COMPANION

THOROUGH-BASE PRIMER,
BEING FIFTY

PRELIMINARY EXERCISES,
CONSISTING OF A

BASE AND MELODY,

CORRESPONDING WITH THE EXPLANATIONS, AND INTENDED TO
PRECEDE EACH EXERCISE IN THAT WORK.

TC rv'HICH IS AT)DED

A KEY TO THE EXERCISES.

BY J. F. BIRROWES.

American {from the Second London.) Edition,

F\r.it

/
NEW-YORK:
PUBLISHED BY FIRTH AND HALL,
No. 1 Franklin Square.
 PREFACE,

Lest any person should purchase this book, or the

Thorough-Base Primer, under the supposition of their
being calculated to enable students to acquire a correct
knowledge of Thorough-Base, without the assistance of
an experienced teacher, the Author thinks it right to state,
that they will not answer that purpose, nor does he think
it possible to write any book that would. So far, indeed,
as prescribing a course of study, giving explanations and
exercises to afford opportunities of proving that the student
has understood those explanations, a book may be consi-
dered to supersede the necessity of having a teacher ; but
mistakes will occur in the exercises of the most talented
students, who must necessarily continue in error unless
these are progressively corrected.

These preliminary exercises, having a melody, are con-

sequently easier than those in the Primer ; and, it being
intended that one of them should precede each of the
exercises in that book, to the greater number of which no
U PREFACE.

melody is given, the student's knowledge will thus be put

10 a progressively severer test. They will also be found
useful for the practice of playing without writing chords to
u figured Base.

Should it be asked, why, since the Author found more,

and easier, exercises desirable, he did not embody them in
a new edition of the Primer; it may be answered that he
felt reluctant to make any great alterations in a work,
which, from its great and undiminished sale, he concludes
to be approved of in its present form, and which many may
still choose to make use of without thir auxiliary.

Aware of the danger of placing a key in the hands of

juvenile students, it was after long hesitation that the
Author decided on publishing the chords to these exercises ;

he was, however, induced to do so with the view of enabling

those, who reach of an in-
are occasionally out of the
structor, to knowledge by continuing the
keep up their

practice of writing exercises, which may be corrected by

means of the key while the exercises in this book will be
;

sufficient for that purpose, those in the Primer, having no

key, will still afford the master means of ascertaining the

real state of the pupil's progress.

As Exercise I. in the Primer comprises chords which will

utrely be met with, such as F b> A#, Sec, the writing or
playing that Exercise throughout and particularly the re-
currence to it so frequently directed, may to some appear
superfluous ; but the Author begs remark that the prac-
to

tice of the difficult chords, will render those in more common

use comparatively easy : indeed, not a single note directed
to be written or played, should be omitted ; for, as he has
 PREFACE ill

observed in another place, repetition alone can give facility,

and it should be constantly borne in mind, that no useful

proficiency in the study of Thorough-Base has been at-
and readiness in writing
tained, until the pupil's correctness
chords is accompanied by equal correctness and readiness
in playing them from a figured Base.
 COMPANION
TO THE

THOROUGH -BASE PRIMER.

Copy the following exercise and add the other notes be-
longing to each chord. Observe particularly that nothing
is to be written above the present melody. When the exer-
cise has been corrected, play it as written and afterwards ;

practise playing from the printed copy, (viz. the Base and
Melody,) adding the other notes belonging to each chord,
without referring either to the written copy or the key, and
continue this until it be done with readiness.

Preliminary Exercise 1. Major Chords in three positions.

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 Minor Chords in three positions.

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Copy Exercise Thorough-Base Primer, write the

I. of the
chords, when it as written, and afterwards
corrected, play
practise playing from the printed copy, (viz. the Base only,)
until it be done with readiness.
The foregoing directions apply in like manner to all the
succeeding exercises, viz. the pupil is to write and play, then
play, without having the chords written, the preliminary
exercise in this book, and afterwards proceed in the same
manner with the exercise of the corresponding number in
the Primer and, until each exercise is performed with
;

readiness in all particulars, the pupil is upon no account to

proceed to the next.
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Preliminary Exercise 2.

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Preliminary Exercise 9.

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Preliminary Exercise 1. Dominant Sevenths and their resolu-
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 15
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- II -
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85
Preliminary Exercise 51.

iili
-1 Jt 0_0 <L A3
:»:

*&- ^S
2
5
2
i
6
r

"i
tn
6_4
r
3

^
I ! !

-0- -0- -0-

-0
I I

i
I

w
9 8 9 « 5 r>
b
"4
"SI
-3-
3
TO
..5

r
^r T i

r r —
jg? 0_ -0 — o-
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7 fc]7 - 9 8 9 8
4 3 4 3 7 — fcj7
-
,

# '
b7
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#»— -«-
£ -<S> -f

1 \

1
1
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a d 4J ~J
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*
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d
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36
Preliminary Exercise 32.

