Thematic
Apperception Test
Projective test
   is a projective test consisting of a series of
    pictures in which the examinee is
    requested to create a story about the
    picture.
    method of revealing to the trained
    interpreter some of the dominant drives,
    emotions, sentiments, complexes and
    conflicts of personality.
    History:
    It was conceptualized by Henry Murray and
    Christina Morgan on 1935 but more fully
    elaborated in 1938 and 1943.
 It  was believed that material derived from the test
    could serve as the X-ray of personality.
 By   1950, several books and more than 100 articles
    were published
Cont…
   By 1971, more than 1,800 articles had been written based on the
    TAT
   The test is still not considered to have achieved degree of
    comparable degree of standardization to MMPI and WAIS
   No clear agreed on scoring and interpretation system
   Varying methods of administration regarding number, sequence
    and types of cards that are given
   Yet it ranks as 6th most frequently used test by clinical
    psychologists
   Researchers were dissatisfied because it was not applicable for
    all populations like children, the elderly and minorities.
Cont…
  Several TAT-type tests  have been designed
   to study specific problem areas
  Rosenzweig Picture Frustration Study to
   understand how people perceive and deal
   with frustration
  The Stress Tolerance Test to be used in
   understanding how a subject responds to
   stressful scenes of combat
Murray’s Theory of
Personality
 How   individuals react with their
  environment
 How they are affected by their external
  forces
 How their attitudes, needs and values
  influence their reaction to world
 Murray developed a list of 28 needs
 Cont…
He  developed a list of 24 possible
 forces in person’s environment named
 as press
He gave the concept of thema “ a
 pattern of related needs and press”
 derived from early infantile
 experiences
General Conditions:
   to be administered in an interpersonal setting.
   TAT materials consists of 20 cards on which
    ambiguous pictures are presented.
    -”M” for males, “F” for females
    -”B” for boys, “G” for girls
    -”BM” for boys/males, “GF” for
    girls/females.
   The selection of cards may be idiosyncratic to the
    patient’s presenting problem.
    SEQUENTIAL NUMBERING SYSTEM (SNS)
     a) administered to females and males in exact order :
    1, 2, 3BM, 4, 6BM, 7GF, 8BM, 9GF, 10, 13MF.
     b) administered to any males: 1, 2, 3BM, 4, 6BM,
    7BM, 11, 12M, 13MF.
     c) administered to any females: 1, 2, 3, 3BM, 4, 6GF,
    7GF, 9GF, 11, 13GF.
    Keiser and Prather (1990) specified Murray’s
    frequent cards.
     - 10 most frequent cards : 1, 2, 3BM, 3GF, 4,
    5, 6BM, 6GF, 8BM and 8GF.
    During administration, the subject should be
    seated beside the examiner with his or her
    chair turned away.
Instructions:
The examiner will show some pictures one
at a time, and the subject will be making up
as dramatic a story as he/she can for each
picture card. 50 minutes for 10 pictures. The
following story structure must be obtained:
a) current situation ;
   •   what is happening at the moment?
b) thoughts and feelings of the character (s);
   •   what the characters are feeling and thinking?
c) preceding events;
   •   what has led up to the event shown in the picture?
d) outcome ;
   •   what was the outcome?
    Procedures:
   TIME
     time measured should begin when the picture is first
    presented and end when the subject begins his or
    her story.
   RECORDING
     a subject’s complete responses should be recorded,
    along with any noteworthy behavioral
    observations: exclamation, pauses, blushing,
    degree of involvement , and change in voice
    inflection.
   QUESTIONING and INQUIRY
     to produce an unhampered and free-flow of
    the subject’s fantasy material.
   ORDER OF PRESENTATION
     usually, the cards should be administered
    according to their sequential numbering
    system.
Scoring:
The Psychological Corporation
 For each of the scoring categories, practitioners
should abbreviate their observations about the
person. In some sections, practitioners are asked to
indicate the levels of importance or strength for the
per by putting one check (mere presence of
characteristics), two checks (moderate) or three
checks (strong). The entire scoring and interpretation
procedure typically takes a half-hour.
    H.A Murray, 1943 scoring the TAT involves
    evaluating the following five different aspects of the
    stories:
        The Hero. Scoring for the hero involves identifying who
        is central character(s) in the story
        Need of the Hero. For Murray, it was also critical to
        identify the needs, motives and desire of the hero.
        Identifying the presses. A press refer to any important
        environmental factor that may influence or interfere with
        the need of the hero.
         Example: (parents or boss), (the lock on the door is
        broken)
 Scoring for themes. Scoring for themes in TAT stories
involves noting the nature of the interplay and conflict
between the needs and presses, the types of emotion elicited
by this conflict, and the way the conflict is resolved.
