Yale Musical Instrument Series ory and development of parca tment oe fly of st the preset day, han explicit emphasis on performance once leading sho and acknowledged performers Prble Montagu TIMPANI AND PERCUSSION Adal Powell THE FLUTE ey Barges nd Bruce Haynes THE OBOE “Theor Hetbert THE TROMBONE. Ponto Stephen Cour THE SAKOPHONE Kenneth Hamdton THE PLANO Divi Lack THE RECORDER ‘Andeew McCrea THE ORGAN cl and Gable Rocce THE HORN ja Moran THE CELLO Robin Stowell THE VIOUN Joa Wallce THE TRUMPET ‘ete continues to offers the sights ofthe schol peer, “ayer ae nent incerate inc 2 nave of he nseument’s deren and player ae ling re-sell hi #verble ‘ofthe cariet church, whatever thelr na pero —Chesopher Hogwood cersity Press + New Haven and London wan reasons eed ‘The Yale Musical Instrument Series The. 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Dene Cu Herc ern 2h Sion etd (Conon Hs Ades oe Sobol Desa Smt, Beri Semana, Sond) ‘nw Vda nation of Henh Bamana cli, ol Mie po ce doe de cl Bee icone ilo cri om Joep Fis Str ‘rn dy rie rene WU, 39) Pro pn on pel ely oe) © ch Noe th rit thee ped np Pagel pras (eta fa np ef re Bes Thoms Ey Wl, on a Fe Ts lan Jeph Fai {rine fom Ca rset Vand Cle Sn Ofenc, 8g Hin ls prs Ea ec ama cl es lf 8a ey Cara Novant ke er ton Bo So Cla don 1 ath Kt te). fear es Conese fa t3-6, and einer fhe ech, Bch ayen claret (tnige Nance os ior es nee Beeman Cs, fn ges, Meng) ‘ris Cuna fn he wrcop ef Co Ore (Manic, {ro} Te doer the poe pope tae Bal ‘Sthewas expo ins (Boyes Hp) ean af map ith met ye od bd sons ‘om Cal Bonilla 8) 1 fa tan Pi 99). Po of Hee Las (8-8) sod Gorge ison (036-199 hh Cnonate ce op Soy of vs cy“yom Gi pnp sp a eH ‘op Ls 3 em EE sano 9 oy ae wean 9 oe omy moesou jeuoupaPreface and acknowledgementsvr Jove) youep ayseq au. raasdoqgan a indo nd cn nb trad eat ds peneChapter 2 ‘The origins of the clarinetAled - montack eo eit 5 Yorkers ~ erences x 13S ns ue a ee Prin ih 9 beaoe mast a an soa) oom Snr copays anor ~ 37%Tey eee » FAaWN FARE Ss (Ler Ge Coalumenie te Tposapetes DPapres ous i fae fr lor Sign Votbnct Has bois ipajtts Lom JAQUES “PHILIPPE DREUX Gove Loomer A AMSTERDAM Chez Praxrx xoxT1ER sur le wenden pur vend berlin Moureaun an Musique ‘neg on othe ge fhe cher wo aocdkoned —— sboerhoelo,tngun Poa qe dog wa mg srourep ysor3e9 9 E sandy epee p PAI2 hit nm © Win Mae hn ar, )gee ped ap Bene nos 1 ‘Sag meas sway sg PL« ep ng ® seven - paewe(Pho aon Neenah PAPC oye gh am hs soe Shcuaeneme el Py CwENedtenPAE saroagry away ¥ sao sear 2) aydniig woos o> Se ee mane NvWaadl AXNTH ANATSNOW Soe, sa Eel ert Be ag XAVAWOTVHD XNaC Y Surv eo donee onree ogmasny”Beatareio ey ins a hep Dit Ae a,1 hy 1 weve town 5, gore ine er Bt ieA a gn ok ‘Sp ds gin Nan one ‘Tes Vl nd he deel ee a {de eehing be chanelx. me Rn Cn pe cen Le ide Eales See‘The Classical clarinet 44, dann nn ee Rapa’ ale ee “through ~meolante led fe = Wee a A sag ap om abc Se ~ bebilidadapr -uy t jor pplae ~ Gag f-suey ap or ickey eng mr en : nop i na cn oan oP Bim ished in