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Aerosmith (BASS)

BASS TABLATURE

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50% found this document useful (2 votes)
1K views113 pages

Aerosmith (BASS)

BASS TABLATURE

Uploaded by

Destruction888
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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from Aerosmith - Rocks

Back in the Saddle


Words and Music by Steven Tyler and Joe Perry
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb
Intro
Moderate Rock q = 116

    
A5
Bass

       
mf

 0 0 0 0 0 0

     
           

0 0 0 X 0 0 0 0

           
    

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0

Chorus
D
 
µ (E5)

 
     
I’m back,

                       


Bass Fig. 1

     
f

5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7
0 5 6 7

Copyright © 1977 Mosaic Music, Song & Dance and Vindaloo Productions
All Rights Reserved Used by Permission 1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
            
        
I’m back in the sad - dle a - gain. I’m

            End
 
            
Bass Fig. 1

     
 
7 7 7 6 7 7 7 6
5 7 5 5 7
7 8 9 5 7 7 7 8 9
0 5 6 7

  
Bass: w/ Bass Fig. 1

         
        
back, I’m back in the sad - dle a - gain.

Verse

                 
A D A D
   
 
1. Rid - in’ in - to town a - lone by the light of the moon,

                   
         

4 5 6 7 5 5 3 3 2 4 5 6 7 5
3 5 5 5 3 5 5 5

A
     
D

     
 
I’m look - in’ for old Su - kie Jones,

     
             
 

5 3 3 3 2 4 5 6 7 5
5 5 5

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A D

   
      

 
 
she cra - zy horse sa - loon.

           
Bass Fig. 2 End Bass Fig. 2

              

5 5 3 5 3 3 2 2 4 5 6 7 5 5 3 5 3 3 2
3 5 5 5

A D/A

       
      
 
Bar keep gim - me a drink, that’s when she caught my

     
             

4 5 6 7
5 5 5 5 5 5 5 5 5 5 5 5 5
A D/A A D/A

       
      
   
 
eye, she turned to gim - me a wink,

     
                       

4 5 6 7 4 5 6 7
3 5 5 5 5 5 5 5 5 5 5 5 5 3 5 5 5 5

A D/A

           
    
that’d make a grown man cry. I’m

  
                         

4 5 6 7
5 5 5 5 5 5 5 5 3 5 5 5 5 5 5 5 5 5 5 5 5

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Chorus
Bass: w/ Bass Fig. 1 (2 times)

 
µ (E5)

          
          
back in the sad - dle a - gain, I’m back. I’m

        
   
  
     
back in the sad - dle a - gain, I’m back.

Verse
Bass: w/ Bass Fig. 2 (4 times)

                 
A D A D

     

2. Come eas - y, go eas - y, al - right till the ris - in’ sun. I’m

 D   
          
A A D

     
    
call - in’ all the shots to - night, I’m like a load - ed gun.

 
B E/B

            
 
 
Peal - in’ off my boots and chaps I’m sad - dle sore,

     
    
Bass Fig. 3

         

9 9 9 9
6 7 8 9
5 7 7 7 7 7 7 7 7

B
     
E/B
 
      
  

four bits gets you time in the rack I scream for more.

     
End Bass Fig. 3

              

9 9 9 9
6 7 8 9
5 7 7 7 7 7 7 7 7

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Bass: w/ Bass Fig. 3

  
B E/B B E/B

                     
    


Fools gold out of their mine, the girls are soak - in’ wet. No tongue’s dri - er than mine,

Chorus
Bass: w/ Bass Fig. 1 (2 times)


µ (E5)
       
             
 
I’ll come when I get back. I’m back in the sad - dle a - gain.

          
 
   
            
I’m back, I’m back in the sad - dle a - gain.

Bridge

        
Asus4 A Bsus4/A B/A G/A µ A5

 
        
I’m rid - in’, I’m load - in’ up my pis - tol.

 
Bass Fig. 4
 
            

7 6
9 9 7
9 12 12 12
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 8 7 5 5 5 5

          

Asus4 A Bsus4/A B/A G/A µ A5

 
        
I’m rid - in’, I real - ly got a fist - ful.

  
         
End Bass Fig. 4

     

7 6
9 9 7
9
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 8 7 5 5 5 5 5 5 5 5

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
Bass: w/ Bass Fig. 4

  

Asus4 A
   Bsus4/A B/A G/A
     
µ
  
A5

     
I’m rid - in’, I’m shin - in’ up my sad - dle.

           µ
    
Asus4 A Bsus4/A B/A G/A A5

        
I’m rid - in’, the snake is gon - na rat - tle. I’m

Chorus
Bass: w/ Bass Fig. 1 (2 times)

 
µ (E5)

          
         
back in the sad - dle a - gain, I’m back. I’m

        
  
      

back in the sad - dle a - gain, I’m back.

Outro
Bass: w/ Bass Fig. 4 (3 times)
Asus4 A Bsus4/A B/A G/A µ A5 Asus4 A

   
  
    
Rid - in’ high.

Bsus4/A B/A G/A µ A5 Asus4 A Bsus4/A B/A G/A

    
    
     
Rid - in’ high. Rid - in’ high.

µ A5 Asus4 A Bsus4/A B/A G/A µ

     
   

     
O - le.

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A5 Asus4 A Bsus4/A B/A G/A µ
      
   
          
Got to. O - le.

A5 Asus4 A Bsus4/A B/A G/A µ A5


      
         
          
O - le. Ooh, ooh, ooh.

    
   
       

O - le, o - le, o - le who.

                         
      

7 7 7 5 5 5 5 5 7 7 5 5 5 5 7 7 5 5 5 5 7
0 0 0 0 0 0 0

                 
    
   

7 6 5
9 7 7 5 5 5 7 5 5 7 7 5 5 7
0 9 0 0 0 0 0 0 0 0 0 0 0 0
8 7

      
              
Get on! Yeah! Huh!