    Scoring for outcome. Scoring for the outcome of the
    story involves analyzing how the stories end by noting a
    happy versus unhappy ending and assessing the extent to
    which the ending is controlled by the strengths of the hero
    and forces in the environment.
    Interpretation:
        Nomothetic and Idiographic.
    1.   Nomothethic Interpretation refers to the practice of establishing
         norms for answer from subjects in specific age, gender, racial, or
         educational level groups and then measuring a given subject’s
         responses against those norms.
    2.   Idiographic Interpretation refers to evaluating the unique
         features of the subject’s view of the world and relationships.
         Most psychologists would classify the TAT is better suited to
         idiographic than nomothethic interpretations
   In interpreting the responses of the TAT, the
    examiners typically focus their attention on one
    of the three (3) areas:
     •The content of the stories that the subject tells;
     •The feeling or the tone of the stories;
     •The subject’s behavior apart from responses.
    These behavior may include: Verbal Remarks
    (e.g. comments about feeling stressed by
    situation or not being good story teller) as well
    as Nonverbal Actions or Signs (e.g. difficulties
    making an eye contact with the examiner, etc.)
 The3 Levels of Interpretations suggest by
 Bellak & Abram, 1997 are:
  •Descriptive Level- it is the mere repeat of
 the story
  •Interpretative Level- It extends the
 descriptive level by an alteration of it [if one
 does the X, then the outcome will be Y.].
  •Diagnostic Level- It is the further extension
 that an interference is made about the client.
   In Example Given:
     PICTURE 1
     Descriptive    level (the boy
      is practicing to increase his
      competence.)
     Interpretative level (If one
      practice, then he or she will
      improve.)
     Diagnostic level (The
      client has a high need for
      achievement with a high
      level of self- efficacy.
    Results:
    The results of the TAT must be interpreted in the
     context of the subject’s personal history, age, sex,
     level of education, occupation, racial or ethnic
     identification first language, and other
     characteristics that may be important.
    The results of the Thematic Apperception Test
    are difficult to generalize. The results are often
    subjective and do not use any formal type of
    scoring system. However, a close analysis of
    the stories told by the subject normally gives
    the tester a decent idea of the traits mentioned
    above (personality, emotional control, and
    attitudes towards aspects of everyday life).
     Thematic Apperception
          Test (TAT)
   Picture 1:
  A boy is sitting at a
table looking at a violin
placed on the table in
front of him.
Picture 2 : Country scene with a woman holding
    a book in the foreground. In the background,
    a man is working a field while a woman
    watches.
General Discussion
    This is the only card in the series
     that presents the group scene and
     gives information relating to how
     the individual deals with the
     challenge of people living
     together.
Picture 3BM : A boy is huddled next to a couch.
    On the floor next to him is an ambiguous
    object that could be a set of keys or a
    revolver.
General Discussion
   This is identified as one of the most useful pictures for it
    concerns themes of guilt, depression, aggression, and
    impulsive control.
    •   For example, if the object is described as a gun, is it used or
        intended to used for:*Intra-aggression-the subject is going to
        use it to damage oneself, or Extra-aggression-the subject
       has used it or going to use it to damage or harm another
       person.
   This picture is particularly important for depressed patients,
    whether male or female, because it can reveal important
    dynamics regarding the manner in which the depression
    developed and how it is currently being maintained
Picture 3GF : A woman is standing next to an
    open door with one hand grabbing the side
    of the door and the other holding her
    downcast face.
General Discussion
   The same general trend that hold for Picture
    3BM are also true here, in that both pictures
    tend to bring out depressive feelings.
Picture 4 : A woman is grabbing the shoulders
    of a man who is turning away from her.
General Discussion
    This picture typically elicits a good deal of
     information relating to the feelings and
     attitudes surrounding male-female
     relationship.
Picture 5 : A woman is looking into a room from
    the threshold of a door.
    General Discussion
    This picture often reveals information surrounding attitudes about the
     subjects mother in her role of observing and possibly judging behavior.
     It is important to note how the woman is perceived and how the
     situation is resolved.
     This card elicits paranoid fears of attack.
Picture 6BM : An elderly woman is standing
    parallel to a window. Behind her is a younger
    man with his face down. He is holding onto
    his hat.
 General Discussion
 It usually proves to be rich source of information
regarding attitudes and feelings toward their mother or
maternal figures in general.
Picture 6GF : A young woman sitting on the
    edge of a sofa looks back over her shoulder
    at an older man with a pipe in his mouth who
    seems to be addressing her.
