Tapovan Shatkam
Tapovan Shatkam
|| ´ÉÏ iÉmÉÉåuÉlÉ-wÉOèMüqÉç ||
Tapovan Stuti &
TAPOVAN SHATKAM
“A Himalayan
Master of Vedanta”
Reflections by
TEXT
SWAMI GURUBHAKTANANDA
32
Sandeepany’s Vedanta Course
List of All the Course Texts in Chronological Sequence:
Text Text
TITLE OF TEXT TITLE OF TEXT
No. No.
1 Sadhana Panchakam 24 Hanuman Chalisa
2 Tattwa Bodha 25 Vakya Vritti
3 Atma Bodha 26 Advaita Makaranda
4 Bhaja Govindam 27 Kaivalya Upanishad
5 Manisha Panchakam 28 Bhagavad Geeta (Discourse -- )
6 Forgive Me 29 Mundaka Upanishad
7 Upadesha Sara 30 Amritabindu Upanishad
8 Prashna Upanishad 31 Mukunda Mala (Bhakti Text)
9 Dhanyashtakam 32 Tapovan Shatkam (& Stuti)
10 Bodha Sara 33 “The Mahavakyas” – Panchadasi 5
11 Viveka Choodamani 34 Aitareya Upanishad
12 Jnana Sara 35 Narada Bhakti Sutras
13 Drig-Drishya Viveka 36 Taittiriya Upanishad
14 “Tat Twam Asi” – Chand Up 6 37 Jivan Sutrani (Tips for Happy Living)
15 Dhyana Swaroopam 38 Kena Upanishad
16 “Bhoomaiva Sukham” Chand Up 7 39 Aparoksha Anubhuti (Meditation)
17 Manah Shodhanam 40 108 Names of Pujya Gurudev
18 “Nataka Deepa” – Panchadasi 10 41 Mandukya Upanishad
19 Isavasya Upanishad 42 Dakshinamurty Ashtakam
20 Katha Upanishad 43 Shad Darshanaah
21 “Sara Sangrah” – Yoga Vasishtha 44 Brahma Sootras
22 Vedanta Sara 45 Jivanmuktananda Lahari
23 Mahabharata + Geeta Dhyanam 46 Chinmaya Pledge
Text
32
Reflections
by Swami Gurubhaktananda
on the Series of 3 Group Discussions assisted by Swami Advayanandaji
Acharyaji of the 15th Batch Vedanta Course
at Sandeepany Sadhanalaya, Powai, Mumbai.
Tapovan Stuti: December 6th, 2012
Tapovan Shatkam: December 27th – December 30th, 2012
Declaration by the Author: The material in this series is under inspiration of the Sandeepany
Vedanta Course, but largely consists of the Author’s reflections on the Course. He is
deeply indebted to the Chinmaya Mission for its excellent presentation of the Course
by their renowned and dedicated Acharyas.
Personal Dedication
1. To my Late Parents, Smt Sharadaben & Sri Ratilalbhai Kapitan
who inspired me to study in life, to stick to the path of Dharma and pursue the
highest ideals; and swamped me with their abundant Love;
*****
TAPOVAN STUTI &
TAPOVAN SHATKAM
“A Himalayan Master of Vedanta”
TAPOVAN STUTI & SHATKAM
“A Himalayan Master of Vedanta”
CONTENTS
A. TAPOVAN STUTI 4
B. TAPOVAN SHATKAM 10
*****
1
TAPOVAN STUTI & SHATKAM
“A Himalayan Master of Vedanta”
ACHARYAJI INFORMED US early in his talk that Swami Tapovanji and Swami
Sivanandaji were very close friends. Swami Sivanandaji was the sage from whom Pujya
Gurudev Swami Chinmayanandaji received Sannyas initiation, and Swami Tapovanji was the
sage who taught him Vedanta.
Acharyaji began his life-sketch of Swami Tapovanji with a very emotional statement:
He said, “If scriptures would permit me, I would say that Swami Tapovanji was greater than
Brahman. But they say that Brahman is the Highest, so I have to restrain myself!”
Acharyaji, when opening the one-lecture discussion of these verses said something
which was very touching: “Of whom Gurudev himself never said a word because he felt too
inadequate to do so, I am speaking today – fool that I am! Forgive me for doing so.”
It was Mark Twain who said, “I did not allow my schooling to interfere with my
studies!” Swami Tapovanji, too, said the same to his father. Fortunately, his father co-
operated and permitted him the kind of training he sought. After a short while, the boy was
found to excel in his studies of the scriptures and Samskrit. Soon he began undertaking the
study of very difficult Vedantic texts. As a boy, he had written a great Vedantic commentary.