       
     
           
   

7 6 5
9 9 7 7 5 5 7 7 5 4 5
9 9 0 0 0 0 0 0 0 0
8 7

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
            
 
      
            

5 6 5 6 5 5
7 7 5 7 7 5 5 5 7
0 0 0 0 0 0 0 0 0 0 0 0 0

                  
   
    

5 5 5 5 7 6
7 5 7 5 5 7 7 5 5 5 9 7
0 0 0 0 0 9
8 7

                   
           

7 5 5 7 7 5 5 7 7 5 5 7
0 0 0 0 0 0 0 0 0 0 0 0

             
             

7 6
7 5 5 7 9 9 7
0 0 0 0 0 0 0 0 0 0 0 0 9
8 7

    
    
                    

7 7 6
9 7 7
0 0 0 0 0 0 0 0 0 9 0 0 0 0 0 0 0 0 0
8 7

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
from Aerosmith -Toys in the Attic

Big Ten Inch Record


Words and Music by Fred Weismantel

  =  3 
Intro Verse
Moderately q = 88

 
µ (E5) C#5 D5 D6 D5 D6 D5

            
  
1. Got me the strang - est wom -

                  

Bass Bass Fig. 1

   
mf


4
4 7
7 7 7 7 7 7 7 7 7 5

     
D6 D5 G#5 A5 A6 A5 A6 A5 A6 A5 C#5


         

 

 E  
- an; be - lieve me, this chick’s no cinch. But

  
         

5 4
7 4 4 5 4
4 7 7 4
5

D5 D6 D5 D7 D5 D6 D5 D7 D5 E5 µ

        
           
3

 
I real - ly get her go - in’ when I whip out my big ten - inch

       
    

4 5 4
4 7 7 4
5 7

Copyright © 1952 by Bienstock Publishing Company, Jerry Leiber Music and Mike Stoller Music
Copyright Renewed
International Copyright Secured All Rights Reserved
Used by Permission 1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
Chorus

  
C#5 D5 D6 D7 D6 D5 D9 G#5

              E    


re - cord of a band that plays the blues, well, a band

        
 
End Bass Fig. 1 Bass Fig. 2

4 5 4
4 7 7 4
5

 
A5 A6 A5 A7 A5 A6 A5 Am7 E7
         
       
  
that plays the blues. She just love my big

           
 

4 5 4
4 7 7 4 4 5 6
5 7

      
E5 A5 A6 A5 A7 A5 A6 A5

                 
 
ten - inch re - cord of her fa - vor - ite blues. Now my band!

     
End Bass Fig. 2
       

4 5 6 4 5 6 7 4
7 7 7 0

Guitar Solo

 
A5 G5 F#5 E5 A5 G5 F#5 E5 A5 G5 F#5 E5 A5 G5 F#5 E5 D5

     

 
               

5 3 2 0 5 3 2 0 5 3 2 0 5 3 2 0

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C5 B5 A5 D5 C5 B5 A5 G5 F#5 E5 A5 G5 F#5 E5

   
Bass Fig. 3

         
   

5 3 2 0 5 3 2 0
5 3 2 0 5 3 2 0


D5 C#5 B5 E5 D5 C#5 B5 A5 A6 A5 A7 A5 A6 A5 C#5

       
2. Last

         
    
End Bass Fig. 3

  

4 7 4
7 5 4 7 5 4 4 7 7 6
7 7 5

Verse
Bass: w/ Bass Fig. 1

             
D5 G#5 A5 A6 A5 A6 A5 A6 A5 C#5

            
 


night I tried to tease her; I gave my love a lit - tle pinch. But
cov - er her with kis - ses, ’n’ when we’re in a lov - er’s clench she

D5 D6 D5 D7 D5 D6 D5 D7 D5 E5 µ

    
     
         
3
3

  

she said, “Now stop the jiv - in’, ’n’ now whip out your
big ten - inch
gets all ex - cit - ed. When she beg for my

Chorus
Bass: w/ Bass Fig. 2

 
C#5 D5 D6 D7 D6

 
D5 D9
  G#5

             
rec - ord of a band that plays the blues, well, a band

      
A5 A6 A5 A7 A5 A6 A5 Am7 E7 E5
               
   
that plays the blues.” She just loves my big ten - inch rec -

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
1. 2.

     
A5 A6 A5 A7 A5 D5
       A5
           

- ord of her fa - vor - ite blues. 3. I, I, .I’ll - ord of her fa - vor - ite blues.

               


7
4 5 6 7 4
7 6  7
4 5 6
0

  
µ

  

 
       
             

7 10
7 9 0 0 1 1 2 2 3 3 4 4 5 5 6 6 7 7

Harmonica Solo
Bass: w/ Bass Fig. 3

 
C#5

  
    
4. My


                    

4 4 5 5 6 6
3 3 4 4 5 5 6 6 7 7

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Verse


Bass: w/ Bass Fig. 1

              
D5 A5

      



girl don’t go for smok - in’; liq - our just makes her flinch.

           3     
D5 E5 µ

        

Seems she don’t go for noth - in’; ’cept for my big ten - inch

Chorus
Bass: w/ Bass Fig. 2

      
C#5 D5
     
D6 D7 D6 D5 D9
G#5
 A5 A6 A5 A7A5
  
A6 A5

      
rec - ord of a band that plays the blues, band that plays the blues.

      
Am7 E7 E5

          
      
She just love my big ten - inch

        
Outro
µ

   
rit.


rec - ord of her fa - vor - ite blues.

  

  
    
           
rit.

12 14 12
14 12 10
7 12 10
12

Free time

 
A9

    

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
from Aerosmith -Greatest Hits

Come Together
Words and Music by John Lennon and Paul McCartney

Intro
Moderately slow q = 76
Voc.: w/ Voc. Fig. 1
μ (Dm7)
Bass Fig. 1
          EndBassFig. 1
          
Bass

 
mf


10 10 10 10
12 12 12 12
10 12 10 12 10 12 10 12
10 10 10 10 10 10 10 10

Verse

                  
D5 D6 D5 D6 D5 D6 D5 D6 D5 D6 D5 D6

       

1. Here come old flat top, he come groov - in’ up slow - ly. He got Joo Joo eye - ball, he one

        
            
Bass Fig. 2

10 10 10
12 12 12
10 12 10 12 10 12
10 10 10 10 10 10

    
D5 D6 D5 D6 A5 A6 A5 A6 A5 A6 A5 A6

    

          

ho - ly roll - er. He got hair down to his knee,

      
       
       

10 5 5
12 7 7
10 12 5 7 5 7
10 10 5 5 5 5

Voc. Fig. 1

              
(Exhale) Sha, sha, sha, sha.

Copyright © 1969 Sony/ATV Songs LLC


Copyright Renewed
All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
Voc.: w/ Voc. Fig. 1
Bass: w/ Bass Fig. 1

             
G5 μ μ (Dm7)

    
got to be a jok - er he just do what he please.

