Journal Sociology: American
Journal Sociology: American
JOURNAL OF SOCIOLOGY
VolumeLXII MAY 1957 Number6
FASHION'
GEORG SIMMEL
ABSTRACT
Fashion is a form of imitation and so of social equalization, but, paradoxically, in changing incessantly,
it differentiates one time from another and one social stratum from another. It unites those of a social
class and segregates them from others. The elite initiates a fashion and, when the mass imitates it in an
effort to obliterate the external distinctions of class, abandons it for a newer mode-a process that quickens
with the increase of wealth. Fashion does not exist in tribal and classless societies. It concerns externals
and superficialities where irrationality does no harm. It signalizes the lack of personal freedom; hence it
characterizes the female and the middle class, whose increased social freedom is matched by intense in-
dividual subjugation. Some forms are intrinsically more suited to the modifications of fashion than others:
the internal unity of the forms called "classic" makes them immune to change.
The general formula in accordance with Man has ever had a dualistic nature. This
which we usually interpret the differing as- fact, however, has had but little effect on the
pects of the individual as well as of the pub- uniformity of his conduct, and this uniform-
lic mind may be stated broadly as follows: ity is usually the result of a number of ele-
We recognize two antagonistic forces, tend- ments. An action that results from less than
encies, or characteristics,either of which, if a majority of fundamental forces would ap-
left unaffected,would approachinfinity; and pear barrenand empty. Over an old Flemish
it is by the mutual limitation of the two house there stands the mystical inscription,
forces that the characteristicsof the individ- "There is more within me"; and this is the
ual and public mind result. We are con- formula accordingto which the first impres-
stantly seekingultimate forces, fundamental sion of an action is supplemented by a far-
aspirations, some one of which controls our reaching diversity of causes. Human life
entire conduct. But in no case do we find cannot hope to develop a wealth of inex-
any single force attaining a perfectly inde- haustible possibilities until we come to rec-
pendent expression,and we are thus obliged ognize in every moment and content of ex-
to separate a majority of the factors and de- istence a pair of forces, each one of which, in
termine the relative extent to which each striving to go beyond the initial point, has
shall have representation. To do this we resolved the infinity of the other by mutual
must establish the degree of limitation exer- impingement into mere tension and desire.
cised by the counteraction of some other While the explanationof some aspects of the
force, as well as the influence exerted by the soul as the result of the action of two funda-
latter upon the primlitiveforce. mental forces satisfies the theoretical in-
I InternationalQuarterly(New York), X (Octo- stinct, it furthermore
adds a new charm to
ber, 1904), 130-55. Reprintedby kind permission the image of things, not only by tracing
of Dodd,Mead& Co. distinctly the outlines of the fact, but also by
541
ity, but also the responsibility for the action in change. Conversely,whereverprominence
from ourselves to another. Thus the individ- is given to change, wherever individual dif-
ual is freed from the worry of choosing and ferentiation, independence, and relief from
appearssimply as a creatureof the group, as generality are sought, there imitation is the
a vessel of the social contents. negative and obstructive principle. The
The tendency towards imitation charac- principle of adherence to given formulas, of
terizes a stage of development in which the being and of acting like others, is irrecon-
desirefor expedient personalactivity is pres- cilably opposed to the striving to advance to
ent, but from which the capacity for possess- ever new and individual forms of life; for
ing the individual acquirementsis absent. It this very reason social life represents a
is interesting to note the exactness with battle-ground, of which every inch is stub-
which children insist upon the repetition of bornly contested, and social institutions
facts, how they constantly clamor for a may be looked upon as the peace-treaties, in
repetition of the same games and pastimes, which the constant antagonismof both prin-
how they will object to the slightest varia- ciples has been reduced externally to a form
tion in the telling of a story they have heard of cobperation.
twenty times. In this imitation and in exact The vital conditions of fashion as a uni-
adaptation to the past the child first rises versal phenomenonin the history of our race
above its momnentary existence; the immedi- are circumscribed by these conceptions.