But unconcerned with all the praises that were heaped on him, he continued unabated with
his Sadhana.
When his father passed away, he wrote Vishnu Yamakam in his memory and honour.
He was about 21 at the time. The lad now spent more time in Sadhana and seclusion.
He turned down several marriage offers. He felt that he had already been married to
knowledge, and thus he could not take a wife. It was duty that kept him at home. He spent
most of his time on his spiritual practices or Sadhana.
At an early age, he started going on Tirthas or pilgrimages. This gave him an
opportunity to meet other great Vedantins. He met Sri Shantanand Saraswati in Bhavnagar,
Gujarat, and developed a very close bond with this saint. Swami Shantananda later was to
become the Shankaracharya of the Dwaraka Peeth. Tapovanji studied a difficult text with
him. Swami Shantananda was very impressed by the young student, and soon initiated him
into the Order of Brahmacharis as Chidvilasa Chaitanya.
Once he was invited by Swami Shantananda to Calcutta. Br Chidvilasa, while there,
visited the Belur Math of the Sri Ramakrishna Mission. He met in person the great spiritual
luminaries, Swami Brahmanandaji and Swami Shivanandaji, both senior Sannyas disciples of
the Ramakrishna Order. There he prayed to Father Himalaya and Mother Ganga, “When will
I have the opportunity to be at your Feet?”
When he was 33, one day he gave a feast on Krishna Jayanti, and then left home
with a note saying that he was going on a Tirtha. The young aspirant was to return home
only 17 years later at the age of 50. He was gone to the Himalayas, his spiritual abode.
2
On the way, he took Sannyas himself on the banks of the Narmada River in Gujarat.
He took the name Swami Tyagananda. Everyone who met him till then would say to him,
“You are already a Sannyasin.”
*****
Origin of the TAPOVAN STUTI
We begin with a word on the origin of the Tapovan Stuti from its composer, Pujya
Guruji, Swami Tejomayanandaji:
“Chinmaya Mission, Tirupati, was organizing a Jnana Yajna by Pujya Gurudev. They
planned to bring out a souvenir on the Life of Sri Tapovan Maharaj. They wrote to me at
San Jose (U.S.A.) for an article.
“As I sat to write, Tapovan Stuti, four verses in praise of Tapovanji Maharaj just came
to my mind spontaneously. I was pleasantly surprised with it and wanted to share the joy
with Pujya Gurudev, so I faxed the same to him at Sandeepany, Mumbai. What he wrote
about it touched my heart; so I share it with you.
“He said, ‘I came here tired; your Tapovan Stuti has rejuvenated me!’ ”
*****
Origin of the TAPOVAN SHATKAM
The Tapovan Shatkam has been composed by Sri Ananda Prakasha Vidyaprakasha.
Very little is known about this author. From Guruji’s commentary we read:
“It is clear from the composition that he must have studied Vedanta deeply, was a
great devotee of Tapovan Maharaj and had really understood his greatness. The author
remembers, salutes and meditates on Tapovanji Maharaj as the Lord (Ishwara), the
Supreme Reality (Parabrahman), the Guru and the knower of the Reality (Brahma-Jnaani).
“The knower of the Truth is verily the Truth. Even when this essential Oneness is
recognized, the devotion for the Guru continues. This beautiful attitude transcends even the
transcendental Truth. This relation between the teacher and the taught, the Lord and the
devotee, which remains even after gaining knowledge, gives inexplicable happiness and has
great beauty.
“These verses are meant for reflecting, meditating and reveling in the Truth.”
*****
3
A. TAPOVAN STUTI
4 Verses in Adoration of Swami Tapovanji
by Swami Tejomayananda
THE STUDY OF THIS STUTI was begun on Geeta Jayanti Day, which is also Swami
Tapovanji’s Birthday according to the Indian calendar date, on 6th December, 2011.
