OVERTURE TO CANDIDE

2 Clarinet in Bb Clarinet Quartet Leonard Bernstein

adapt. Jonatas Zacarias / Gueber Santos
Allegro molto con brio  

          
      
            

                          
6

           
      
   
                        
13

                 
  
                  
20

      
        

 
                         
27

  
              

                
34

       
       
   

    
  
                            
40

    
   
A

                             


          

      
54

                  
   dolce
                            
60

         
 3 
 
  
      
        
67

 
    
               
B

   
77

   
     

          
85

            

          
90

       
  

          
95

      
 
©
2 OVERTURE TO CANDIDE
2 Clarinet in Bb

                
  
99

    


              
105 C

     
       
  
       
111

         
 
          
115

          
  

     
120

        
   
 dolce   dolce

  
                  
125

    


       
D
      
131

     


cresc.

                       
136

 
      
      
                          
143


   
                                  
149

    
 

                
154

             

      
160 E

                      
       

        
167

                
        dolce

          
173

       
3

         
  cantabile
        
180

                   
 cantabile
 OVERTURE TO CANDIDE 3
2 Clarinet in Bb

                   
187

    
     cantabile
             
       
193

 cantabile
    
          
199

           
 

rit.
a tempo

                
205 G.P. F
1 2 3 4 5 6

             

              
213

             
 
         
220

              


   
227 G Piu mosso

               
    
cresc.molto   
    
233

              
           
 
               

 
 
 
240

 
 
           
           
247

 
   
   
H
        
253

     
        

          
258

       
           
 
   
      
        
265


 
   
accel.

  
         
275

  


            
282

     
 
      