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Brasiliana Edino Krieger

The document is a musical score containing musical notation. It consists of multiple pages of staff notation with various musical symbols and markings. The piece is for solo viola and has shifts in tempo and dynamics throughout.

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YsraelAlmeida
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© © All Rights Reserved
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100% found this document useful (1 vote)
509 views14 pages

Brasiliana Edino Krieger

The document is a musical score containing musical notation. It consists of multiple pages of staff notation with various musical symbols and markings. The piece is for solo viola and has shifts in tempo and dynamics throughout.

Uploaded by

YsraelAlmeida
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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"Brasiliana" Edino Krieger

Cópia digitalizada por Rafael Videira

     
Andante non troppo
     
Viola    
 
    


 

p recitativo

       
                 
       

Andante
        

       
               
 
   
f
cresc.

     
            
       
 


           
5 Poco più mosso
 
   

         
f enérgico

    
             
           
  
 f 
    
ff
 
   
                
  

                            
  
9

       


 
    
            

 
  
 

           
   

 







2

         
       
                
12

 


         
  
  
  
            
    

   
     
             
 
 
15

     
      

   3


3

         
            
  
                   
          
   


   
    
 
19

      

       
             
          
 

   
 


 
 
        
 
   
    

  
22

     
         
                     
         

 
     
          
             

        
3

27               
      
f

        
         
   

   
rall 
          
   
  
    
 
 

 


             
 
            
31
    
p sub. riten.

                   


       
    
 
             
     
    

      
a tempo
           
   
35
   
f


     
 
       
    rall.
   
 
  
 
        
 
 
4

 
              
39

     
         
p

   
      
               

 
                 
     
 

 
44
     
   

 

   
   
    
dim.


        
            

simile

            


          


 
48
        
       

        
      
        
          
         
  
   

52
     
Allegro moderato  
        
        
p 
   
p 
   

     
         
  
       
 

  
5

           
     
55
  
   

     
 
      
 
           
        
  
        
            


 
 



  
          
58

     
 


             
 
 
      
      
  

                 
60
                 
         
poco riten.


         

  
       
  


      
  
               
  
63

    
    
3

       

             
 
6
              
3
   
         
 
66

          
3

       

         


   
poco riten.

    
72 a tempo
    

             
a tempo

                  
      
           
f 

        
        
    


76

    

          
         
               
  
      
               
  
 
7

80
             
              
mf cresc.

 
              
  
     

       
         
   

                  
 
      
83

  

   
      

  
  
  
   


                   
     
85
         
  

   
    
          
  
 
 
       
      
     
    
8

            
  
88

     
f

               
             
    
  
          

   


        
91

         
 
dim. e ritard. p

 
         
    
    
 

              
         
 

          
CADENZA

              
95

        
 

                
         

 
 



                  
      
3

       
Tranqüilo

    
p
9

         
                      

 
cresc. f
3

     
           
           

3

     
      
          
   
     
 atacca


Allegro Moderato
       
    
  
96

   
   
        

      
         
  
           
 


99         
   

 
            
      
      
 
     

           
101
         
   
f


      


      
   
  

10

     
                   
Vivace
   
103

       
           
mf p cresc. molto

     



     
       cresc.

sfz p sfz p

            
               
107 Prestissimo (a 1)

          
     


      


    
      

111

                  
   

    

   
   

 
      


  
Cópia digitalizada por Rafael Videira - rrvideira@yahoo.com.br
"Brasiliana" Edino Krieger
Viola Solo
Cópia digitalizada por Rafael Videira

              
Andante non troppo

        
   
p recitativo

              
               
  
   

 Poco più mosso



              
Andante
   
 
f enérgico

                    
   
         
9



    
                     
     
         
12

   

  
 
          

    
16

      

   3
3

  
        
   
  
19
  

21
  


     
       
2
              
        
28

                       
             
33 a tempo

p sub. riten. f

 
                
37
    
         
p

             
42
       
        

dim.

47

        

         
    

   

   
Allegro moderato
  
                
52
     
   
   
p p

             
          
56
  
     
     


          
3

             
         
59

     
poco riten.

          
               
   
62
          
 
3

            
3
   
           
66

     
     
3

   
poco riten.

    
a tempo
          
72
 

mf cresc.

                                  
       
82

                      
85
             
        

             
     
88
   
f

      
91

        
  


dim. e ritard. p
4 CADENZA
                
   
          
 
95
   

 

         
    
      

  
 

 

    
Tranqüilo
                  
3
      
           
p

        
                       
 
cresc. f
      
3

           
           

3

    
         
             
    
 atacca

     
  
                      
96 Allegro Moderato

  

   
                    
100

         
 

    
f

                    


103 Vivace
 
             
mf p cresc. molto

            Prestissimo (a 1)  
      

      
   
107

      
      

                     
111



Cópia digitalizada por Rafael Videira - rrvideira@yahoo.com.br

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