Whilst the Tapovan Shatkam describes the transcendent aspect of the saint Swami
Tapovan, this Tapovan Stuti describes his human attributes (qualities and actions) which are
more within the reach of his disciples and admirers.
||1.1|| ||1.1||
xÉÇlrÉÉxÉ kÉqÉÉåï aÉWûlÉÉå aÉpÉÏUÈ , sa¯ny¡sa dharmµ gahanµ gabh§ra¦ ,
AÉxÉÏSè ÌuÉÍcÉluÉlÉç mÉUqÉÉ´ÉrÉÇ uÉæ ¡s§d vicinvan param¡¾raya¯ vai
MÑü§ÉÉmrÉmÉzrÉlÉç xÉ aÉiÉÉå ÌWû SåuÉÇ , kutr¡pyapa¾yan sa gatµ hi d£va¯ ,
eÉaÉÉS xuÉxrÉÉaÉqÉlÉxrÉ WåûiÉÑqÉç | jag¡da svasy¡gamanasya h£tum |
ÌuÉsÉÉåYrÉ ÌuɵÉÇ xÉMüsÉÇ qÉWåûzÉÉå, vilµkya vi¾va¯ sakala¯ mah£¾µ,
SSzÉï xÉÉkÉÑÇ rÉÑuÉMÇü cÉ MåüUsÉå dadar¾a s¡dhu¯ yuvaka¯ ca k£ral£
mÉëÏiÉÈ xÉ iÉÑrÉÉï´ÉqÉ-kÉqÉïqÉÉWû , pr§ta¦ sa tury¡¾rama-dharmam¡ha ,
aÉcNûɱ iÉÇ uÉæ mÉÑÂwÉÇ pÉeÉxuÉ || gacch¡dya ta¯ vai puru½a¯ bhajasva ||
4
1 The symbolism of a personified Renunciation asking for a home for itself is one of
those exquisite original ideas which flashed in Pujya Guruji’s mind when he wrote this Stuti.
It makes a perfect start to a Stuti on the perfect renunciate, the very image of Renunciation.
2 There are many people who enter the religious path for the fulfillment of some
desire. They hope to go to heavenly worlds after death so as to enjoy the pleasures of
heaven. These are God-fearing virtuous people who adhere to the laws of Dharma but with
the above purpose in mind. Almost all people on earth fall into this category.
3 However,there are the rare and exceptional few who wish to lead the spiritual
path for the sake of liberating themselves from the wheel of rebirths or Samsara. These
brave men take to the path of Renunciation or Sannyasa, which is the entry-point for this
path. The Lord noticed one such person in Kerala, the birthplace of Swami Tapovan.
4 The scriptures prescribe taking the Sannyas Order as a matter of course for those
who reach the age of 72. It is the fourth stage of Life. However, they also make a special
exception in the case of eager aspirants who wish to take to this path at a much earlier age
in life, while still in their youth. Swami Tapovan was one of these exceptions. He would
make a perfect home for “Renunciation”!
||1.2|| ||1.2||
xÉÇlrÉÉxÉ kÉqÉåïhÉ mÉUåhÉ rÉÑ£üÉå , sa¯ny¡sa dharm£³a par£³a yuktµ ,
ÌuÉUÉåcÉqÉÉlÉÈ mÉÑÂwÉÉå aÉiÉÉå ÌWû virµcam¡na¦ puru½µ gatµ hi
ÌWûqÉÉsÉrÉÇ xÉuÉï-lÉaÉÉÍkÉUÉeÉÇ , him¡laya¯ sarva-nag¡dhir¡ja¯ ,
SÉiÉÑÇ rÉzÉxuÉxrÉ ÌlÉuÉÉxÉlÉålÉ | d¡tu¯ ya¾asvasya niv¡san£na |
MüÉzrÉѨÉUÉrÉÉgcÉ M×üiÉÉÍkÉuÉÉxÉÉå , k¡¾yuttar¡y¡²ca k»t¡dhiv¡sµ ,
aÉÇaÉÉ-iÉOåû rÉÉå rÉÌiÉUÉeÉuÉrÉïÈ ga¯g¡-ta¿£ yµ yatir¡javarya¦
xÉ uÉæ aÉÑUÉålÉÉåï aÉÑÂUÉerÉmÉÔerÉÈ , sa vai gurµrnµ gurur¡jyapÀjya¦ ,
lÉÉqlÉÉ mÉëÍxÉ®¶É iÉmÉÉåuÉlÉÇ uÉæ || n¡mn¡ prasiddha¾ca tapµvana¯ vai ||
5
1 Tapovan means “forest of asceticism”. In the first verse, the poet created the
image of Renunciation finding its home in this youth of Kerala. The moment Renunciation
settled down in the youth, the forest of asceticism in him was set ablaze. Something within
him began to prod him to renounce all worldly pursuits. He lost interest in formal education
and began yearning to study Samskrit and Vedantic texts instead.
2 It is said that holy men give sanctity to holy places of pilgrimage. It was Swami
Tapovanji’s presence that drew many seekers of Truth to Uttarkashi. He used to teach a few
sincere students who had the good fortune to find him – literally, hunt him out – and
recognise his spiritual greatness. For he stood out among the Sannyasis of the area.
