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Guitar Ensemble: Odeon by Nazareth

1. The document is a musical score for a guitar ensemble adaptation of the piece "Marco Túlio" by Ernesto Nazareth. 2. It contains musical notation including measures, time signatures, keys, dynamics, and parts for multiple guitars. 3. The score allows a guitar ensemble to perform an adaptation of the original piano piece "Marco Túlio" composed by Ernesto Nazareth.

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Fabrizio Ferrigno
Copyright
© © All Rights Reserved
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305 views2 pages

Guitar Ensemble: Odeon by Nazareth

1. The document is a musical score for a guitar ensemble adaptation of the piece "Marco Túlio" by Ernesto Nazareth. 2. It contains musical notation including measures, time signatures, keys, dynamics, and parts for multiple guitars. 3. The score allows a guitar ensemble to perform an adaptation of the original piano piece "Marco Túlio" composed by Ernesto Nazareth.

Uploaded by

Fabrizio Ferrigno
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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arr.

Marco Túlio
Odeon

    
adapted for guitar ensemble Ernesto Nazareth (1863 - 1934)

              
 = 100

  
4 1 2
3 3 3 4 2 4
3 2 3 4 4
2 2 1 4
Guitar 2 1
3

           
2 3

     
3


               
4
2
1
0

                
3

  
 

  
           

9

  
          
 

     
             
14

     

1.  2.
   1      
       
7 4 2 4 2
19 3
4 3 1

       
3

       
 

        
4 2


24

        
       

      
   
28

       
       
 

         

32

         

      2.     
                 
36 1. 3
1
4

1
  
          
          
       

42

  
 
   

     
                           


47

                     

       
53

     
                  
      
57

              
   
      
61

                 

      
64


 1.                 
       
67

     
 2.           
               
70


 
              
           
 

 
75

   
  
 
 
    
                            

 
80

        
   
 

     
7
86

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