I I

1UJA

JSL JL j. j- -4Sh -G>- G> m

G> 0_

9
8 l-
-8 4
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^=J-
q : 32:

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1

w
1

w
1

o 1

# 1 ,

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1

m
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m m

9
7
8
7
4 3 b7 9 8 6 #65
^n
l

• J
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c->
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ff

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321
9 8 fc|4 5
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6 t4
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1
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i

hh f *— ' - J i
!

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1
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j
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37
Preliminary Exercise 33.
! i I ! M
M
-0- -<si- -0- -0- -0-
ftj

{ 7
Z 8 b7 b7 987 43
1
"g ££
&§ _
"#P-
!
I

:~

_J_ 9
I
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1

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1 i

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h -
i

9 8 4 3
i -
rn^-
^g~

J- J "
J J
4) 1
ifl
1

J •J i i

r
1

5
2 6 543 22659 8 5 >7
4
— -
3 —
h r
r— #-gi -0 0- *N=

! !

J
7 7
J
7
IE
£ =£ is: 1
 — r

38
Preliminary Exercise 34.

-#.JL -fflLtfJ- SL--4

I8Z&
« 7
5 6 is
ff

*= _g 7 7 7
Zl
2 6 5
"T0"
•

r
lit
^ 2ZL
T=F

.# s_ #-r-* <S>-
jj -0 - 1

-«5>-

in 3 2 5 43 6 7 Hfi ^7 -
9 h0- 2 5 -
1 r
__. -0- 1 y at

50 J ^
1
I

U
i

«'
£>
i -^]
C^
l
O
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b7 -
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tg*: T_
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© <
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II

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6 6 4 3
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i i i
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^ r
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39
Preliminary Exercise 35,

**- wr-M~rw 1 I i r
J J J -

6 tjfl fc|4 3 b? 9 8 7 4 # 4
r(§E
^Z3I isz: -f» ftt
221 *

m #
IJ ——
— — 1

8 6
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I
# 3 ?

-®- "^
?=
9 8 2 7
# 5 4 3 H i 2, #
i
1 1

F3 *
#(9 m &
i

1 l |

^
r-d
ff £> * J
9
1

1 i

"gr

-
== 3= 3
i
5 . 7

221 S #- *fc »
Tr
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40
Preliminary Exercise 36.

- J-J-J-^J-j _^_J4J
fcfc
He 4

— p-
6
i —
bs 4 3 b|2

3
;

:
Jhs>
£
23 S _bx.
is: =*F
:
^ : SI n<5?-

i I

"ST

^6
_b5
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J Jt g i ZSZ2I

a 7

w
1~\ I

i
 41
Preliminary Exercise 37.

L4 -##- ^-r aJ—i-r

7 7
b7 b7

(
E isr; :gt ^ —i--#i—*_^- J L

£? y~r# ?=n ?=?=

1

^=n_n:L
! I

4 7
#2 # 9 i
8 ff 4 I #
"^~
:
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fe'

"gr
j
i£
i

3^^
5 7 -
# 4 3
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±^ -J-
fefe
6 6 6 6

g 3=H
£ 3z:
1
42
Preliminary Exercise 38.

x*t* (
—-¥-? 1

1 i- J J-r — •s? r dt
I
2 4
*fe
5E

-
ft* e£ - fZ> #~ J-^UUk-J
i
4 4
- 4 3 2 5, 3 2 6
——
i

1s * ^"^ > -
33
i
*
r
#: -#S>
i

—^s>-
r
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r ^—4—4 -U J *zrt

4 3 2 5 6 I
5 6 #. 6
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O
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J
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i

£?
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jbhbj; "g^~
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43
Preliminary Exercise 39.

*
J * -.-
j J
(9 J J .«r
5.2
1 6

fg £
*— &*-
1 LL
i r
#-^zzit

.-**-*+ j+i j j j -j-j

,

b? - b7
# ^
9 8 ff tt #
— •- I ^*-
Jt ~s?~ ~M

'=£
:*=g*
^-^z^: :gs: ^5i
IS:

6 4
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2 2 5 ft #£ -m-

^"^ 9-
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is:

6
4 -ILL.
:j- -jcz^:
^i m
~gr
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44
Preliminary Exercise 40.