3 On reaching Uttarkashi, he found the place to be very congenial for intense
spiritual Sadhana. Hence, he set up a small kutir on the right bank of the sacred Ganga. A
small signboard on the roadside reads “Tapovan Kuti”. In winter, due to extreme cold in
Uttarkashi, he used to go down to Rishikesh. That is when he would always visit his friend
and fellow sage, Swami Sivananda, who had started the Divine Life Society there.
It was Swami Sivananda who sent Swami Chinmayanandaji Maharaj to Swami
Tapovanji after initiating him into the holy Order of Sannyasa in 1949. When Swami
Chinmayanandaji arrived at ‘Tapovan Kuti’, Swami Tapovanji tested him severely. He asked
the young initiate if he had a letter of introduction from Swami Sivananda. When the reply
came “No”, Sri Tapovanji sent him back all the way to Rishikesh to get it! This was no
problem for the determined young Swami, who walked back and returned!
4 Acharyaji introducd this line in the following words:
“Guruji used to call Pujya Gurudev Guru-RAJA – ‘King of Gurus’ – because he had a
great capacity to influence others. You all know how the whole of Chinmaya Mission
‘trembled’, as it were, before Pujya Gurudev. This very same Guru-Raja used to tremble in
the same way before Swami Tapovanji!”
It was Pujya Gurudev and his organisation, the Chinmaya Mission, who spread the
fame of indrawn and withdrawn saint, Swami Tapovan, throughout the world.
||1.3|| ||1.3||
iÉmÉÉåaÉÑhÉÉåÅÎxqÉlÉç mÉUqÉiuÉqÉÉmÉ , tapµgu³µ:'smin paramatvam¡pa ,
xÉÇlrÉÉxÉkÉqÉïxrÉ cÉ xÉuÉïpÉÉuÉÉÈ sa¯ny¡sadharmasya ca sarvabh¡v¡¦
aÉÏiÉÉåmÉÌS¹Éå ½WûqÉåuÉ ÌlÉirÉ- , g§tµpadi½¿µ hyaham£va nitya- ,
xÉÇlrÉÉxÉÏ lÉ ²å̹ lÉ MüÉXç¤ÉiÉÏÌiÉ | sa¯ny¡s§ na dv£½¿i na k¡±k½at§ti |
MüqÉÉïÍhÉ xÉuÉÉïÍhÉ qÉlÉxÉÉ ÌuÉxÉ×erÉ , karm¡³i sarv¡³i manas¡ vis»jya ,
½ÉxiÉå lÉuɲÉU-mÉÑUå cÉ xuÉÉqÉÏ hy¡st£ navadv¡ra-pur£ ca sv¡m§
AMüiÉ×ï-pÉÉuÉålÉ xÉSÉ xuÉÃmÉå , akart»-bh¡v£na sad¡ svarÀp£ ,
ÌiɸirÉrÉÇ lÉæuÉ MÑüuÉï³É MüÉUrÉlÉç || ti½¿hatyaya¯ naiva kurvanna k¡rayan ||
6
Tapogunah asmin paramatvam aapa, The Virtue of Austerity reached its fulfillment in
1 sannyaasa-dharmasya cha him, and with it his Renunciation culminated
sarvabhaavaah; with perfection in every one of its aspects.
geeta upadishtah hi ayam eva: The Bhagavad Geeta indeed indicates this alone:
2 nitya sannyaasee the eternal Sannyasi is he who has
na dweshti na kaangshati iti. “no hatred nor any cravings”;
karmaani sarvani manasaa visrijya, who renounces all actions in knowledge,
3 hi aaste nava dwaara pure who dwells in the “city of nine gates” (the body)
cha swaamee; as its Lord, in complete mastery over it;
akartr bhaavena sadaa who is free from doership and ever
4 swaroope tishthati, abiding in his own Self –
ayam na eva kurvatra kaarayan. “neither acting, nor causing others to act”.
