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Phonetics and Phonology: Phonemic Analysis

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44 views10 pages

Phonetics and Phonology: Phonemic Analysis

Uploaded by

Shweta kashyap
Copyright
© © All Rights Reserved
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LINGUISTICS 221 LECTURE #9

Introduction to Phonetics and Phonology

Phonemic Analysis

1. PHONETICS AND PHONOLOGY

PHONETICS: The study of the inventory of all speech sounds which


humans are capable of producing.

PHONOLOGY: The study of the sound systems of languages. Out of the


very wide range of sounds the human vocal apparatus can produce (studied
by PHONETICS) only a relatively small number is used distinctively in any
one language. Phonology is concerned with the function of sounds.

The relationship between phonetics and phonology is a complex one:


Statement (a):

Phonetics is concerned with universal properties of speech, studied by


scientific methods; it deals with physical or concrete reality while
phonology is concerned with the linguistic organization of this reality.

Statement (b):

Reversing this argument, phonology may be said to tackle the true


mental reality behind speech, while phonetics handles 'merely' the
concrete manifestations of this reality.

Phonology deals with the systems and structures of speech, while phonetics
focuses more narrowly on articulation and acoustics. But: the boundary
should not be sharply drawn; speech is analyzed by breaking it down into its
several aspects, but the true reality is one of integration.

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Phonetics: Phonology:

sounds vary with their context hypothesize rules to characterize the


variation;
identifies patterns of the sequencing
and distribution of speech sounds;
relates sounds patterning with other
components of grammar: interfaced
with morphology and syntax.

SPEECH SOUND (=Segment): Any discrete unit that can be identified in


the stream of speech.

can
(3 segments)

science
(6 segments)

Utterances can be represented as sequences of discrete units (=segments).

BUT:

Speech sounds are not produced as a series of discrete segments; rather, they
merge and blend together.

The vocal apparatus does not work like

[k˙] pause [æ] pause [n]

BUT: [k≠˙æ~n]

Speech is DYNAMIC rather than STATIC.

TARGET POSITIONS: Those positions of speech organs that are specified


for a given sound. During speech, these target positions are most of the time
only approximations.

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A sound begins to be articulated before the completing of the articulation of
the previous sound.

e.g. book [b∑]


labialization
queen [k˙∑]

Although a speech signal is physically continuous, we seem to perceive it as


a sequence of discrete entities.
BUT: Do we have the right to claim that speech is segmentable if the
articulatory and acoustic aspects suggest the opposite?

SPEAKER:

Intention: "can"

The speaker intends to utter a sequence of discrete sounds, but the


vocal apparatus instead functions continually in motion, moving from
one sound to the next.

Assumption: The transitions from one sound to the next are automatic
features of the vocal mechanism -- as such can remain outside the
intention of the speaker.

LISTENER:

Perceives the continuous signals as discontinuous.

EVIDENCE FOR THE RECOGNIZING OF INDIVIDUAL SEGMENTS


IN THE FLOW OF SPEECH:

a. Alphabetic writing

There is a correlation between a sequence of symbols and a sequence of


speech sounds (the correlation may not always be ideal, but it is undeniable
that there is a correlation).

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in the written word there is a continuum, yet we perceive it as consisting of
three letters just like in the printed form: can

Alphabetic writing teaches us:

(i) that speech consists of linear sequences of unitary, discretely different


sounds;
(ii) that a sound occurring at a given place in one word can be identified
with certain sounds occurring at different places in other words.

b. Slips of the tongue

e.g., you have hissed my mystery lectures;

with this wing I thee red

etc.

Slips of the tongue illustrate the treatment of speech sounds by speakers as


discrete segments which can be shunted from one word to another.

c. Rhymes

e.g., the fat cat in the hat

Rhymes suggest the need for recognizing individual segments.

d. Adding or deleting segments

e.g., r-addition (idear is for idea is)


h-drop (at for hat)

Segments rather than syllables or words are added or deleted.

-------------------------

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"Same" utterance: can

(i) speaker differences


different!
(ii) the same person never says it in
the same way

BUT: We perceive them as identical utterances even though they are


physically different.