ate content of life reaches into the past, it Fashion is the imitation of a given example
expands the present for the child, likewise and satisfies the demand for social adapta-
for primitive man; and the pedantic exact- tion; it leads the individual upon the road
ness of this adaptation to the given formula which all travel, it furnishesa generalcondi-
need not be regarded offhand as a token of tion, which resolves the conduct of every
poverty or narrowness.At this stage every individual into a mere example.At the same
deviation from imitation of the given facts time it satisfies in no less degree the need of
breaks the connection which alone can now differentiation, the tendency towards dis-
unite the present with something that is similarity, the desire for change and con-
more than the present, something that tends trast, on the one hand by a constant change
to expand existence as a mere creatureof the of contents, which gives to the fashion of to-
moment. The advance beyond this stage is day an individual stamp as opposed to that
reflected in the circumstance that our of yesterday and of to-morrow,on the other
thoughts, actions, and feelings are deter- hand because fashions differ for different
mined by the future as well as by fixed, past, classes-the fashions of the upper stratum
and traditionalfactors: the teleologicalindi- of society are never identical with those of
vidual representsthe counterpoleof the imi- the lower;in fact, they are abandonedby the
tative mnortal.The imitator is the passive former as soon as the latter prepares to ap-
individual, who believes in social similarity propriate them. Thus fashion represents
and adapts himself to existing elements; the nothing more than one of the many forms of
teleological individual, on the other hand, is life by the aid of which we seek to combine
ever experimenting,always restlessly striv- in uniform spheres of activity the tendency
ing, and he relies on his own personalconvic- towards social equalization with the desire
tion. for individual differentiation and change.
Thus we see that imitation in all the in- Every phase of the conflicting pair strives
stances whereit is a productive factor repre- visibly beyond the degree of satisfaction
sents one of the fundamental tendencies of that any fashion offers to an absolute con-
our character,[133]namely, that which con- trol of the sphere of life in question. If we
tents itself with similarity, with uniformity, should study the history of fashions (which
with the adaptation of the special to the gen- hitherto have been examined only from the
eral, and accentuates the constant element view-point of the development of their con-
tents) in connection with their importance fashion dictates, for example, whether wide
for the form of the social process, we should or narrow trousers, colored or black scarfs
find that it reflects the history of the at- shall be worn. As a rule the mnaterialjustifi-
tempts to adjust the satisfaction of the two cation for an action coincides with its gen-
counter-tendenciesmore and more perfectly eral adoption, but in the case of fashion
to the condition of the existing individual there is a complete separationof the two ele-
and social culture. The various psychologi- ments, and there renmainsfor the individual
cal elements in fashion all conform to this only this general acceptance as the deciding
fundamental principle. motive to appropriate it. Judging from the
Fashion, as noted above, is a product of ugly and repugnant things that are some-
class distinction and operates like a number times in vogue, it would seem as though
of other forms, honor especially, the double fashion were desirousof exhibitingits power
function of which consists in revolving with- by getting us to adopt the most atrocious
in a given circle and at the same time em- things for its sake alone. The absolute indif-
phasizing it as separate from others. Just as ference of fashion to the material standards
the frame of a picture characterizes[134]the of life is well illustrated by the way in which
work of art inwardly as a coherent, homo- it recommendssomething appropriatein one
geneous,independententity and at the same instance, somethingabstrusein another,and
time outwardly severs all direct relations somethingmateriallyand aesthetically quite
with the surroundingspace, just as the uni- indifferent in a third. The only motivations
form energy of such forms cannot be ex- with which fashion is concerned are formal
pressed unless we determine the double ef- social ones. The reason why even aestheti-
fect, both inward and outward, so honor cally impossible styles seem disting'ue,ele-
owes its character, and above all its moral gant, and artistically tolerablewhen affected
rights, to the fact that the individual in his by persons who carry them to the extreme,
personal honor at the same time represents is that the persons who do this are generally
and maintains that of his social circle and the most elegant and pay the greatest atten-
his class. These moral rights, however, are tion to their personal appearance, so that
frequently consideredunjust by those with- under any circumstanceswe would get the
out the pale. Thus fashion on the one hand impression of something distingue and aes-
signifies union with those in the same class, thetically cultivated. This impression we
the uniformity of a circle characterizedby credit to the questionable element of fash-
it, and, ino actt, the exclusion of all other ion, the latter appealing to our conscious-
groups. ness as the new and consequently most con-
Union and segregationare the two funda- spicuous feature of the tout ensemble.