-J
m 6
"^
«UJ T JLJ-,
i
4 Iqg
b5
r
'£ £j
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q^

^
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-s>-
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Wn
7 6 6 6 7
_4 3 5 4
IS.
^ in
I -s>- T
P j_

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'—4—4—J=F
CJ6 5
6 6 6 6 4 3
# ^ 5 b* 7
F # y*^> —
m
1 1

r !° £3 —
i
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1
1

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i^^ /*n
C^ & I

• #

J 1
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6 9 8
1
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D7 6 6
1
1 — i:

\ r tjQ^ ~#~?"L
6 7
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 45
Preliminary Exercise 41.

r#7

--U
-5 s >-
^sz:
±
7
#
g% J J ''Iff i
g 5
4
"^
i
#
i I

-s>- Jl :^z:

-f 2-
i
—n i

5 4

-J I I

J I

Jl -^=j=j :

f
^
-^-rts» f^rf° b ft. 4 ? &
J

£
it .0 —0-
5 7
6 6
& 4 # #
R-
— —
\
6
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5
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i A —&
G -t
—
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i

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1
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46
Preliminary Exercise 42.

Bfc
7 - 4 8 1 5 M
4 3 2 3 5 4 R 5
f@Et
gg E -^ -H^

at -J- *t -itJ-i-gl
*Bfc Jpi -#=*
^ 46 7
6 6-5±-, 6 8 6 b5 4 9

_S
33^3 "S7
5
2

J-J-t- -^
1

frs*
1
gT -fr^ i
6 6 g
** 6 5 4 H 5

-g?~ -rv-
ISC
|37
R 8
3
3
t *

ss ^EE^
J I

L_J_ -J-
1
L
H6
. ^M6. h6
n
4
7 4 8
6 b6 6 5 4 b7 3 2 3
# m \'r~\ ——i

a
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47

——
Preliminary Exeicise 43.

$=E^—
a*-*- 1 ' l

M a=j=S: SzS=:
4 4b- 7

m
8 n4
a
3 2
9, <? 4- a
3 ft tt n
:£
:g:
i
L ¥=F
25L

3*
3C
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qs - h4
n 8

? — qy 5? •g"
51 _3 2 3

i i

-w- «g m vm
sr=^- -a1
8 H4
i —#- q
H
q q«,

:ss:
6 4

?=3 "gr
I
6 6 q* I
H# ? — #?
i 7
3
7
4
2
48
Prelim inary Exercise 44,

S-
=*=* ie: 33 ^
V
8 7
3
is:
itei
I "i i r

i i

~«-
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-&- -•- -p- 6 *t ^
\ tit
1 r -«*-
2Z
1 1 1 1 1 i i

/
I °
#d J
9TW «!

#
1

#
I

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w J
w ^1

C^ * «
9
 49
Preliminary Exercise 45.

nr-iM J J i J e ijciiE
=i
5 6 5
7
4 8654 7
6

'gg
3 4 3 2 34
2?
3 2 "*
i
——
— — g^YT6
r r
I

1
5 i

i"j~~i
,

I"
6

_#_#_#. ! I

lu=LAJ*
6
*
6 6
& ^4
P * 2 in*
o o m r
r
I
1

P
j-TD * -""•
trr
1

1
i

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& !

1
1

=J=pzF z::!=q:
"ST

"
"1

S 3ft ijsEEi
I

^G
'^~&
*
1 1

•
1

*
111.
# • J 1
f

1 I i [

£ r
4
V ° C °
i-d '
i

rd
c^

7 ^
6 6 4 6 A. 4 8
_4 5 31 6 6 4 ,
ff , 2 3
r
ifcar
^^iz=i=«
1 i

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I
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50
Preliminary Exercise 46.

^S
"*-#-
1 *^ g .
< g) ..
xim:
;MCWEWJE. p££ s
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1 I
6 6

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w
6
4

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6 7

afcttfr
"err
4 3

rrzr

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r
II
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6
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tzt

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1
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1 1 1

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6 2 6 7 6 5 6 5-98
6
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6
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1
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a ft i r
p #
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1

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1

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6 5 7

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51
Preliminary Exercise 47.

:#zzj:
£fe=St j=j i.
i i

6 6 6 6 5 S> » 6
HQ -**-
£
jEZHI
j. # £L «*- J J, v
5 6 6

f2 !
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49 #6^6
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32

6
P #
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f
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1
r £2
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p #

*~~y~
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3Er =3=3=3:
1

— I I"

w
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6 7 7 7 7 7 7 ft b7 4 3

^Ej w ^7"
52

ft*
— —'—
Preliminary Exercise 48.

l~TT
L
I$=®ZHtl£ =SCR
* isbsfc "ST

*#;
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"g^ftg:
2 6
a be bo k?
P bo
4 B7 S 4
si *

=S* -*-b£ ^ si?:

:£*=:
7
_2__6 5 2 G 5 2 6 5
i r

?
1 i

~r~ ?=? _-^""^r

1^1=^=32 -s— # sPf^-^—

tjv »

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3
^ dt "2T

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 53
Preliminary Exercise 49.

