during the 1920s are almost iden-
tical with the charges of the satanic panic during the 1980s. The image of Crowley in the popular
press thus personified the perceived threat towards the norms and values of British society at the
time, just as the “satanic underground” did sixty years later. Antinomianism continues to be an
integrated part of contemporary occultism but the extent and purpose of the antinomianism var-
ies from group to group.
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   In Sweden, Dragon Rouge (Ordo Draconis et Atri Adamantis) stands out as one of the most
well-known occultist movements. Founded in 1989 by a group of teenagers in Stockholm it
quickly caught the attention of the media by which it was labelled a satanic group. By the mid-
90s, the movement had established itself throughout Sweden and its membership exceeded 500
people, which is a comparatively high number for a Swedish alternative spiritual organisation.
During the second half of the 90s, Dragon Rouge became less visible in the mass media and its
membership dwindled. However, this period was also characterised by increasing maturity of
the organisation: stricter rules for local lodges were created, and a wealth of written material was
produced for the members. Today, Dragon Rouge has established lodges in countries such as Ger-
many, Poland and Italy and is thus the first Swedish occultist new religious movement to become
an international movement (Granholm 2005). On their website Dragon Rouge is described in
the following manner:
           Dragon Rouge is a Nordic order with branches in many parts of the world. We study
           magic and occultism in both theory and practice. Dragon Rouge is one of few orders
           which focuses on the dark side of magic and the left hand path. We are exploring the
           nightside tradition on many different levels. Dragon Rouge is mainly an order for
           magical initiation, but also for brother- and sisterhood. Our aim is to make education
           and development of the occult possible and to be a meeting point for knowledge and
           experiences. Dragon Rouge is a practical magical order in which the individual experi-
           ence is pivotal. We are focusing on an empirical occultism and a knowledge about the
           unknown based on experience.
that in order to reach moksa or liberation from samsara, the wheel of rebirth, one has to overcome
the impure or dark aspects of existence. The Tantric practitioner criticises the traditional Hindu
and Buddhist on account of their effort to suppress the impure tendencies in themselves, since
this will not lead to being free from them, but on the contrary to become a slave under them. The
Tantric thus use traditionally impure things such as meat, alcohol and sex (the so-called “five M-
words”), in religious rites in order to break free from the material bonds of existence. In Dragon
Rouge, the purpose of using “evil” gods such as Kali or Set in rituals, in fact is to overcome “evil”
aspects in psyche such as anger, fear, hatred and jealousy. In an interview Thomas Karlsson, the
founder and leader of the movement, commented on the use of antinomianism:
           I believe that one should separate this form of antinomianism from the more vulgar in-
           terpretation that sometimes is expressed in certain forms of devil worship, which finds
           its expression in vandalism more or less. That this antinomianism must be interpreted
           on a religious or spiritual level. And then it is mostly about a way of approaching
           those symbols or those powers, if one should speak in those terms, which in religion
           or spirituality have been seen as harmful, or simply destructive in different ways. (…)
           So I believe that antinomianism should be interpreted foremost according to how one
           confronts the spiritual side. Instead of turning towards the good power, one turns
           towards the so-called evil power, the destructive principle (interview with Thomas
           Karlsson 3 November 2002).
The antinomianism of Dragon Rouge is thus something which is supposed to work primarily on a
spiritual level, but according to Karlsson there is the possibility of extending the antinomianism to
cover aspects which fall outside the traditional bounds of religion in order to question the norms
and values of the secularised Western society.
           I definitely believe so… I mean religion is never wholly separated from culture or
           society, or the world we live in. (…) That does not necessarily mean – and I think it
           is very important to stress this – that the antinomianism implies a complete rejection,
           but that it can be a means to become conscious of the values which exist in society
           or which exist in religion. By turning them upside down they become more clear, by
           confronting them through their opposites, unconscious, invisible values and notions
           that might exist in society become more distinct, and then it is possible to relate to
           them either by rejecting them, or as if this is something which I actually agree with.
           So there are many [members] that actually develop a form of stricter ethical or moral
           stance, than what is normal in society, because of the antinomianism (interview with
           Thomas Karlsson 3 November 2002).