mental functions which are here inseparably [135] Fashion occasionallywill accept ob-
united, and one of which, although or be- jectively determined subjects such as re-
cause it forms a logical contrast to the other, ligious faith, scientific interests, even social-
becomes the condition of its realization. ism and individualism; but it does not be-
Fashion is merely a product of social de- come operative as fashion until these sub-
mands, even though the individual object jects can be considered independent of the
which it createsor recreatesmay representa deeper human motives from which they
more or less individual need. This is clearly have risen. For this reason the rule of fash-
proved by the fact that very frequently not ion becomes in such fields unendurable.We
the slightest reason can be found for the cre- therefore see that there is good reason why
ations of fashion from the standpoint of an externals-clothing, social conduct, amuse-
objective, aesthetic, or other expediency. ments-constitute the specific field of fash-
While in general our wearing apparel is ion, for here no dependence is placed on
really adapted to our needs, there is not a really vital motives of human action. It is
trace of expediency in the method by which the field which we can most easily relinquish
ion employs in its socializing endeavors, is isolation on the other. Should one of these be
restricted to higher civilization, because absent, fashion will not be formed-its sway
novelty, which foreign origin guarantees in will abruptly end. Consequently the lower
extremeform, is often regardedby primitive classes possess very few modes and those
races as an evil. This is certainly one of the they have are seldom specific;for this reason
reasons why primitive conditions of life the modes of primitive races are much more
favor a correspondinglyinfrequent change stable than ours. Among primitive races the
of fashions. The savage is afraid of strange socializing impulse is much more powerfully
appearances; the difficulties and dangers developed than the differentiatingimpulse.
that beset his careercause him to scent dan- For, no matter how decisively the groups
ger in anything new which he does not un- may be separated from one another, separa-
derstand and which he cannot assign to a tion is for the most part hostile in such a
familiar category. Civilization, however, way, that the very relation the rejection of
transformsthis affectation into its very op- which within the classes of civilized races
posite. Whatever is exceptional, bizarre, or makes fashionreasonable,is absolutely lack-
conspicuous, or whatever departs from the ing. Segregation by means of differencesin
customary norm, exercises a peculiar charm clothing, manners, taste, etc., is expedient
upon the man of culture, entirely independ- only where the danger of absorption and
ent of its material justification.The removal obliteration exists, as is the case among
of the feeling of insecurity with referenceto highly civilized nations. Where these differ-
all things new was accomplished by the ences do not exist, where we have an abso-
progressof civilization. At the same time it lute antagonism,as for example between not
may be the old inherited prejudice, [137]al- directly friendly groups of primitive races,
though it has become purely formal and the development of fashion has no sense at
unconscious, which, in connection with the all.
present feeling of security, produces this It is interesting to observe how the preva-
piquant interest in exceptional and odd lence of the socializing impulse in primitive
things. For this reason the fashions of the peoples affects various institutions, such as
upper classes develop their power of exclu- the dance. It has been noted quite generally
sion against the lower in proportionas gen- that the dances of primitive races exhibit a
eral culture advances, at least until the remarkableuniformity in arrangementand
minglingof the classesand the leveling effect rhythm. The dancing group feels and acts
of democracyexert a counter-influence. like a uniform organism; the dance forces
Fashion plays a more conspicuousrOlein and accustoms a numberof individuals, who
moderntimes, because the differencesin our are usually driven to and fro without rime or
standardsof life have become so much more reason by vacillating conditions and needs
strongly accentuated, for the more numer- of life, to be guided by a common impulse
ous and the more sharplydrawnthese differ- and a single common motive. Even making
ences are, the greater the opportunities for allowances for the tremendous differencein
emphasizing them at every turn. In innu- the outward appearanceof the dance, we are
merable instances this cannot be accom- [138] dealing here with the same element
plished by passive inactivity, but only by that appears in the socializingforce of fash-
the development of forms established by ion. Movement, time, rhythm of the ges-
fashion; and this has become all the more tures, are all undoubtedlyinfluencedlargely
pronouncedsince legal restrictionsprescrib- by what is worn: similarly dressed persons
ing various forms of apparel and modes of exhibit relative similarity in their actions.