'J J
(9u b \>
1

J
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!

©- 1 — ^5
1

"~iw iS
I

—r"
w
\#=*
6 6
i

y^-b-K
— &~tr —
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^3
i
4 3

-r ^
4
£5 !j £3
7 4
&— I s
i
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\
1
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1
1
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J
1

<**n
— &—
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16 6
<\

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J
6 Do 5 6 4
^_ O
i
f
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^=^ >^
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IV
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1

BT"
1

f <»

-•- 3 J J
m j
9 j
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m *^ i i

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1

— -w
f*
j*
1

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\
< 7 6 7
—,-p- 6 7 6 7 6

H— —
j-p «b
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r^ ^ft
W- -J p-f--

J
( gJ
1

^ ^
1

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\^ !
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=^=FF 1 1

< 6 7
J
6 4 3
y f& a
w >»3 if
l=4-f-- a
54
Preliminary Exercise 50 is inserted to show how a Modulation
may be made from C to every note of the diatonic scale, major
and minor.

From C to D.

^t :&z:
-®-

« •«- 6
6
,5 6
4
j>
ff #
1
c^
r®-<
i u i

i
« II
II
»
1

II
II

From C to D minor.

£«C
"sr
I

fg :|s:
is -gr
7
I
b7

From C to E.

^==dx^=Jz^ :
-<s>
*»: I
J*» # #
fg ?=F 5 6 u.
7
I
 55
From C to E minor.

i j.j j
W J
-**
e_ r%
~<&- &- jj
&
-9 P-
rg.
"i r

1
From C to F.
I

w
I

-l =g=g=3=
#~#
6 u 6 6 br
2 6_ 4 P7 6 5 4 3

?z^z&:si£^^ b*^
From C to F minor.

"ST -«L j- i—®-

b fi b2
by b k
D 4 3_

1
w -&-

From C to G.

j^jijjJ-^^LJ-^
I
'^ 5
H
AG 4 ft D5 b5 4 ft 2
tor
* £ 1
56
From C to G minor.
-*&-

1
b ,4 b
L b

m3 P=*Ri
t «. \ i

^ |
S >

I
From C to A.

~# —# g -ff

M "gr =#?

)
f
— ——
febfcri*-
1 ,

6 br
-J

#5 -
-^4^6 6
#
i

7
^
h /**d

I
a
r
I

2?:
^s: 22:

2Z
7

6
From C to A minor

6
zsz: -#^s>- "ST
1
^y^
te
6
4 I
 ST
From C to B.

J-
3*=*Bt 31=3=

g 1& -

m ^=^^
I
%
From C to B minor.

3$&L
7 #«
*©=• •#»-

6 t,.
7
i

END OF THE EXERCISES.

 A KEY TO THE FOREGOING
EXERCISES.
(intended for the use of those only, who are
OUT of the reach of instruction.)
 61
Preliminary Exercise 1. Major Chords in three positions.

Xt
4 1 *&
*«-
9 -9
9-

m 3
ZE

! 8

-w-
_9_ •#*
*
# « P
<*n • - « '
.

P
/TJ
1

H 1 1
-i
1

Minor Chords in three positions.

5 3 5 3
3 8 1 8
8 5 1

U *
1

-J ii- J
#
1

9 9 9^ 9 9
I

^\
# 9 9
1 1

O
-5
rn
\U U.J «
• Oi
v ~] J ?=9 9 9 51
- _3_ 9_ 9
/q-
^
1 i

*2r
9
1
'

9
i
'

9
1
^^
r-^
1

#
-
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5 8
8
3 8
5 5
8

J
J
3
5

A
,

A
1

wJh 9
, 3 3 1

- j
1

d 9 m m
| 1

> .19
D9 9
1

9
9
^ .

S
41
-- - <9
£j

Si
9 9
**
m W
4k Jfc
9 a
) - .j. 4
y*^ » o • a
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Prz>
• £2 • P I

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1

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62
Preliminary Exercise 2.

i J_i
:«:
i i
4-
«: £ £
J-J- J I

^
I
~gJT"
I
£
Preliminary Exercise 3.

J.J J, i
X
/e

i 4 -
^
j, j. j j j , 4

3 ~^-
 1 <

63
Preliminary Exercise 4.

3—3=2
*-? 5
(gg *=£

nrr
s -&T
3
~e?

