Guitar series Third EditionGuitar Series Third Edition INTRODUCTORY [National Library of Canada Cataloguing in Publication Guitar series fnusic] introductory repertoire and studiesetudes 3rd ed ISBN 0-88797-858-4 1. Guitar music—Teaching pieces. 2. Guitar—Staies and cxerezes, 1. Royal Conservatory of Music. IL Tile: Introductory repertoire and studiesotues MTs62.G968 2008 T87.87076 ——_-C2003-903117.9 © Copyright 2004 The Frederick Hartis Music Co., Limited Al Rights Reserved ISBN 0-88797-858-4Guitar Series Third Edition The Guitar Series was originally published in 1989 to international acclaim. In 1997, a second edition was received with heightened enthusiasm, The present third edition, launched in 2004 and building on that strong foundation, has been refined to meet the changing interests and needs of teachers and students. ‘The aims ofthe series are threefold: to provide students witha clear, well-paced path for their musical development; to nurture the technique necessary to successfully meet those developmental challenges; and to expose students to the full range of the instrument's repertoire and potential ‘The Guitar Series guides students from the late elementary level (Introductory book, Repertoire and Studies/Etudes book 1) through to late intermediate and early advanced repertoire (Repertoire and Studies/Etudes books 7 and 8). The studies/etudes are especially suited for building technique as well as musicality relevant to the repertoire of cach level. Technical and conceptual challenges are progressively introduced from one book to the next to ensure the steady development of musical skills. ‘The well-rounded guitarist will have an understanding of the instrument's history as well as practical experience with a wide range of repertoire from all historical periods and styles. Guided by this principle, the series editors have drawn on more than 500 years’ worth of guitar and lute music for the present edition. Each book in the Guitar Series features compositions from the Renaissance to the present day; from book 2 on these are grouped according to historical period. By leaming music from each period, students will gain a comprehensive overview of the evolution of musical styles and of guitar music in particular. ‘The guitar student who works carefully through this series under the guidance of a good teacher will gain not only technical proficiency, but also artistic maturity and a broad overview of both the instrument's repertoire and its possibilities. A Note on Editing and Performance Practice AA systematic and thorough approach to fingering is flndamental to a student's success in learning to play the classical guitar, The fingerings in this series have been designed in accordance with the latest pedagogical principles and to ensure natural playability and musical integrity. The use of fingering indications throughout the nine Repertoire and Studies/Etudes books and the Guitar Technique book is intended to assist students to adapt to the inereased level of complexity encountered in each successive volume and to provide a logical framework for the development of a musically fluent and flexible guitar technique. Faithfulness to the composers” intentions, as reflected in the source materials, has guided the editors’ decisions concerning the inclusion of dynamic markings. The editors have added no dynamic markings to the scores where none are to be found in the original sources. They stress, however, that all music must be played with dynamic contrasts whether or not specific indications are given in the score. Metronome