Wonderland for Curious Minds
Wonderland for Curious Minds
                   This eBook is for the use of anyone anywhere at no cost and with
                   almost no restrictions whatsoever. You may copy it, give it away or
                   re-use it under the terms of the Project Gutenberg License included
                   with this eBook or online at www.gutenberg.org
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK ALICE'S ADVENTURES IN WONDERLAND ***
                          ALICE'S ADVENTURES
                            IN WONDERLAND
By Lewis Carroll
Contents
                tried to curtsey as she spoke—fancy CURTSEYING as you're falling through the air!
              Do you think you could manage it?) 'And what an ignorant little girl she'll think me for
              asking! No, it'll never do to ask: perhaps I shall see it written up somewhere.'
                Down, down, down. There was nothing else to do, so Alice soon began talking again.
              'Dinah'll miss me very much to-night, I should think!' (Dinah was the cat.) 'I hope they'll
              remember her saucer of milk at tea-time. Dinah my dear! I wish you were down here
              with me! There are no mice in the air, I'm afraid, but you might catch a bat, and that's
              very like a mouse, you know. But do cats eat bats, I wonder?' And here Alice began to
              get rather sleepy, and went on saying to herself, in a dreamy sort of way, 'Do cats eat
              bats? Do cats eat bats?' and sometimes, 'Do bats eat cats?' for, you see, as she couldn't
              answer either question, it didn't much matter which way she put it. She felt that she was
              dozing off, and had just begun to dream that she was walking hand in hand with Dinah,
              and saying to her very earnestly, 'Now, Dinah, tell me the truth: did you ever eat a bat?'
              when suddenly, thump! thump! down she came upon a heap of sticks and dry leaves,
              and the fall was over.
                Alice was not a bit hurt, and she jumped up on to her feet in a moment: she looked
              up, but it was all dark overhead; before her was another long passage, and the White
              Rabbit was still in sight, hurrying down it. There was not a moment to be lost: away
              went Alice like the wind, and was just in time to hear it say, as it turned a corner, 'Oh
              my ears and whiskers, how late it's getting!' She was close behind it when she turned the
              corner, but the Rabbit was no longer to be seen: she found herself in a long, low hall,
              which was lit up by a row of lamps hanging from the roof.
                There were doors all round the hall, but they were all locked; and when Alice had
              been all the way down one side and up the other, trying every door, she walked sadly
              down the middle, wondering how she was ever to get out again.
                 Suddenly she came upon a little three-legged table, all made of solid glass; there was
              nothing on it except a tiny golden key, and Alice's first thought was that it might belong
              to one of the doors of the hall; but, alas! either the locks were too large, or the key was
              too small, but at any rate it would not open any of them. However, on the second time
              round, she came upon a low curtain she had not noticed before, and behind it was a little
              door about fifteen inches high: she tried the little golden key in the lock, and to her great
              delight it fitted!
                 Alice opened the door and found that it led into a small passage, not much larger than
              a rat-hole: she knelt down and looked along the passage into the loveliest garden you
              ever saw. How she longed to get out of that dark hall, and wander about among those
              beds of bright flowers and those cool fountains, but she could not even get her head
              through the doorway; 'and even if my head would go through,' thought poor Alice, 'it
              would be of very little use without my shoulders. Oh, how I wish I could shut up like a
              telescope! I think I could, if I only know how to begin.' For, you see, so many out-of-
              the-way things had happened lately, that Alice had begun to think that very few things
              indeed were really impossible.
                There seemed to be no use in waiting by the little door, so she went back to the table,
              half hoping she might find another key on it, or at any rate a book of rules for shutting
              people up like telescopes: this time she found a little bottle on it, ('which certainly was
              not here before,' said Alice,) and round the neck of the bottle was a paper label, with the
              words 'DRINK ME' beautifully printed on it in large letters.
                It was all very well to say 'Drink me,' but the wise little Alice was not going to do
              THAT in a hurry. 'No, I'll look first,' she said, 'and see whether it's marked "poison" or
              not'; for she had read several nice little histories about children who had got burnt, and
              eaten up by wild beasts and other unpleasant things, all because they WOULD not
              remember the simple rules their friends had taught them: such as, that a red-hot poker
              will burn you if you hold it too long; and that if you cut your finger VERY deeply with
              a knife, it usually bleeds; and she had never forgotten that, if you drink much from a
              bottle marked 'poison,' it is almost certain to disagree with you, sooner or later.
                 However, this bottle was NOT marked 'poison,' so Alice ventured to taste it, and
              finding it very nice, (it had, in fact, a sort of mixed flavour of cherry-tart, custard, pine-
              apple, roast turkey, toffee, and hot buttered toast,) she very soon finished it off.
* * * * * * *
* * * * * *
* * * * * * *
                'What a curious feeling!' said Alice; 'I must be shutting up like a telescope.'
                 And so it was indeed: she was now only ten inches high, and her face brightened up
              at the thought that she was now the right size for going through the little door into that
              lovely garden. First, however, she waited for a few minutes to see if she was going to
              shrink any further: she felt a little nervous about this; 'for it might end, you know,' said
              Alice to herself, 'in my going out altogether, like a candle. I wonder what I should be
              like then?' And she tried to fancy what the flame of a candle is like after the candle is
              blown out, for she could not remember ever having seen such a thing.
                 After a while, finding that nothing more happened, she decided on going into the
              garden at once; but, alas for poor Alice! when she got to the door, she found she had
              forgotten the little golden key, and when she went back to the table for it, she found she
              could not possibly reach it: she could see it quite plainly through the glass, and she tried
              her best to climb up one of the legs of the table, but it was too slippery; and when she
              had tired herself out with trying, the poor little thing sat down and cried.
                 'Come, there's no use in crying like that!' said Alice to herself, rather sharply; 'I advise
              you to leave off this minute!' She generally gave herself very good advice, (though she
              very seldom followed it), and sometimes she scolded herself so severely as to bring
              tears into her eyes; and once she remembered trying to box her own ears for having
              cheated herself in a game of croquet she was playing against herself, for this curious
              child was very fond of pretending to be two people. 'But it's no use now,' thought poor
              Alice, 'to pretend to be two people! Why, there's hardly enough of me left to make ONE
              respectable person!'
                 Soon her eye fell on a little glass box that was lying under the table: she opened it,
              and found in it a very small cake, on which the words 'EAT ME' were beautifully
              marked in currants. 'Well, I'll eat it,' said Alice, 'and if it makes me grow larger, I can
              reach the key; and if it makes me grow smaller, I can creep under the door; so either
              way I'll get into the garden, and I don't care which happens!'
                 She ate a little bit, and said anxiously to herself, 'Which way? Which way?', holding
              her hand on the top of her head to feel which way it was growing, and she was quite
              surprised to find that she remained the same size: to be sure, this generally happens
              when one eats cake, but Alice had got so much into the way of expecting nothing but
              out-of-the-way things to happen, that it seemed quite dull and stupid for life to go on in
              the common way.
                So she set to work, and very soon finished off the cake.
* * * * * * *
* * * * * *
* * * * * * *
                 'I'm sure those are not the right words,' said poor Alice, and her eyes filled with tears
              again as she went on, 'I must be Mabel after all, and I shall have to go and live in that
              poky little house, and have next to no toys to play with, and oh! ever so many lessons to
              learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no
              use their putting their heads down and saying "Come up again, dear!" I shall only look
              up and say "Who am I then? Tell me that first, and then, if I like being that person, I'll
              come up: if not, I'll stay down here till I'm somebody else"—but, oh dear!' cried Alice,
              with a sudden burst of tears, 'I do wish they WOULD put their heads down! I am so
              VERY tired of being all alone here!'
                As she said this she looked down at her hands, and was surprised to see that she had
              put on one of the Rabbit's little white kid gloves while she was talking. 'How CAN I
              have done that?' she thought. 'I must be growing small again.' She got up and went to
                 the table to measure herself by it, and found that, as nearly as she could guess, she
              was now about two feet high, and was going on shrinking rapidly: she soon found out
              that the cause of this was the fan she was holding, and she dropped it hastily, just in
              time to avoid shrinking away altogether.
                 'That WAS a narrow escape!' said Alice, a good deal frightened at the sudden change,
              but very glad to find herself still in existence; 'and now for the garden!' and she ran with
              all speed back to the little door: but, alas! the little door was shut again, and the little
              golden key was lying on the glass table as before, 'and things are worse than ever,'
              thought the poor child, 'for I never was so small as this before, never! And I declare it's
              too bad, that it is!'
                 As she said these words her foot slipped, and in another moment, splash! she was up
              to her chin in salt water. Her first idea was that she had somehow fallen into the sea,
              'and in that case I can go back by railway,' she said to herself. (Alice had been to the
              seaside once in her life, and had come to the general conclusion, that wherever you go
              to on the English coast you find a number of bathing machines in the sea, some children
              digging in the sand with wooden spades, then a row of lodging houses, and behind them
              a railway station.) However, she soon made out that she was in the pool of tears which
              she had wept when she was nine feet high.
                'I wish I hadn't cried so much!' said Alice, as she swam about, trying to find her way
              out. 'I shall be punished for it now, I suppose, by being drowned in my own tears! That
              WILL be a queer thing, to be sure! However, everything is queer to-day.'
                Just then she heard something splashing about in the pool a little way off, and she
              swam nearer to make out what it was: at first she thought it must be a walrus or
              hippopotamus, but then she remembered how small she was now, and she soon made
              out that it was only a mouse that had slipped in like herself.
                'Would it be of any use, now,' thought Alice, 'to speak to this mouse? Everything is so
              out-of-the-way down here, that I should think very likely it can talk: at any rate, there's
              no harm in trying.' So she began: 'O Mouse, do you know the way out of this pool? I am
              very tired of swimming about here, O Mouse!' (Alice thought this must be the right way
              of speaking to a mouse: she had never done such a thing before, but she remembered
              having seen in her brother's Latin Grammar, 'A mouse—of a mouse—to a mouse—a
              mouse—O mouse!') The Mouse looked at her rather inquisitively, and seemed to her to
              wink with one of its little eyes, but it said nothing.
                 'Perhaps it doesn't understand English,' thought Alice; 'I daresay it's a French mouse,
              come over with William the Conqueror.' (For, with all her knowledge of history, Alice
              had no very clear notion how long ago anything had happened.) So she began again: 'Ou
              est ma chatte?' which was the first sentence in her French lesson-book. The Mouse gave
              a sudden leap out of the water, and seemed to quiver all over with fright. 'Oh, I beg your
              pardon!' cried Alice hastily, afraid that she had hurt the poor animal's feelings. 'I quite
              forgot you didn't like cats.'
                'Not like cats!' cried the Mouse, in a shrill, passionate voice. 'Would YOU like cats if
              you were me?'
                 'Well, perhaps not,' said Alice in a soothing tone: 'don't be angry about it. And yet I
              wish I could show you our cat Dinah: I think you'd take a fancy to cats if you could only
              see her. She is such a dear quiet thing,' Alice went on, half to herself, as she swam lazily
              about in the pool, 'and she sits purring so nicely by the fire, licking her paws and
              washing her face—and she is such a nice soft thing to nurse—and she's such a capital
              one for catching mice—oh, I beg your pardon!' cried Alice again, for this time the
              Mouse was bristling all over, and she felt certain it must be really offended. 'We won't
              talk about her any more if you'd rather not.'
