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Gerry Mulligan's "Utter Chaos" Transcription

This document is a transcription of Gerry Mulligan's performance of "Utter Chaos" from the album "What Is There To Say". It transcribes the saxophone and other instrumentation throughout the piece in musical notation. The transcription is broken into sections and includes annotations about changes in soloists or themes.
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0% found this document useful (0 votes)
453 views3 pages

Gerry Mulligan's "Utter Chaos" Transcription

This document is a transcription of Gerry Mulligan's performance of "Utter Chaos" from the album "What Is There To Say". It transcribes the saxophone and other instrumentation throughout the piece in musical notation. The transcription is broken into sections and includes annotations about changes in soloists or themes.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Utter

Chaos
As played by Gerry Mulligan in the CD "What Is There To Say"

         
        3          
Transcribed by Orlando Cialli

   
Gerry Mulligan

  
Florence 4/2020

  
 3  3  3
Theme
3 3

       
                        

  
3

 
6

                                   
3 3 3
3

 

10

            
               
3 3 3 3

  


15
3

    
              

      
3 3 3 3
3

 

19

 
  
               


3

    
3

        

23

               
3 3

                    
   
26 Solo

          
        
       


28

                         
      
30

            
 
            
           
32

3
            
              


35

    
                             

37

                  
          
3

        
39

              

      
         
42

 
                                   
3

    
47

                             
3 3 3 3

  
51

     
                            
3 3 3 3

    

54

        
             
5

     
A. Farmer trumpet solo
57

                                      
 
90

                        
     
94

 
              
                   
96

2
                                     
 
99

3 3

                      
               

102

  
                   

     
 
B. Crow bass solo Theme


105
g li s s 3
.

3 3 3 3

         
              
    
 
113
3

3 3 3 3 3
3

 
     
                   


  
117

3 3

    
              
          

119

3
3

           
            

 
122

3 3

      
3

              


125

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