markings for the repertoire and studies suggest tempi within the bounds of stylistic dictates and technical considerations. Frequently, a tempo range is given to accommodate individual interpretations. In the interest of personal creativity, teachers and students may wish to alter the given dynamic indications and metronome markings, or to employ alternate fingering systems. This edition follows the policy that the bar line cancels accidentals. In accordance with current practice, cautionary accidentals are added only in cases of possible ambiguity. For examination requirements of The Royal Conservatory of Music, please refer to the current Guitar Syllabus. Dr, Trish Sauerbrel Baltor-in-Chietpima 1284 = Piv. 1 ont. tasio. nat. vase. tamb. Symbols and Abbreviations right-hand fingering left-hand fingering. string number guide finger in left-hand shifting slur: a left-hand articulation of the second note of a pair ~ either a “hammer-on” (ascending pair) or “pull-off” (descending pair) partial barre: the top number of the faction indicates the lowest string stopped. by the barre; the bottom number indicates the number of strings (including the Jowest) that are covered; the Roman numeral indicates the fret number full barre (cejilla): indicates that all six strings are covered pivot barre: prepare barre by stopping the string with a segment of the barre finger or place barre while continuing to hold the previous note with finger | arpeggiando: play notes one at a time from lowest to highest (or in direction of the arrow head) harmonic sul ponticello: play with the right hand near the bridge to produce a brighter sound sul tasto: play with the right hand near the fretboard to produce a softer, fuller sound natural: follows pont. or tasto and indicates a return to playing in the usual manner rasgueado: strum the strings using the back surface of the right-hand nails tambora: sound the notes by tapping on or near the saddle in the rhythm indicated using the right-hand fingers or thumb _golpe: a percussive knock created by hitting the guitar body with the right- hand fingers or thumbRepertoire Valse d’automne (Autumn Waltz) Exercise 13, Dance First Exercise on the B String Contentment Bransle de Poitou ‘Moorish Dance Acadian Lullaby Andantino Waltz Moonlight Sciapodus Land of the Silver Birch Waltz, op. 241, no. 1 Torito Klangbild 11 (Sound Picture 11) Klangbild 13 (Sound Picture 13) Iberian Dance Acolian Mode Contents Lyse Gingras Elias Barriero Florian Lambert Johann Kasper Mertz Hans Neusidler, arr. Paul Gerrits ‘Shawn Bell Adrian Le Roy Aaron Shearer Richard Summers Claude Gagnon Matteo Carcassi Traditional Acadian melody, arr. Peter Hudson Matteo Carcassi hime Mirtenbaum Zenamon ‘Stepén Rak ‘Shawn Bell Traditional melody, arr. Peter Hudson Ferdinando Carulli Jaime Mirtenbawm Zenamon Carlo Domeniconi Carlo Domeniconi Traditional melody, arr. Michael Connor Reginald Smith BrindleStudies/Etudes yo |p [alo lola lel |- 10, 12, 13. 14. 15. Exercise 15 Exercise 17 Study Lesson 62 Etude, no. 6 Prelude, no. 9 Lesson 46 Arpeggio Study no. 1 Gliding ‘A Simple Dialogue Bagatelle Lesson 61 Ninow ‘Ukrainian Melody. Lesson 48 Elias Barriero Elias Barriero James Brown lio S. Sagreras Aaron Shearer Aaron Shearer Julio S, Sagreras Reginald Smith Brindle Michael Connor Shawn Belt Michael Connor illo S. Sagrera Shawn Bell - Ukrainian Folk song Julio S. Sagreras 24 24 4 25 25 26 26 20 28 28 29 30 31 32 32Valse d’automne Autumn Waltz Lyse Gingras «949= & 3 3 3 3 3 Source: Petit live de guitare, ed. Francine Dery and Claude Gagnon ‘© Copyright 1977 Claude