General Discussion
   This card was originally intended to be the female
    counterpart to Picture 6BM,, and it was hoped that
    it, too, would elicit attitudes and feelings toward
    paternal figures. However, because the two figures
    are often seen as being about an equal age, the
    card frequently does not accompilsh0 its intended
    purpose. When clear father-daughter plots are not
    discussed, the picture reflects the subject’s style
    and approach to instructed heterosexual
    relationship.
Picture 7BM : An older man is looking at a
    younger man, who appears to be peering
    into space.
General Discussion
    The picture deals with hierarchical
     personal relationships and usually
     takes the form of an older , more
     experienced man interacting with a
     younger, less experienced one. Thus,
     the card can clearly show how the
     subject deals with external demands
     and attitudes toward authority
Picture 7GF : A young girl is seated on a couch
    and is holding a doll in her hands. Behind
    her is an older woman who appears to be
    reading to her out of a book.
General Discussion
 When older women are the subjects, the
 picture often elicits feelings and attitudes
 toward children. Because both figures
 are looking away, either
 figure is sometimes perceived as
 rejecting the other. Thus, the card often
 elicits negative feelings and interactions,
 and it is important to note how these
 feelings are resolved, expressed, or
 avoided
Picture 8BM : A young boy in the foreground is
    staring directly out of the picture. In the
    background is a hazy image of two men
    performing surgery on a patient who is lying
    down.
General Discussion
   The picture can be seen as a thinly veiled
    depiction of a young man’s oedipal conflicts, with
    concomitant feelings of castration anxiety and
    hostility. Thus, it is important to note what feelings
    the boy or the other characters in the story have
    toward the older man performing the surgery.
Picture 8GF : A woman is sitting on a chair
    staring into space with her chin resting in her
    hand.
General Discussion
   This picture is difficult to generalize about.
    Typically, it produces somewhat shallow stories of
    a contemplative nature.
Picture 9BM : Four men in a field are lying
    against one another.
Picture 9GF : A woman in the foreground is
    standing behind a tree, observing another
    woman who is running along a beach below.
Picture 10 : One person is holding his or her
    head against another person’s shoulder. The
    gender of the two persons is not defined.
Picture 11 : On a road in a chasm, several
    figures are proceeding along a path toward a
    bridge. Above them and against the side of a
    cliff appears to be a dragon.
Picture 12M : A man with his hand raised is
    standing above a boy who is lying on a bed
    with his eyes closed.
Picture 12F : A portrait of a woman is in the
    foreground; an older woman holding her chin
    is in the background.
Picture 12BG : A country setting depicts a tree,
    with a rowboat pulled up next to it. No
    human figures are present.
Picture 13MF : A young man is standing in the
    foreground with his head in his arms. In the
    background is a woman lying in a bed.
Picture 13B : A boy is sitting in the doorway of a
    log cabin.
Picture 13G : A girl is climbing a flight of stairs.
Picture 14 : A person is silhouetted against a
    window.
Picture 15 : A man is standing among
    tombstones with his hands clasped together.
Picture 17BM : A naked man is climbing up (or
    down) a rope.
Picture 17GF : A female is standing on a bridge
    over water. Above the bridge is a tall
    building, and behind the building the sun is
    shining from behind clouds.
Picture 18BM : A man dressed in a long coat is
    being grabbed from behind. Three hands are
    visible.
Picture 18GF : A woman has her hands around
    the throat of another woman. In the
    background is a flight of stairs.
Picture 19 : A surreal depiction of clouds and a
    home covered with snow.
Picture 20 : A hazy, nighttime picture of a man
    leaning against a lamppost.
Reliability
    The TAT involve complex, meaningful verbal
     material. Because of the complexity of this
     material, exact quantitative analysis is difficult.
     This issue is further complicated because there
     are so many different scoring systems.
     Reliability (and validity) for one system may
     not mean that adequate reliability will be
     present for another system.
Cont…
  Interscorer reliability across different
   scoring systems has generally been
   found to be good, ranging between
   .37 and .90, with most reports .85 or
   higher.
Validity
    Reviews of the TAT’s validity have shown wide
     variability
    One reviewer might be impressed by a
     correlation of .25 while another sees it as highly
     deficient
    Research done on it likewise allows readers to
     project their biases, needs, and expectations onto
     the TAT
Advantages
  Offers  access to the covert and deeper
   structures of an individual’s personality
  Less susceptibility to faking because the
   purpose of projective techniques is usually
   disguised
  Intrinsically interesting and nonthreatening
Disadvantages
  difficulty establishing adequate internal
   consistency and test-retest reliability
  the effectiveness of the technique is often more
   dependent on the clinician’s individual skill than
   on the quality
  sensitive to situational variables such as mood,
    stress, sleep deprivation, and differences in
   instruction