Amster, Cains by ‘te Ant The tne ot nth odes weer atpn ana ey ow por apn oF a OF ISO | ease mn 9 do aaa poms ga et =——_ ea jen Ce Bid oop cl ei pn of im en nd} Bach ded dente opensemo Pee w bwehn hea poe ‘onege wombs A Hae Yo poy mao pty ce yoned a mainte of aren, | ny wii ar pie ba gue Saovng whch hen ey mse ints ingShores asouBep ap pur wEzoW 9 sadog,hen ote! aeome Ge a wrenierboaSES oom, etme * « eee erties eae ote or Sa pes vite on ee wd‘esdith ude an Lat be gh ceriaSonpmasaBerpanonnatay |Chapter 7 1800 to 1843: Astoi breath-taking virtuosity 1g innovation andon a a pr mane “O88se ach cen Vea Ral Ope pie is We ha i DabShop ade uaa pre Spey “th 4 oa oaPy Teche Hy. Aad a ng iy % ‘ay hing th nur sy (nor see rhe ig a), 15 on nepal sf i at Ptan ‘=a 1 sna oD Oe ln Ndagnao ge Fn Sin ale ‘onan pita enn apg pr gay ase snotsyd ti bingy 8 en coe wa lp oe sme igre ates ne ecm nymane pe min Sap 20ena fo esa a a NNT.com Aso in dn »19 meg hatred2 wp roupan pst Bd pontrisition i of rein ngs “Tn tnowne Engh cot, Thoma dy ila bled is Cpr orc Ba te[jm Rec po of een te pt at eB Cantar a Kion usa gp Spy 201Chapter & 1844-1900: The clarinet joins the establishment es ania ey Bote andsoe oy may len oa5 enmany we init te wih ete enti of ey the ely oot Manis bud eames fo 0M Apt Bune wk vp ny them tt Lowe same which pee any li‘em pa ne se aa pevocal]rena depth a aed el ene1g _ea Cae Luh foe ogc den ge nt ett tc a rua oan Bee‘og ae “ sen ‘des ys Said eM eu may sages «ye Aeonge ul an a ae aot woeemg nee 8 a puokag pu Aamuss yronuoay axp UE IsUEES SL 6 asd0 30 igo sl > 0 0M aps ra1m Eng cli mlng conned oar 39c0. The Abert caames. i ayo psd sso an en tn) en tesy eta RTS SA mere NASTIVE SNF HST mer pr nonue or gina 9 gE a ‘Sep 961 a af noma yn op i ua aeit i i bm 2 199, Rib rm Sh se ik daa egsrs sp 3 tg aay mop nt) ey a tone|sp yy 94 254 pp Apap eeges ah "png ned feng ea ay nee I pomsnes smChapter 10 ‘The basset hornmamemanoammriangteneee A,bm ya la a asa poe) emma ramaap ants ols aaa aeons Fo,san aay Sh She abysourrep sseq au, wx xq‘ade by hyo 1 an ny dP ‘ye Gm Semin? har, vee ee ty pce, ey ‘et ot oneef pn mn, a fey shoe pa seem i aandae St chphn Oni Rg Tebere 9 i se Samoan he en ba Sysop eo) mn intel ep fer inroemy he od eelope ms ans ng as ny akai @ SEES ® as Bo diya erS1OULEP ppo aq. exassdoés s wbreag a cmming peg toa‘gy Soa A se uy Feowg (Ge) mn 71H tee\ commas rH OER rnd et Isuo o3Now Vacaumetapas en i dy Se Gomi 2 ph coy | nis lag nan ig {ming se 0 ‘zaof yeyp ye pue 2}snus 510) ‘spuegt fx sosdrgyfc i eS were offered employmen eee m eeig >a nomen enn Tp pao fe285 ets how exes ml fr1 haem arson met 6 kL ;5 een eed ema of Wed Heea stom ome gt nsAppentix 1 Instrument makersa tlTeuoyeur uonsnnsuy F sapuoddyone sme so10Nre ssoy aap os 2 pit a Co nis Pa Tht ek te aimee pe ope ry at oea ort taoyaa he Bare le wl 6 on Sh age a asy sep 68 i ncn ing es ane ing a ang eye Sige a ey Sion pte tgaie ” Tejon na tn mere plo. Arn ce Pris Rs pn meta Da eatAydesBongig 99795Se Me Cre Fr: Pe ve fonts ae nga Ww acs eera