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While The Auto Waits: You Know I Mean of Course Now

1. A wealthy young woman regularly visits a park to escape her lavish lifestyle and social obligations. 2. One evening, a young restaurant cashier named Mr. Parkenstacker strikes up a conversation with her after retrieving her fallen book. 3. The woman confides in the cashier about her boredom with wealth and suitors, saying she could love a man of humble means if he was the right person. However, she must return to her obligations of a high-society dinner and event.

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0% found this document useful (0 votes)
128 views5 pages

While The Auto Waits: You Know I Mean of Course Now

1. A wealthy young woman regularly visits a park to escape her lavish lifestyle and social obligations. 2. One evening, a young restaurant cashier named Mr. Parkenstacker strikes up a conversation with her after retrieving her fallen book. 3. The woman confides in the cashier about her boredom with wealth and suitors, saying she could love a man of humble means if he was the right person. However, she must return to her obligations of a high-society dinner and event.

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Anastasia
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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WHILE THE AUTO WAITS

Promptly at the beginning of twilight, came again to that quiet corner of that
quiet, small park the girl in gray. She sat upon a bench and read a book, for there
was yet to come a half-hour in which print could be accomplished.
To repeat: Her dress was gray, and plain enough to mask its impeccancy of
style and fit. A large meshed veil imprisoned her turban hat and a face that shone
through it with a calm and unconscious beauty. She had come there at the same
hour on the day previous, and on the day before that; and there was one who knew
it.
The young man who knew it hovered near, relying upon burnt sacrifices to
the great joss, Luck. His piety was rewarded, for, in turning a page, her book
slipped from her fingers and bounded from the bench a full yard away.
The young man pounced upon it with instant avidity, returning it to its
owner with that air that seems to flourish in parks and public places - a compound
of gallantry and hope, tempered with respect for the policeman on the beat. In a
pleasant voice, he risked an inconsequent remark upon the weather that
introductory topic responsible for so much of the world's unhappiness and stood
poised for a moment, awaiting his fate.
The girl looked him over leisurely; at his ordinary, neat dress and his
features distinguished by nothing particular in the way of expression.
"You may sit down, if you like," she said, in a full, deliberate contralto.
"Really, I would like to have you do so. The light is too bad for reading. I would
prefer to talk."
The vassal of Luck slid upon the seat by her side with complaisance.
"Do you know," be said, speaking the formula with which park chairmen
open their meetings, "that you are quite the stunningest girl I have seen in a long
time? I had my eye on you yesterday. Didn't know somebody was bowled over by
those pretty lamps of yours, did you, honeysuckle?"
"Whoever you are," said the girl, in icy tones, "you must remember that I am
a lady. I will excuse the remark you have just made because the mistake was,
doubtless, not an unnatural one -- in your circle. I asked you to sit down; if the
invitation must constitute me your honeysuckle, consider it withdrawn."
"I earnestly beg your pardon," pleaded the young ran. His expression of
satisfaction had changed to one of penitence and humility. “It was my fault, you
know - I mean, there are girls in parks, you know - that is, of course, you don't
know, but -- "
"Abandon the subject, if you please. Of course I know. Now, tell me about
these people passing and crowding, each way, along these paths. Where are they
going? Why do they hurry so? Are they happy?"
The young man had promptly abandoned his air of coquetry. His cue was
now for a waiting part; he could not guess the role he would be expected to play.
"It is interesting to watch them," he replied, postulating her mood. "It is the
wonderful drama of life. Some are going to supper and some to -- er -- other
places. One wonders what their histories are."
"I do not," said the girl; "I am not so inquisitive. I come here to sit because
here, only, can I be tear the great, common, throbbing heart of humanity. My part
in life is cast where its beats are never felt. Can you surmise why I spoke to you,
Mr. -- ?"
"Parkenstacker," supplied the young man. Then he looked eager and
hopeful.
"No," said the girl, holding up a slender finger, and smiling slightly. "You
would recognize it immediately. It is impossible to keep one's name out of print.
Or even one's portrait. This veil and this hat of my maid furnish me with an incog.
You should have seen the chauffeur stare at it when he thought I did not see.
Candidly, there are five or six names that belong in the holy of holies, and mine,
by the accident of birth, is one of them. I spoke to you, Mr. Stackenpot -- "
"Parkenstacker," corrected the young man, modestly.
" -- Mr. Parkenstacker, because I wanted to talk, for once, with a natural man
-- one unspoiled by the despicable gloss of wealth and supposed social superiority.
Oh! you do not know how weary I am of it -- money, money, money! And of the
men who surround me, dancing like little marionettes all cut by the same pattern. I
am sick of pleasure, of jewels, of travel, of society, of luxuries of all kinds."
"I always had an idea," ventured the young man, hesitatingly, "that money
must be a pretty good thing."
"A competence is to be desired. But when you leave so many millions that --
!" She concluded the sentence with a gesture of despair. "It is the monotony of it"
