100% found this document useful (1 vote)
274 views3 pages

Rosas: Compositor: Xabi San Martín de La Oreja de Van Gogh Arr: Javier Montenegro 107

The document is a musical score for Rosas composed by Xabi San Martín de La Oreja De Van Gogh and arranged by Javier Montenegro. It contains standard musical notation across 57 measures, including notes, time signatures, dynamics, and other musical markings.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
100% found this document useful (1 vote)
274 views3 pages

Rosas: Compositor: Xabi San Martín de La Oreja de Van Gogh Arr: Javier Montenegro 107

The document is a musical score for Rosas composed by Xabi San Martín de La Oreja De Van Gogh and arranged by Javier Montenegro. It contains standard musical notation across 57 measures, including notes, time signatures, dynamics, and other musical markings.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 3

Rosas

Compositor: Xabi San Martín de La Oreja De Van Gogh

 
Arr: Javier Montenegro

  
        

 = 107

            
                   
     

      
                 
7

 
                                      
 

                
    
12

              
 
               
      

        
                           

17


                                   
 

                    
                           
     

22

                      
       
         

                               
           

27


      
 
    
    
   


                                   
       
32


  
               
      

     

                 

      

37

                
         
   

               
          
  
42

       

                    
     


                              
47

          
 
                 
 
  
 

2
             
               
 
52

   
                          
 

             
                  
     
57 D.S. al Coda

  
           
       
 

          
                   
 
62

           


                 
   

      
          
      
       
 
67

      
                
        
     

           
    
      
72 D.S. al Coda

              
  


            
rit.

You might also like