1#IP p
J
r '
*
r J
Q7
1 1

m
— 1
i

1 2- J
1 1

Lj
41

i 3 1^3
1
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SF=S=
#-
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- fc*

J L
33-
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"IT *" 5 -g—

ilza: -0—0-

0-
'JET
£ i
 1

64
Chords of the Tonic, and attendant Harmonies in major keys.

r#-
gjfejEj^
SEzlSEHliEE
:st2. jl 22:
5-v i
* * za:
v
3 1 «— i£± 1
-4
j-^g^ IS?
1=1
E£
_• £.
(S^ 1 r :fc=¥
~fr 57" *
r=rzr:

Chords of the Tonic and attendant Harmonies in minor keys.

nag
£=£
3:
z r g
tt
I
i
|
<=>
If

pills
 65
Scaler

i r
3F
^
'ffi;
_s_ is:
i
^M
-sr

4s
fc¥ ~r
s^b s ga ea g^-g ^g r
-&-
I -

te "£?:
g?~j <^ 1
~^z
s
1 r 4 e» ,q
-s'f— ^g—

:s£=t
^?
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3t& i

f lb
aLJ
^^
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60
Preliminary Exercise 5.

I^#^fe^ l
-M-+1
=£
j-fc
^zdbiz
£ P
i
2-g gf
EsS#— #-
=w
5 3^
:
=PEF
£

•
m &—

m
IS?
.22

"Sr
^=S=
§P -# #-
I
 1 — «

67
Preliminary Exercise 6.

j: j
| #j jUgE

J-
m—
1 J— J 1
^ •!-
3Fw
$ 1*=!3t
J #<
•-<s>

£
I

S
gig *t

#f
^ #*-
—
ar—
SI
S*~
T+ —
a "ra~
izzg -r-ey— g=#g:
n r

*J h 2 # #
T®-
-i
.ez
P

ij^izj
m—m-
i=a -#«-
a -
a
^
is: £ zzc 3? i
 * * c

68
Preliminary Exercise 1. Major Chords and their derivatives.

'
' »..J J '

J.J .J .
,

Minor Chords and their derivatives,

Q wr — *~> —
=
s=s=s :

—
tf
6
4_
fe} £ ±c
 69
Preliminary Exercise 7.

m p wr J: *
—i—j-r
s^S —— J 1
^^W-S1 be :
6 5
1 »
5E^#E*EJ —
~i
in:
J:

3=3— "ST
"IT
j£I
is:
i 5

m
6 5
4_ 3

? 3

r
** Jgj
"ST
6 5
4

2ZI
 —

70
Preliminary Exercise 8.

—— #
—J-L# * y r

1
6 4 ^ _ . ^ 6

^=F?--7
4

S
3

«
33EE
-«-
"IT
3
6 % "4
6 4_

£ -#?-
i
~&r j.
-&r — r
-<S>-

6 6
4 4
321
JZL.
5

1^" I^r

6
Z§fc
5
i
4

is; -^-
2z;
1
 J —
71
Preliminary Exercise 9.

m "ear
'ST ^-L?
6 5
4 n 6_ 6

it

-«- ea
_«c
£=3=2:
9
£ 5 3=g

f — J
a
1

«
«
1 .

_4

s
— s
1

&
<s>
— ^=#
H-
>—#—j—a—«U
\

5 ST
3

I
 r r

72
Preliminary Exercise 10,

A I

p^crz*:
—« — «— sS-—
^
^ dd:
5
s*- 3 -•I-

'#*- 6
a:
1
j j wj J..
-ad
-^
—m~ w*
#1
SES
6 6 G

£?_
i r
T"

-^- -^~ ~-j~ --T-

9 m
-J|- -JJ-
:j_ ¥ _

-+=F
l — "i — * HE£ -«-
1
6 5
4 3
 73
Preliminary Exercise 1. Dominant Sevenths and their resolu-
tions Major and Minor.

Jta
*-G> 'O-
t«
*Bfc
7 7
# *I #
&> ..
^"3
C*'
o
o & ^*n
C-^

_£?_
"ST
Igfj-glEEEEI
i 7
b7 b7

-e- "s:
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—e-

33:'&- Sj
^?: :^ 5 m^ _S?

* ST t±Sr
1 7 7 7
# b
1

(*3
o &
c^
a
C^

JES iJrr
tf SI
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-«-
— ®-
I
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b7 b7 7 b
l» bo
— <3> <s>— -
+
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74
Preliminary Exercise 11

'Si
£
11 —
— I I

-.* -j # ~r i
— W—g— s
* *-
-m

g
:

g =
-2®-Fi s* -*-S-h H: :

6 8 7 8 7
# # # 8 V\

-<9-
**i
I
I "I
-T^"
I

d -8 —i5 m- i«—^*
8 A 8
8 7 b7
1

1
it
P
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1
j^U
j^>
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i
I

£3 1 # 1 P* 1 C?
1 1 ,
1

3 3T
IJFT r
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b7 4
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Preliminary Exercise 12.