                 'We indeed!' cried the Mouse, who was trembling down to the end of his tail. 'As if I
              would talk on such a subject! Our family always HATED cats: nasty, low, vulgar
              things! Don't let me hear the name again!'
                 'I won't indeed!' said Alice, in a great hurry to change the subject of conversation.
              'Are you—are you fond—of—of dogs?' The Mouse did not answer, so Alice went on
              eagerly: 'There is such a nice little dog near our house I should like to show you! A little
              bright-eyed terrier, you know, with oh, such long curly brown hair! And it'll fetch things
              when you throw them, and it'll sit up and beg for its dinner, and all sorts of things—I
              can't remember half of them—and it belongs to a farmer, you know, and he says it's so
              useful, it's worth a hundred pounds! He says it kills all the rats and—oh dear!' cried
              Alice in a sorrowful tone, 'I'm afraid I've offended it again!' For the Mouse was
              swimming away from her as hard as it could go, and making quite a commotion in the
                pool as it went.
                So she called softly after it, 'Mouse dear! Do come back again, and we won't talk
              about cats or dogs either, if you don't like them!' When the Mouse heard this, it turned
              round and swam slowly back to her: its face was quite pale (with passion, Alice
              thought), and it said in a low trembling voice, 'Let us get to the shore, and then I'll tell
              you my history, and you'll understand why it is I hate cats and dogs.'
                It was high time to go, for the pool was getting quite crowded with the birds and
              animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and
              several other curious creatures. Alice led the way, and the whole party swam to the
              shore.
                 'What I was going to say,' said the Dodo in an offended tone, 'was, that the best thing
              to get us dry would be a Caucus-race.'
                 'What IS a Caucus-race?' said Alice; not that she wanted much to know, but the Dodo
              had paused as if it thought that SOMEBODY ought to speak, and no one else seemed
              inclined to say anything.
                 'Why,' said the Dodo, 'the best way to explain it is to do it.' (And, as you might like to
              try the thing yourself, some winter day, I will tell you how the Dodo managed it.)
                 First it marked out a race-course, in a sort of circle, ('the exact shape doesn't matter,' it
              said,) and then all the party were placed along the course, here and there. There was no
              'One, two, three, and away,' but they began running when they liked, and left off when
              they liked, so that it was not easy to know when the race was over. However, when they
              had been running half an hour or so, and were quite dry again, the Dodo suddenly called
              out 'The race is over!' and they all crowded round it, panting, and asking, 'But who has
              won?'
                 This question the Dodo could not answer without a great deal of thought, and it sat
              for a long time with one finger pressed upon its forehead (the position in which you
              usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last
              the Dodo said, 'EVERYBODY has won, and all must have prizes.'
                'But who is to give the prizes?' quite a chorus of voices asked.
                'Why, SHE, of course,' said the Dodo, pointing to Alice with one finger; and the
              whole party at once crowded round her, calling out in a confused way, 'Prizes! Prizes!'
                Alice had no idea what to do, and in despair she put her hand in her pocket, and
              pulled out a box of comfits, (luckily the salt water had not got into it), and handed them
              round as prizes. There was exactly one a-piece all round.
                'But she must have a prize herself, you know,' said the Mouse.
                'Of course,' the Dodo replied very gravely. 'What else have you got in your pocket?'
              he went on, turning to Alice.
                'Only a thimble,' said Alice sadly.
                'Hand it over here,' said the Dodo.
                 Then they all crowded round her once more, while the Dodo solemnly presented the
              thimble, saying 'We beg your acceptance of this elegant thimble'; and, when it had
              finished this short speech, they all cheered.
                Alice thought the whole thing very absurd, but they all looked so grave that she did
              not dare to laugh; and, as she could not think of anything to say, she simply bowed, and
              took the thimble, looking as solemn as she could.
                 The next thing was to eat the comfits: this caused some noise and confusion, as the
              large birds complained that they could not taste theirs, and the small ones choked and
              had to be patted on the back. However, it was over at last, and they sat down again in a
              ring, and begged the Mouse to tell them something more.
                'You promised to tell me your history, you know,' said Alice, 'and why it is you
              hate—C and D,' she added in a whisper, half afraid that it would be offended again.
                'Mine is a long and a sad tale!' said the Mouse, turning to Alice, and sighing.
                 'It IS a long tail, certainly,' said Alice, looking down with wonder at the Mouse's tail;
              'but why do you call it sad?' And she kept on puzzling about it while the Mouse was
              speaking, so that her idea of the tale was something like this:—
                                'Fury said to a
                                mouse, That he
                               met in the
                              house,
                            "Let us
                             both go to
                              law: I will
                               prosecute
                                YOU.—Come,
                                  I'll take no
                                  denial; We
                                must have a
                              trial: For
                            really this
                           morning I've
                          nothing
                          to do."
                           Said the
                            mouse to the
                             cur, "Such
                              a trial,
                               dear Sir,
                                  With
                                no jury
                              or judge,
                             would be
                            wasting
                            our
                            breath."
                             "I'll be
                              judge, I'll
                               be jury,"
                                  Said
                               cunning
                                old Fury:
                                "I'll
                                try the
                                  whole
                                  cause,
                                    and
                                 condemn
                                 you
                                to
                                 death."'
                'You are not attending!' said the Mouse to Alice severely. 'What are you thinking of?'
                'I beg your pardon,' said Alice very humbly: 'you had got to the fifth bend, I think?'
                'I had NOT!' cried the Mouse, sharply and very angrily.
                'A knot!' said Alice, always ready to make herself useful, and looking anxiously about
              her. 'Oh, do let me help to undo it!'
                 'I shall do nothing of the sort,' said the Mouse, getting up and walking away. 'You
              insult me by talking such nonsense!'
                'I didn't mean it!' pleaded poor Alice. 'But you're so easily offended, you know!'
                The Mouse only growled in reply.
                  'Please come back and finish your story!' Alice called after it; and the others all joined
              in chorus, 'Yes, please do!' but the Mouse only shook its head impatiently, and walked a
              little quicker.
                 'What a pity it wouldn't stay!' sighed the Lory, as soon as it was quite out of sight; and
              an old Crab took the opportunity of saying to her daughter 'Ah, my dear! Let this be a
              lesson to you never to lose YOUR temper!' 'Hold your tongue, Ma!' said the young
              Crab, a little snappishly. 'You're enough to try the patience of an oyster!'
                'I wish I had our Dinah here, I know I do!' said Alice aloud, addressing nobody in
              particular. 'She'd soon fetch it back!'
                'And who is Dinah, if I might venture to ask the question?' said the Lory.
                Alice replied eagerly, for she was always ready to talk about her pet: 'Dinah's our cat.
              And she's such a capital one for catching mice you can't think! And oh, I wish you could
              see her after the birds! Why, she'll eat a little bird as soon as look at it!'
                  This speech caused a remarkable sensation among the party. Some of the birds
              hurried off at once: one old Magpie began wrapping itself up very carefully, remarking,
              'I really must be getting home; the night-air doesn't suit my throat!' and a Canary called
              out in a trembling voice to its children, 'Come away, my dears! It's high time you were
              all in bed!' On various pretexts they all moved off, and Alice was soon left alone.
                'I wish I hadn't mentioned Dinah!' she said to herself in a melancholy tone. 'Nobody
                seems to like her, down here, and I'm sure she's the best cat in the world! Oh, my dear
              Dinah! I wonder if I shall ever see you any more!' And here poor Alice began to cry
              again, for she felt very lonely and low-spirited. In a little while, however, she again
              heard a little pattering of footsteps in the distance, and she looked up eagerly, half
              hoping that the Mouse had changed his mind, and was coming back to finish his story.
                 this sort of life! I do wonder what CAN have happened to me! When I used to read
              fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle
              of one! There ought to be a book written about me, that there ought! And when I grow
              up, I'll write one—but I'm grown up now,' she added in a sorrowful tone; 'at least there's
              no room to grow up any more HERE.'
                 'But then,' thought Alice, 'shall I NEVER get any older than I am now? That'll be a
              comfort, one way—never to be an old woman—but then—always to have lessons to
              learn! Oh, I shouldn't like THAT!'
               'Oh, you foolish Alice!' she answered herself. 'How can you learn lessons in here?
              Why, there's hardly room for YOU, and no room at all for any lesson-books!'
                 And so she went on, taking first one side and then the other, and making quite a
              conversation of it altogether; but after a few minutes she heard a voice outside, and
              stopped to listen.
                 'Mary Ann! Mary Ann!' said the voice. 'Fetch me my gloves this moment!' Then came
              a little pattering of feet on the stairs. Alice knew it was the Rabbit coming to look for
              her, and she trembled till she shook the house, quite forgetting that she was now about a
              thousand times as large as the Rabbit, and had no reason to be afraid of it.
                Presently the Rabbit came up to the door, and tried to open it; but, as the door opened
              inwards, and Alice's elbow was pressed hard against it, that attempt proved a failure.
              Alice heard it say to itself 'Then I'll go round and get in at the window.'
                 'THAT you won't' thought Alice, and, after waiting till she fancied she heard the
              Rabbit just under the window, she suddenly spread out her hand, and made a snatch in
              the air. She did not get hold of anything, but she heard a little shriek and a fall, and a
              crash of broken glass, from which she concluded that it was just possible it had fallen
              into a cucumber-frame, or something of the sort.
                Next came an angry voice—the Rabbit's—'Pat! Pat! Where are you?' And then a
              voice she had never heard before, 'Sure then I'm here! Digging for apples, yer honour!'
                'Digging for apples, indeed!' said the Rabbit angrily. 'Here! Come and help me out of
              THIS!' (Sounds of more broken glass.)
                'Now tell me, Pat, what's that in the window?'
                'Sure, it's an arm, yer honour!' (He pronounced it 'arrum.')
                'An arm, you goose! Who ever saw one that size? Why, it fills the whole window!'
                'Sure, it does, yer honour: but it's an arm for all that.'
                'Well, it's got no business there, at any rate: go and take it away!'
                 There was a long silence after this, and Alice could only hear whispers now and then;
              such as, 'Sure, I don't like it, yer honour, at all, at all!' 'Do as I tell you, you coward!' and
              at last she spread out her hand again, and made another snatch in the air. This time there
              were TWO little shrieks, and more sounds of broken glass. 'What a number of
              cucumber-frames there must be!' thought Alice. 'I wonder what they'll do next! As for
              pulling me out of the window, I only wish they COULD! I'm sure I don't want to stay in
              here any longer!'
                  She waited for some time without hearing anything more: at last came a rumbling of
              little cartwheels, and the sound of a good many voices all talking together: she made out
              the words: 'Where's the other ladder?—Why, I hadn't to bring but one; Bill's got the
              other—Bill! fetch it here, lad!—Here, put 'em up at this corner—No, tie 'em together
              first—they don't reach half high enough yet—Oh! they'll do well enough; don't be
              particular—Here, Bill! catch hold of this rope—Will the roof bear?—Mind that loose
              slate—Oh, it's coming down! Heads below!' (a loud crash)—'Now, who did that?—It
              was Bill, I fancy—Who's to go down the chimney?—Nay, I shan't! YOU do it!—That I
              won't, then!—Bill's to go down—Here, Bill! the master says you're to go down the
              chimney!'