   
End Bass Fig. 2

      

 Verse
Bass: w/ Bass Fig. 2

                    

D5 D6 D5 D6 D5 D6 D5 D6 D5 D6 D5 D6

  
 
 


2. He wear no shoe - shine, he got toe jam foot - ball. He got mon - key fin - ger, he shoot
3. He bag pro - duc - tion, he got wal - rus gum - boat. He got O - no side board, he one
4. He roll - er coast - er, he got ear - ly morn - ing. He got Mud - dy Wa - ter, he one

  
             
D5 D6 D5 D6 A5 A6 A5 A6 A5 A6 A5 A6

 
 





Co - ca Co - la. He say I know you, you know me,
spi - nal crack - er. He got feet down be - low his knee,
mo - jo fil - ter. He say one and one and one is three,

               
G5 μ

  


one thing I can tell you is you got to be free.
hold you in his arm - chair; you can feel his dis - ease. Come to - geth -
got to be good look - in’ ’cause he so hard to see.

  
Chorus

       
B5 A5 G5 A5

      
- er right now o - ver me.

 
               

7 7 7 7 7 7 5 5 3 3 3 3 5

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1.

Voc: w/ Voc. Fig. 1


To Coda 
1st time, Bass: w/ Bass Fig. 1
2nd & 3rd times, Bass: w/ Bass Fig. 1 (1st 3 meas.)

   
D5
     

2.
Guitar Solo
D5 D6 D5 D6 A5 A6 A5 A6

 
    
Play 4 times Play 4 times

    
Ow!

          
                 

10 12 12 14 12  10   5 
10 10
10 12  10 10
10 12
12
  5 5
5 7
7

D.S. al Coda

      
μ (Dm7)

   
 
      

10 10 12 10 12 10
12
10 12 12
10 10 10 10

 Coda


Outro
D5 D6 D5 D6

   
Oh!

   
             

10 7 5
12 5 7
10 12 5 5 5 5 5 5
10 10

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      

D5 D6 D5 D6 D5 D6 D5 D6 D5 D6 D5 D6

      
Come to - geth - er. Ooh.

     
                 

7 5 7 7 5 7
5 7 5 7 5 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

         
   
D5 D6 D5 D6 D5 D6 D5 D6 D5 D6 D5 D6

     
Come to - geth - er. Choo! Come to - geth - er.

    
                   

7 5 7 7 5
5 7 5 7
5 5 5 5 5 5 5 5 5 5 5 5 3 5 5 5 5 5 5
3 5

Begin fade


    
D5 D6 D5 D6 D5 D6 D5 D6 D5 D6 D5 D6

      
Ah! Come to - geth - er. Choo!

    
               

7 7 5 7
5 7
5 5 5 5 5 5 3 5 5 5 5 5 5 5 5 5 5 5 5 3
3 5 3 5

Fade out
D5 D6 D5 D6 D5 D6 D5 D6

       
     
  
Come to - geth - er. Ah, na, na, na, na, na.

    
            
  
7 5 7
5 7
5 5 5 5 5 5 5 5 5 5 5 5 3
3 5

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from Aerosmith - Big Ones

Deuces Are Wild


Words and Music by Tyler/Vallance

Intro
Moderately slow q = 76


G5  
      
Ah!

   
Bass

  
mf

 3 10 3

             
Csus2 Em7

 
   

      
Ya de at - na. Ah! La ve dat na la.

        


7 7 7
3 15 8 8 10 10

Verse

        
G5

   
    

   
1. La. I love to look in - to your big brown
2. Ahhh, like de - ja vu, I feel like I been

   
 


 3 15

© 1993, 1994 EMI APRIL MUSIC INC., SWAG SONG MUSIC, INC., ALMO MUSIC CORP. and TESTATYME MUSIC
All Rights for SWAG SONG MUSIC, INC. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights for TESTATYME MUSIC Controlled and Administered by ALMO MUSIC CORP.
All Rights Reserved International Copyright Secured Used by Permission 1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
       
Csus2 Em7
     
    

   
eyes. They talk to me and seem to hyp - no -
here. Or some - where else but you been al - ways

        

7 7 7
8 8 10 10

                     
G5

  

tize. They say the things no - bod - y dares to say.
near. It’s you that’s in my dreams I’m beg - gin’ for.

 
 

3 15

                
Csus2 Em7

      
 
And I’m not a - bout to let you fly a -
But I woke up when some - one slammed the door

     


7
8 8 10 0

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
Pre-Chorus
2nd time, Bass: w/ Bass Fill 1

          
D C G

          
   
way. My lov - er with no jet lag we’re stay - in’ up all night in my sleep - ing bag. You got a
so hard I fell out - ta bed, scream - in’ ma - ma’s lit - tle ba - by loves short -’ning bread. And the

         

5 5 5 5 3
5 5 5 3

  
        
D F

          
3

 
heart beat - in’ rhy - thm from the sub - ter - ran’. I real - ly love you lit - tle girl, I don’t
mor - al of the sto - ry I can tes - ti - fy; I get stoned on you girl, that’s the

    
    

5 5 5
5 5 1

Chorus

 



           

G5 F5 C5
        

*



need to ex - plain.
best rea - son why. I love you ’cause your deuc - es are wild girl, like a

  
    

3
1 3 3 1
*Key signature denotes G Mixolydian.

        
Bass Fill 1

       
    

5 5 5 5 3 5 5 5
5 5 5 3 3 5 5 5

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
1.

          
Bb5 F5 G5 F C5

               


 
dou - ble shot of love is so fine. Been lov - ing you since you was a child, girl, ’cause

      
       

1 1 3
1 3 1 3 3 1

   
Bb5 F5 G5

           
    
you and me is two of a kind.

         
  


1 1
1 3 10

2.

           
Bb5 F5 G5 F5 C5

          
 
dou - ble shot of love is so fine. I been lov - in’ you since you was a child, girl, ’cause

 
         
    

1 1 3 1 3 3
1 3 3 1 3 3 1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
 
                      
Bb5 F5 G5 F5 C5

 

you and me is one of a kind. I love you ’cause your deuc - es are wild girl, like a

      
     

1 1 10 10 8 3
1 3 3

                       
Bb5 F5 G5 F5 C5

 


 
dou - ble shot of love is so fine. I been lov - ing you since you was a child, girl, ’cause

  
             

1 1 3 3
1 3 1 3 3 1

Interlude
Bb5 F5 G5 Bb5

                               
8va

   
 


you and me is two of a kind. Wow!

       
                 
 

3 3

let ring

5 3 5 3
5 3 5 3
1 1 5 3 1 1 1 1 1 1 2
1 3

w/ ad lib. Voc.


