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Fire and Ice: Kaleb Patterson 60

This musical composition explores the themes of fire and ice through its melody and harmony. The piece consists of two sections, each representing fire or ice in its musical elements. The fire section uses more dissonant and tense intervals like the tritone, while the ice section features stacked fifths and more consonant and relaxed sounds. Overall, the piece uses different musical devices in each section to represent the destructive yet opposite forces of fire and ice through music.

Uploaded by

Kalpatty
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
84 views4 pages

Fire and Ice: Kaleb Patterson 60

This musical composition explores the themes of fire and ice through its melody and harmony. The piece consists of two sections, each representing fire or ice in its musical elements. The fire section uses more dissonant and tense intervals like the tritone, while the ice section features stacked fifths and more consonant and relaxed sounds. Overall, the piece uses different musical devices in each section to represent the destructive yet opposite forces of fire and ice through music.

Uploaded by

Kalpatty
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Fire

and Ice
Kaleb Patterson

        

 = 60
Bass

 

                           

Some

 
HC

    
      

Gm:i V6 III43 IV6 VI Fr6 V V

          
Modal

     
Mixture

 
5

B.

                            
   
say the world will end in fire Some say i n

   
       

 


i i6 IV V V i iii
Modal Chromatic
Mixture Mediant
    
            

9

B.



       
                   
ice To say that for de struc tion ice is al so great and

   
     
   

V V i i6 V V VI iio64

    
   

13

B.

 
                                
would suff ice

 
PAC

  
       
 
V7 I i Gm:V/II

               
Dm:V/V V Gr6 V864 753

  
17

B.

  
  

 
             
Some say the world will end in fi re Some


PAC


   
       

      



  

i i Faug(Passing) III43 (tritone=fire)

2
              
  
 
21

B.

  
 

   
say i n ice Fr om what I've tas ted of de sire I

       
   
   
   
     
 



      
  
  
 
i Faug(Neighbour) (stacked Gm:i viio65 III9 VI6
5ths=ice)
t
D in bass and
F# in highest notes/voice
create

     
a distant

      
illusion of
25
DM (V/Gm)
B.

 
                      
hold with those who fa vour fire.

    
  
   
  
PAC

  
iv7 N6 V7 i Gm:i V6 III43 IV6
Modal
Mixture

3
 

       
  

29

B.

                
  
   


But if it had to per ish twice


HC

      

 

VI Fr6 V V i i6 IV V


                  
Modal

 
33
Mixture

B.

 HC
I think I know e nough of hate T o say that for de

    
                  
 
     


      
    
 

 
V i iii V i viio65

       
Chromatic

    
Mediant

 
37

B.

   

  
    
struc tion ice Is al so great and will suff ice.

  
 
  
    
PAC

 
III9 VI6 iv7 It6 V7 i
4

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