o l ma ~^r
ISI
i_J
3E 3=§ni
7
-«-

£ i
4. J. IS*
L^T ^gr
^^ L*l ^r
7 7
ft

*=

J
: :
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isr a
—p 6
, -*
r (9
p-
HD
7
#
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i
j
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h
i i 1 1 1 F* si
i

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1

a •-

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a ^p= i
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4
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76
Dominant Sevenths with interrupted resolutions, the Base as-
cending a Tone.

t^-zt
7
4 #«
br

:£*= 3=i
Preliminary Exercise 13,

n^ jj. P i < g i
:gif:
m:

7 7

_~:
=it&=3
^-£g-
It 7

—i-^-#—
6

J (> jr
(
-Lfr p f |
J
i ! 1

1 1 1 1 j J 1 1

C
^
J.N#
^ •
j* 3
• g^ g
^ >
#
g:|l
^ II
* 6 7
} 6 4 3

/ lh° « •
H
r ^- •

J
l
1

J f J! J J
i

n
J 1
 77
Dominant Sevenths with interrupted resolutions, the Base as-
cending a diatonic semitone.

Preliminary Exercise 14.

j-
^»- z#fj:
#2
•<=&i -*-**- i
6 7 7 7

J 6 # # 8 *
](?)'£ m 1 1

r vr ,ff P 1

J pi
i '
a
w m
/Sf A
w
i

-&£ 1
:i
ESszzrzzzz -g—0-
-&r
I i
* Htf-

f
^^ nr :jxS
a e>
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7
I
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73
Preliminary Exercise 15.

> J J J

6
-®

6
Se
#
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£
^ —# I

'@5 i r
p
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Jl.«f '.*!

^gy^
:

-©- 3± 1ST
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*

3 nS>-

?
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3=** :«cn
7
6

y—#p-
I i
a is:

J:
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^
"ST"
6 7

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 79
Preliminary Exercise 16,

:s:
—— 1 IS" "S5T
IS"
:S=s: 7
6 7
6 * • I 7
iiii
,

r * r i

iii m
i 1 1 1

^> 1 J
m
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\

i
1

i
<£? J
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1
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i i !

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1
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•
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I
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a
c^ a
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i

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6
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3 a:
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6
4
321
S 1
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80
Preliminary Exercise 17.

'ffi=t
-&-
~i — las:

-&-*Wa
"ST
«
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::b
^
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£ ^
tie
#

-frs^

=5a=?z=>-»
if
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^ «*
ISC

-«- -«--

6 G
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 81
Preliminary Exercise 18.
 *

82
Preliminary Exercise 19.

y
jiS? 4 £
S^^ffii
'fEE^E
5 -sC#i I

3-**i — 3-F55>-g+-»-S^=g-[=5F=ii
7 7 5
5 fcSEZfr
fe£ "^r

:f # JL -3- w-
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3=3 32: 5
6 6 6 6
1
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5
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6 6
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 83
Preliminary Exercise 20.

-$=&
gT- -®"
S5T
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a=_
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5

e S__
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_«
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gy~"^gr
3
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6 6 7
6 6
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P
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P* £2 <^-)
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n £?
I

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1 1

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84
Preliminary Exercise 21

mm 0-
«m
4 -
- 6 6

* 2

:^
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"ST
^—4 J j=ti
g^~ 3SL is:

ftfe «-
pi
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&r

»
s
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6 7
4 3

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 85
Preliminary Exercise 22.

n i
t "i i
: ,
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rz

#2 *
—
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~~~~
s
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I

zr
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Preliminary Exercise 23.

I —a r
r~w
la ±
6 6 ff

«:
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5
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6 5
4 3

5H* ?-5
1 -* * *
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g=g=jfr

W
fc|5

1ST
a-
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#

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3=2
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7
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6
3

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 87
Preliminary Exercise 24.

-^~A jzr ISC

f-\f-j
5 Hi
6 6

fg-t —
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ELfc

L=S ~<2T
date
^
IgST

6 bs 2
£^j -#-

£
IS! -» -^~
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k *gr
6 5 6 6 5 2
b5
£2 ^ •
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1° «
r
1 i

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1

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br

£
£ ^il
88
Preliminary Exercise 25

(-

< 6 fc]5 2 b|5

fc)5 5 6 5

(•— 0-
6 7
5
4 3

"^
4
d=Ei ^H_U=J+
4
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6 4
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iL-i-#^
#^> —^ 5* 3? fef# 5
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m"
Preliminary Exercise 26.