she continued, "that palls. Drives, dinners, theatres, balls, suppers, with the gilding
of superfluous wealth over it all. Sometimes the very tinkle of the ice in my
champagne glass nearly drives me mad."
Mr. Parkenstacker looked ingenuously interested.
"I have always liked," he said, "to read and hear about the ways of wealthy
and fashionable folks. I suppose I am a bit of a snob. But I like to have my
information accurate. Now, I had formed the opinion that champagne is cooled in
the bottle and not by placing ice in the glass."
The girl gave a musical laugh of genuine amusement.
"You should know," she explained, in an indulgent tone, "that we of the non-
useful class depend for our amusement upon departure from precedent. Just now it
is a fad to put ice in champagne. The idea was originated by a visiting Prince of
Tartary while dining at the Waldorf. It will soon give way to some other whim.
Just as at a dinner party this week on Madison Avenue a green kid glove was laid
by the plate of each guest to be put on and used while eating olives."
"I see," admitted the young man, humbly.
"These special diversions of the inner circle do not become familiar to the
common public."
"Sometimes," continued the girl, acknowledging his confession of error by a
slight bow, "I have thought that if I ever should love a man it would be one of
lowly station. One who is a worker and not a drone. But, doubtless, the claims of
caste and wealth will prove stronger than my inclination. Just now I am besieged
by two. One is a Grand Duke of a German principality. I think he has, or has had,
a wife, somewhere, driven mad by his intemperance and cruelty. The other is an
English Marquis, so cold and mercenary that I even prefer the diabolism of the
Duke. What is it that impels me to tell you these things, Mr. Packenstacker?
"Parkenstacker," breathed the young man. "Indeed, you cannot know how
much I appreciate your confidences."
The girl contemplated him with the calm, impersonal regard that befitted the
difference in their stations.
"What is your line of business, Mr. Parkenstacker?" she asked.
"A very humble one. But I hope to rise in the world. Were you really in
earnest when you said that you could love a man of lowly position?"
"Indeed I was. But I said 'might.' There is the Grand Duke and the Marquis,
you know. Yes; no calling could be too humble were the man what I would wish
him to be."
"I work," declared Mr. Parkenstacker, "in a restaurant."
The girl shrank slightly.
"Not as a waiter?" she said, a little imploringly. "Labor is noble, but personal
attendance, you know -- valets and -- "
"I am not a waiter. I am cashier in" -- on the street they faced that bounded
the opposite side of the park was the brilliant electric sign "RESTAURANT" -- "I
am cashier in that restaurant you see there."
The girl consulted a tiny watch set in a bracelet of rich design upon her left
wrist, and rose, hurriedly. She thrust her book into a glittering reticule suspended
from her waist, for which, however, the book was too large.
"Why are you not at work?" she asked.
"I am on the night turn," said the young man; it is yet an hour before my
period begins. May I not hope to see you again?"
"I do not know. Perhaps - but the whim may not seize me again. I must go
quickly now. There is a dinner, and a box at the play -- and, oh! the same old
round. Perhaps you noticed an automobile at the upper corner of the park as you
came. One with a white body.”
"And red running gear?" asked the young man, knitting his brows
reflectively.
"Yes. I always come in that. Pierre waits for me there. He supposes me to
be shopping in the department store across the square. Conceive of the bondage of
the life wherein we must deceive even our chauffeurs. Good-night."
"But it is dark now," said Mr. Parkenstacker, "and the park is full of rude
men. May I not walk -- "
"If you have the slightest regard for my wishes," said the girl, firmly, "you
will remain at this bench for ten minutes after I have left. I do not mean to accuse
you, but you are probably aware that autos generally bear the monogram of their
owner. Again, good-night".
Swift and stately she moved away through the dusk. The young man
watched her graceful form as she reached the pavement at the park's edge, and
turned up along it toward the corner where stood the automobile. Then he
treacherously and unhesitatingly began to dodge and skim among the park trees
and shrubbery in a course parallel to her route, keeping her well in sight.
When she reached the corner she turned her head to glance at the motor car,
and then passed it, continuing on across the street. Sheltered behind a convenient
standing cab, the young man followed her movements closely with his eyes.
Passing down the sidewalk of the street opposite the park, she entered the
restaurant with the blazing sign. The place was one of those frankly glaring
establishments, all white, paint and glass, where one may dine cheaply and
conspicuously. The girl penetrated the restaurant to some retreat at its rear,
whence she quickly emerged without her bat and veil.
The cashier's desk was well to the front. A red-head girl on the stool
climbed down, glancing pointedly at the clock as she did so. The girl in gray
mounted in her place.
The young man thrust his hands into his pockets and walked slowly back
along the sidewalk. At the corner his foot struck a small, paper-covered volume
lying there, sending it sliding to the edge of the turf. By its picturesque cover he
recognized it as the book the girl had been reading. He picked it up carelessly, and
saw that its title was "New Arabian Nights," the author being of the name of
Stevenson. He dropped it again upon the grass, and lounged, irresolute, for a
minute. Then he stepped into the automobile, reclined upon the cushions, and said
two words to the chauffeur:
"Club, Henri."