life for different classes have been removed. This is of especial value in modern life with
Two social tendencies are essential to the its individualistic diffusion,while in the case
establishment of fashion, namely, the need of primitive races the effect produced is di-
of union on the one hand and the need of rected within and is thereforenot dependent
not called fashion, when we are convinced of ment we envy an object or a person, we are
its continuance and its material justifica- no longer absolutely excluded from it; some
tion. If, on the other hand, we feel certain relation or other has been established-be-
that the fact will vanish as rapidly as it tween both the same psychic content now
came, then we call it fashion. We can dis- exists-although in entirely different cate-
cover one of the reasons why in these latter gories and forms of sensations. This quiet
days fashion exercisessuch a powerful influ- personal usurpation of the envied property
ence on our consciousness in the circum- contains a kind of antidote, which occasion-
stance that the great, permanent, unques- ally counter-acts the evil effects of this feel-
tionable convictions are continually losing ing of envy. The contents of fashion afford
strength, as a consequence of which the an especially good chance for the develop-
transitory and vacillating elements of life ment of this conciliatory shade of envy,
acquire more room for the display of their which also gives to the envied person a
activity. The break with the past, which, for better consciencebecause of his satisfaction
more than a century, civilized mankind has over his good fortune. This is due to the fact
been laboring unceasingly to bring about, that these contents are not, as many other
makes the consciousnessturn moreand more psychic contents are, denied absolutely to
to the present. This accentuationof the pres- any one, for a change of fortune, which is
ent evidently at the same time emphasizes never entirely out of the question, may play
the element of change, and a class will turn them into the hands of an individual who
to fashion in all fields, by no means only in had previously been confinedto the state of
that of apparel, in proportion to the degree envy.
in which it supports the given civilizing From all this we see that fashionfurnishes
tendency. It may almost be considered a an ideal field for individuals with dependent
sign of the increasedpower of fashion, that natures, whose self-consciousness,however,
it has overstepped the bounds of its original requiresa certain amount of prominence,at-
domain, which [140] comprisedonly person- tention, and singularity. Fashion raises even
al externals, and has acquiredan increasing the unimportant individual by making him
influenceover taste, over theoreticalconvic- the representative of a class, the embodi-
tions, and even over the moral foundations ment of a joint spirit. And here again we
of life. observe the curious intermixtureof antago-
From the fact that fashion as such can nistic values. Speaking broadly, it is char-
never be generally in vogue, the individual acteristic of a standard set by a general
derives the satisfaction of knowing that as body, that its acceptance by any one indi-
adopted by him it still representssomething vidual does not call attention to him; in
special and striking, while at the same time other words, a positive adoption of a given
he feels inwardly supported by a set of per- norm signifies nothing. Whoever keeps the
sons who are striving for the same thing, not laws the breaking of which is punished by
as in the case of other social satisfactions,by the penal code, whoeverlives up to the social
a set actually doing the same thing. The forms prescribedby his class, gains no con-
fashionableperson is regardedwith mingled spicuousness or notoriety. The slightest in-
feelings of approval and envy; we envy him fraction or opposition, however, is immedi-
as an individual, but approve of him as a ately noticed and places the individual in an
memberof a set or group.Yet even this envy exceptional position by calling the attention
has a peculiar coloring. There is a shade of of the public to [141] his action. All such
envy which includes a species of ideal par- norms do not assume positive importance
ticipation in the envied object itself. An in- for the individual until he begins to depart
structive example of this is furnishedby the from them. It is peculiarly characteristicof
conduct of the poor man who gets a glimpse fashion that it renders possible a social
of the feast of his rich neighbor. The mo- obedience, which at the same time is a form
latter, however, furnishes just as fair testi- toms of the general public. Such opposition
mony of the power of the social tendency, is by no means always a sign of personal
which demandsour dependencein some pos- strength.