                 'Oh! So Bill's got to come down the chimney, has he?' said Alice to herself. 'Shy, they
              seem to put everything upon Bill! I wouldn't be in Bill's place for a good deal: this
              fireplace is narrow, to be sure; but I THINK I can kick a little!'
                  She drew her foot as far down the chimney as she could, and waited till she heard a
              little animal (she couldn't guess of what sort it was) scratching and scrambling about in
              the chimney close above her: then, saying to herself 'This is Bill,' she gave one sharp
                 tricks very much, if—if I'd only been the right size to do it! Oh dear! I'd nearly
              forgotten that I've got to grow up again! Let me see—how IS it to be managed? I
              suppose I ought to eat or drink something or other; but the great question is, what?'
                  The great question certainly was, what? Alice looked all round her at the flowers and
              the blades of grass, but she did not see anything that looked like the right thing to eat or
              drink under the circumstances. There was a large mushroom growing near her, about the
              same height as herself; and when she had looked under it, and on both sides of it, and
              behind it, it occurred to her that she might as well look and see what was on the top of
              it.
                 She stretched herself up on tiptoe, and peeped over the edge of the mushroom, and
              her eyes immediately met those of a large caterpillar, that was sitting on the top with its
              arms folded, quietly smoking a long hookah, and taking not the smallest notice of her or
              of anything else.
                 Alice thought she might as well wait, as she had nothing else to do, and perhaps after
              all it might tell her something worth hearing. For some minutes it puffed away without
              speaking, but at last it unfolded its arms, took the hookah out of its mouth again, and
              said, 'So you think you're changed, do you?'
                 'I'm afraid I am, sir,' said Alice; 'I can't remember things as I used—and I don't keep
              the same size for ten minutes together!'
                'Can't remember WHAT things?' said the Caterpillar.
                 'Well, I've tried to say "HOW DOTH THE LITTLE BUSY BEE," but it all came
              different!' Alice replied in a very melancholy voice.
                'Repeat, "YOU ARE OLD, FATHER WILLIAM,"' said the Caterpillar.
                Alice folded her hands, and began:—
                        'You are old,' said the youth, 'and your jaws are too weak
                         For anything tougher than suet;
                        Yet you finished the goose, with the bones and the beak—
                         Pray how did you manage to do it?'
                        'You are old,' said the youth, 'one would hardly suppose
                         That your eye was as steady as ever;
                        Yet you balanced an eel on the end of your nose—
                         What made you so awfully clever?'
* * * * * * *
* * * * * *
* * * * * * *
                 'Come, my head's free at last!' said Alice in a tone of delight, which changed into
              alarm in another moment, when she found that her shoulders were nowhere to be found:
              all she could see, when she looked down, was an immense length of neck, which
              seemed to rise like a stalk out of a sea of green leaves that lay far below her.
                 'What CAN all that green stuff be?' said Alice. 'And where HAVE my shoulders got
              to? And oh, my poor hands, how is it I can't see you?' She was moving them about as
              she spoke, but no result seemed to follow, except a little shaking among the distant
              green leaves.
                As there seemed to be no chance of getting her hands up to her head, she tried to get
              her head down to them, and was delighted to find that her neck would bend about easily
              in any direction, like a serpent. She had just succeeded in curving it down into a
              graceful zigzag, and was going to dive in among the leaves, which she found to be
              nothing but the tops of the trees under which she had been wandering, when a sharp hiss
              made her draw back in a hurry: a large pigeon had flown into her face, and was beating
              her violently with its wings.
                'Serpent!' screamed the Pigeon.
                'I'm NOT a serpent!' said Alice indignantly. 'Let me alone!'
                'Serpent, I say again!' repeated the Pigeon, but in a more subdued tone, and added
              with a kind of sob, 'I've tried every way, and nothing seems to suit them!'
                'I haven't the least idea what you're talking about,' said Alice.
                'I've tried the roots of trees, and I've tried banks, and I've tried hedges,' the Pigeon
              went on, without attending to her; 'but those serpents! There's no pleasing them!'
                Alice was more and more puzzled, but she thought there was no use in saying
              anything more till the Pigeon had finished.
                 'As if it wasn't trouble enough hatching the eggs,' said the Pigeon; 'but I must be on
              the look-out for serpents night and day! Why, I haven't had a wink of sleep these three
              weeks!'
                'I'm very sorry you've been annoyed,' said Alice, who was beginning to see its
              meaning.
                'And just as I'd taken the highest tree in the wood,' continued the Pigeon, raising its
              voice to a shriek, 'and just as I was thinking I should be free of them at last, they must
              needs come wriggling down from the sky! Ugh, Serpent!'
                'But I'm NOT a serpent, I tell you!' said Alice. 'I'm a—I'm a—'
                'Well! WHAT are you?' said the Pigeon. 'I can see you're trying to invent something!'
                'I—I'm a little girl,' said Alice, rather doubtfully, as she remembered the number of
              changes she had gone through that day.
                'A likely story indeed!' said the Pigeon in a tone of the deepest contempt. 'I've seen a
              good many little girls in my time, but never ONE with such a neck as that! No, no!
              You're a serpent; and there's no use denying it. I suppose you'll be telling me next that
              you never tasted an egg!'
                 'I HAVE tasted eggs, certainly,' said Alice, who was a very truthful child; 'but little
              girls eat eggs quite as much as serpents do, you know.'
                 'I don't believe it,' said the Pigeon; 'but if they do, why then they're a kind of serpent,
              that's all I can say.'
                 This was such a new idea to Alice, that she was quite silent for a minute or two,
              which gave the Pigeon the opportunity of adding, 'You're looking for eggs, I know
              THAT well enough; and what does it matter to me whether you're a little girl or a
              serpent?'
                'It matters a good deal to ME,' said Alice hastily; 'but I'm not looking for eggs, as it
              happens; and if I was, I shouldn't want YOURS: I don't like them raw.'
                 'Well, be off, then!' said the Pigeon in a sulky tone, as it settled down again into its
              nest. Alice crouched down among the trees as well as she could, for her neck kept
              getting entangled among the branches, and every now and then she had to stop and
              untwist it. After a while she remembered that she still held the pieces of mushroom in
              her hands, and she set to work very carefully, nibbling first at one and then at the other,
              and growing sometimes taller and sometimes shorter, until she had succeeded in
              bringing herself down to her usual height.
                 It was so long since she had been anything near the right size, that it felt quite strange
              at first; but she got used to it in a few minutes, and began talking to herself, as usual.
              'Come, there's half my plan done now! How puzzling all these changes are! I'm never
              sure what I'm going to be, from one minute to another! However, I've got back to my
              right size: the next thing is, to get into that beautiful garden—how IS that to be done, I
              wonder?' As she said this, she came suddenly upon an open place, with a little house in
              it about four feet high. 'Whoever lives there,' thought Alice, 'it'll never do to come upon
              them THIS size: why, I should frighten them out of their wits!' So she began nibbling at
              the righthand bit again, and did not venture to go near the house till she had brought
              herself down to nine inches high.
                 have called him a fish)—and rapped loudly at the door with his knuckles. It was
              opened by another footman in livery, with a round face, and large eyes like a frog; and
              both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt
              very curious to know what it was all about, and crept a little way out of the wood to
              listen.
                 The Fish-Footman began by producing from under his arm a great letter, nearly as
              large as himself, and this he handed over to the other, saying, in a solemn tone, 'For the
              Duchess. An invitation from the Queen to play croquet.' The Frog-Footman repeated, in
              the same solemn tone, only changing the order of the words a little, 'From the Queen.
              An invitation for the Duchess to play croquet.'
                Then they both bowed low, and their curls got entangled together.
                Alice laughed so much at this, that she had to run back into the wood for fear of their
              hearing her; and when she next peeped out the Fish-Footman was gone, and the other
              was sitting on the ground near the door, staring stupidly up into the sky.
                Alice went timidly up to the door, and knocked.
                'There's no sort of use in knocking,' said the Footman, 'and that for two reasons. First,
              because I'm on the same side of the door as you are; secondly, because they're making
              such a noise inside, no one could possibly hear you.' And certainly there was a most
              extraordinary noise going on within—a constant howling and sneezing, and every now
              and then a great crash, as if a dish or kettle had been broken to pieces.
                'Please, then,' said Alice, 'how am I to get in?'
                 'There might be some sense in your knocking,' the Footman went on without
              attending to her, 'if we had the door between us. For instance, if you were INSIDE, you
              might knock, and I could let you out, you know.' He was looking up into the sky all the
              time he was speaking, and this Alice thought decidedly uncivil. 'But perhaps he can't
              help it,' she said to herself; 'his eyes are so VERY nearly at the top of his head. But at
              any rate he might answer questions.—How am I to get in?' she repeated, aloud.
                'I shall sit here,' the Footman remarked, 'till tomorrow—'
                 At this moment the door of the house opened, and a large plate came skimming out,
              straight at the Footman's head: it just grazed his nose, and broke to pieces against one of
              the trees behind him.
                '—or next day, maybe,' the Footman continued in the same tone, exactly as if nothing
              had happened.
                'How am I to get in?' asked Alice again, in a louder tone.
                'ARE you to get in at all?' said the Footman. 'That's the first question, you know.'
               It was, no doubt: only Alice did not like to be told so. 'It's really dreadful,' she
              muttered to herself, 'the way all the creatures argue. It's enough to drive one crazy!'
                The Footman seemed to think this a good opportunity for repeating his remark, with
              variations. 'I shall sit here,' he said, 'on and off, for days and days.'
                'But what am I to do?' said Alice.
                'Anything you like,' said the Footman, and began whistling.
                'Oh, there's no use in talking to him,' said Alice desperately: 'he's perfectly idiotic!'
              And she opened the door and went in.
                The door led right into a large kitchen, which was full of smoke from one end to the
              other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the
              cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup.
                'There's certainly too much pepper in that soup!' Alice said to herself, as well as she
              could for sneezing.
                There was certainly too much of it in the air. Even the Duchess sneezed occasionally;
              and as for the baby, it was sneezing and howling alternately without a moment's pause.
              The only things in the kitchen that did not sneeze, were the cook, and a large cat which
              was sitting on the hearth and grinning from ear to ear.
                'Please would you tell me,' said Alice, a little timidly, for she was not quite sure
              whether it was good manners for her to speak first, 'why your cat grins like that?'
                'It's a Cheshire cat,' said the Duchess, 'and that's why. Pig!'
                She said the last word with such sudden violence that Alice quite jumped; but she saw
              in another moment that it was addressed to the baby, and not to her, so she took
              courage, and went on again:—
               'I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats
              COULD grin.'
                'They all can,' said the Duchess; 'and most of 'em do.'
                'I don't know of any that do,' Alice said very politely, feeling quite pleased to have
              got into a conversation.