C5 Bb/D C/E Bb5

            


3 3 5 5 7 1 1 1 1 1
0

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
Outro-Chorus

    
C5 G5 F5 C5

       
    
I love you ’cause your deuc - es are wild, girl, like a

         
   

3 3 3 3 3 3 3 3 3
3 3 1

                    
Bb5 F5 G5 F5 C5

  

dou - ble shot of love is so fine. I’ve been lov - ing you since you was a child, girl, ’cause

        
     

1 1 10 10 10 8 3 3
1 3 3

            
Bb5 F5 G5 F5 C5

            


you and me are two of a kind. I love you ’cause your deuc - es are wild, girl, yeah, a

 
               

1 1 1 3 1 3
1 1 3 3 3 1 3 3 1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
           
          
Bb5 F5 G5 F5 C5

 



dou - ble shot of love is so fine. I been lov - ing you since you was a child, girl, ’cause

              

let ring 
5
1 1 5 5 3
1 3 3 3 3 1

  
Bb5 F5 G5 F5 C5

                       




you and me is two of a kind. I love you ’cause your deuc - es are wild, girl, you

 
          

1 1 3
1 3 1 3 3 1


Bb5 F5 G5 F5 C5

                      



know it, but I made up my mind. I been lov - ing you since you was a child, girl, ’cause

         
     
let ring 
5
1 1 5 5 3
1 3 3 3 1

        

   
Bb5 F5 G5

       
 

you and me is two of a kind. La la di la di do.

  
      

1 1
1 3 3

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
from Aerosmith - Aerosmith

Dream On
Words and Music by Steven Tyler

Intro
Moderately slow q = 78


(Guitar & Elec. Piano)

         
Fm Cm/Eb Dm7b5 Db,7#11 Fm Fsus4
     
Bass

      
mf


3 3 1 1 0 0 3 3 3 3 3
4 4

          
Fm Bb9 Eb Eº7 Fm

          


3 3 3 3 1 1 2 2 3
1 1 1 1

Verse


Fm Cm/F Dm7b5/F Db,7#11/F Fm Cm/F


      
           

1. Ev - ’ry time that I look in the mir - ror, all these lines in my

  BassFig. 1   
 
3 3
1 3
1

Dm7b5/F Db,7#11/F Fm Cm/F Dm7b5/F Db,7#11/F

  
                  

face get - tin’ clear - er. The past is gone;

      
End Bass Fig. 1

    


3
1 3 1 3
1 1

Copyright © 1973 Mosaic Music


Copyright Renewed
All Rights Reserved Used by Permission 1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
Fm Cm/F Dm7b5/F Db,7#11/F Dm7b5 Csus4 C

             
            

it went by like dusk to dawn. Is - n’t that the way? Ev -

       
  
 

3
0 5 5 3 3
1

                
Dm7b5 Db,7#11 C Fm/C Cº7 C7

       
- ’ry - bod - y’s got their dues in life to pay. Well,

                       
  

5 5 4 4 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Pre-Chorus

              
F5 Eb5 Db Ebsus2

    

I know no - bod - y knows where it comes and where it goes.

          
    

3 3 1 1 1 1
4 4

Db Ebsus Fm Cm/F

                
F5 Eb5

            
I know it’s ev - ’ry - bod - y’s sin; you’ve got to lose to know how to win.

           
    

3 3 1 1 1 1 3
4 4

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
  Dm7b5 Db,7#11

Fm Fsus4

Fm

  

   
 

3
1

Verse
Bass: w/ Bass Fig. 1 (1 3/4 times)

     

Fm Cm/F Dm7b5/F Db,7#11/F Fm Cm/F

      
       

    
2. Half my life’s in book’s writ - ten pa - ges, lived and learned from

   
Dm7b5/F Db,7#11/F Fm Cm/F Dm7b5/F Db,7#11/F Fm Cm/F

  
                     


fools and from sag - es. You know it’s true all these things

 Pre-Chorus 2nd time, Bass: w/ Bass Fill 1

                    E           
Dm7b5/F Db,7#11/F F5 Eb5 Db5 Ebsus2

   
come back to you. Sing with me, sing for the years, sing for the laugh -ter ’n’ sing for the tears.


  
          
  



 

3 3 1 1 1 1 1
3 3 4 4 4
1 1 3 4

Bass Fill 1

         
 

1 1 1 2
4 4 3

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
                          
F5 Eb5 Dm7b5 Db


 
Sing with me if it’s just for to - day, may - be to - mor - row the good Lord will take you a - way.

           
    

3 3 1 1 0 0
4 4

C
To Coda 

   
        

  

                  
 

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Interlude

         
Fm Fm(,7) Fm7add9 Bbadd9 Eb13 Eº7

      
 

3 3 3 3 3 3 3 1 1 2 2
1

D.S. al Coda

 
  
Fm Fsus2 Fm(,7) Fm7add9 Bbadd9 Eb7/6 Eº7

      
Well,

             
 

3 3 3 3 3 3 3 3 1 2
1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
 Coda
Chorus

              
Bb5 C5 Db5 Eb5

 
       
Dream on, ’n’ dream on, ’n’ dream on, dream un - til your dream come

        
      

1 1
1 1 3 3 4 4

 
F5

 
   
true.

        
     
3 3 3 3
3 4
4 1 1 1 1

                   
Bb5 C5


Db5 Eb5


    
(’n’) Dream on, ’n’ dream on, ’n’ dream on, dream un - til your dream come

         
     
1 1
1 1 3 3 4 4

  
F5

    

       

true.

                      


1 1 10 10 10 8 10 10 10 10
3 1 1 3 3 1 1 3 3 3 3 3 3 3 3 3
3 3

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
             
     
Bb5 C5 Db5 Eb5

  
(’n’) Dream on, ’n’ dream on, ’n’ dream on, ’n’ dream on.

     
       


1 1
1 1 3 3 4 4

   
F5 G5 Ab5 Bb5

  
       
   
    
Dream on, dream on, dream on, ah!

      
        

1 1
1 1 3 3 4 4

C5

              

  

                  
 

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Pre-Chorus

                       
F5 Eb5 Db5 Ebsus2

   
Sing with me, sing for the years, sing for the laugh - ter ’n’ sing for the tears.

         
     

3 3 6
6 6 4 4 6 6

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
                           
F5 Eb5 Db5 Ebsus2

 
Sing it with me if it’s just for to - day, may - be to - mor - row the good Lord will take you a - way.

          
    

3 3 6
6 6 4 4 6 6

               
F5 Eb5 Db5 Ebsus2

           
 
Sing with me, sing for the years, sing for the laugh - ter ’n’ sing for the tears.

          
    

3 3 6
6 6 4 4 6 6

F5
        
Eb5
     
Dm7b5
            
Db

 
Sing it with me if it’s just for to - day, may - be to - mor - row the good Lord will take you a - way.