itive or negative manner.The man who con- The fact that fashion expressesand at the
sciously pays no heed to fashion accepts its same time emphasizesthe tendency towards
forms just as much as the dude does, only he equalization and individualization, and the
embodies it in another category, the former desire for imitation and conspicuousness,
in that of exaggeration, the latter in that of perhaps explains why it is that women,
negation. Indeed, it occasionally happens broadly speaking, are its staunchest ad-
that it becomes fashionable in whole bodies herents. Scientific discretion should caution
of a large class to depart altogether from the us against formingjudgments about woman
standards set by fashion. This constitutes a "in the plural." At the same time it may be
most curious social-psychologicalcomplica- said of woman in a generalway, whether the
tion, in which the tendency towards individ- statement be justified in every case or not,
ual conspicuousnessprimarily rests content that her psychological characteristic in so
with a mere inversion of the social imitation far as it differsfrom that of man, consists in
and secondly draws in strength from ap- a lack of differentiation, in a greater simi-
proximation to a similarly characterized larity among the different members of her
narrowercircle. If the club-hatersorganized sex, in a stricter adherenceto the social aver-
themselves into a club, it would not be logi- age. Whether on the final heights of modern
cally more impossible and psychologically culture, the facts of which have not yet fur-
morepossible than the above case. Similarly nished a contribution to the formation of
atheism has been made into a religion, em- this general conviction, there will be a
bodying the same fanaticism, the same in- change in the relation between men and
tolerance,the same satisfying of the needs of women, a change that may result in a com-
the soul that are embraced in religion plete reversal of the above distinction, I do
proper. Freedom, likewise, after having put not care to discuss, inasmuchas we are con-
a stop to tyranny, frequently becomes no cerned here with more comprehensive his-
less tyrannical and arbitrary. So the phe- torical averages. The relation and the weak-
nomenon of conscious departure from fash- ness of her social position, to which woman
ion illustrates [1431 how ready the funda- has been doomed during the far greaterpor-
mental forms of human characterare to ac- tion of history, however, explains her strict
cept the total antithesis of contents and to regardfor custom, for the generallyaccepted
show their strength and their attraction in and approved forms of life, for all that is
the negation of the very thing to whose ac- proper. A weak person steers clear of indi-
ceptance they seemed a moment before ir- vidualization; he avoids dependence upon
revocably committed. It is often absolutely self with its responsibilities and the neces-
impossible to tell whether the elements of sity of defending himself unaided. He finds
personal strength or of personal weakness protection only in the typical form of life,
preponderate in the group of causes that which prevents the strong from exercising
lead to such a departure from fashion. It his exceptional powers. But resting on the
may result from a desire not to make com- firm foundation of custom, of what is gen-
mon cause with the mass, a desire that has erally accepted, woman strives anxiously for
at its basis not independenceof the mass, to all the relative individualization and per-
be sure, but yet an inherently sovereign po- sonal conspicuousnessthat remains.
sition with respect to the latter. However, it Fashion furnishes this very combination
may be due to a delicate sensibility, which in the happiest manner,for we have here on
causes the individual to fear that he will be the one hand a field of generalimitation, the
unable to maintain his individuality in case individual floating [1441in the broadest so-
he adopts the forms, the tastes, and the cus- cial current,relieved of responsibilityfor his
monplacecontents and forms of social inter- which would have aroused unconquerable
course. The impossibility of enticing her repugnance in his soul had they been sug-
beyond the most banal and trite forms of gested to him alone. It is one of the strangest
expression, [147] which often drives one to social-psychological phenomena, in which
despair, in innumerable instances signifies this characteristicof concertedaction is well
nothing more than a barricade of the soul, exemplified, that many fashions tolerate
an iron mask that conceals the real features breaches of modesty which, if suggested to
and can furnishthis service only by means of the individual alone, would be angrily re-
a wholly uncompromisingseparation of the pudiated. But as dictates of fashion they
feelings and the externals of life. find ready acceptance. The feeling of shame
All feeling of shamerests upon isolation of is eradicated in matters of fashion, because
the individual; it arises whenever stress is it represents a united action, in the same
laid upon the ego, whenever the attention of way that the feeling of responsibility is ex-
a circle is drawn to such an individual-in tinguished in the participants of a crime
reality or only in his imagination-which at committed by a mob, each member of
the same time is felt to be in some way in- which, if left to himself, would shrink from
congruous. For that reason retiring and violence.