7
Verse A4: His Devotion, Service and Pilgrimage
||1.4|| ||1.4||
rÉxrÉæYrÉÌlÉ¸É oÉWÒûzÉÉåpÉqÉÉlÉÉ , yasyaikyani½¿h¡ bahu¾µbham¡n¡ ,
xÉÉMüÉUpÉYirÉÉ ÍzÉuÉÌuɵÉlÉÉjÉå s¡k¡rabhakty¡ ¾ivavi¾van¡th£ |
¥ÉÉlÉmÉëSÉlÉålÉ cÉ sÉÉåMüxÉåuÉÉ , j²¡naprad¡n£na ca lµkas£v¡ ,
xÉSÉ M×üiÉÉ rÉålÉ xɨuÉæMüuÉרrÉÉ | sad¡ k»t¡ y£na sattvaikav»tty¡ ||
MæüsÉÉxÉrÉɧÉÉ ½ÌiÉSÒaÉïqÉÉ rÉÉ , kail¡say¡tr¡ hyatidurgam¡ y¡ ,
mÉSèprÉÉÇ M×üiÉÉ uÉæ ÌWûqÉuÉ̲pÉÔÌiÉlÉÉ padbhy¡¯ k»t¡ vai himavadvibhÀtin¡ |
iÉqÉåuÉ pÉYirÉÉ cÉ mÉUqÉÇ aÉÑÂÇ uÉæ , tam£va bhakty¡ ca parama¯ guru¯ vai ,
lÉqÉÉqrÉWÇû xuÉÉÍqÉiÉmÉÉåuÉlÉÇ ÌWû || nam¡myaha¯ sv¡mitapµvana¯ hi ||
1 Being a Vedantin and renouncing the world, Swami Tapovan was always absorbed
in the Formless Self. He had once summarized 16 Upanishads in 16 verses, each one
glorifying one Upanishad. Yet he also worshipped the Supreme Being in His manifested Form
as Lord Shiva. To blend these two types of devotion was not a contradiction to him.
2 This blend of the form and the formless showed itself in practice in his service. He
served keen students by teaching them the intricasies of Self-knowledge of the Formless
Brahman. He shared his knowledge with sincere seekers. He was very strict in his teaching
methods. He had a rule with his students: “I will teach once and you must catch it. If you do
not reply to my question the next day, you must leave.”
He also served the people of the Himalayan villages by helping to uplift them in
whatever way he could. He did both these with equanimity of mind without taking any
credit for it himself.
3 Swami Tapovan had travelled three times to Mt Kailas, each time by a different
route. And each time he went bare-footed, even if that meant great hardship to himself.
8
Whether he walked on snowfields or on oven-hot plains, whether on stony or on thorny
ground, he was bare-footed. His book, Wanderings in the Himalayas, describes his travels.
It is true that he thoroughly enjoyed the beauty of the Himalayas. But another side
of the beauty is this: The noble life of Tapovanji was itself the highest tribute to the
Himalayas and Mother Ganga. In that way, he added to the beauty of the Himalayas!
4 Such was Swami Tapovan, a wonder in the world of Vedantins as well as in the
world of Bhaktas. A bright jewel like him is rare to find in this world!
*****
LORD SHIVA
Lord Saumyakashee, Maheshwara.
9
B. TAPOVANA SHATKAM
6 Verses on Swami Tapovan, the Vedantin
by Sri Ananda Prakash Vidyaprakash
THE LORD’S GLORIES ARE infinite and immeasurable. Any attempt in words to praise
the Lord is bound to fall short of His actual glory. In this Shatkam, where Swami Tapovanji is
considered by the author to be the Supreme Brahman Himself, the same difficulty arises.
||2.1|| ||2.1||
urÉÉmiÉÇ eÉaɱålÉ ÍcÉSÉiqÉ-pÉÉuÉÉSè , vy¡pta¯ jagady£na cid¡tma-bh¡v¡d ,
UeeuÉÉ rÉjÉÉÅÌWûÌWïû cÉUÉcÉUÇ rÉiÉç rajjv¡ yath¡:'hirhi car¡cara¯ yat |
xÉlrÉxrÉ xÉuÉïÇ cÉ xÉSÉiqÉ pÉÉuÉå , sanyasya sarva¯ ca sad¡tma bh¡v£ ,
xuÉrÉÇ xÉqÉxiÉÇ cÉ oÉpÉÔuÉ rÉxiÉÑ | svaya¯ samasta¯ ca babhÀva yastu ||
ÌlÉÈxÉ…¡û-ÌlÉqÉÑïÌ£ü-mÉSÇ mÉëmɱ , ni¦sa±ga-nirmukti-pada¯ prapadya ,
oÉë¼ÉiqÉ-pÉÉuÉålÉ ÌuÉUÉÎeÉiÉÉå rÉÈ brahm¡tma-bh¡v£na vir¡jitµ ya¦ |
´ÉÏxÉÉæqrÉ-MüÉzÉÏzÉ-qÉWåûµÉUÉrÉ , ¾r§saumya-k¡¾§¾a-mah£¾var¡ya ,
iÉxqÉæ lÉqÉÈ xuÉÉÍqÉ-iÉmÉÉåuÉlÉÉrÉ || tasmai nama¦ sv¡mi-tapµvan¡ya ||
10
This poem may appear to some as an exaggeration, but it has to be understood from
the standpoint of the author’s vision of who his Guru is. We will share the same feeling with
the author if we have the faith to accept that a God-realised sage is no different from God
Himself. Whatever is being said in these lines is only a small fraction of His Divine Glory!