                'You don't know much,' said the Duchess; 'and that's a fact.'
                 Alice did not at all like the tone of this remark, and thought it would be as well to
              introduce some other subject of conversation. While she was trying to fix on one, the
              cook took the cauldron of soup off the fire, and at once set to work throwing everything
              within her reach at the Duchess and the baby—the fire-irons came first; then followed a
              shower of saucepans, plates, and dishes. The Duchess took no notice of them even when
              they hit her; and the baby was howling so much already, that it was quite impossible to
              say whether the blows hurt it or not.
                 'Oh, PLEASE mind what you're doing!' cried Alice, jumping up and down in an
              agony of terror. 'Oh, there goes his PRECIOUS nose'; as an unusually large saucepan
              flew close by it, and very nearly carried it off.
                'If everybody minded their own business,' the Duchess said in a hoarse growl, 'the
              world would go round a deal faster than it does.'
                 'Which would NOT be an advantage,' said Alice, who felt very glad to get an
              opportunity of showing off a little of her knowledge. 'Just think of what work it would
              make with the day and night! You see the earth takes twenty-four hours to turn round on
              its axis—'
                'Talking of axes,' said the Duchess, 'chop off her head!'
                Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the
              cook was busily stirring the soup, and seemed not to be listening, so she went on again:
              'Twenty-four hours, I THINK; or is it twelve? I—'
                 'Oh, don't bother ME,' said the Duchess; 'I never could abide figures!' And with that
              she began nursing her child again, singing a sort of lullaby to it as she did so, and giving
              it a violent shake at the end of every line:
CHORUS.
                 While the Duchess sang the second verse of the song, she kept tossing the baby
              violently up and down, and the poor little thing howled so, that Alice could hardly hear
              the words:—
CHORUS.
                 'Here! you may nurse it a bit, if you like!' the Duchess said to Alice, flinging the baby
              at her as she spoke. 'I must go and get ready to play croquet with the Queen,' and she
              hurried out of the room. The cook threw a frying-pan after her as she went out, but it
                'To begin with,' said the Cat, 'a dog's not mad. You grant that?'
                'I suppose so,' said Alice.
                'Well, then,' the Cat went on, 'you see, a dog growls when it's angry, and wags its tail
              when it's pleased. Now I growl when I'm pleased, and wag my tail when I'm angry.
              Therefore I'm mad.'
                'I call it purring, not growling,' said Alice.
                'Call it what you like,' said the Cat. 'Do you play croquet with the Queen to-day?'
                'I should like it very much,' said Alice, 'but I haven't been invited yet.'
                'You'll see me there,' said the Cat, and vanished.
                Alice was not much surprised at this, she was getting so used to queer things
              happening. While she was looking at the place where it had been, it suddenly appeared
              again.
                'By-the-bye, what became of the baby?' said the Cat. 'I'd nearly forgotten to ask.'
                'It turned into a pig,' Alice quietly said, just as if it had come back in a natural way.
                'I thought it would,' said the Cat, and vanished again.
                  Alice waited a little, half expecting to see it again, but it did not appear, and after a
              minute or two she walked on in the direction in which the March Hare was said to live.
              'I've seen hatters before,' she said to herself; 'the March Hare will be much the most
              interesting, and perhaps as this is May it won't be raving mad—at least not so mad as it
              was in March.' As she said this, she looked up, and there was the Cat again, sitting on a
              branch of a tree.
                'Did you say pig, or fig?' said the Cat.
                'I said pig,' replied Alice; 'and I wish you wouldn't keep appearing and vanishing so
              suddenly: you make one quite giddy.'
                 'All right,' said the Cat; and this time it vanished quite slowly, beginning with the end
              of the tail, and ending with the grin, which remained some time after the rest of it had
              gone.
                 'Well! I've often seen a cat without a grin,' thought Alice; 'but a grin without a cat! It's
              the most curious thing I ever saw in my life!'
                 She had not gone much farther before she came in sight of the house of the March
              Hare: she thought it must be the right house, because the chimneys were shaped like
              ears and the roof was thatched with fur. It was so large a house, that she did not like to
              go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised
              herself to about two feet high: even then she walked up towards it rather timidly, saying
              to herself 'Suppose it should be raving mad after all! I almost wish I'd gone to see the
              Hatter instead!'
                nose.
                The Dormouse shook its head impatiently, and said, without opening its eyes, 'Of
              course, of course; just what I was going to remark myself.'
                'Have you guessed the riddle yet?' the Hatter said, turning to Alice again.
                'No, I give it up,' Alice replied: 'what's the answer?'
                'I haven't the slightest idea,' said the Hatter.
                'Nor I,' said the March Hare.
                 Alice sighed wearily. 'I think you might do something better with the time,' she said,
              'than waste it in asking riddles that have no answers.'
                'If you knew Time as well as I do,' said the Hatter, 'you wouldn't talk about wasting
              IT. It's HIM.'
                'I don't know what you mean,' said Alice.
                'Of course you don't!' the Hatter said, tossing his head contemptuously. 'I dare say
              you never even spoke to Time!'
               'Perhaps not,' Alice cautiously replied: 'but I know I have to beat time when I learn
              music.'
                 'Ah! that accounts for it,' said the Hatter. 'He won't stand beating. Now, if you only
              kept on good terms with him, he'd do almost anything you liked with the clock. For
              instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd
              only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past
              one, time for dinner!'
                ('I only wish it was,' the March Hare said to itself in a whisper.)
                'That would be grand, certainly,' said Alice thoughtfully: 'but then—I shouldn't be
              hungry for it, you know.'
                'Not at first, perhaps,' said the Hatter: 'but you could keep it to half-past one as long as
              you liked.'
                'Is that the way YOU manage?' Alice asked.
                 The Hatter shook his head mournfully. 'Not I!' he replied. 'We quarrelled last
              March—just before HE went mad, you know—' (pointing with his tea spoon at the
              March Hare,) '—it was at the great concert given by the Queen of Hearts, and I had to
              sing
                Here the Dormouse shook itself, and began singing in its sleep 'Twinkle, twinkle,
              twinkle, twinkle—' and went on so long that they had to pinch it to make it stop.
                'Well, I'd hardly finished the first verse,' said the Hatter, 'when the Queen jumped up
              and bawled out, "He's murdering the time! Off with his head!"'
                'How dreadfully savage!' exclaimed Alice.
                'And ever since that,' the Hatter went on in a mournful tone, 'he won't do a thing I
              ask! It's always six o'clock now.'
                A bright idea came into Alice's head. 'Is that the reason so many tea-things are put out
              here?' she asked.
                'Yes, that's it,' said the Hatter with a sigh: 'it's always tea-time, and we've no time to
                 Hare. The Hatter was the only one who got any advantage from the change: and Alice
              was a good deal worse off than before, as the March Hare had just upset the milk-jug
              into his plate.
                Alice did not wish to offend the Dormouse again, so she began very cautiously: 'But I
              don't understand. Where did they draw the treacle from?'
                'You can draw water out of a water-well,' said the Hatter; 'so I should think you could
              draw treacle out of a treacle-well—eh, stupid?'
                 'But they were IN the well,' Alice said to the Dormouse, not choosing to notice this
              last remark.
                'Of course they were', said the Dormouse; '—well in.'
                This answer so confused poor Alice, that she let the Dormouse go on for some time
              without interrupting it.
                 'They were learning to draw,' the Dormouse went on, yawning and rubbing its eyes,
              for it was getting very sleepy; 'and they drew all manner of things—everything that
              begins with an M—'
                'Why with an M?' said Alice.
                'Why not?' said the March Hare.
                Alice was silent.
                The Dormouse had closed its eyes by this time, and was going off into a doze; but, on
              being pinched by the Hatter, it woke up again with a little shriek, and went on: '—that
              begins with an M, such as mouse-traps, and the moon, and memory, and muchness—
              you know you say things are "much of a muchness"—did you ever see such a thing as a
              drawing of a muchness?'
                'Really, now you ask me,' said Alice, very much confused, 'I don't think—'
                'Then you shouldn't talk,' said the Hatter.
                 This piece of rudeness was more than Alice could bear: she got up in great disgust,
              and walked off; the Dormouse fell asleep instantly, and neither of the others took the
              least notice of her going, though she looked back once or twice, half hoping that they
              would call after her: the last time she saw them, they were trying to put the Dormouse
              into the teapot.
                'At any rate I'll never go THERE again!' said Alice as she picked her way through the
              wood. 'It's the stupidest tea-party I ever was at in all my life!'
                Just as she said this, she noticed that one of the trees had a door leading right into it.
              'That's very curious!' she thought. 'But everything's curious today. I think I may as well
              go in at once.' And in she went.
                  Once more she found herself in the long hall, and close to the little glass table. 'Now,
              I'll manage better this time,' she said to herself, and began by taking the little golden
              key, and unlocking the door that led into the garden. Then she went to work nibbling at
              the mushroom (she had kept a piece of it in her pocket) till she was about a foot high:
              then she walked down the little passage: and THEN—she found herself at last in the
              beautiful garden, among the bright flower-beds and the cool fountains.
                others!'
                'YOU'D better not talk!' said Five. 'I heard the Queen say only yesterday you
              deserved to be beheaded!'
                'What for?' said the one who had spoken first.
                'That's none of YOUR business, Two!' said Seven.
                 'Yes, it IS his business!' said Five, 'and I'll tell him—it was for bringing the cook
              tulip-roots instead of onions.'
                Seven flung down his brush, and had just begun 'Well, of all the unjust things—'
              when his eye chanced to fall upon Alice, as she stood watching them, and he checked
              himself suddenly: the others looked round also, and all of them bowed low.
                'Would you tell me,' said Alice, a little timidly, 'why you are painting those roses?'
                 Five and Seven said nothing, but looked at Two. Two began in a low voice, 'Why the
              fact is, you see, Miss, this here ought to have been a RED rose-tree, and we put a white
              one in by mistake; and if the Queen was to find it out, we should all have our heads cut
              off, you know. So you see, Miss, we're doing our best, afore she comes, to—' At this
              moment Five, who had been anxiously looking across the garden, called out 'The
              Queen! The Queen!' and the three gardeners instantly threw themselves flat upon their
              faces. There was a sound of many footsteps, and Alice looked round, eager to see the
              Queen.
                 First came ten soldiers carrying clubs; these were all shaped like the three gardeners,
              oblong and flat, with their hands and feet at the corners: next the ten courtiers; these
              were ornamented all over with diamonds, and walked two and two, as the soldiers did.
              After these came the royal children; there were ten of them, and the little dears came
              jumping merrily along hand in hand, in couples: they were all ornamented with hearts.
              Next came the guests, mostly Kings and Queens, and among them Alice recognised the
              White Rabbit: it was talking in a hurried nervous manner, smiling at everything that was
              said, and went by without noticing her. Then followed the Knave of Hearts, carrying the
              King's crown on a crimson velvet cushion; and, last of all this grand procession, came
              THE KING AND QUEEN OF HEARTS.
                 Alice was rather doubtful whether she ought not to lie down on her face like the three
              gardeners, but she could not remember ever having heard of such a rule at processions;
              'and besides, what would be the use of a procession,' thought she, 'if people had all to lie
              down upon their faces, so that they couldn't see it?' So she stood still where she was, and
              waited.