weak natures particularlyincline to feelings Fashion also is only one of the forms by
of shame. The moment they step into the the aid of which men seek to save their inner
centre of generalattention, the moment they freedom all the more completely by sacrific-
make themselves conspicuousin any way, a ing externals to enslavement by the general
painful oscillation between emphasis and public. Freedomand dependencealso belong
withdrawalof the ego becomes manifest. In- to [148] those antagonistic pairs, whose ever
asmuch as the individual departure from a renewed strife and endless mobility give to
generality as the source of the feeling of life much more piquancy and permit of a
shame is quite independentof the particular much greater breadth and development,
content upon the basis of which it occurs, than a permanent, unchangeablebalance of
one is frequently ashamedof good and noble the two could give. Schopenhauerheld that
things. The fact that the commonplace is each person's cup of life is filled with a cer-
good form in society in the narrowersense of tain quantity of joy and woe, and that this
the term, is due not only to a mutual regard, measure can neither remain empty nor be
which causes it to be consideredbad taste to filled to overflowing, but only changes its
make one's self conspicuous through some form in all the differentiations and vacilla-
individual, singular expression that not ev- tions of internal and external relations. In
ery one can repeat, but also to the fear of the same way and much less mystically we
that feeling of shame which as it were forms may observe in each period, in each class,
a self-inflictedpunishmentfor the departure and in each individual, either a really per-
from the form and activity similarfor all and manent proportion of dependenceand free-
equally accessible to all. By reason of its pe- dom, or at least the longing for it, whereas
culiar inner structure, fashion furnishes a we can only change the fields over which
departureof the individual, which is always they are distributed. It is the task of the
looked upon as proper. No matter how ex- higher life, to be sure, to arrange this dis-
travagant the form of appearanceor mnanner tribution in such a way that the other values
of expression,as long as it is fashionable,it is of existence require thereby the possibility
protected against those painful reflections of the most favorable development. The
which the individual otherwise experiences same quantity of dependence and freedom
when he becomes the object of attention. All may at one time help to increase the moral,
concerted actions are characterizedby the intellectual, and aesthetic values to the
loss of this feeling of shame. As a memberof highest point and at another time, without
a mass the individual will do many things any change in quantity but merely in dis-
tribution, it may bring about the exact op- appear in the same irrational manner. We
posite of this success. Speaking broadly, we might call this a personal fashion, which
may say that the most favorable result for forms an analogy to social fashion. The for-
the aggregate value of life will be obtained mer is supported on the one hand by the
when all unavoidable dependence is trans- individual demand for differentiation and
ferred more and more to the periphery, to thereby attests to the same impulse that is
the externals of life. Perhaps Goethe, in his active in the formation of social fashion.
later period, is the most eloquent example of The need of imitation, of similarity, of the
a wholly great life, for by means of his blending of the individual in the mass, are
adaptability in all externals,his strict regard here satisfied purely within the individual
for form, his willing obedience to the con- himself, namely through the concentration
ventions of society, he attained a maximum of the personal consciousness upon this one
of inner freedom, a complete saving of the form or content, as well as through the imi-
centres of life from the touch of the unavoid- tation of his own self, as it were, which here
able quantity of dependence.In this respect takes the place of imitation of others. In-
fashion is also a social form of marvelous deed, we might say that we attain in this
expediency, because, like the law, it affects case an even more pronounced concentra-
only the externals of life, only those sides of tion, an even more intimate support of the
life which are turned to society. It provides individual contents of life by a central uni-
us with a formulaby means of which we can formity than we do where the fashion is
unequivocally attest our dependence upon common property.