          
   

3 3 1 1 0 0
4

Outro Fade out

     
C C5


     

          
                  

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
from Aerosmith - Permanent Vacation

Dude (Looks Like a Lady)


Words and Music by Tyler/Perry/Child
5 String bass:
(low to high) B-E-A-D-G

Intro
Moderate Rock q = 136
A5 G5 A5
    
*          
    
  
Dude
(Ah! Ah!

  Bass      
 


f

5 10
*Key signature denotes A Mixolydian.

D G5 A5 G5 A5 D5 G5 D

         
          
           
   
looks like a la - dy. Dude looks like a la - dy.
Ah! Ah!

  
Bass Fig. 1

      
   

5 10 10 5

A5 G5 A5 D G5 D A5 G5 A5

 
              
                

   
     
Dude looks like a la - dy. Dude
Ah! Ah! Ah! Ah!)


 
       

7 12 12

10 10

© 1987 EMI APRIL MUSIC INC., AERO DYNAMIC MUSIC PUBLISHING INC. and DESMOBILE MUSIC CO., INC.
All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)

D G5 D * A5 G5 A5 D Dsus4 D

       
     

looks like a la - dy.

       
   
End Bass Fig. 1 Bass Fig. 2

       
 


5
12 5 7
5 3 5 5 3
3 5
*Vocal tacet on repeat

1. 2.

A5 G5 A5 D Dsus4 D D Dsus4 μ
End Bass Fig. 2

           
           
   


5 5
5 7 5 7
5 3 5 5 3 3
3 5 3 5

 Verse
1st & 3rd times, Bass: w/ Bass Fig. 2 (2 times)
2nd time, Bass: w/ Bass Fig. 2 (1 3/4 times)

                 
A5 G5 A5 D G5 D A5 G5 A5

         
1. Cruised in - to a bar on the shore. Her pic - ture graced the grime on the door.
2. Back - stage we’re hav - ing the time of our lives un - til some - bod - y say,
nev - er judge a book by it’s cov - er or who your gon - na love by your lov

              
  
D G5 D Dsus2 A5 G5 A5 D Dsus4 D Dsus2

      

She a long lost love at first bite. Ba - by may -
“For - give me if I seem out of line.” Then she whipped
er. Say love put me wise to her love in dis - guise. She had the

  
2nd time, Bass: w/ Bass Fil 1
 D
           
A5 G5 A5 Dsus4 D Dsus2
  E

 
- be you’re wrong but you know it’s al - right. That’s right!
out her gun and tried to blow me a - way.
bod - y of a Ve - nus, Lord, i - mag - ine my sur - prise.

Bass Fill 1

 
      

   

3 5 5 5 5 5

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
1.
Bass: w/ Bass Fig. 2
A5 G5 A5 D Dsus4 D A5 G5 A5 D Dsus4 D
       
            
   
(Ah! Ah! Ah! Ah!)

2.
Chorus
Bass: w/ Bass Fig. 2 (2 times)
A5 G5 A5 D Dsus4 D A5 G5 A5

                   
    
    
 
     
 
      
Dude looks like a la - dy. Dude
(Ah! Ah! Ah! Ah!

D Dsus4 D A5 G5 A5 D Dsus4 D

                    
   
     
 
 
   
looks like a la - dy. Dude looks like a la - dy.
Ah! Ah!

To Coda  D.S. al Coda  Coda


(take 2nd ending)
A5 G5 A5 D Dsus4 D D Dsus4 D



        
                
 
  
 
   
Dude looks like a la - dy. 3. So looks like a la - dy.
Ah! Ah!)

Interlude

      
A5 G5 A5 F A5 G5 A5

  
 
                
            
     
Let me take a peek dear. Do
(Ba - by let me fol - low you down. Ba - by let me fol - low you

       
          

5 3 5 5 5 3 5 5
6
3

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                 
F A5 G5 A5 F
          
         
 

me, do me, do me all night.


  Turn the oth - er cheek dear.
down. Ba - by let me fol - low you down.

    
      

5 3 5 5
6 6

     
D5 C5 D5 E G

    
 





 
   
 
  

 

Ba - by let me
fol - low you
Do me,
down.)
do me, do me, do me.

    
   
 

5 3 5 5
0 3

Guitar Solo
Bass: w/ Bass Fig. 2 (4 times) Play 4 times


   
A5 G5 A5 D Dsus4 D A5 G5 A5 D Dsus4 D
   

Bridge


E D E μ E D E

 


             
  
Ooh! What a fun - ky la - dy. Oh, she

      
           

5 5 5 3 3 5 5 5 5 3 3 5
4

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)

              
μ E D E μ

 
    
 
like it like it like it like that. Oh, he was a la - dy.

    
     

5 5 5 3 3 5


G

E D E

    
  
       
Yow! Yeah, yeah, yeah, yeah.

     
       

3
5 5 5 3 3 5

Chorus
Bass tacet Bass: w/ Bass Fig. 1
A5 G5 A5 D Dsus4 A5 G5 A5

            
      
    
 
          


     
Dude looks like a la - dy. Dude
(Ah! Ah! Ah! Ah!

D Dsus4 A5 G5 A5 D

                    
   
     
 
 
   
looks like a la - dy. Dude looks like a la - dy.
Ah! Ah!

Outro
Bass: w/ Bass Fig. 2


A5 G5 A5 D Dsus4 D A5 G5 A5

            
      
            
    


     
Dude looks like a la - dy. Dude
Ah! Ah! Ah! Ah!
5

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
D Dsus4 D A5 G5 A5 D Dsus4 D

         
          
          
   
looks like a la - dy. Dude looks like a la - dy.
Ah! Ah!

A5 G5 A5 D Dsus4 D A5 G5 A5

            
      
   
 
        


     
Dude looks like a la - dy. Dude
Ah! Ah! Ah! Ah!)

         

      
         

12 12 12 12 10 12 10 12
5 3 5 5 5 3 5 5

               
D Dsus4 D A5 G5 A5 D Dsus4 D

   
    
looks like a la - dy. Du, du, du, dude looks like a la - dy.

         

      
        

5
5 7 12 12 12 12 10 12 10 12
3 5 3 5 5
3 5

A5
 G5
 
A5
      Dsus4
D
 D  A5
 
G5

A5

        

Du, du, du, dude looks like a la - dy. Du, du, du, dude

  
      

         
  

7 10
5 5 5 3 5 5 5 5 3 5
3 5 8 3
6

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
             
D Dsus4 D A5 G5 A5 D Dsus4 D

    
    
looks like a la - dy. Du, du, du, dude looks like a la - dy.

    
     
        
   

5 5
7 5 7
3 5 3 5 5 3
3 5 3 5

w/ ad lib. lead voc.