4 1
at* 4 JJ:
«- -x0-

t*b* 123
#
^=f«=f
4 3 2 9 8

'§ "gp-
e sz:

Jh4t^-J -#"
:

*=S Jt
Est
'9 8

£ 3E
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5=* if 3e

3
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& 6 6
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7
3
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Preliminary Exercise 27.

Ml
¥ K£
lri J J J i

*
6 G
HE*
42
9 8
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t:

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— 4=F#
l — 4 —# ^#
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3 6
,
1*
p
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6
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1

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d=*=i
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7
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Preliminary Exercise 28.

"^5~
Q
r#
t
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^T is: 1 o
6 5 9 8 6 5 9
4 3 4

"S?~
8qp: -S2—#s£ "ST

«izsr j-
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3ZI
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r~w
321

—
Jpg
i
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H ar jgjg g [
W& j£*

€S*
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gd

}6 t]4 3 2 fc]6 4 3 6

r
E^E Si g? —sr g — gg

^^P^^^ A I i

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• i * ni 6 6 6 6 4 £
r
1
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Preliminary Exercise 29.
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93
Preliminary Exercise 30.

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~g^~"#~^~ j?: ~f5T_

)_6_^6_ __4 rn-

b ,M6
1
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1*1*
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:<^>~
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S
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9 8
4
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r ^2 £2 rd #
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j i

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off 9 8
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4 4
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Preliminary Exercise 31.

-0—m-
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1 *&
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fe^ # g?

4 3

^ 4 3

-#P"

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5

i ii ii*
q? 1

iz zj
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I i

* ^-j-jp #

=
^ :
£ 3C i
 95
Preliminary Exercise 32.

A
V-i^&
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-&T
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~s:—
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i
98
7— I
Bo - q?

~r~

dTsr -#- «
TBT -&— &
331 jg-JSg TZi9
fSf
er 1

3 hi 1
6 5

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96
Preliminary Exercise 33.

7 —
4 # b7 bi 9 8

_s?_ JtFF=3
I £
R=3 J :
4
'~^7~
jS ~gr
-aH®-
7
'I #
« ^ * j^3 M
°
1 1

P r i9
r
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1 1 1

1
1
i

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1 — i

:£fc±3 ~r
7 -i-
s
J.
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1
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97
Preliminary Exercise 34.

44i 4_Jil4#4 4
+ ??-¥ ^JEFgg
7
6 7 7 5 6 7
2

'mi% §^£ :

3ETi
"i r 1
— —
*-<& p» -«- &-
— — ST
-«
^g
221 -»
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^ 43
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43 2 7
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f
1 -»'-
•gr
35 "ST
m
6

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4

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Preliminary Exercise 35,

4
m 6 fc]5
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1

t]4 3
vm

\>1
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IB:

9 8
m

7
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J «2«
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4#
Wft
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gE
^=3L £ jt 2ZI * *-

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8
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5--s^--#« = -

"5T

"ST
:^
9 8 7
5
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4 3 P_
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321 "^ "31

—m gg
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5 , 6 7 -

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Preliminary Exercise 36.

4 3 bj2

— —s
i

(®Hj
1

23 L
^r 12 # L 1 1

^=3=:
S-fcn F— 1 I i

r-1-
j&~Z
JE ~&~
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7*»«
is:
19 8
Jul
*:
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?
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«^is?z -*# ST
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4 3 -_b_
n«>- "gr
5
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100
Preliminary Exercise 37.

7 7
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"ST
b7

3^
b7

J*1 ?-^-:
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z&
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"25"
js: 5*:
7 7
jl 9, 8 # # b
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^?= ~0

— —
n "ST

S
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3rt
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3=? z#ztj
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9 #
6 7
6 5 4 3

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1
 101
Preliminary Exercise 38.

A*_J..l IlJJ *b

"5T so:i=fe£s
-#» 33T
:*=?: I
T*
4 3 2 5 5 6 6
1

P^ *h 1
1 1

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(TD
1

]
1

'

&
1

i a1
/*n
&
1

•
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1

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p*=^ z
p5zt:g =g : :
1ST
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"gr

9 8 3 R5 6

3Mt
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Preliminary Exercise 39.

*|-#
J *£=
•_^w—m-
. r f bp.» ^

U*U
Htt
£^- I]0
;s=ii±5=2J.
^3 «*
b7 — b? i
# H a 9 8 # 4 #
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£^ #•

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4 3
2 ff R #5, I
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^=z=* is:

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6 1 6

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103
Preliminary Exercise 40.

3
rfFfflS —r^r wrwrc.