Each of these six verses contains various epithets glorifying the Guru as the Supreme
Brahman. It is hard to identify a particular theme for each verse. However, our discussion
group has looked at each verse and identified a “predominant” characteristic in it, and used
it as a title for each verse.
The theme in this opening verse is taken as “IDENTITY”.
The difference between a saint and the ordinary person lies simply in the identity of
what or who he considers himself to be. Ordinarily, we are identified with our individual
personality, called Jeeva, made up of body, mind, intellect and reflected consciousness.
However, saints have raised their consciousness to a higher level. The highest level is to be
totally identified with the Pure Consciousness, the ultimate Reality, called Atman with
reference to an individual.
The author of this Shatkam begins by seeing Swami Tapovan as having reached this
highest level . . .
11
i) Food Sheath: this is the physical body;
ii) Life-Force Sheath: this is the Prana sheath which energises the body;
iii) Mind Sheath: this sheath controls the mind;
iv) Intellect Sheath: this sheath controls the intellect;
v) Bliss Sheath: this sheath of Ignorance is the cause of all the other sheaths.
Thus renunciation of all these sheaths means understanding that they are not what
we truly are. We are beyond each one of them. This is the key Sadhana practised by the
Vedantin. The intellect is the venue for this Sadhana.
Strange as it may sound, by giving up all these sheaths, Swami Tapovan found that
he was everything! The process of negation removed all that is ‘unreal’, leaving only the
Reality behind. As this Reality is common to all, he found that he is one with everything and
everyone else.
*****
12
Verse B2: REALISATION of Satchidananda Brahman
||2.2|| ||2.2||
AZÉhQû-pÉÉuÉÈ ÍzÉuÉÃmÉ-iɨuÉÈ , akha³¢a-bh¡va¦ ¾ivarÀpa-tattva¦ ,
ÍcÉÌiÉ-xuÉpÉÉuÉÈ mÉUqÉÉiqÉ-xÉirÉÈ citi-svabh¡va¦ param¡tma-satya¦ |
xÉirÉxrÉ xÉirÉÈ xÉÑÍkÉrÉæuÉ aÉqrÉÈ , satyasya satya¦ sudhiyaiva gamya¦ ,
mÉUÈ mÉëkÉÉlÉÉiÉç mÉUqÉåµÉUÉå rÉÈ | para¦ pradh¡n¡t param£¾varµ ya¦ ||
AɱliÉ-WûÏlÉÉå ÌlÉUmÉå¤É-SÏÎmiÉÈ , ¡dyanta-h§nµ nirap£k½a-d§pti¦ ,
xuÉiÉÈ xuÉÃmÉåhÉ ÌuÉTÑüÎssÉiÉÉå rÉÈ svata¦ svarÀp£³a viphullitµ ya¦ |
´ÉÏxÉÉæqrÉ-MüÉzÉÏzÉ-qÉWåûµÉUÉrÉ , ¾r§saumya-k¡¾§¾a-mah£¾var¡ya ,
iÉxqÉæ lÉqÉÈ xuÉÉÍqÉ-iÉmÉÉåuÉlÉÉrÉ || tasmai nama¦ sv¡mi-tapµvan¡ya ||
The theme for this verse is Vedantic REALISATION. These nine points cover as best as
is possible in words, a description of the realisation of the Reality attained by a sage.
He is Ananda (Bliss)
3 Finally, we come to the third manner of expressing the Reality and that is its nature
as Bliss or absolute cheerfulness, untainted by anything else. It is ever cheerful and joyful,
not dependent on anything else for its blissful state.
In this way, a definition for Reality is attempted. The poet uses his ingenuity to
define that which is indefinable. Reality is defined by sages in many ways. Among them:
1. Sat-Chit-Ananda, i.e. Existence-Knowledge-Bliss Absolute.
2. Satyam-Jnanam-Anantam, i.e. Truth-Knowledge-Infinity; and
3. Satyam-Shivam-Sundaram, i.e. Truth-Auspiciousness-Beauty.
All these definitions are pointers to the same Truth. Truth is One, without a second.