UNIT I.
Task 1. Study the active vocabulary words and word combinations and then
translate the sentences from Russian into English
to mask impeccancy of style the despicable gloss of wealth
to burn sacrifices to the great joss to be cut by the same pattern
to be on the beat to be in real earnest
to have an eye on to be on the night turn
expression of satisfaction to keep smb well in sight
to keep one’s name out of print to furnish smb with an incog

1 Как ты думаешь, почему Анна все время пытается замаскировать


безупречность стиля и отличный вкус, надевая безликие серые платья?
2 Все его поступки и слова подобны жертвам, сожженным ради великого
идола по имени Любовь.
3 Джек познакомился со своей будущей женой, когда совершал обход улиц
Пятого квартала нашего города. С того дня несколько недель он следил за
ней.
4 Сознавая, что неприступно красива, Эллен позволяла себе разговаривать
ледяным тоном даже с теми, кого любила где-то в самой глубине своей души.
5 Получив согласие Мэри выйти за него замуж, он почувствовал, как
выражение удовлетворения появилось на его сияющем лице.
6 Она была столь известна, что невозможно было утаить ее жизнь от прессы.
7 Новое имя, новые наряды, новый город обеспечили ей полное инкогнито.
8 Он спросил, почему она уходит от него. И она ответила, что не желает
портить свою юную жизнь презренным лоском богатства.
9 Не могу решить, кого из ребят выбрать в мужья: все они созданы словно по
одному образцу.
10 Он ушел. Она закрыла за ним дверь быстрым жестом отчаянья: неужели
он был совершенно серьезен, когда решил бросить ее?
11 Люблю работать в ночную смену: покупателей мало, в магазине тихо –
сиди, читай.
12 Как только она появилась в зале, он глаз с нее не спускал. Ведь Золушка
могла снова исчезнуть, и теперь уже навсегда.

Task 2. Explain what the words mean in English


avidity deliberate
complaisance penitence
humility coquetry
inquisitive venture
snob humbly
treacherously picturesque

Use these words to make a short situation (preferably a funny one) to tell in class.

Task 3. Choose a paragraph of at least 15 lines and translate it into Russian.

UNIT II.
Task 1. The manner of narration is objectively neutral, still it is possible to say that
O.Henry describes the situation with irony. What gives us the right to come to such
a conclusion? Are there any indications in the vocabulary, syntax, compositions?
Prove your answer by illustrations from the story.

Task 2. Find all possible stylistic devices and name them correctly. Explain on
what purpose O.Henry used them.

Task 3. Summarize the story.

Task 4. Give your interpretation of the story.

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