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——
106 :
Asturiana
from Siete canciones populares espariolas
Manuel de F,
\ish Folk Poett le Falla.
Spanish 7 (1876-1946)
Je to meld the essence of the Spanish folksong with early 20th-century French and Spanish compositional
: 3 min Spain calminated wY905 when the Real Academia d \
Manuel de Falla was a
techniques. His formative years
elles Artes de San Fernando sponsored a cor
he went to France fora se
influence on him as @ coms
portant figures
1914 while Falla was stil in Paris,
“The accompaniments are pianistic, cont
canciones have found a place in the stané
Asturana,
Por ver si me consolaba
‘Arrimeme a un pino verde
Por ver si me consolaba
Por verme rat, lloraba.
Yel pino como era verde
Por vermellorar, lloraba
Andante tranquillo (d = 66)
dolce espr.
‘of musical training and composition in
test for a Spanish opera,
even years. His exposure
juced to Ravel, Stravinsky,
populares esparilas (Seven.
‘Spanish folk material representing
wi ereative treatment of the original
rand have been orchestrated.
which Falla won with
day concert tour and stayed s
;poser. In Paris he was inttodk
of the cultural life of that city. Siete cancio
He based these songs on
taining modal sonorities an
vdard repertoire internationally
La vida breve (The Brief Life). In 1997
ve impressionism in music proved to be the
‘Debussy, and Dukas as well as other
Popular Spanish Songs) was completed in
i the various regions of the country.
| melodic material. The Site
Astrian song
‘To se if it would console me,
‘Tie me up roa green pine
To see if it woul console me
Upon seeing me cry teed
‘The pine re, because it was green
Upon seeing me cry, iced
— z
‘appena ri
—— perdendosi
a
dolce espr,
Por
107 dedinit
west, 2 poco
aa colla voce
Es
a a
Se —_———
Pe
doleissimo
i711) a
decresc.
[pp morendo (poco rit)