^~Fi~#~ #~g!" 12^

6
4 fc|6 5
4

m f
I

"i
I

r *=* :^
JrfL

:«t

-<&r
*-*^
j .
tf*
iW 5±i

9& P
>
1ST
3
6
5 1 &bl
^=t±F
£
-«f-

3aiteB?z^ez=5
6

-<s-

^ "J

zsz:

^ — glilfaifPB
• 1"

P -+9 6

a
4 9 8
b? 6 6
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J—4= S3=W=
6 7
4 3
 I

104
Preliminary Exercise 41.

— i
—&

AJ^A

^
G*
l U- r«LU
# — &9
1
m
XT —W (9
2 £
0[
2>
4
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1
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m #* -ih§=
.
-£-if
g ^'gg Lg_lL j

5 7
6
a__

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 105
Preliminary Exercise 42,

1 4J JhtwLi hg

4
o
_8H4 _§_bi ^l_i
"r
Z&-UZ?. %*h*Z?Z£jZ
171 n^z^i:
s?—sr b7
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8
3
2

i i
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g=J=tF
 -

106
Preliminary Exercise 43.

=f=ah
!3ESis

« 8
3

321
4
2
7
4
2
B7-
43

*m 5 ^
# 6 I

-»-
4 # 4

3g^ —a # —
321

Lj
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.

3211 gEEg j
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j 1 ML *u ^3-
£ g t^ J'

)_| 6 * ,
I
 107
Preliminary Exercise 44.

j
 — #

108
Preliminary Exercise 45.

-0-0 #-2- -0-0-0-% 0-0-^0-%-

7
5 6 6 4 8 6 5 4
3 4 3 2 3 4 3 2
S3"~

( 5
,
— I

iti •- ^^ It # I

n
(g

6 18
5
Ul 1^7
;<5?z -#•-
.4

#— —L # — # -#— * "ST
6 6
5 4

s:
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i!^l_*»_^_^
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s
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6 7
6_ 6 4
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 109
Preliminary Exercise 46.

R
fB-tt
^ fr
*m
1 !
6
f

##
rri*#
ITT -J
6 4 6
1

1
6
i

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1
J
6

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9
1
7
.

- -
4 3

r
n
ii
i
m m
f
1
r
r
r
i

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1
G* ^-i
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1 66 #6
# 4 6
6__ 7 4
o
3 6

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b^
6 #
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 — — r —

110
Preliminary Exercise 47.

-l jz* -«r • .-•!-

?
0_ ggr
s :i^z ^F

5 6 6
6
-JU—6- I

T"
Q: ±

# *l ^ 4rJ 3
-

— i
— —m—* u
-m
•"

I
HHt
:#r~»:
Zjpy "ST $5?
fi £_* # 6
g #
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1
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in
Preliminary Exercise 48.

1 —
2 3^3£3 "ST-^ —#~

g—frgf ^^
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g
: :
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s
St:
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Preliminary Exercise 49.

5 6
6
6 !
D5 5 6 4 "
3

a
fzf
1

&
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z^n & a r* +

m
i

a ^^=
^u T j, rn I
1
'

'1 i

i^^— 7 7
—<g
1
' g> *^L
2
*2_ -«-

^ 4 "gr
"srr
"S
7^sr
^^
3

£ 7
4
2
 113

Preliminary Exercise 50 is inserted to show how a Modulation

may be made from C to every note of the diatonic scale, major
and minor.

From C to D.

-&-

"ST
r^s
-flfepsfer- 8s:
3H»- *= 1
6 6
6 U 5 4 #
fE

From C to D minor.

*^
>«'-
5
"=5 \

re :«£
b7
3 IS I
J

From C to E,
114
From C to E minor.
I I I ! I

-^r—rr
-*5F
i
g=
19 -

2z:
1
I
From C to F.

r
^ nT^T~ " fi
6 u
iL
,

"1'ri'i~T^"T
6 6 u7

— rr

S
From C to F minor.

~gr is?" -«h

^glSg' S^^^: bg bgg
J>7 "t "5
TT
/g
From C
(

to
~Z?1

G.
I

~»~ i
J _LJ LJ. m « j_ j
- H
^ 4 6 "
4 #b5bo
,k*~y
f-^f
1 1 1
'

-i»-
ft

e 1
 115
From C to G minor.

From C to A.

(Pi -$p=z
J: =5t=#q

Zf*
*&-J
a=j
W
rg. £
n r
tffcr

*J #JJ
o
s 7
H|S> |»

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7«F
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s:
351
8

From C to A minor.
ZST
_^._

-s^ -<9r
"ST =3=
6 -S-

5
 —

116
From C to B.

— S?nH <S>

6 #5

m •
~r
P
I
^h#T®- ~~:
i
7 #
#5 J

From C to B minor.

~<S>-
"27"

7
=#^2?
6
— <S>-
3» W
2SS:
— «s-
w23^
5 #5
"23"
-#»-
1
#*
*>

F11U5