*****
SRI HANUMAN
“Embodiment of Matchless Surrender
to the Divine Within & Without”
14
Verse B3: CONNECTION to the Supreme Brahman
||2.3|| ||2.3||
qÉliÉÑ³É zÉYrÉÉå qÉlÉxÉÉ MüSÉÍcÉSè , mantunna ¾akyµ manas¡ kad¡cid ,
uÉ£Ñü³É MåülÉÉÌmÉ iÉjÉÉ lÉ uÉÉcÉÉ vaktunna k£n¡pi tath¡ na v¡c¡ |
oÉÉå®ÒgcÉ oÉÑSèkrÉÉÌmÉ iÉjÉÉ lÉ zÉYrÉÉå , bµddhu²ca buddhy¡pi tath¡ na ¾akyµ ,
oÉÑSèkrÉÉÌS-xÉɤÉÏ ZÉsÉÑ MåüuÉsÉÉå rÉÈ | buddhy¡di-s¡k½§ khalu k£valµ ya¦ ||
xÉuÉåïÎlSìrÉÉiÉÏiÉ-mÉSÎxjÉiÉÉåÅÌmÉ , sarv£ndriy¡t§ta-padasthitµ:'pi ,
xÉuÉåïÎlSìrÉ-mÉëåUÌrÉiÉÉ mÉUÉå rÉÈ sarv£ndriya-pr£rayit¡ parµ ya¦ |
´ÉÏxÉÉæqrÉ-MüÉzÉÏzÉ-qÉWåûµÉUÉrÉ , ¾r§saumya-k¡¾§¾a-mah£¾var¡ya ,
iÉxqÉæ lÉqÉÈ xuÉÉÍqÉ-iÉmÉÉåuÉlÉÉrÉ || tasmai nama¦ sv¡mi-tapµvan¡ya ||
The theme of this verse may be taken as our CONNECTION to the Supreme. If we
cannot reach Him with our body, mind and intellect, then what is our connection with Him?
How is the Supreme connected to us? This verse takes great pains to explain this point.
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decision-making. All these are utilised to study the phenomenal reality of the world. But
they are too gross to delve into the subtler Reality that is higher than them.
The subtlest of all the Upadhis in the human individual is the intellect. Even that
cannot know the Self. It is the instrument that is closest to the Self. It has amazing
capabilities as just described, yet it has to content itself only with phenomenal investigation.
That is the limit of its utility.
However, the intellect is not totally useless in the spiritual pursuit. This verse gives
the two clues which intellect can perceive in order to at least get some idea of what the
higher Reality is. These clues are:
*****
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A NOTE TO THE READER
We have come to the middle of the poem. The theoretical aspect was the focus so
far. The key intellectual understanding of the state of the realised sage has been covered,
which is crucial to help us understand and enjoy the remaining three verses.
There is a distinct practical turn in the poem from this point onwards. The poem
now deals with very important Sadhanas by which the student of Vedanta can prepare
himself, just as Swami Tapovan had, to attain the same state of spiritual realisation.
It is very helpful to the serious student to be aware of this change in emphasis.
||2.4|| ||2.4||
zÉÑ®ÉÌiÉzÉÑ®gcÉ xÉSÉ mÉëoÉÑ®Éå , ¾uddh¡ti¾uddha²ca sad¡ prabuddhµ ,
ÌuɵÉåµÉUÉå ÌuɵÉmÉUÈ mÉëxɳÉÈ vi¾v£¾varµ vi¾vapara¦ prasanna¦ |
urÉÉmÉÏ mÉU-oÉë¼ÍhÉ qÉÉåSqÉÉlÉÉå , vy¡p§ para-brahma³i mµdam¡nµ ,
uÉåSÉliÉ-xÉÉUÈ xÉÑÍkÉrÉÉÇ zÉUhrÉÈ | v£d¡nta-s¡ra¦ sudhiy¡¯ ¾ara³ya¦ ||
LMüÉå uÉzÉÏ xÉuÉïpÉÔiÉÉÍkÉuÉÉxÉÈ , £kµ va¾§ sarvabhÀt¡dhiv¡sa¦ ,
xÉuÉÉïÍkÉmÉÈ xÉuÉï-eÉÏuÉÉiqÉMüÉå rÉÈ sarv¡dhipa¦ sarva-j§v¡tmakµ ya¦ |
´ÉÏ xÉÉæqrÉ-MüÉzÉÏzÉ-qÉWåûµÉUÉrÉ , ¾r§ saumya-k¡¾§¾a-mah£¾var¡ya ,
iÉxqÉæ lÉqÉÈ xuÉÉÍqÉ-iÉmÉÉåuÉlÉÉrÉ || tasmai nama¦ sv¡mi-tapµvan¡ya ||
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The theme in this verse can be said to be the SEARCH for the ever-Pure and all-
pervading Brahman. We find Him as the Indweller of our heart, the very Self of our being.