                 When the procession came opposite to Alice, they all stopped and looked at her, and
              the Queen said severely 'Who is this?' She said it to the Knave of Hearts, who only
              bowed and smiled in reply.
                'Idiot!' said the Queen, tossing her head impatiently; and, turning to Alice, she went
              on, 'What's your name, child?'
                'My name is Alice, so please your Majesty,' said Alice very politely; but she added, to
              herself, 'Why, they're only a pack of cards, after all. I needn't be afraid of them!'
                 'And who are THESE?' said the Queen, pointing to the three gardeners who were
              lying round the rosetree; for, you see, as they were lying on their faces, and the pattern
              on their backs was the same as the rest of the pack, she could not tell whether they were
              gardeners, or soldiers, or courtiers, or three of her own children.
               'How should I know?' said Alice, surprised at her own courage. 'It's no business of
              MINE.'
                The Queen turned crimson with fury, and, after glaring at her for a moment like a
              wild beast, screamed 'Off with her head! Off—'
                'Nonsense!' said Alice, very loudly and decidedly, and the Queen was silent.
                 The King laid his hand upon her arm, and timidly said 'Consider, my dear: she is only
              a child!'
                The Queen turned angrily away from him, and said to the Knave 'Turn them over!'
                The Knave did so, very carefully, with one foot.
                'Get up!' said the Queen, in a shrill, loud voice, and the three gardeners instantly
                jumped up, and began bowing to the King, the Queen, the royal children, and
              everybody else.
                'Leave off that!' screamed the Queen. 'You make me giddy.' And then, turning to the
              rose-tree, she went on, 'What HAVE you been doing here?'
                'May it please your Majesty,' said Two, in a very humble tone, going down on one
              knee as he spoke, 'we were trying—'
                 'I see!' said the Queen, who had meanwhile been examining the roses. 'Off with their
              heads!' and the procession moved on, three of the soldiers remaining behind to execute
              the unfortunate gardeners, who ran to Alice for protection.
                 'You shan't be beheaded!' said Alice, and she put them into a large flower-pot that
              stood near. The three soldiers wandered about for a minute or two, looking for them,
              and then quietly marched off after the others.
                'Are their heads off?' shouted the Queen.
                'Their heads are gone, if it please your Majesty!' the soldiers shouted in reply.
                'That's right!' shouted the Queen. 'Can you play croquet?'
                The soldiers were silent, and looked at Alice, as the question was evidently meant for
              her.
                'Yes!' shouted Alice.
               'Come on, then!' roared the Queen, and Alice joined the procession, wondering very
              much what would happen next.
               'It's—it's a very fine day!' said a timid voice at her side. She was walking by the
              White Rabbit, who was peeping anxiously into her face.
                'Very,' said Alice: '—where's the Duchess?'
                'Hush! Hush!' said the Rabbit in a low, hurried tone. He looked anxiously over his
              shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear,
              and whispered 'She's under sentence of execution.'
                'What for?' said Alice.
                'Did you say "What a pity!"?' the Rabbit asked.
                'No, I didn't,' said Alice: 'I don't think it's at all a pity. I said "What for?"'
                 'She boxed the Queen's ears—' the Rabbit began. Alice gave a little scream of
              laughter. 'Oh, hush!' the Rabbit whispered in a frightened tone. 'The Queen will hear
              you! You see, she came rather late, and the Queen said—'
                'Get to your places!' shouted the Queen in a voice of thunder, and people began
              running about in all directions, tumbling up against each other; however, they got settled
              down in a minute or two, and the game began. Alice thought she had never seen such a
              curious croquet-ground in her life; it was all ridges and furrows; the balls were live
              hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up
              and to stand on their hands and feet, to make the arches.
                 The chief difficulty Alice found at first was in managing her flamingo: she succeeded
              in getting its body tucked away, comfortably enough, under her arm, with its legs
              hanging down, but generally, just as she had got its neck nicely straightened out, and
              was going to give the hedgehog a blow with its head, it WOULD twist itself round and
              look up in her face, with such a puzzled expression that she could not help bursting out
              laughing: and when she had got its head down, and was going to begin again, it was
              very provoking to find that the hedgehog had unrolled itself, and was in the act of
              crawling away: besides all this, there was generally a ridge or furrow in the way
              wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were
              always getting up and walking off to other parts of the ground, Alice soon came to the
              conclusion that it was a very difficult game indeed.
                 The players all played at once without waiting for turns, quarrelling all the while, and
              fighting for the hedgehogs; and in a very short time the Queen was in a furious passion,
              and went stamping about, and shouting 'Off with his head!' or 'Off with her head!' about
              once in a minute.
                Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with
                the Queen, but she knew that it might happen any minute, 'and then,' thought she,
              'what would become of me? They're dreadfully fond of beheading people here; the great
              wonder is, that there's any one left alive!'
                 She was looking about for some way of escape, and wondering whether she could get
              away without being seen, when she noticed a curious appearance in the air: it puzzled
              her very much at first, but, after watching it a minute or two, she made it out to be a
              grin, and she said to herself 'It's the Cheshire Cat: now I shall have somebody to talk to.'
                'How are you getting on?' said the Cat, as soon as there was mouth enough for it to
              speak with.
                 Alice waited till the eyes appeared, and then nodded. 'It's no use speaking to it,' she
              thought, 'till its ears have come, or at least one of them.' In another minute the whole
              head appeared, and then Alice put down her flamingo, and began an account of the
              game, feeling very glad she had someone to listen to her. The Cat seemed to think that
              there was enough of it now in sight, and no more of it appeared.
                 'I don't think they play at all fairly,' Alice began, in rather a complaining tone, 'and
              they all quarrel so dreadfully one can't hear oneself speak—and they don't seem to have
              any rules in particular; at least, if there are, nobody attends to them—and you've no idea
              how confusing it is all the things being alive; for instance, there's the arch I've got to go
              through next walking about at the other end of the ground—and I should have croqueted
              the Queen's hedgehog just now, only it ran away when it saw mine coming!'
                'How do you like the Queen?' said the Cat in a low voice.
                 'Not at all,' said Alice: 'she's so extremely—' Just then she noticed that the Queen was
              close behind her, listening: so she went on, '—likely to win, that it's hardly worth while
              finishing the game.'
                The Queen smiled and passed on.
                'Who ARE you talking to?' said the King, going up to Alice, and looking at the Cat's
              head with great curiosity.
                'It's a friend of mine—a Cheshire Cat,' said Alice: 'allow me to introduce it.'
                 'I don't like the look of it at all,' said the King: 'however, it may kiss my hand if it
              likes.'
                'I'd rather not,' the Cat remarked.
                'Don't be impertinent,' said the King, 'and don't look at me like that!' He got behind
              Alice as he spoke.
                'A cat may look at a king,' said Alice. 'I've read that in some book, but I don't
              remember where.'
                'Well, it must be removed,' said the King very decidedly, and he called the Queen,
              who was passing at the moment, 'My dear! I wish you would have this cat removed!'
                The Queen had only one way of settling all difficulties, great or small. 'Off with his
              head!' she said, without even looking round.
                'I'll fetch the executioner myself,' said the King eagerly, and he hurried off.
                Alice thought she might as well go back, and see how the game was going on, as she
              heard the Queen's voice in the distance, screaming with passion. She had already heard
              her sentence three of the players to be executed for having missed their turns, and she
              did not like the look of things at all, as the game was in such confusion that she never
              knew whether it was her turn or not. So she went in search of her hedgehog.
                The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice
              an excellent opportunity for croqueting one of them with the other: the only difficulty
              was, that her flamingo was gone across to the other side of the garden, where Alice
              could see it trying in a helpless sort of way to fly up into a tree.
                 By the time she had caught the flamingo and brought it back, the fight was over, and
              both the hedgehogs were out of sight: 'but it doesn't matter much,' thought Alice, 'as all
              the arches are gone from this side of the ground.' So she tucked it away under her arm,
              that it might not escape again, and went back for a little more conversation with her
              friend.
                When she got back to the Cheshire Cat, she was surprised to find quite a large crowd
                collected round it: there was a dispute going on between the executioner, the King,
              and the Queen, who were all talking at once, while all the rest were quite silent, and
              looked very uncomfortable.
                The moment Alice appeared, she was appealed to by all three to settle the question,
              and they repeated their arguments to her, though, as they all spoke at once, she found it
              very hard indeed to make out exactly what they said.
                The executioner's argument was, that you couldn't cut off a head unless there was a
              body to cut it off from: that he had never had to do such a thing before, and he wasn't
              going to begin at HIS time of life.
                The King's argument was, that anything that had a head could be beheaded, and that
              you weren't to talk nonsense.
                The Queen's argument was, that if something wasn't done about it in less than no time
              she'd have everybody executed, all round. (It was this last remark that had made the
              whole party look so grave and anxious.)
                Alice could think of nothing else to say but 'It belongs to the Duchess: you'd better
              ask HER about it.'
                    'She's in prison,' the Queen said to the executioner: 'fetch her here.'
                    And the executioner went off like an arrow.
                     The Cat's head began fading away the moment he was gone, and,
                    by the time he had come back with the Duchess, it had entirely
                    disappeared; so the King and the executioner ran wildly up and down
                    looking for it, while the rest of the party went back to the game.
                'Somebody said,' Alice whispered, 'that it's done by everybody minding their own
              business!'
                'Ah, well! It means much the same thing,' said the Duchess, digging her sharp little
              chin into Alice's shoulder as she added, 'and the moral of THAT is—"Take care of the
              sense, and the sounds will take care of themselves."'
                'How fond she is of finding morals in things!' Alice thought to herself.
                 'I dare say you're wondering why I don't put my arm round your waist,' the Duchess
              said after a pause: 'the reason is, that I'm doubtful about the temper of your flamingo.
              Shall I try the experiment?'
                'HE might bite,' Alice cautiously replied, not feeling at all anxious to have the
              experiment tried.
                 'Very true,' said the Duchess: 'flamingoes and mustard both bite. And the moral of
              that is—"Birds of a feather flock together."'
                'Only mustard isn't a bird,' Alice remarked.
                'Right, as usual,' said the Duchess: 'what a clear way you have of putting things!'
                'It's a mineral, I THINK,' said Alice.
                 'Of course it is,' said the Duchess, who seemed ready to agree to everything that Alice
              said; 'there's a large mustard-mine near here. And the moral of that is—"The more there
              is of mine, the less there is of yours."'
                'Oh, I know!' exclaimed Alice, who had not attended to this last remark, 'it's a
              vegetable. It doesn't look like one, but it is.'
                'I quite agree with you,' said the Duchess; 'and the moral of that is—"Be what you
              would seem to be"—or if you'd like it put more simply—"Never imagine yourself not to
              be otherwise than what it might appear to others that what you were or might have been
              was not otherwise than what you had been would have appeared to them to be
              otherwise."'
                'I think I should understand that better,' Alice said very politely, 'if I had it written
              down: but I can't quite follow it as you say it.'
                'That's nothing to what I could say if I chose,' the Duchess replied, in a pleased tone.