A5 G5 A5 D Dsus4 D
Voc. Fig. 1 End Voc. Fig. 1

   
      
   Ah!)
 
(Ah!

         
       
 

 
 
5
5 7
5 3 5 5 3
3 5

Bkgd. Voc.: w/ Voc. Fig. 1 (till end)


A G5 A5 D Dsus4 D A G5 A5 A Dsus4 D

            
               

5
12 12 12 12 12 12 10 12 10 12 5 7
5 3 5 5 5 5 5 3 3 5 5 3
3 5

Bass: w/ Bass Fig. 2 (till fade) Play 3 times and fade

  A G5

A5 D Dsus4

D A G5

A5 A Dsus4

D

 

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
from Aerosmith - Big Ones

Eat the Rich


Words and Music by Tyler/Perry/Vallance
Intro
Moderate Rock q = 123
µ E5

(Percussion & vocal ad lib.)

             
Bass

          
f

 0 0 0 0 0 0 0 12 12

  
µ E5 µ

       
  

10 0 0 5

  E5 E5 µ

        
                      
 
   
5
5 5 7 5 7 5
6 6 5 3 3 0 0 3 5 6 6 5 3 3 0 0

 
µ E5 µ (Em7)

      
Bass Fig. 1

    
 
          

       
 
5
5 7 5 7 5 7 7
3 5 6 6 5 3 3 0 0 0 5 7 0 0 0 0 3 0

     
  
1. Well, I
End Bass Fig. 1

         
                  

   

7 7 7 7 7 7
0 5 7 0 0 0 0 3 0 5 7 0 0 0 0 3 0 0 5 7 0 0 4 0 5 0 6 0 7

© 1992, 1993 EMI APRIL MUSIC INC., SWAG SONG MUSIC, INC., ALMO MUSIC CORP. and TESTATYME MUSIC
All Rights for SWAG SONG MUSIC, INC. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights for TESTATYME MUSIC Controlled and Administered by ALMO MUSIC CORP.
All Rights Reserved International Copyright Secured Used by Permission 1

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Verse
Bass: w/ Bass Fig. 1 (3 times)

  µ (Em7)  
                  
woke up this morn - ing on the wrong side of the bed. And
called up my head shrink - er and I told him what I’d done. He said you’d

   
                 E   
how I got to think - in’ a - bout - a all those things you said. A - bout
best go on a di - et, yeah, I hope you have some fun. And - a

     
                 
or - di - nar - y peo - ple, and how they make you sick. And if
don’t go burst a bub - ble or the rich folks who get rude. ’Cause you

    
                 
call - in’ names kicks back on you, then I hope this does the trick. Uh, ’cause I’m
won’t get in no trou - ble when you eats that kind of food. Now they’re

     
   
 
            

7 7 7 7
0 5 7 0 0 0 0 3 0 0 5 7 0 0 0 0 3 12

 Pre-Chorus

        

E5 F#5 G5 A5

         
   
sick of your com -
plain - ing a - bout how man - y bills. And I’m
smok - ing up their junk bonds, and then they go get stiffed. And they’re
lieve in all the good things that mon - ey just can’t buy. Uh, then

  
    

  

0 2 3 5 3 5

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
                         
E5 F#5  G5 A5 F#5 
E5

   


sick of all your bitch - in’ ’bout your poo - dle and your pills. And I just can’t see no hu - mor a - bout
danc - in’ at the yacht club with Muff and Un - cle Biff. But there’s one good thing that hap - pens when you
you won’t get no bel - ly - ache from eat - in’ hum - ble pie. I be - lieve in rags to rich - es, your in -

 


      

0 2 3 5 5 12 12 0 2

                
G5 A5 B5 A5/B B5

      
 
your way of life. And I think I can do more for you with this here fork and knife.
toss your pearls to swine. Their at - ti - tudes may taste like shit, but go real good with wine.
her - i - tance won’t last. So take your Grey Pou - pon, my friend, and shove it up your ass!

      
           

7 12 12 12 14 14 14 14 14 14
3 5 5 6 7 7 7 7 7 7 7 14 14 14

   

Chorus

       B5   G5   
 B5 

E5 D5 A5 D5 A5 E5

 
 
Eat the rich, there’s on - ly one thing that they’re good for.

Bass Fig. 2 End Bass Fig. 2

     

           F
 
1/4

7 5 5 7
5 7 5 5 7 5 3 0 0

Bass: w/ Bass Fig. 2 (2 1/2 times)

                    


D5 B5 A5 D5 B5 A5 G5 E5 D5 B5 A5

     

Eat the rich, uh, take - a one bite now, come back for more. Eat the rich, I

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To Coda 

           
  

D5 B5 A5 G5 E5 D5 B5 A5
 
    
got - ta get this off my chest. Eat the rich, uh, take - a

1.

  
D5 B5 A5 G5 E5 µ (Em7)

      

  
one bite now, spit out the rest.

       
      
 
            

1/4

5 7 7 7 7 7
7 5 3 0 0 5 7 0 0 0 0 3 0 0 5 7 0 0 0 0 3

2.


D5 B5 A5 G5 E5

     

  
       
2. So I one bite now, spit out the rest.

             
   
 
          


1/4

0 5 7
7 7
0 0 0 0 3 0 0 5 7
7 7
0 0 0 6 5 3
 5
7 5 3 0 0

µ E5

                   
     

5
0 0 5 6 6 X 5 3 3 0 0

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µ
  E5 µ
 
             
              
 
   
5 5
5 7 5 7 5 5 7 5 7
3 5 6 6 X 5 3 3 0 0 3 5

Guitar Solo

  
E5 A5 E5

                        
  
 
 

5
6 6 X 5 3 3 0 0 5 5 5 5 0 0

  
A5 B5

                    
  

0 0 5 5 5 5 7 7 7 7 7 7

D5 µ (Em7)

                
  
 
          


10 10 10 10 10 10 10 10 10 10
 0 5 7
7 7
0 0 0 0 3 0 0 5 7
7 7
0 0 0 0 3

1. 2.

               
             


0 5 7
7 7
0 0 0 0 3 0 0 5 7
7 7
0 0 3 0 5 6 7
 0 5 7
7 7
0 0 0 0 0 3

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D.S. al Coda

µ 
        
Be -

 * 8 1/2
 

   
* 8 1/2

0
*Pitch is lowered by turning tuning peg.

 Coda
Bass: w/ Bass Fig. 2 (last meas.) Bass: w/ Bass Fig. 2 (3 times)


D5 B5 A5 G5 E5 E5 D5 B5 A5

        
  

  
 
   
one bite now, spit out the rest. Eat the rich, uh, there’s

                   

    B5
          
D5 B5 A5 G5 E5 E5 D5 A5 D5 B5 A5 G5 E5


on - ly one thing that they’re good for. Eat the rich, uh, take - a one bite now, come back for more.