The antinomianism as a means to freedom from unconscious norms and values which have been
                        projek t                under j orden                                              15
imposed upon the individual by the society (e.g. through our upbringing, schooling, the media,
the Church) is not unique to Dragon Rouge but appears to be a standard feature in 20th century
occultism. As already mentioned, the psychologization of the occult is one of the ways in which
occultism differs from classical forms of esotericism. The use of gods, angels, demons and other
entities in occult rituals is in fact often seen as a means to explore the psyche, to penetrate into the
deeper levels of the unconscious. The idea that man needs to explore his unconscious in order to
be free from repressing norms and values is, however, not unique to occultism but is to be found
in many new religious movements, of which the Church of Scientology is an illustrative example.
Founded in 1954 by L. Ron Hubbard the Church of Scientology regards many of the social prob-
lems facing the West today to be caused by traumatic experiences (engrams) that are buried in the
unconscious. Through their particular form of psychological healing (dianetics) it is claimed that
the suppressed experiences can be brought up to consciousness, and thereby the individual can
become emancipated and free from the traumas. Another aspect of the psychologization of the oc-
cult is the idea that man is only using a fraction of his true potentiality, and that latent powers of
the mind might be activated through magic. Israel Regardie, the occultist and psychologist, com-
mented on the relationship between psychology and magic in his book The Middle Pillar (1945):
In the case of Dragon Rouge, the unconscious part of man’s psyche is seen as the dark side and
is often linked to what they term “dark magic”. But as the Finnish scholar Kennet Granholm
has pointed out in his thesis about the group Embracing the Dark (2005), the concept of “dark
magic” should not be understood in a moral sense, but rather as pertaining to spiritual practices
that explore the dark or hidden aspects of man’s psyche. On their website, Dragon Rouge explains
how they understand the “dark side”:
           The dark side can also be understood from the perspective of psychology. One of the
           main theses of Dragon Rouge is that man presently uses only a fraction of his total
           capacity. We are experiencing only an insignificant part of reality. The major part of
           man is hidden. Through the traditional thousand year old occult practices man can
           contact these hidden sides. To the hidden parts of man belongs the undeveloped and
           non-actualized sides of the psyche. These can be made conscious and become realised
           if we are entering the dark side of our psyche. We will then confront all dark and
                         projek t                  under j orden                                          16
            repressed parts of the psyche like aggression, fears and basic instincts. C.G. Jung is the
            psychologist who is most important to Dragon Rouge. Jung said: “Illumination is not
            reached by visualizing the light but by exploring the darkness”. From this perspective
            Dragon Rouge is working with the dark side.
The antinomianism of Dragon Rouge and other occultist movements is not, however, a goal in
itself, it is merely the means by which they fulfil their spiritual quest. But what then is the goal of
the magician? What is the purpose of occultism?
            I further promise and swear that with the Divine Permission I will, from this day
            forward, apply myself to the Great Work – which is, to purify and exalt my Spiritual
            Nature so that with the Divine Aid I may at length attain to be more than human, and
            thus gradually raise and unite myself to my higher and Divine Genius, and that in this
            event I will not abuse the great power entrusted to me. (Regardie 1938: 214)
The Divine Genius that the members of the Golden Dawn sought to unite with was referred to by
different names, such as the Higher Self, the Daemon, but perhaps most commonly as the Holy
Guardian Angel. Although occultists differ in how the Divine Genius is interpreted, the basic idea
is that it constitutes a divine aspect in man that the profane or unenlightened person is not aware
of. This idea originally derives from the Gnosticism of late antiquity, in which it was believed
that man’s soul was nothing but a spark of the divine Godhead, which had been entrapped in the
material world through a primordial fall. The goal of the Gnostic was to free the divine aspect in
man and to re-unite it with its divine source. In a similar manner the occultist sees the Divine
Genius as the microcosmic counterpart of the macrocosmic Godhead, and the goal is to reach a
                        projek t                 under j orden                                             17
conscious awareness of, or union with, the Divine Genius. This union is often referred to as the
Knowledge of and Conversation with the Holy Guardian Angel, and the similarities with the
goal of Christian mysticism, that is Unio Mystica, are quite obvious (at least to a certain extent).