                'Pray don't trouble yourself to say it any longer than that,' said Alice.
                 'Oh, don't talk about trouble!' said the Duchess. 'I make you a present of everything
              I've said as yet.'
                 'A cheap sort of present!' thought Alice. 'I'm glad they don't give birthday presents
              like that!' But she did not venture to say it out loud.
                'Thinking again?' the Duchess asked, with another dig of her sharp little chin.
                'I've a right to think,' said Alice sharply, for she was beginning to feel a little worried.
                'Just about as much right,' said the Duchess, 'as pigs have to fly; and the m—'
                 But here, to Alice's great surprise, the Duchess's voice died away, even in the middle
              of her favourite word 'moral,' and the arm that was linked into hers began to tremble.
              Alice looked up, and there stood the Queen in front of them, with her arms folded,
              frowning like a thunderstorm.
                'A fine day, your Majesty!' the Duchess began in a low, weak voice.
                'Now, I give you fair warning,' shouted the Queen, stamping on the ground as she
              spoke; 'either you or your head must be off, and that in about half no time! Take your
              choice!'
                The Duchess took her choice, and was gone in a moment.
                 'Let's go on with the game,' the Queen said to Alice; and Alice was too much
              frightened to say a word, but slowly followed her back to the croquet-ground.
                The other guests had taken advantage of the Queen's absence, and were resting in the
              shade: however, the moment they saw her, they hurried back to the game, the Queen
              merely remarking that a moment's delay would cost them their lives.
                 All the time they were playing the Queen never left off quarrelling with the other
              players, and shouting 'Off with his head!' or 'Off with her head!' Those whom she
              sentenced were taken into custody by the soldiers, who of course had to leave off being
              arches to do this, so that by the end of half an hour or so there were no arches left, and
              all the players, except the King, the Queen, and Alice, were in custody and under
              sentence of execution.
               Then the Queen left off, quite out of breath, and said to Alice, 'Have you seen the
              Mock Turtle yet?'
                'No,' said Alice. 'I don't even know what a Mock Turtle is.'
                'It's the thing Mock Turtle Soup is made from,' said the Queen.
                'I never saw one, or heard of one,' said Alice.
                'Come on, then,' said the Queen, 'and he shall tell you his history,'
                As they walked off together, Alice heard the King say in a low voice, to the company
              generally, 'You are all pardoned.' 'Come, THAT'S a good thing!' she said to herself, for
              she had felt quite unhappy at the number of executions the Queen had ordered.
                 They very soon came upon a Gryphon, lying fast asleep in the sun. (IF you don't
              know what a Gryphon is, look at the picture.) 'Up, lazy thing!' said the Queen, 'and take
              this young lady to see the Mock Turtle, and to hear his history. I must go back and see
              after some executions I have ordered'; and she walked off, leaving Alice alone with the
              Gryphon. Alice did not quite like the look of the creature, but on the whole she thought
              it would be quite as safe to stay with it as to go after that savage Queen: so she waited.
                 The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of
              sight: then it chuckled. 'What fun!' said the Gryphon, half to itself, half to Alice.
                'What IS the fun?' said Alice.
                'Why, SHE,' said the Gryphon. 'It's all her fancy, that: they never executes nobody,
              you know. Come on!'
                'Everybody says "come on!" here,' thought Alice, as she went slowly after it: 'I never
              was so ordered about in all my life, never!'
                 They had not gone far before they saw the Mock Turtle in the distance, sitting sad and
              lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing
              as if his heart would break. She pitied him deeply. 'What is his sorrow?' she asked the
              Gryphon, and the Gryphon answered, very nearly in the same words as before, 'It's all
              his fancy, that: he hasn't got no sorrow, you know. Come on!'
                So they went up to the Mock Turtle, who looked at them with large eyes full of tears,
              but said nothing.
                'This here young lady,' said the Gryphon, 'she wants for to know your history, she do.'
                'I'll tell it her,' said the Mock Turtle in a deep, hollow tone: 'sit down, both of you, and
              don't speak a word till I've finished.'
                So they sat down, and nobody spoke for some minutes. Alice thought to herself, 'I
              don't see how he can EVEN finish, if he doesn't begin.' But she waited patiently.
                'Once,' said the Mock Turtle at last, with a deep sigh, 'I was a real Turtle.'
                 These words were followed by a very long silence, broken only by an occasional
              exclamation of 'Hjckrrh!' from the Gryphon, and the constant heavy sobbing of the
              Mock Turtle. Alice was very nearly getting up and saying, 'Thank you, sir, for your
              interesting story,' but she could not help thinking there MUST be more to come, so she
              sat still and said nothing.
                'When we were little,' the Mock Turtle went on at last, more calmly, though still
              sobbing a little now and then, 'we went to school in the sea. The master was an old
              Turtle—we used to call him Tortoise—'
                'Why did you call him Tortoise, if he wasn't one?' Alice asked.
                'We called him Tortoise because he taught us,' said the Mock Turtle angrily: 'really
              you are very dull!'
                'You ought to be ashamed of yourself for asking such a simple question,' added the
                 Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to
              sink into the earth. At last the Gryphon said to the Mock Turtle, 'Drive on, old fellow!
              Don't be all day about it!' and he went on in these words:
                'Yes, we went to school in the sea, though you mayn't believe it—'
                'I never said I didn't!' interrupted Alice.
                'You did,' said the Mock Turtle.
                'Hold your tongue!' added the Gryphon, before Alice could speak again. The Mock
              Turtle went on.
                'We had the best of educations—in fact, we went to school every day—'
                'I'VE been to a day-school, too,' said Alice; 'you needn't be so proud as all that.'
                'With extras?' asked the Mock Turtle a little anxiously.
                'Yes,' said Alice, 'we learned French and music.'
                'And washing?' said the Mock Turtle.
                'Certainly not!' said Alice indignantly.
                 'Ah! then yours wasn't a really good school,' said the Mock Turtle in a tone of great
              relief. 'Now at OURS they had at the end of the bill, "French, music, AND
              WASHING—extra."'
                'You couldn't have wanted it much,' said Alice; 'living at the bottom of the sea.'
                'I couldn't afford to learn it.' said the Mock Turtle with a sigh. 'I only took the regular
              course.'
                'What was that?' inquired Alice.
                 'Reeling and Writhing, of course, to begin with,' the Mock Turtle replied; 'and then
              the different branches of Arithmetic—Ambition, Distraction, Uglification, and
              Derision.'
                'I never heard of "Uglification,"' Alice ventured to say. 'What is it?'
                The Gryphon lifted up both its paws in surprise. 'What! Never heard of uglifying!' it
              exclaimed. 'You know what to beautify is, I suppose?'
                'Yes,' said Alice doubtfully: 'it means—to—make—anything—prettier.'
                'Well, then,' the Gryphon went on, 'if you don't know what to uglify is, you ARE a
              simpleton.'
               Alice did not feel encouraged to ask any more questions about it, so she turned to the
              Mock Turtle, and said 'What else had you to learn?'
                 'Well, there was Mystery,' the Mock Turtle replied, counting off the subjects on his
              flappers, '—Mystery, ancient and modern, with Seaography: then Drawling—the
              Drawling-master was an old conger-eel, that used to come once a week: HE taught us
              Drawling, Stretching, and Fainting in Coils.'
                'What was THAT like?' said Alice.
                'Well, I can't show it you myself,' the Mock Turtle said: 'I'm too stiff. And the
              Gryphon never learnt it.'
                 'Hadn't time,' said the Gryphon: 'I went to the Classics master, though. He was an old
              crab, HE was.'
                'I never went to him,' the Mock Turtle said with a sigh: 'he taught Laughing and
              Grief, they used to say.'
                 'So he did, so he did,' said the Gryphon, sighing in his turn; and both creatures hid
              their faces in their paws.
                'And how many hours a day did you do lessons?' said Alice, in a hurry to change the
              subject.
                'Ten hours the first day,' said the Mock Turtle: 'nine the next, and so on.'
                'What a curious plan!' exclaimed Alice.
                 'That's the reason they're called lessons,' the Gryphon remarked: 'because they lessen
              from day to day.'
                This was quite a new idea to Alice, and she thought it over a little before she made
              her next remark. 'Then the eleventh day must have been a holiday?'
                'Of course it was,' said the Mock Turtle.
                'And how did you manage on the twelfth?' Alice went on eagerly.
                'That's enough about lessons,' the Gryphon interrupted in a very decided tone: 'tell her
              something about the games now.'
                on her toes when they passed too close, and waving their forepaws to mark the time,
              while the Mock Turtle sang this, very slowly and sadly:—
                     See how eagerly the lobsters and the turtles all advance!
                     They are waiting on the shingle—will you come and join the dance?
                     Will you, won't you, will you, won't you, will you join the dance?
                     Will you, won't you, will you, won't you, won't you join the dance?
                     Would not, could not, would not, could not, would not join the dance.
                     Would not, could not, would not, could not, could not join the dance.
                     Will you, won't you, will you, won't you, will you join the dance?
                     Will you, won't you, will you, won't you, won't you join the dance?"'
                'Thank you, it's a very interesting dance to watch,' said Alice, feeling very glad that it
              was over at last: 'and I do so like that curious song about the whiting!'
                'Oh, as to the whiting,' said the Mock Turtle, 'they—you've seen them, of course?'
                'Yes,' said Alice, 'I've often seen them at dinn—' she checked herself hastily.
                 'I don't know where Dinn may be,' said the Mock Turtle, 'but if you've seen them so
              often, of course you know what they're like.'
                 'I believe so,' Alice replied thoughtfully. 'They have their tails in their mouths—and
              they're all over crumbs.'
                 'You're wrong about the crumbs,' said the Mock Turtle: 'crumbs would all wash off in
              the sea. But they HAVE their tails in their mouths; and the reason is—' here the Mock
              Turtle yawned and shut his eyes.—'Tell her about the reason and all that,' he said to the
              Gryphon.
                 'The reason is,' said the Gryphon, 'that they WOULD go with the lobsters to the
              dance. So they got thrown out to sea. So they had to fall a long way. So they got their
              tails fast in their mouths. So they couldn't get them out again. That's all.'
                'Thank you,' said Alice, 'it's very interesting. I never knew so much about a whiting
              before.'
                'I can tell you more than that, if you like,' said the Gryphon. 'Do you know why it's
              called a whiting?'
                'I never thought about it,' said Alice. 'Why?'
                'IT DOES THE BOOTS AND SHOES.' the Gryphon replied very solemnly.
                Alice was thoroughly puzzled. 'Does the boots and shoes!' she repeated in a
              wondering tone.
                 'Why, what are YOUR shoes done with?' said the Gryphon. 'I mean, what makes
              them so shiny?'
                Alice looked down at them, and considered a little before she gave her answer.
              'They're done with blacking, I believe.'
                'Boots and shoes under the sea,' the Gryphon went on in a deep voice, 'are done with a
              whiting. Now you know.'
                'And what are they made of?' Alice asked in a tone of great curiosity.
                'Soles and eels, of course,' the Gryphon replied rather impatiently: 'any shrimp could
                'That's different from what I used to say when I was a child,' said the Gryphon.