Gagnon. Reprinted by permission. oresExercise 13 Elias Barriero (1s30-) Source: Classical Guitar Method, book 1 © Copyright 1982 Willis Music Company. Reprinted by permission. Dance Florian Lambert (a942—) J = 138-152 re rr {© Copyright 1982 Les Editions Doberman-Y¥ppan, Saint-Nicholas, Québec, Canada. Reprinted by permission.First Exercise on the E String Johann Kasper Mertz (1800 - 1856) J = 100-116 Source: Exercises on the E String Dance Hans Neusidler (1508 - 1563) arr. Paul Gerrits d= 72-84 casa5— ) Source: Guitar and Lute Method, Exercise 16 ‘Arrangement © copyright 1968 Méseler Verlag Wolfenbiittel. Reprinted by permission.Contentment Slowly and freely J = 108-116 (1958- ) 4 » iT r—__F ( | i a ll I on Source: Elementary Sudies for Guitar, book 2 rall.e dim. © Copyright 1988 Shawn Bell. Reprinted by permission ofthe composer. Bransle de Poitou ‘Adrian Le Roy Con moto #. = 60-69 (ca 1520 - 1598) FY Source: Tiers livre de tabulature de guiterre (1552) coms10 Moorish Dance Aaron Shearer «agi9—) Source: Classic Guitar Technique, 2nd ed., vol. 1 ‘© Copyright 1963 (Renewed) Franco Colombo, Inc. Copyright assigned 1969 to Belwin-Mills Publishing Corp. ‘Allrights reserved. Reprinted by permission of Warner Bros. Publications U‘S. Inc., Miami, FL 33014. abiu Dreams Richard Summers (1953-) Flowingly 4 = 100-116 nae 38 Source: Music for Classical Guitar, book 1 © Copyright 1996 Richard Summers. Reprinted by permission of the composer.Carrousel Claude Gagnon Source: Petit liore de guitare, ed. Francine Dery and Claude Gagnon ‘ Copyright 1977 Claude Gagnon. Reprinted by permission. emmau Siciliano Matteo Carcassi (1792-1853) rt Acadian Lullaby Traditional Acadian melody arr. Peter Hudson (1968 =) ° e p pO? Source (melody): Eight Ethnic Folk Songs for Young Children, collected by Helen Creighton ‘Melody © copyright 1977 Gordon V. Thompson Music. Reprinted by permission of Warner Bros. Publications US. Inc, ‘Miami, FL 33014. Arrangement © copyright 1996 Peter Hudson. Reprinted by permission of the arranger. cawrwawa/ssu Andantino Matteo Carcassi (1792 - 1853) Source: Méthode complete pour le guitare, op. 59 Waltz Jaime Mirtenbaum Zenamon 1254-63 (1953-) Source: Epigramme, book 1 © Copyright 1989 Edition Margaux, Berlin. Reprinted by permission. osowansaierall, Moonlight , r <= r # ‘Stepan Rak (1945-) Source: Rak Miniature Solos ‘© Copyright 2000 Editio Birenreiter, Prague. Reprinted by permission. erasSciapodus Heavy and deliberate 4. = 66-76 a a ol oa a al oxy eal ea oxy “—/ ~ ~~ r of goal ‘8c. poco rit. Bl» 4 . oo. a om oy 8 rorTrgr Fat Te Source: Elementary Studies for Guitar, book 2 ‘© Copyright 1988 Shawn Bell. Reprinted by permission of the composer. amas =a! ~ < =Land of the Silver Birch Arrangement © copyright 1996 Peter Hudson. Reprinted by permission. Traditional melody arr. Peter Hudson (1968-)18 Waltz op. 241,no. 1 Ferdinando Carulli (170 - 1841) ™ = * ™ ” Fine D.C. al Fine Source: Méthode compléte pour parvenir a pincer de la guitare, op. 241 (ea 1825) serraTorito Jaime Mirtenbaum Zenamon (1953- Source: Epigramme I (© Copyright 1989 Edition Margaux, Berlin. Reprinted by permission. 