With the psychologization of the occult (identified by Hanegraaff as part of the secularisation of
Western esotericism) during the first half of the twentieth century, the Divine Genius or Holy
Guardian Angel was increasingly seen as an aspect of man’s psyche. To Crowley, the Holy Guard-
ian Angel was nothing but the unconscious aspect of the mind, and consequently the object of his
magical system was to become conscious of the unconscious. Furthermore, Crowley believed that
the unconscious contained the very essence of each human being (which he called the True Will),
and by discovering this essence one would find the answers to man’s basic existential questions:
Who am I, and what is the purpose of my life? Or to put it in the words of Crowley himself:
           It should now be perfectly simple for everybody to understand the Message of the
           Master Therion [i.e. Crowley]. Thou must (1) Find out what is thy Will, (2) Do that
           Will with (a) one-pointedness, (b) detachment, (c) peace. Then, and then only, art
           thou in harmony with the Movement of Things, thy will part of, and therefore equal
           to, the Will of God. And since the will is but the dynamic aspect of the self, and since
           two different selves could not possess identical wills; then, if thy will be God’s will,
           Thou art That. (Crowley 1919: 42)
The identification of the True Will with God’s Will, or with the essence of each human being
with the Godhead, shows that to Crowley the goal of magic is to become aware of the divine
aspect in man. In fact, to Crowley “there is no God but Man” as he blatantly stated in Liber Oz
published in 1944. This does not mean that Crowley was an atheist, but rather that he believed
that God is Man, or Deus est Homo which is one of the mottos of Ordo Templi Orientis, an
initiatic order that Crowley became the head of during the 1920s and which remains to this day
one of the largest occultist orders in the West. The goal of occultist forms of spirituality differ to a
certain extent from classical forms of Western esotericism in the sense that occultists do not strive
to unite with God but rather to reach self-deification, or to become gods themselves. According to
Granhom self-deification is specially linked to the so-called Left Hand Path in occultism, but I
would argue, however, that the notion of self-deification is already present in fin de siècle occult-
ism as exemplified by the Golden Dawn and Aleister Crowley. In fact, one of Crowley’s disciples
Charles Stansfeld Jones, identified for a number of years as Crowley’s “magical child” commented
on this very fact in a letter to Crowley written in 1916:
           As far as I can see Everyone who attains in this Æon will remain as God on Earth,
           viz, this is the Positive side, whereas the Old Æon methods caused man to become
           absorbed in God (Jones, in press)
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As stated in the previous part, the antinomianism of Dragon Rouge is the means to accomplish
self-deification. According to Dragon Rouge, man is potentially divine, and it is only when he or
she becomes divine that free will can be reached. Using this free will, it is believed that the adept
is able to create his or her own universe, thereby becoming not only a god, but a god of creation
or demiurge. The goal of the initiatory system of Dragon Rouge is thus not an end in itself (self-
deification) but merely the beginning of new process of creation that takes place according to the
will of the magician. In discussing the highest and final degree of the degree system of Dragon
Rouge, Thomas Karlsson states:
           Yes, even though we have turned this around a bit and say that the Right Hand Path
           leads to a clear goal, whereas the Left Hand Path leads to a new beginning. In other
           words, the final goal is when man has transformed him/herself, but the sefirotic struc-
           ture has been dissolved and everything has been absorbed by a black hole, and there
           the human being suddenly appears as the new demiurge and creates a new sefirotic
           structure, formulated by the magician’s – or then the god’s – will (interview with
           Thomas Karlsson 021103).