                'Well, I never heard it before,' said the Mock Turtle; 'but it sounds uncommon
              nonsense.'
                Alice said nothing; she had sat down with her face in her hands, wondering if
              anything would EVER happen in a natural way again.
                'I should like to have it explained,' said the Mock Turtle.
                'She can't explain it,' said the Gryphon hastily. 'Go on with the next verse.'
                 'But about his toes?' the Mock Turtle persisted. 'How COULD he turn them out with
              his nose, you know?'
                 'It's the first position in dancing.' Alice said; but was dreadfully puzzled by the whole
              thing, and longed to change the subject.
                 'Go on with the next verse,' the Gryphon repeated impatiently: 'it begins "I passed by
              his garden."'
                Alice did not dare to disobey, though she felt sure it would all come wrong, and she
              went on in a trembling voice:—
                'What IS the use of repeating all that stuff,' the Mock Turtle interrupted, 'if you don't
              explain it as you go on? It's by far the most confusing thing I ever heard!'
                'Yes, I think you'd better leave off,' said the Gryphon: and Alice was only too glad to
              do so.
                'Shall we try another figure of the Lobster Quadrille?' the Gryphon went on. 'Or
              would you like the Mock Turtle to sing you a song?'
                 'Oh, a song, please, if the Mock Turtle would be so kind,' Alice replied, so eagerly
              that the Gryphon said, in a rather offended tone, 'Hm! No accounting for tastes! Sing her
              "Turtle Soup," will you, old fellow?'
                 The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs,
              to sing this:—
                'Chorus again!' cried the Gryphon, and the Mock Turtle had just begun to repeat it,
              when a cry of 'The trial's beginning!' was heard in the distance.
                'Come on!' cried the Gryphon, and, taking Alice by the hand, it hurried off, without
              waiting for the end of the song.
                 'What trial is it?' Alice panted as she ran; but the Gryphon only answered 'Come on!'
              and ran the faster, while more and more faintly came, carried on the breeze that
              followed them, the melancholy words:—
                 The King and Queen of Hearts were seated on their throne when they arrived, with a
              great crowd assembled about them—all sorts of little birds and beasts, as well as the
              whole pack of cards: the Knave was standing before them, in chains, with a soldier on
              each side to guard him; and near the King was the White Rabbit, with a trumpet in one
              hand, and a scroll of parchment in the other. In the very middle of the court was a table,
              with a large dish of tarts upon it: they looked so good, that it made Alice quite hungry to
              look at them—'I wish they'd get the trial done,' she thought, 'and hand round the
              refreshments!' But there seemed to be no chance of this, so she began looking at
              everything about her, to pass away the time.
                 Alice had never been in a court of justice before, but she had read about them in
              books, and she was quite pleased to find that she knew the name of nearly everything
              there. 'That's the judge,' she said to herself, 'because of his great wig.'
                 The judge, by the way, was the King; and as he wore his crown over the wig, (look at
              the frontispiece if you want to see how he did it,) he did not look at all comfortable, and
              it was certainly not becoming.
                 'And that's the jury-box,' thought Alice, 'and those twelve creatures,' (she was obliged
              to say 'creatures,' you see, because some of them were animals, and some were birds,) 'I
              suppose they are the jurors.' She said this last word two or three times over to herself,
              being rather proud of it: for she thought, and rightly too, that very few little girls of her
              age knew the meaning of it at all. However, 'jury-men' would have done just as well.
                The twelve jurors were all writing very busily on slates. 'What are they doing?' Alice
              whispered to the Gryphon. 'They can't have anything to put down yet, before the trial's
              begun.'
                'They're putting down their names,' the Gryphon whispered in reply, 'for fear they
              should forget them before the end of the trial.'
                'Stupid things!' Alice began in a loud, indignant voice, but she stopped hastily, for the
              White Rabbit cried out, 'Silence in the court!' and the King put on his spectacles and
              looked anxiously round, to make out who was talking.
                Alice could see, as well as if she were looking over their shoulders, that all the jurors
              were writing down 'stupid things!' on their slates, and she could even make out that one
              of them didn't know how to spell 'stupid,' and that he had to ask his neighbour to tell
              him. 'A nice muddle their slates'll be in before the trial's over!' thought Alice.
                  One of the jurors had a pencil that squeaked. This of course, Alice could not stand,
              and she went round the court and got behind him, and very soon found an opportunity of
              taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard)
              could not make out at all what had become of it; so, after hunting all about for it, he was
              obliged to write with one finger for the rest of the day; and this was of very little use, as
              it left no mark on the slate.
                'Herald, read the accusation!' said the King.
                On this the White Rabbit blew three blasts on the trumpet, and then unrolled the
              parchment scroll, and read as follows:—
                'After that,' continued the Hatter, 'I cut some more bread-and-butter—'
                'But what did the Dormouse say?' one of the jury asked.
                'That I can't remember,' said the Hatter.
                'You MUST remember,' remarked the King, 'or I'll have you executed.'
                The miserable Hatter dropped his teacup and bread-and-butter, and went down on one
              knee. 'I'm a poor man, your Majesty,' he began.
                'You're a very poor speaker,' said the King.
                 Here one of the guinea-pigs cheered, and was immediately suppressed by the officers
              of the court. (As that is rather a hard word, I will just explain to you how it was done.
              They had a large canvas bag, which tied up at the mouth with strings: into this they
              slipped the guinea-pig, head first, and then sat upon it.)
                 'I'm glad I've seen that done,' thought Alice. 'I've so often read in the newspapers, at
              the end of trials, "There was some attempts at applause, which was immediately
              suppressed by the officers of the court," and I never understood what it meant till now.'
                'If that's all you know about it, you may stand down,' continued the King.
                'I can't go no lower,' said the Hatter: 'I'm on the floor, as it is.'
                'Then you may SIT down,' the King replied.
                Here the other guinea-pig cheered, and was suppressed.
                'Come, that finished the guinea-pigs!' thought Alice. 'Now we shall get on better.'
                 'I'd rather finish my tea,' said the Hatter, with an anxious look at the Queen, who was
              reading the list of singers.
                'You may go,' said the King, and the Hatter hurriedly left the court, without even
              waiting to put his shoes on.
                '—and just take his head off outside,' the Queen added to one of the officers: but the
              Hatter was out of sight before the officer could get to the door.
                'Call the next witness!' said the King.
                 The next witness was the Duchess's cook. She carried the pepper-box in her hand, and
              Alice guessed who it was, even before she got into the court, by the way the people near
              the door began sneezing all at once.
                'Give your evidence,' said the King.
                'Shan't,' said the cook.
               The King looked anxiously at the White Rabbit, who said in a low voice, 'Your
              Majesty must cross-examine THIS witness.'
                'Well, if I must, I must,' the King said, with a melancholy air, and, after folding his
              arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep
              voice, 'What are tarts made of?'
                'Pepper, mostly,' said the cook.
                'Treacle,' said a sleepy voice behind her.
                'Collar that Dormouse,' the Queen shrieked out. 'Behead that Dormouse! Turn that
              Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!'
                For some minutes the whole court was in confusion, getting the Dormouse turned out,
              and, by the time they had settled down again, the cook had disappeared.
                'Never mind!' said the King, with an air of great relief. 'Call the next witness.' And he
              added in an undertone to the Queen, 'Really, my dear, YOU must cross-examine the
              next witness. It quite makes my forehead ache!'
                 Alice watched the White Rabbit as he fumbled over the list, feeling very curious to
              see what the next witness would be like, '—for they haven't got much evidence YET,'
              she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of
              his shrill little voice, the name 'Alice!'
CHAPTER XII
Alice's Evidence
                 'Here!' cried Alice, quite forgetting in the flurry of the moment how large she had
              grown in the last few minutes, and she jumped up in such a hurry that she tipped over
              the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the
              crowd below, and there they lay sprawling about, reminding her very much of a globe of
              goldfish she had accidentally upset the week before.
                 'Oh, I BEG your pardon!' she exclaimed in a tone of great dismay, and began picking
              them up again as quickly as she could, for the accident of the goldfish kept running in
              her head, and she had a vague sort of idea that they must be collected at once and put
              back into the jury-box, or they would die.
                 'The trial cannot proceed,' said the King in a very grave voice, 'until all the jurymen
              are back in their proper places—ALL,' he repeated with great emphasis, looking hard at
              Alice as he said do.
                 Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head
              downwards, and the poor little thing was waving its tail about in a melancholy way,
              being quite unable to move. She soon got it out again, and put it right; 'not that it
              signifies much,' she said to herself; 'I should think it would be QUITE as much use in
              the trial one way up as the other.'
                 As soon as the jury had a little recovered from the shock of being upset, and their
              slates and pencils had been found and handed back to them, they set to work very
              diligently to write out a history of the accident, all except the Lizard, who seemed too
              much overcome to do anything but sit with its mouth open, gazing up into the roof of
              the court.
                'What do you know about this business?' the King said to Alice.
                'Nothing,' said Alice.
                'Nothing WHATEVER?' persisted the King.
                'Nothing whatever,' said Alice.
                 'That's very important,' the King said, turning to the jury. They were just beginning to
              write this down on their slates, when the White Rabbit interrupted: 'UNimportant, your
              Majesty means, of course,' he said in a very respectful tone, but frowning and making
              faces at him as he spoke.
                'UNimportant, of course, I meant,' the King hastily said, and went on to himself in an
              undertone,
                'important—unimportant—unimportant—important—' as if he were trying which
              word sounded best.
                 Some of the jury wrote it down 'important,' and some 'unimportant.' Alice could see
              this, as she was near enough to look over their slates; 'but it doesn't matter a bit,' she
              thought to herself.
                At this moment the King, who had been for some time busily writing in his note-
              book, cackled out 'Silence!' and read out from his book, 'Rule Forty-two. ALL
              PERSONS MORE THAN A MILE HIGH TO LEAVE THE COURT.'
                Everybody looked at Alice.
                'I'M not a mile high,' said Alice.
                'You are,' said the King.
                'Nearly two miles high,' added the Queen.
                'Well, I shan't go, at any rate,' said Alice: 'besides, that's not a regular rule: you
              invented it just now.'
                'It's the oldest rule in the book,' said the King.
                'Then it ought to be Number One,' said Alice.
                 The King turned pale, and shut his note-book hastily. 'Consider your verdict,' he said
              to the jury, in a low, trembling voice.
                'There's more evidence to come yet, please your Majesty,' said the White Rabbit,
              jumping up in a great hurry; 'this paper has just been picked up.'
                'What's in it?' said the Queen.
                 'I haven't opened it yet,' said the White Rabbit, 'but it seems to be a letter, written by
              the prisoner to—to somebody.'
                'It must have been that,' said the King, 'unless it was written to nobody, which isn't
              usual, you know.'
                'Who is it directed to?' said one of the jurymen.
                 'It isn't directed at all,' said the White Rabbit; 'in fact, there's nothing written on the
              OUTSIDE.' He unfolded the paper as he spoke, and added 'It isn't a letter, after all: it's a
              set of verses.'
                'Are they in the prisoner's handwriting?' asked another of the jurymen.