19Klangbild 11 Sound Picture 11 poco ral ‘Source: Klangbilder: 24 Leichte Sticke fur Gitarre ‘© Copyright 1989 Edition Margaux, Berlin. Reprinted by permission. Carlo Domeniconi a9a7-)Klangbild 13 Sound Picture 13 Carlo Domeniconi 947) Source: Klangbilder: 24 Leichte Stitcke ftr Gitarre © Copyright 1989 Edition Margaux, Berlin. Reprinted by permission. commasIberian Dance Traditional melody arr, Michael Connor Andante 4 = 108-126 (1960—) 7 of uF" —y 7 b , > meno mosso ‘accel. poco a poco rit ‘meno mosso ‘cantando 4 accel. poco a poco heesen seis Mscsmvoibels: stink Eile’ Chevere: Tinnisted ter petesion ernAeolian Mode Reginald Smith Brindle agi7— ) Andante con moto J = 69-80 i ” 7 tr 7) TF vT © Copyright 1979 Schott & Co., London. All rights reserved. Reprinted by permission of Shemmaees Areastcen: bicain teiiinieoruetion. owwmmannresa Study /Etude no. 1 Exercise 15 Elias Barriero d (1930-) = 60-69 mom 28 ra For examinations, the repeat isto be played. Source: Classical Guitar Method, book 1 ‘© Copyright 1982 Willis Music Company. Reprinted by permission. Study /Etude no. 2 : nity ince Exercise 17 ——— J =88-100 (1930-) se <3 wo? P > For examinations, the repeat isto be played. Source: Classical Guitar Method, book 1 © Copyright 1982 Willis Music Company. Reprinted by permission, Study /Etude no. 3 Study James Brown, (1967) Source: Short Pieces and Studies ‘© Copyright 1995 James Brown. Reprinted by permission ofthe composer. nemaStudy /Etude no. 4 aonaiee Lesson 62 Julio $. Sagreras 1-68-76 (1879 - 1942) a0 rf Source: Las primeras lecciones © Copyright Ricordi Americana S.A.E.C,, Buenos Aires. Reprinted by permission. Study /Etude no. 5 an Etude no. 6 Aaron Shearer ag19— Source: Classic Guitar Technique, 2nd ed., vol. 1 © Copyright 1963 (Renewed) Franco Colombo, Inc. Copyright assigned 1969 to Belwin-Mills Publishing Corp. All rights reserved. Reprinted by permission of Warner Bros. Publications US. Inc., Miami, FL 33014. ososraa26 Study /Etude no. 6 Prelude mo: 9. ‘Aaron Shearer (1919- ) Source: Classic Guitar Technique, 2nd ed., vol. 1 ‘© Copyright 1963 (Renewed) Franco Colombo, Inc. Copyright assigned 1969 to Belwin-Mills Publishing Corp. All rights reserved. Reprinted by permission of Warmer Bros. Publications US. Ine., Miami, FL 33014. Study /Etude no. 7 Lesson 46 Julio S. Sagreras 1-8-7 simile (1879 = 1942) 3 @ o 6 a hl Source: Las primeras lecciones © Copyright Ricordi Americana S.A.E.C., Buenos Aires. Reprinted by permission. soresStudy /Etude no. 8 Arpeggio Study no. 1 Reginald Smith Brindle asi7-) rall, Source: Three Arpeggio Studies, in Guitarcosmos, vol. 1 © Copyright 1979 Schott & Co,, London. All rights reserved. Reprinted by permission of European American Music Distributors Corporation. eu 2728 Study /Etude no. 9 Gliding Michael Connor Seorrevole* 3. 63-72 ' (1960- ) Fr ® 7 * Flowing U © Copyright 1996 Michael Connor. Reprinted by permission of the composer. , Study /Etude no. 10 A Simple Dialogue ‘Shawn Bell 4 = 132-168 (1958-) t t eS = = = z rrr rrr por ee ete: ty a i nic he ar sawsStudy /Etude no. 11 Bagatelle Lento e legato J = 92-104 Michael Connor * (1960- ' ? Fr Fr r F Saal Pr = Pi? T ritenuio * Natural harmonic at the 12th fret © Copyright 1996 Michael Connor. Reprinted by permission of the composer. osm 29Study /Etude no. 12 Lesson 61 iv ‘Source: Las primeras Lecciones © Copyright Ricordi Americana S.A.E.C., Buenos Aires. Reprinted by permission. Julio S, Sagreras (1879 ~ 1942)31 Study /Etude no. 13 Ninou ‘Tranquillo con delieatezza = 112-126 Source: Elementary Studies for Guitar, book 3 ‘© Copyright 1989 Shawn Bell. Reprinted by permission of the composer. ossrsaysi32 Study /Etude no. 14 Ukrainian Melody Ukrainian Folk Moderato 4. = 52-56 an ima mit Lm m nf e ° rit, P ‘Transcription © copyright 1997 The Frederick Harris Music Co., Limited, Mississauga, Ontario, Canada. Study /Btude no. 15 Lesson 48 Julio S. Sagreras J =52-60 (1879 - 1942) bimit 78 ‘Source: Las primeras lecciones © Copyright Ricordi Americana $.A.E.C,, Buenos Aires. Reprinted by permission. owas