The sefirotic structure referred to by Thomas Karlsson is a reference to the kabbalistic Tree of Life
that contains ten spheres or sefira. The Tree of Life is a glyph or diagram of the created universe
(but also of man’s psyche) in which the lowest sphere Malkuth corresponds to the material world,
and the highest sphere to Kether which is understood as the first manifested aspect of the God-
head stemming from the limitless divine light. The ten spheres are often used by initiatic orders,
such as the Golden Dawn, as the basis for their initiatory structure with each degree correspond-
ing to a particular sphere on the Tree. The initiatic journey from Malkuth, the lowest sphere,
to Kether is interpreted as a spiritual journey leading from an unenlightened state of being to
enlightenment, or self-deification. In Dragon Rouge, the initiatic structure is not based on the
Tree of Life as such, but on its dark or reversed side, the Tree of Death. The ten spheres on this
side of the Tree are seen as empty shells (klippoth) and they correspond to the nightside or dark
side of the universe and man’s psyche – that is, to those aspects of the psyche that are normally
repressed in society and religion. By dissolving the sefirotic structure and then reformulating it
according to the will of the magician (now a god), a new universe is created out of the magician’s
innermost being, or self.
that encourages a withdrawal from active participation in society. On the contrary, occultism
often maintains a positive, albeit critical, stance towards Western society. The use of magic is
thus not only seen as a spiritual process but also as a means to influence the “mundane” plane of
existence. In 1930 Aleister Crowley tried to define and explain magic (or Magick as he preferred
to spell it) for the public:
            Magick is the Science and Art of causing Change to occur in conformity with Will.
            (Illustration: It is my Will to inform the World of certain facts within my knowledge.
            I therefore take “magical weapons”, pen, ink, and paper; I write “incantations – these
            sentences – in the “magical language” i.e. that which is understood by the people I
            wish to instruct; I call forth “spirits”, such as printers, publishers, booksellers, and so
            forth, and constrain them to convey my message to those people. The composition and
            distribution of this book is thus an act of Magick by which I cause change to take place
            in conformity with my Will) (Crowley 1930: XVII).
The definition stands in sharp contrast to the image of Crowley as the founder of modern Satan-
ism and promoter of blasphemous rites, and instead reveals a rather “sober” approach to magic
with a this-worldly purpose. As discussed in the first part of this essay, the depiction of Crowley
and other occultists as opponents to the norms and values of Western society actually says more
about the context in which the accusations are verbalised, than about the target of the accusations
as such. In times of increased social and religious change, the norms and morals of society are
challenged by new values and strategies of epistemology. The criticism levelled against occultist
forms of spirituality, reaching its crescendo with the so-called satanic panic of the 1980s and early
1990s, identifies the fears of moral disintegration that was felt among certain groups in Western
society. In that sense, the occult underground can be understood as an anti-structure in the Turn-
erian sense; that is, occultists were seen as embodying everything that was not normal and stood
in contrast to Western society - and thereby defining what was perceived to be normal.
    A closer look at occultism will show that it has little in common with the criticism directed
against it. In fact, occultism (understood as a form of secularised esotericism) embodies many of
the same characteristics that are to be found in modern and post-modern Western society: (a)
Occultism is a self-centred form of spirituality which deals with the personal development of the
practitioner; (b) Occultism is focused on religious experiences (altered states of consciousness),
which in practice means that it is oriented towards the performance of rituals and meditations
which sometimes include the use of sex and/or drugs; (c) Occultism tends to have a positive at-
titude towards material values and sexuality; (d) Occultism is an eclectic form of spirituality that
is characterised by a positive attitude towards a wide range of practices and religious beliefs: (e)
Occultism is not dogmatic in the sense that there is only one way to “truth”, and there is thereby
an inherent criticism among occultists towards certain forms of organised religion (especially
                       projek t               under j orden                                              20
towards what is perceived to be the “Christian church”); (f) Occultism is antinomian in the sense
that occultists often regard themselves as challenging the religious values of Western society (even
though it can be questioned if they actually are going against the norms of Western society). As
mentioned, these characteristics are not unique to occultism, but can be seen as an intrinsic part of
modern spirituality and the majority of new religious movements – and the occult underground
can thus be seen as a reflection of modern Western society.
    Occultism can thus be seen as a form of modern Western spirituality that to a large extent
centres on a discourse of criticism towards “established” or mainstream Western society, or to use
the imagery of overgrounds and undergrounds: occultism forms a spiritual underground that re-
jects the overground, but which from time to time surfaces as integrated parts of the overground.
Therefore, the nature of occultist spirituality is paradoxical in that not only rejects and criticises
aspects of modernity, but that it at the same time embodies key notions of modernity.
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