*****
LORD RAMA
“The Perfection of a Human Being”
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Verse B5: The ATTRIBUTELESS Brahman
||2.5|| ||2.5||
AzÉoSqÉxmÉzÉïqÉÃmÉuÉŠ , a¾abdamaspar¾amarÀpavacca ,
iÉjÉÉUxÉÇ ÌlÉirÉqÉaÉlkÉuÉŠ tath¡rasa¯ nityamagandhavacca |
ÌlÉUgeÉlÉÇ ÌlÉirÉÌlÉUÏWûqÉåMÇü , nira²jana¯ nityanir§ham£ka¯ ,
oÉÑ®åÈ mÉUÇ ÌlÉaÉÑïhÉ-xÉSè-kÉëÑuÉgcÉ | buddh£¦ para¯ nirgu³a-sad-dhruva²ca ||
aÉÑ½Ç aÉpÉÏUÇ aÉaÉlÉÉåmÉqÉÇ rÉÇ , guhya¯ gabh§ra¯ gaganµpama¯ ya¯ ,
mÉzrÉÎliÉ ÌlÉkÉÔïiÉqÉsÉÉ rÉiÉÏlSìÉÈ pa¾yanti nirdhÀtamal¡ yat§ndr¡¦ |
´ÉÏxÉÉæqrÉ-MüÉzÉÏzÉ-qÉWåûµÉUÉrÉ , ¾r§saumya-k¡¾§¾a-mah£¾var¡ya ,
iÉxqÉæ lÉqÉÈ xuÉÉÍqÉ-iÉmÉÉåuÉlÉÉrÉ || tasmai nama¦ sv¡mi-tapµvan¡ya ||
The main theme of this verse can be put down as ATTRIBUTELESS. Brahman is
attributeless in contrast to an individual. In whatever Sadhana we are engaged, it is
important for the Sadhaka to keep in mind that God is not perceived with the senses, mind
or intellect, though we may use these in our worship of Him. This has already been
theoretically explained in the Stuti, verse A3.
*****
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Verse B6: DISCOVERY of Brahman
||2.6|| ||2.6||
iÉåeÉÉåqÉrÉÇ ÌSurÉqÉqÉårÉzÉÌ£Çü , t£jµmaya¯ divyamam£ya¾akti¯ ,
xÉlÉÉiÉlÉÇ zÉÉliÉqÉlÉÉqÉrÉgcÉ san¡tana¯ ¾¡ntaman¡maya²ca |
A²æiÉqÉɶÉrÉïqÉÍcÉlirÉÃmÉÇ , advaitam¡¾caryamacintyarÀpa¯ ,
mÉUÉimÉUÇ ÌlÉirÉqÉlÉliÉqÉɱqÉç | par¡tpara¯ nityamanantam¡dyam ||
¥ÉÉlÉ mÉëMüÉzÉålÉ ÌuÉzÉÑ®xɨuÉÉå j²¡na prak¡¾£na vi¾uddhasattvµ
rÉÇ mÉzrÉÌiÉ xuÉÉiqÉÌlÉ ÍcÉlirÉqÉÉlÉqÉç ya¯ pa¾yati sv¡tmani cintyam¡nam |
´ÉÏxÉÉæqrÉ-MüÉzÉÏzÉ-qÉWåûµÉUÉrÉ , ¾r§saumya-k¡¾§¾a-mah£¾var¡ya ,
iÉxqÉæ lÉqÉÈ xuÉÉÍqÉ-iÉmÉÉåuÉlÉÉrÉ || tasmai nama¦ sv¡mi-tapµvan¡ya ||
This final verse concludes with the theme of DISCOVERY of Brahman by plunging
deeply into the practice of meditation. From the Sadhaka’s standpoint, the verse is all about
cleaning out the intellect of all its false notions.
Meditation may also be described as abiding in the Self. Our attention is drawn to
the resplendence and wonder of the Self. Naturally the verse takes a very poetic turn to
capture the intensity of being in close communion with Brahman.
*****
Om Tat Sat!
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