0% found this document useful (0 votes)
197 views10 pages

E. Bozza Arr. Philippe Trovão

The document is a musical score titled "Aria" composed by Philippe Trovão and arranged by E. Bozza. It contains musical notation for alto saxophone and tenor saxophone, including rhythmic patterns, melodic lines, and expressive markings across several pages. The score features a melodic theme that is passed between the alto and tenor saxophones in a call-and-response style.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
197 views10 pages

E. Bozza Arr. Philippe Trovão

The document is a musical score titled "Aria" composed by Philippe Trovão and arranged by E. Bozza. It contains musical notation for alto saxophone and tenor saxophone, including rhythmic patterns, melodic lines, and expressive markings across several pages. The score features a melodic theme that is passed between the alto and tenor saxophones in a call-and-response style.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 10

Aria

                      
Arr. Philippe Trovão

   
E. Bozza


     
      
1
Alto Saxophone

                              
  
 

Alto Saxophone

  
                       
 

Alto Saxophone

 
  
                      
 

Alto Saxophone

                

 

Tenor Saxophone


                                 

   
10
2

  
                               


A. Sax.

 
                               


A. Sax.

                                 


            
   
A. Sax.

                 
     


T. Sax.


                        

          
19

 
                               


   
A. Sax.

                               


   
A. Sax.

                   


                    
   

A. Sax.

            
             



T. Sax.



                             
28
3

                
             

A. Sax.

                          

                


A. Sax.


                              

A. Sax.

          
  

 
T. Sax.

2
                  
                      
37
4

          
                   


A. Sax.
    

                
                 



A. Sax.

              
            


                 
A. Sax.

   
                  

T. Sax.

                                  
 
46 cedendo
5

  
                                
cedendo

A. Sax.

                              
cedendo

A. Sax.

                             
                 
cedendo

A. Sax.

                      
      
cedendo

T. Sax.

3
                                
6

  
A tempo
55 Ritardando

  
                            
A tempo
Ritardando


A. Sax.

                              
A tempo
Ritardando


A. Sax.

        
                       
A tempo
Ritardando

A. Sax.

            
      
A tempo
Ritardando

T. Sax.

                                


64
7

      
                                


A. Sax.

                             


A. Sax.

        
                          


          
A. Sax.

             
     



T. Sax.

4
        
                             
73 Ritardando


                      


      
Ritardando

A. Sax.


        


                     
Ritardando

A. Sax.





                     
Ritardando

    
A. Sax.

                   
 



Ritardando

T. Sax.

5
Alto Saxophone 1 Aria

                                  

Arr. Philippe Trovão

   
E. Bozza

  
1

             2          
 

    
 
 
                    
         

11

                          3              


        



21

  
 

              
                                           

32
4

               cedendo 


                            
  

43
5

   
                                     
                  
6


Ritardando A tempo
54

 
 
 
   
 
  
 
  
 
 
                   

               
7


65



                 

76 Ritardando


Alto Saxophone 2 Aria


    
 
 
  
 
 
  
 
 
                               
           
Arr. Philippe Trovão E. Bozza

 
1

  

                                        
         
    
14
2



                                         

 
    
27
3 4

 
                          cedendo
              

5


40



  
 
 
       
       
 
                           
                
6


A tempo
52 Ritardando


                                              
        
 
65
7



  Ritardando
  
         
78


Alto Saxophone 3 Aria

                                         
Arr. Philippe Trovão E. Bozza

 
1

  

                                       
       
15
2



      
                                      
28
3 4

                      cedendo
 
 
 
                 


    
5


41



                                             
6


A tempo
54 Ritardando

                                        
     
67
7 Ritardando



 
  
80


Alto Saxophone 4 Aria

                                             
Arr. Philippe Trovão E. Bozza

  
1

  

       
                                     
2

 
15




                                               
28
3 4

          
 
                                     
  
5

 

41 cedendo



                    
6

                                          

A tempo
53 Ritardando

           
 
 
  
 
 
 
 
 

   
                   
     
7

    
66



 
        
78 Ritardando


Tenor Saxophone Aria


                                 
Arr. Philippe Trovão E. Bozza

      
1

                          
                 
2 3

  
17

 

                       
               
  
4

 
32

                       
6

                   
  
5 A tempo


48 cedendo Ritardando

                                                  
   
62
7

        
    


75 Ritardando

You might also like