Intraoral Pressures Produced by Thirteen Semi-Occluded Vocal Tract Gestures
Intraoral Pressures Produced by Thirteen Semi-Occluded Vocal Tract Gestures
ORIGINAL ARTICLE
1National Center for Voice and Speech, University of Utah, Salt Lake City, UT, USA, 2Department of Communication
Sciences and Disorders, University of Iowa, Iowa City, IA, USA, 3Department of Communication Sciences and Disorders,
Michigan State University, East Lansing, MI, USA, and 4Department of Speech and Hearing Sciences, University of
Washington, Seattle, WA, USA
Abstract
The use of semi-occluded vocal tract (SOVT) exercises as habilitative and rehabilitative tools has grown substantially in
the past two decades. As the use of these exercises has grown, so too has the number of variations of the phonatory gestures
used to create oral semi-occlusions. While much of the research on SOVT exercises to this point has been conducted using
straw phonation, there has been little discussion or investigation regarding how other phonatory gestures that are considered
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to be SOVT compare to one another. The current study sought to measure the intraoral pressure produced by 13 phona-
tory gestures generally thought of as oral semi-occlusions. Twenty subjects (10 male, 10 female) produced three tokens of
each gesture, and intraoral pressure was recorded via a thin, flexible-cannula pressure transducer. Pressures ranged between
0.1 and 1.0 kPa, but varied significantly between gestures and between subjects.
Introduction
using a variety of SOVT gestures. Even those clini-
Vocal exercises that utilize a semi-occlusion of the cians who do not utilize these therapies in their
vocal tract (SOVT) have seen an increase in use in entirety still make use of SOVT exercises such as
voice clinics and singing studios over the past several phonating through straws, nasal continuants, or sim-
decades. Singing teachers frequently use nasal con- ilar phonatory gestures.
tinuants /m/, /n/, and /ŋ/ to elicit sympathetic vibra- Vocal tract semi-occlusions can be formed by oral
tions of facial tissues, which the singer can then articulators (lips, tongue, or both) without an assis-
associate with vocal tract shapes that are advanta- tive device, or with a straw or tube inserted between
geous to a more strongly resonant vocal tone (1,2). the lips. Regardless of the nature of the occlusion,
Additionally, the use of lip trills and ‘raspberries’ to SOVT exercises are primarily used for the same gen-
achieve similar ends has become common practice eral purposes of easing phonatory stresses exerted on
in singing studios of the Western classical music tra- the vocal folds and to encourage the development of
dition (1,3). Similarly, speech language pathologists a voice production that relies more heavily on source-
have adopted SOVT exercises into their clinical filter interaction than on adductory stress to give the
treatment of voice disorders. Indeed, entire therapy voice acoustic power. Several studies have been con-
protocols such as Lessac Madsen resonant voice ducted to determine precisely what benefits SOVT
therapy (4), vocal function exercises (5), accent exercises could be expected to have on vocal produc-
method (6), and resonance tubes (7) (later with soft- tion. Tube phonation has been shown theoretically to
walled tubes—Lax Vox (8)) have been developed result in an increased acoustic impedance of the
Correspondence: Lynn Maxfield, PhD, National Center for Voice and Speech, University of Utah, Salt Lake City, UT, USA. E-mail: lynn.maxfield@
utah.edu
duction have been variable. Guzman et al. also ticipants who could successfully produce the gesture.
observed that SOVT exercises ‘produced a lower Table I represents the characteristics of each of the
[vertical laryngeal position], narrower aryepiglottic study participants, including a notation if a subject
opening, and a wider pharynx than resting position’ was unable to produce an exercise.
