0% found this document useful (0 votes)
44 views11 pages

Confusion MV 4 Short

The document contains musical notation and instructions for playing euphonium. It includes fingerings, mouthpiece switches, and instructions to vary dynamics and articulation. The notation spans multiple lines and pages with crescendos, decrescendos and other performance directions.

Uploaded by

Tristan Scott
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
44 views11 pages

Confusion MV 4 Short

The document contains musical notation and instructions for playing euphonium. It includes fingerings, mouthpiece switches, and instructions to vary dynamics and articulation. The notation spans multiple lines and pages with crescendos, decrescendos and other performance directions.

Uploaded by

Tristan Scott
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 11

Confusion mvt.

4 readable
 = 150

Euphonium
 18 
8

Euphonium
 18
8 
 Switch between the 23 and 3 fingerings as rapidly as possible on no set pitch

Bari Sax mouthpiece


2
like a fog horn
Euph.
              
                    
 
Euph.

Euph.
              
                  
Euph.

15 hold over each note very slightly

Euph.
         
            
Euph.

21

Euph.
 

Euph.

22

Euph.
   
                
         
Euph.
              

 = 150
23

Euph.
      44  
                      
Euph.
         44      
               
 
27

Euph.
        
                      
        
          
Euph.  

32

Euph.
    
                             
         
Euph.       
 

36

Euph.
      
               


Euph.
                                
 
40

Euph.
 
                             
                                       
Euph.
3
3  3 3

2
44
3
 
Euph. 43
                

Euph.
                                         43
3 3 3 3 3 3
 3

switch to Trombone w/ Bari sax Mouthpiece
Like a motorcycle
47 increase in initial dynamic poco a poco

Euph.
 43  44  
 

 43         44                               
Euph. 
3
 3 3
 3 3
 3 3

51

Euph.
  

  
                    
Euph.
   
3 3 3 3 3 3 3

54
3 3
Euph.
   
    
           
      
                   
    
Euph. 
3 3 3 3 3 3 3 3 3 3

 = 130
59
3 3
Euph.
   45

         
3 3
Euph.
  54
                       
 

3
63 wait until the very last second to gliss
3 3
Euph.

               
3 3  3 3
Euph.

                         

67

Euph.
    
  

3 3 3
Euph.

              
70

Euph.

        
3 3 3
Euph.

              
73

Euph.

         
   
3 3 3 3 3
Euph.

                        
78
3 3
Euph.
 
           
3 3 3
Euph.

                       
81
3 3
Euph.
 46 45 
           
3 3  3
Euph.
 6
4
54
                        

4
84 turn to face away from the judge(s) while glissing down

Euph.
  20 
4    g liss .
    
g liss .
  
3 3 3 3 3
Euph.
 20
     4                     

gliss trill
86 turn to face the judge(s) while glissing up

Euph.
  16 20
4 4
g liss .   
    
3 3 3 3 3
Euph.
 16  20
                     4     4
 = 180
88

Euph.
 20                
4
           
 20        
Euph. 4                       
  3

89 blast as loud and jarring as possible

Euph.
               
                   
           
Euph.

90

Euph.
            
       
Euph.
                      
        
91

Euph.
          
       
      
Euph.
    
              
  

5
92

Euph.
             
   

         
 
Euph.        



93

Euph.
          20
4
  
 

                            
Euph.
    20
4

94 jarring

Euph.
 20                    
4
    

 
Euph.
 20
4
                                 
  
remove and play Trombone slide, insert Euph moutpiece to
96 opposite slide only when note topped with a plus

Euph.
  
  
   


Euph.
                                        

97

Euph.
 25
8
        
Euph.
                                          25
8

6
98

Euph.
 25        20
8 4
gliss.
  
Euph.
 25                           20
8 4

99
increase initial dynamic poco a poco

Euph.
 20        35
4      8
        

Euph.
 20                           35
4   8
100  =80

Euph.
 35
8      20
4
    
      
 35                   20
Euph. 8   4

101 Swing (for those who like jazz, I'm sorry) 
Euph.
 20
4                    
like a string bass
             3   
Euph.
 20       
4          
      
       

102

Euph.
                  
  
     

             
Euph.                    
          
103 all played long; blaring sound by the dotted quarter

Euph.
             
    
            

               
Euph.         
          
   
 

7
104

    
Euph.   trill gliss.
               

3
Euph.
    
             
 
105
3 3 3 3 3 3 3 3 3 3
Euph.
       
     
              
3 3
3 
Euph.
                   

106

Euph.
           
          
3 3 3 3 3 3  
3
Euph.
                                             
  
3 3
107

Euph.
  10
               

4

  

       

Euph.
                 
         
  10
4

 
108

Euph.
 10
4
        
   
           
 10           
Euph. 4          
3 3 3 3 3 3 3 3

109

Euph.
 44
          
                     3  3    4
Euph.
                 4
3 3 3 3 3 3 3
 3 

8
110

Euph.
4 22
4 4
 
4       22
Euph. 4     4
3  3
 3

111
3
 22    
Euph. 4           45
                        
 3 3 3 3 3 3  3 3 3 3 3 3 3
 22       
Euph. 4        45

Play only bari sax mouthpiece from an A to a B


112 Remove slide casing
 full
 
Euph.
 45  20
4    

3 3 3 3 3 3
5 20         
Euph. 4   4     
             

9
 = 67

Euphonium
   

 
Euphonium
                            

   
 
4
3
Euph.
   

      3
Euph.
          
      3 3
3

10

Euph.
   
3 3 3 3 3 3 3 3

Euph.
            
 
     
          
  
 = 80
13
2
Euph.
  
2
 
Euph.                                   

17 rall.

Euph.
             
 
      
Euph.
             

20
 = 150
3 Swing 3
Euph.
 44       
           
3 3
Euph.
 44                     
   

10
27
   5
Euph.
                 4
3 3
      3

      
Euph.
     
        45

33   5
5           20
Euph. 4 4 
3   
3
5
Euph.
5       20 
4 4

43
8
Euph.
                          
3 3 3 3 3 3 3 3
3 8
Euph.
                             
3 3 3 3 3 3 3 3 3

11

You might also like