what is generally adopted, our obedience to A certain intermediatestage is often real-
the standards established by our time, our ized within narrow circles between individ-
class, and our narrowercircle, and enablesus ual mode and personal fashion. Ordinary
to withdraw the freedom given us in life persons frequently adopt some expression,
from externals and concentrate it more and which they apply at every opportunity -in
more in our innermost natures. common with as many as possible in the
Within the individual soul the relations of same set-to all manner of suitable or uni-
equalizing unification and individual de- suitable objects. In one respect this is a
marcation are to a certain extent repeated. group fashion, yet in another respect it is
The antagonism of the tendencies which really individual, for its express purpose
produces fashion is transferred as far as consists in having the individual make the
form is concerned in an entirely similar totality of his circle of ideas subject to this
manneralso to those inner relations of many formula. Brutal violence is hereby com-
individuals, who have nothing whatever to mitted against the individuality of things;
do with social obligations. The instances to all variation is destroyed by the curious su-
which I have just referred exhibit the oft- premacy of this one category of expressions,
mentioned parallelism with which the rela- for example, when we designate all things
tions between individuals are repeatedin the that happen to please us for any reason
correlationbetween the psychic elements of whatsoever as "chic," or "smart," even
the individual himself. With more [149] or though the objects in question may bear no
less intention the individual often estab- relation whatsoever to the fields to which
lishes a mode of conduct or a style for him- these expressionsbelong. In this mannerthe
self, which by reason of the rhythm of its inner worldof the individual is made subject
rise, sway, and decline becomes character- to fashion, and thus reflects the aspects of
ized in fashion. Young people especially the external group governed by fashion,
often exhibit a sudden strangeness in be- chiefly by reason of the objective absurdity
havior; an unexpected, objectively un- of such individual manners, which illustrate
founded interest arises and governs their the power of the formal, unifying element
whole sphere of consciousness, only to dis- over the objective rational element. In the
an entirely differentpace since the tiers etat also because even the higher circles of so-
assumed control. For this reason fashion, ciety could not afford to adopt the rapid
which represents the variable and contrast- changes in fashion forced upon them by the
ing formsof life, has since then becomemuch imitation of the lower circles, if the objects
broader and more animated, and also be- were not relatively cheap. The rapidity of
cause of the transformationin the immedi- the development is of such importance in
ate political life, for man requiresan ephem- actual articles of fashion that it even with-
eral tyrant the moment he has rid himself of draws them from certain advances of econ-
the absolute and permanent one. The fre- omy gradually won in other fields. It has
quent change of fashion represents a tre- been noticed, especially in the olderbranches
mendous subjugation of the individual and of modern productive industry, that the
in that respect forms one of the essential speculative element graduallyceases to play
complementsof the increasedsocial and po- an influential rolc. The movements of the
litical freedom. A form of life, for the con- mnarketcan be better overlooked, require-
tents of which the moment of acquired ments can be better foreseen and production
height marks the beginning of decline, be- can be more accurately regulated than be-
longs to a class which is inherently much fore, so that the rationalization of produc-
more variable, much more restless in its tion makes greater and greater inroads on
rhythms than the lowest classes with their chance conjunctures,on the aimless vacilla-
dull, unconscious conservatism, and the tion of supply and demand. Only pure ar-
highest classes with their consciouslydesired ticles of fashion seem to prove an exception.
conservatism. Classes and individuals who The polar oscillations, which modern eco-
demand constant change, because the rapid- nomics in many instances knows how to
ity of their development gives them the ad- avoid and from which it is visibly striving
vantage over others, find in fashion some- towards entirely new economic orders and
thing that keeps pace with their own soul- forms, still hold sway in the field immedi-
movements. Social advance above all is fa- ately subject to fashion. The element of
vorable to the rapid change of fashion, for it feverish changeis so essential here that fash-
capacitates lower classes so much for imita- ion stands, as it were, in a logical contrast to
tion of upper ones, and thus the process the tendencies for development in modern
characterizedabove, according to which ev- economics.
ery higher set throws aside a fashion the In contrast to this characteristic, how-
moment a lower set adopts it, has acquired a ever, fashion possesses this peculiar quality,
breadth and activity never dreamed of that every individual type to a certain ex-
before. tent makes its appearance as though it in-
This fact has important bearing on the tended to live forever. When we furnish a
content of fashion. Above all else it brings in house these days, intending the articles to
its train a reduction in the cost and ex- last a quarterof a century, we invariably in-
travaganceof fashions. In earliertimes there vest in furniture designed according to the
was a compensationfor the costliness of the very latest patterns and do not even con-
first acquisition or the difficulties in trans- sider articles in vogue two years before. Yet
forming conduct and taste in the longer du- it is evident that the attraction of fashion
ration of their sway. The more an article will desert the present article just as it left
becomes subject to rapid changes of fashion, the earlier one, and satisfaction or dissatis-
the greaterthe demandfor cheapproducts of faction with both forms is determined by
its kind, not only because the larger and other material criterions.A peculiarpsycho-
therefore poorer classes nevertheless have logical process seems to be at work here in
enough purchasingpower to regulate indus- addition to the mere bias of the moment.
try and demand objects, which [152]at least Some fashion always exists and fashion per
bear the outward semblance of style, but se is indeed immortal, which fact seems to