 
     
  
E5 D5 B5 A5 D5 B5 A5 G5 E5
       
    
Eat the rich, uh, don’t stop me now, I’m go - in’ cra - zy.

               

E5 D5 B5 A5 D5 B5 A5 G5 E5

    

Eat the rich, well, that’s my i - dea of a good time, ba - by!

   

              
 

1/4

7 5 5 5
5 7 5 5 7 7 5 3 0 3 0

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
from Aerosmith - Nine Lives

Falling in Love (Is Hard on the Knees)


Words and Music by Tyler/Perry/Ballard

5 string bass:
(low to high) B-E-A-D-G

Intro
Moderate Rock q = 116 Bkgd. Voc.: w/ Voc. Fig. 1

 
F5 G5 F5 G5 F5 G5 F5 G5 F5 G5 F5 G5


      
   
 
Voc. Fig. 1 End Voc. Fig. 1

         

You
(You’re so bad, you’re so bad, you’re so...)

  
Bass


              


f

3 5
1 3 3 1 3 3 1 3 1 3 3 1 3 3

      
2nd time, Bass: w/ Bass Fill 1

                       


Chorus

   
D5 Gm/Bb Csus2 D5 Gm/Bb
 

          
think you’re in love, like it’s a real sure thing but ev - ’ry time you fall you get your
ain’t gon - na be no more beg - gin’ you please. You know what I want and it ain’t
Jones - in’ on love, yeah I got the D.T.’s. You say that we will but there ain’t

     
               


 5 5 1 1 1 3 3 3 5 5 5 5 5 5 1 1 1

   
Bass Fill 1

    

5
3 3 3 5 5 5

© 1997 EMI APRIL MUSIC INC., SWAG SONG MUSIC, INC., UNIVERSAL MUSIC CORP. and AEROSTATION CORPORATION
All Rights for SWAG SONG MUSIC, INC. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights for AEROSTATION CORPORATION Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights Reserved International Copyright Secured Used by Permission 1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)

                 
 
3rd time, Bass: w/ Bass Fill 3 2nd & 3rd times, Bass: w/ Bass Fill 2

      
     
Csus2 D5 Gm/Bb Csus2 D5

     


ass in a sling. You used to be strong, but now it’s “Ooh ba - by, please” ’cause
one of these. You’re bad to the bone and your girl - friend a - grees that
no guar - an - tees. I’m ma - jor in love but in all mi - nor keys ’cause

                  
    
7
5 7 7
3 3 3 5 5 5 5 5 5 1 1 1 3 3 3 5

To Coda 
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)

        
               
Gm/Bb Csus2 G5 F5 G5 F5 G5 F5 G5

 

 
 
   
fall - ing in love is so hard on the knees.

      
           

5 1 1 3
3 3 1 3 3 1 3 3 1 3

Verse

                   
F5 G5 F5 G5 F5 G5 G5 C5 Bb5 Eb5

 
1. We was mak - ing love when you told me that you loved me.
2. Chip off the old block, man you’re so much like your sis - ter.

  
         
       
Bass Fig. 1

 
mf

3 5 3 1 1 6 6 6
1 3 3 1 3 4 3

  
                      
Bass Fill 3 Bass Fill 2

7 7
7 7 7 8 8
3 3 5 7 5 7 9 3 3 3 5 5 5 5

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
     
C5 Eb5 Bb5 G5 C5
       
  
           
I thought ol’ Cu - pid, he was tak - ing aim. I was be - liev - er when you
My fan - ta - size, it must be out of luck. My old li - bi - do has been

             
   

3 6 6 6 6 1 3
3 1 3

   
Bb5 Eb5 C5 Eb5
  
 
  
        
 
told me that you loved me and than you called me some - one
blow - ing a tran - sis - tor. I feel like I have been hit

         
End Bass Fig. 1

  

1 1 6 6 6 3 6 6 6
11

1. 2.

Bb5 G5 F5 G5 F5 G5 F5 G5 F5 G5 F5 G5 F5 G5

  
   
      

 
D.S. al Coda



                   
else - ’s name. Yeah! Eh! There by a fuck. Yeah! I’m


       
                 
f


1
3 18 1 3 3 1 3 3 1 3
 1 3 3 1 3 3 1 3

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
 Coda
F5 G5 F#5 G#5 G5 A5 G#5 A#5 A5 B5 Bb5

    

       
 


 
                 

1 3 3 2 4 4 3 5 5 4 6 6 5 7 7 6

            
   
       
  
        
 
C5 Bb5 C5
     
Bridge

   

What are you look - ing for? It’s got to be hard - core. Must be some kind of nov - veau

                         

8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 6 8 8 8 8 8 8 8

    
         

B5
       

     
  

riche. Is this your on - ly chance of some hyp - not - ic trance?

     
                     

8 8 8 8 8 8 8 8 8 7 7 7 7 7 7 7 7
4 6 7 8

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
              
  

    

   
Bb5 A5

 
 
    

Let’s get you on a tight - er leash. Own it, own it, own

         
 
    
                 

10 12 12 12 10 12 10 12 10 12
6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5

D5 Solo
Guitar Gm/Bb Csus2 D5 Gm/Bb Csus2 D5

               

         
 
it. Yeah.


                   
    

7 10
5 7 7
5 5 1 1 1 3 3 3 5 5 5 5 5 5 1 1 1 3 3

 
D5 Gm/Bb Csus2 D5 Gm/Bb

                  

5 5 1 1 1 3 3 3 5 5 5 5 5 5 1 1 1

Csus2 G5 F5 G5 F5 G5 F5 G5 F5 G5 F5 G5 F5 G5

    
                
  

3 3 5
3 3 15 1 3 3 1 3 3 1 3 1 3 3 1 3 4

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Verse
Bass: w/ Bass Fig. 1
G5 C5 Bb5 Eb5 C5 Eb5

                       
“You ain’t that good” is what you said down to the let - ter but you like the way I hold the

   
Bb5 G5 C5 Bb5 Eb5

                
mi - cro - phone. (echo repeat) Some - times I’m good, but when I’m bad I’m e - ven bet - ter.