in 20 subjects with hyperfunctional dysphonia
(16), while Laukkanen et al. noted an increase in
thyroarytenoid activity relative to cricothryroid Equipment
activity during and following SOVT exercises (17). Subjects were fitted with a head-mounted micro-
While the theoretical and anecdotal evidence of phone (Countryman Isomax B3) and EGG collar
the usefulness of SOVT exercises in the voice clinic (Kay Elemetrics Model 6103). A Glottal Enterprises
and singing studio is abundant and relatively clear, PT-25 pressure transducer, connected to an MS-110
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questions remain regarding which phonatory ges- analog data and computer interface was used to mea-
tures are considered to be most effective as SOVT sure intraoral pressures via an 8-cm length of flexible
exercises. In particular, if the effectiveness of a vinyl tubing (1 mm internal diameter, 3 mm external
SOVT gesture to reduce adductory stresses on the diameter), which was inserted into the oral cavity and
vocal folds is related to the supraglottal pressures positioned behind the semi-occlusion (Figure 1). An
the gesture produces, can oral occlusions be ranked additional microphone was worn by the researcher
according to their corresponding intraoral pressure?
The current study sought to create such a rank
ordering by measuring the intraoral pressure created Table I. Participant characteristics.
by 13 semi-occlusions commonly used in SOVT Singer
exercises. Subject Gender Age (Y/N) Unable to produce
Figure 2. Mean intraoral pressure for all subjects (*indicates subjects had difficulty producing the semi-occlusion).
in males and from 0.03 kPa (0.35 cmH2O) to between singers and non-singers; however, the stan-
1.15 kPa (11.69 cmH2O) in females. Additionally, as dard errors would indicate that these differences may
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can be seen in Figure 2, relatively large standard not have been significant in these subjects.
errors resulted from the considerable differences in
individual performance of each task.
Discussion
Figures 3 and 4 represent the male and female
mean oral pressures, respectively, comparing singers Oral semi-occlusions designed for voice training
to non-singers. There does appear to be differences and therapy produced intraoral pressures within a
magnitude range of about 10:1 at comfortable lung exercises to lower adductory stresses during phona-
pressures (Tables II and III). Nasal consonants (/m/ tion. Considering the standard errors, it is likely that
and /n/) produced only about half of the smallest a single semi-occlusion might well shift in the rank-
pressures produced with oral semi-occlusions (e.g. ing by one or two positions up or down with the
straws, fricatives, and trills). With such a large mag- addition of more subjects or more repetitions. It
nitude range, there may be varied training efficacy appears unlikely, however, that the ranking would
within this large inventory of exercises. change significantly from this order.
The likely root cause of the large standard errors The results also indicate that /m/, /n/, and /u/ pro-
in the pressures reported above is differences in lung duce quite low intraoral/supraglottal pressures. While
pressure between subjects. If lung pressure were singing teachers and clinicians may well find benefit
measured for each of these semi-occlusions, a ratio from exercises incorporating these semi-occlusions,
of intraoral pressure to lung pressure would be the current results seem to call into question whether
a more accurate measure of the ability of these or not those exercises fall into the same category as
other SOVT exercises that produce higher intraoral diameters larger than 3.5 mm in air (i.e. not sub-
pressures. merged in water, which would provide more resis-
It also appears that singing training has some tance) may not produce the intraoral pressures
effect on intraoral pressures produced during SOVT desired for efficient and effective voice therapy.
phonation. Figures 3 (males) and 4 (females) show
significant differences in pressures produced by sing-
ers versus non-singers for several of the occlusions. If Conclusion
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Publishing; 2006. 15. Schwarz K, Cielo CA. Vocal and laryngeal modifications
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voice therapy: description and practical implementations. Laryngeal and pharyngeal activity during semioccluded vocal
Logoped Phonatr Vocol. 2007;32:165–70. tract postures in subjects diagnosed with hyperfunctional
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Groningen, Holland. 2006. Conference dates: Aug. 29 – of a semioccluded vocal tract on laryngeal muscle activity
Sep. 1, 2007. Abstract at: http://www.pevoc.org/pevoc07/ and glottal adduction in a single female subject. Folio Pho-
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