In language the PERCEPTUAL, the SUBJECTIVE, the DISCRETE


take precedence over the PHYSICAL, the OBJECTIVE, the
CONTINUOUS : A BASIC ASSUMPTION OF PHONOLOGY.

2. DISTINCTIVENESS AND CONTRAST

Examine the following words:

a. pin, bin, tin, din, kin, fin, sin

b. beat, bait, bet, bat, boot, boat, bought

In (a) the words differ only in their initial consonant segments.

In (b) the words differ only in their vowel segments.

Segments whose function is to contrast forms are PHONEMES.

Phonetic differences that are linguistically significant are PHONEMIC.

moon
Different meanings: /m/ and /n/ are PHONEMES
noon

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A phoneme is not necessarily phonetically invariant:

pin /p/ phonetically: [p˙]

bin /b/

spin /p/ phonetically: [p]

PHONEME: A contrastive segmental unit that may have predictable phonetic


variants.

/p/ Phoneme: contrastive

[p] [p˙] Allophones: non-contrastive

pin p˙in Same meaning: [p] and [p˙] are non-contrastive


segments (in English).

3. SOUNDS THAT DO NOT CONTRAST: ALLOPHONES

ALLOPHONES are phonetically conditioned predictable variants


of the phoneme. ↓
On the basis of:
(a) The phonetic quality of neighbouring sounds:

/d/

[Îï]

e.g., drain
(b) Position:

/b/

[b≤]

e.g., tab
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(c) Influence of prosodic elements:

/d/

[d] [‰]

e.g., deep rider

Additional examples for allophones:

/t/

(fill in!)

ELSEWHERE ALLOPHONES:

Abstract level: /g/ phoneme

Concrete level: /g≠/ /g/ allophones

used before a used environments for allophones


front vowel elsewhere

4. PHONEMES AS CATEGORIES

Allophones, such as [d] and [‰] form an abstract phonological category,


the phoneme /d/.
Phonological categories – the phoneme – used to distinguish between words,
but allophones cannot.

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5. PHONOLOGICAL RULES

Example: Alveolars become dentals before a dental consonant.


Phonological rules are language specific! They are productive, conform to
the well-formedness condition, and reflect unconscious knowledge – Study
these concept on pp. 26-27!
6. COMPLEMENTARY DISTRIBUTION: The distribution of
allophones, in their respective phonetic environments, is such that one never
appears in the same phonetic context as the other.

/t/

[t] [‰]
stop writer

The distribution of /h/ and /˜ / in English:

head, heart, perhaps, enhance

sing, coming, wing [˜]

There are no English syllables ending in [h], and there are no English
syllables beginning with [˜]. Thus, it would appear that [h] and [˜] are in
complementary distribution, and should be assigned as allophones of the
same phoneme -- wrong!
[h] and [˜] have very little in common (they are both consonants).

PHONETIC SIMILARITY:
Sounds which represent different pronunciations of the same phoneme must
be phonetically similar. We consider two sounds to be phonetically similar
when they share the same place or manner of articulation.

7. FREE VARIATION: When two phonemes appear in the same context


without causing a change in meaning.
economics /i/ or /´/
either /i/ or /aj/

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FREE VARIATION AMONG ALLOPHONES:
map [p] or [p˙]or [b¬]
mat [t] or [t˙] or [t¬]

8. MINIMAL PAIRS:
beet rip feel
bit rib seal

A minimal pair consists of two forms with distinct meanings that


differ by only one segment found in the same position of the word.

The contrastive function of speech sounds is language specific.

Thai: pàa ‘forest’ /p/


p˙àa ‘to split’ /p˙ /

English: pit [p˙]


Same meaning (see above)!
pit [p]

Malayalam:

kutti ‘peg’ /t/


kuˇˇi ‘child’ /ˇ /

English:

train [t˙]
Same meaning!
train [ˇ˙]

English:
Ben /´/
ban /æ/

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Turkish:
ben [´] or [æ] Sg1.

Minimal triplets: time, dime, lime

Phonemes, minimal pairs and minimal triplets: Study Tables 2.1 and 2.2

NEAR MINIMAL PAIRS: Segments in nearly identical environments.

e.g., author[†]
either [∂]

Near minimal pairs occur more frequently in languages with large


phonemic inventory and long words.

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