                 'No, they're not,' said the White Rabbit, 'and that's the queerest thing about it.' (The
              jury all looked puzzled.)
                'He must have imitated somebody else's hand,' said the King. (The jury all brightened
              up again.)
                 'Please your Majesty,' said the Knave, 'I didn't write it, and they can't prove I did:
              there's no name signed at the end.'
                'If you didn't sign it,' said the King, 'that only makes the matter worse. You MUST
              have meant some mischief, or else you'd have signed your name like an honest man.'
                There was a general clapping of hands at this: it was the first really clever thing the
              King had said that day.
                'That PROVES his guilt,' said the Queen.
                'It proves nothing of the sort!' said Alice. 'Why, you don't even know what they're
              about!'
                'Read them,' said the King.
                The White Rabbit put on his spectacles. 'Where shall I begin, please your Majesty?'
              he asked.
                 'Begin at the beginning,' the King said gravely, 'and go on till you come to the end:
              then stop.'
                These were the verses the White Rabbit read:—
                 'That's the most important piece of evidence we've heard yet,' said the King, rubbing
              his hands; 'so now let the jury—'
                'If any one of them can explain it,' said Alice, (she had grown so large in the last few
              minutes that she wasn't a bit afraid of interrupting him,) 'I'll give him sixpence. I don't
              believe there's an atom of meaning in it.'
                The jury all wrote down on their slates, 'SHE doesn't believe there's an atom of
              meaning in it,' but none of them attempted to explain the paper.
                 'If there's no meaning in it,' said the King, 'that saves a world of trouble, you know, as
              we needn't try to find any. And yet I don't know,' he went on, spreading out the verses
              on his knee, and looking at them with one eye; 'I seem to see some meaning in them,
              after all. "—SAID I COULD NOT SWIM—" you can't swim, can you?' he added,
              turning to the Knave.
               The Knave shook his head sadly. 'Do I look like it?' he said. (Which he certainly did
              NOT, being made entirely of cardboard.)
                'All right, so far,' said the King, and he went on muttering over the verses to himself:
              '"WE KNOW IT TO BE TRUE—" that's the jury, of course—"I GAVE HER ONE,
              THEY GAVE HIM TWO—" why, that must be what he did with the tarts, you know—'
                'But, it goes on "THEY ALL RETURNED FROM HIM TO YOU,"' said Alice.
                'Why, there they are!' said the King triumphantly, pointing to the tarts on the table.
              'Nothing can be clearer than THAT. Then again—"BEFORE SHE HAD THIS FIT—"
              you never had fits, my dear, I think?' he said to the Queen.
                 'Never!' said the Queen furiously, throwing an inkstand at the Lizard as she spoke.
              (The unfortunate little Bill had left off writing on his slate with one finger, as he found it
              made no mark; but he now hastily began again, using the ink, that was trickling down
              his face, as long as it lasted.)
                'Then the words don't FIT you,' said the King, looking round the court with a smile.
              There was a dead silence.
                'It's a pun!' the King added in an offended tone, and everybody laughed, 'Let the jury
              consider their verdict,' the King said, for about the twentieth time that day.
                'No, no!' said the Queen. 'Sentence first—verdict afterwards.'
                'Stuff and nonsense!' said Alice loudly. 'The idea of having the sentence first!'
                'Hold your tongue!' said the Queen, turning purple.
                'I won't!' said Alice.
                'Off with her head!' the Queen shouted at the top of her voice. Nobody moved.
                'Who cares for you?' said Alice, (she had grown to her full size by this time.) 'You're
              nothing but a pack of cards!'
                 At this the whole pack rose up into the air, and came flying down upon her: she gave
              a little scream, half of fright and half of anger, and tried to beat them off, and found
              herself lying on the bank, with her head in the lap of her sister, who was gently brushing
              away some dead leaves that had fluttered down from the trees upon her face.
                'Wake up, Alice dear!' said her sister; 'Why, what a long sleep you've had!'
                 'Oh, I've had such a curious dream!' said Alice, and she told her sister, as well as she
              could remember them, all these strange Adventures of hers that you have just been
              reading about; and when she had finished, her sister kissed her, and said, 'It WAS a
              curious dream, dear, certainly: but now run in to your tea; it's getting late.' So Alice got
              up and ran off, thinking while she ran, as well she might, what a wonderful dream it had
              been.
                 But her sister sat still just as she left her, leaning her head on her hand, watching the
              setting sun, and thinking of little Alice and all her wonderful Adventures, till she too
              began dreaming after a fashion, and this was her dream:—
                  First, she dreamed of little Alice herself, and once again the tiny hands were clasped
              upon her knee, and the bright eager eyes were looking up into hers—she could hear the
              very tones of her voice, and see that queer little toss of her head to keep back the
              wandering hair that WOULD always get into her eyes—and still as she listened, or
              seemed to listen, the whole place around her became alive the strange creatures of her
              little sister's dream.
                 The long grass rustled at her feet as the White Rabbit hurried by—the frightened
              Mouse splashed his way through the neighbouring pool—she could hear the rattle of the
              teacups as the March Hare and his friends shared their never-ending meal, and the shrill
              voice of the Queen ordering off her unfortunate guests to execution—once more the pig-
              baby was sneezing on the Duchess's knee, while plates and dishes crashed around it—
              once more the shriek of the Gryphon, the squeaking of the Lizard's slate-pencil, and the
              choking of the suppressed guinea-pigs, filled the air, mixed up with the distant sobs of
              the miserable Mock Turtle.
                 So she sat on, with closed eyes, and half believed herself in Wonderland, though she
              knew she had but to open them again, and all would change to dull reality—the grass
              would be only rustling in the wind, and the pool rippling to the waving of the reeds—the
              rattling teacups would change to tinkling sheep-bells, and the Queen's shrill cries to the
              voice of the shepherd boy—and the sneeze of the baby, the shriek of the Gryphon, and
              all the other queer noises, would change (she knew) to the confused clamour of the busy
              farm-yard—while the lowing of the cattle in the distance would take the place of the
              Mock Turtle's heavy sobs.
                  Lastly, she pictured to herself how this same little sister of hers would, in the after-
              time, be herself a grown woman; and how she would keep, through all her riper years,
              the simple and loving heart of her childhood: and how she would gather about her other
              little children, and make THEIR eyes bright and eager with many a strange tale, perhaps
              even with the dream of Wonderland of long ago: and how she would feel with all their
              simple sorrows, and find a pleasure in all their simple joys, remembering her own child-
              life, and the happy summer days.
THE END
*** END OF THIS PROJECT GUTENBERG EBOOK ALICE'S ADVENTURES IN WONDERLAND ***
                    Creating the works from public domain print editions means that no
                    one owns a United States copyright in these works, so the Foundation
                    (and you!) can copy and distribute it in the United States without
                    permission and without paying copyright royalties. Special rules,
                    set forth in the General Terms of Use part of this license, apply to
                    copying and distributing Project Gutenberg-tm electronic works to
                    protect the PROJECT GUTENBERG-tm concept and trademark. Project
                    Gutenberg is a registered trademark, and may not be used if you
                    charge for the eBooks, unless you receive specific permission. If you
                    do not charge anything for copies of this eBook, complying with the
                    rules is very easy. You may use this eBook for nearly any purpose
                    such as creation of derivative works, reports, performances and
                    research. They may be modified and printed and given away--you may do
                    practically ANYTHING with public domain eBooks. Redistribution is
                    subject to the trademark license, especially commercial
                    redistribution.
                   1.D. The copyright laws of the place where you are located also govern
                   what you can do with this work. Copyright laws in most countries are in
                   a constant state of change. If you are outside the United States, check
                   the laws of your country in addition to the terms of this agreement
                   before downloading, copying, displaying, performing, distributing or
                   creating derivative works based on this work or any other Project
                   Gutenberg-tm work. The Foundation makes no representations concerning
                   the copyright status of any work in any country outside the United
                   States.
                   1.E.1. The following sentence, with active links to, or other immediate
                   access to, the full Project Gutenberg-tm License must appear prominently
                   whenever any copy of a Project Gutenberg-tm work (any work on which the
                   phrase "Project Gutenberg" appears, or with which the phrase "Project
                   Gutenberg" is associated) is accessed, displayed, performed, viewed,
                   copied or distributed:
                   This eBook is for the use of anyone anywhere at no cost and with
                   almost no restrictions whatsoever. You may copy it, give it away or
                   re-use it under the terms of the Project Gutenberg License included
                   with this eBook or online at www.gutenberg.org
                   1.E.6. You may convert to and distribute this work in any binary,
                   compressed, marked up, nonproprietary or proprietary form, including any
                   word processing or hypertext form. However, if you provide access to or
                   distribute copies of a Project Gutenberg-tm work in a format other than
                   "Plain Vanilla ASCII" or other format used in the official version
                   posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
                   you must, at no additional cost, fee or expense to the user, provide a
                   copy, a means of exporting a copy, or a means of obtaining a copy upon
                   request, of the work in its original "Plain Vanilla ASCII" or other
                   form. Any alternate format must include the full Project Gutenberg-tm
                   License as specified in paragraph 1.E.1.
                   - You pay a royalty fee of 20% of the gross profits you derive from
                        the use of Project Gutenberg-tm works calculated using the method
                        you already use to calculate your applicable taxes. The fee is
                        owed to the owner of the Project Gutenberg-tm trademark, but he
                        has agreed to donate royalties under this paragraph to the
                        Project Gutenberg Literary Archive Foundation. Royalty payments
                        must be paid within 60 days following each date on which you
                        prepare (or are legally required to prepare) your periodic tax
                        returns. Royalty payments should be clearly marked as such and
                        sent to the Project Gutenberg Literary Archive Foundation at the
                        address specified in Section 4, "Information about donations to
                        the Project Gutenberg Literary Archive Foundation."
                   - You provide a full refund of any money paid by a user who notifies
                        you in writing (or by e-mail) within 30 days of receipt that s/he
                        does not agree to the terms of the full Project Gutenberg-tm
                        License. You must require such a user to return or
                        destroy all copies of the works possessed in a physical medium
                        and discontinue all use of and all access to other copies of
                        Project Gutenberg-tm works.
                   - You comply with all other terms of this agreement for free
                        distribution of Project Gutenberg-tm works.
1.F.
                   1.F.4. Except for the limited right of replacement or refund set forth
                   in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
                   WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
                   WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
                   1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
                   trademark owner, any agent or employee of the Foundation, anyone
                   providing copies of Project Gutenberg-tm electronic works in accordance
                   with this agreement, and any volunteers associated with the production,
                   promotion and distribution of Project Gutenberg-tm electronic works,
                   harmless from all liability, costs and    expenses, including legal fees,
                   that arise directly or indirectly from    any of the following which you do
                   or cause to occur: (a) distribution of    this or any Project Gutenberg-tm
                   work, (b) alteration, modification, or    additions or deletions to any
                   Project Gutenberg-tm work, and (c) any    Defect you cause.
                   Please check the Project Gutenberg Web pages for current donation
                   methods and addresses. Donations are accepted in a number of other
                   ways including checks, online payments and credit card donations.
                   To donate, please visit: http://pglaf.org/donate
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org