     
C5 Eb5 F5 G5 F5 G5 F5 G5

    
       
Don’t give me no lip, I’ve got e - nough of my own. There


      
       

3 6 6 6 18
1 3 3 1 3 3 1 3

                              


D5
Chorus Gm/Bb

             
Csus2 D5 Gm/Bb

      
ain’t gon - na be no more beg - gin’ you please. You know what I want, and it ain’t

             
     

5 1 1 3 3 3 5 5 5 5 5 5 1 1 1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
 
   

  
          
     
Csus2 D5 Gm/Bb

    

 
one of these. You’re bad to the bone and your girl -

 
  
    

      


5 7 12 7 8 8
3 3 3 5 5 5 5 7

  
                     
       
Csus2 D5 Gm/Bb Csus2 D5

      
- friend a - grees that fall - ing in love is so hard on the knees. I’m

         
           

5 5 7
7 7
3 3 3 5 5 5 5 5 5 1 1 1 3 5

            


 
         
Gm/Bb Csus2 D5

      
Jones’ - in’ on love, yeah I got the D. T’s. You

    
          

5 5 1 1 1 3 3 3 5 5 5 5

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
                      
                

   
Gm/Bb Csus2 D5 Gm/Bb


say that we will, yeah, but there ain’t no guar - an - tees. I’m ma - jor in love but in all

    
   
            

7 8 8
5 5 1 1 3 3 3 5 5 5 5 5 7 9
5 5

  
                   
    
Csus2 D5 Gm/Bb Csus2 G5

          
mi - nor keys. ’Cause fall - ing in love is so hard on the knees.

     
            
 

7
3 3 3 5 5 5 5 5 1 1 1 3
3 3 10

F5 G5 F#5 G#5 G5 A5 G#5 A#5 A5 B5 Bb5

          
Outro

        




  
 

 

   
                 

1 3 3 2 4 4 3 5 5 4 6 6 5 7 7 6 6

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
from Aerosmith - Pump

Janie’s Got a Gun


Words and Music by Tyler/Hamilton

5 String bass: tuned up 1/2 step:


(low to high) C-F-Bb-Eb-Ab

Intro
Moderately q = 112
(Guitar & keyboards)

 * µ
        
      
G5

     
    
Dum, dum, dum, hon - ey what have you done? Dum, dum, dum it’s the
*Chord symbols reflect overall harmony.


 
              

  
   
sound of my gun. Dum, dum, dum, hon - ey what have you done?


 
 
E5

  
     
     
Dum, dum, dum it’s the sound, it’s the sound. Nyah, nyah, nyah.

    
   
 
 
B5 E5/B B5 E5

  
 
Nyah, nyah, nyah. Nyah, nyah, nyah. Nyah, nyah, nyah.


Verse


 
B5 E5/BB5 B6 B7 E5 E5/B B5

          

1. Jan - ie’s got a gun.


E5 E5/B B5 E5 E5/B

                 
Jan - ie’s got a gun. Her whole world’s come un - done

 
B5 E5 E5/B B5

             

from look - in’ straight at the sun.

© 1989 EMI APRIL MUSIC INC. and SWAG SONG MUSIC, INC.
All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
        
Pre-Chorus

               
 
E5 B5/E E A5 B5 E5 B5/E E A5


What did her dad - dy do? What did he put you through?

            
Bass

       
   

 0 0 5 5 7 7 7 7 7 7 0 0 5 5 5

 
Chorus
B5

C#5 A5
      
           

They say when Jan - ie was ar - rest - ed, they found him un - der - neath a train.

      

          

7 X 7 7 9 9 9 9 9 5 5 5 5 5 5


E5 D5/E G5/E D5/E E5 C#5

       
         
But man, he had it com - in’. Now that

           
       

0 0 0 0 0 0 0 0 9 9 9 9 9

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
                    
A5 F#5 B5

 
Jan - ie’s got a gun she ain’t nev - er gon - na be the same.

 
                      

5 5 5 5 5 2 2 2 2 2 2 7 7 7 7 7 7 7 7 7 7 7

Verse


E5 E5/B B5 E5 E5/B

          
     
2. Jan - ie’s got a gun. Jan - ie’s got a gun.

      

       

    

4
2 2 2 2
0 0 2 0 0 2


B5 E5 E5/B B5

             
    
Her dog day’s just be - gun. Now ev - ’ry -

        



 
 

4
2 2 2 2
0 0 2

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
 Pre-Chorus

  
        

B5 E5/B B5 E5 B5/E E A5 B5


            
bod - y is on the run. 1. Tell me now it’s un - true.
2. What did her dad - dy do? It’s

             
    

       

2 4
2 2 2 2
0 0 2 0 0 5 5 5 7 7 7 7 7

   
Chorus

         
E5 B5/E E A5 B5 C#5
     
       
What did her dad - dy do? He jacked a lit - tle bit - ty ba - by. The
Jan - ie’s last I O. U. She had to take him down eas - y and

                   
  

0 0 5 5 5 7 7 7 7 7 7 9 9 9 9 9

A5 B5 D5/E G5/E D5/E E5


    
        
         

E E E

   
man has got to be in - sane. They say the
put a bul - let in his brain. She said, “’Cause
(Ma, ma, ma, ma.)

       
               

5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
      
       
C#5 A5 F#5

          

spell that he was un - der the light - ning and the thun - der knew that some - one had to stop the rain.
no - bod - y be - lieves me. The man was such a sleaze. He ain’t nev - er gon - na be the same.”

                 

9 9 9 9 9 5 5 5 5 5 5 2 2 2 2 2

    
B5

                      

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

 
Bridge

   
C5
  
D5
      
E5

 
      
Run a - way, run a - way from the pain, yeah, yeah,

            

8 8 8 7 8 10 10 10 10 10 0

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
     
   
D/E
  
C5
   D5
     
   
yeah, yeah, yeah. Run a - way, run a - way from the

            


0 8 8 8 7 8 10 10 10 10 10

       
E5 D/E Cmaj7

         
  
    
pain, yeah, yeah, yeah, yeah, yeah, yeah, yeah. Run a - way,

       
 

0 8 8 8 7 8

D% A5 Bsus4

       3
       
  
run a - way, run, run a - way.

           
    

10 10 10 10 10 5 5 5 5 5 7 7 7 7 7

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
1.- 5. 6.

To Coda  Guitar Solo


E5 D5 G5 A5 A5

         *        
 
Woo!

                         
 
 
7 7 7 7 7 7
 0 3 3 5 5 5 5 5
 3 5 5 5 5 5 5
3 3
*Sing 1st time only.

 
B5

   

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

Verse
Bass tacet


E5 E5/B B5 E5 E5/B B5

                      
3. Jan - ie’s got a gun. Jan - ie’s got a gun. Her


E5 E5/B B5 B5 E5/B B5

                   
D.S. al Coda

 
 
dog day’s just be - gun. Now ev - ’ry - bod - y is on the run.

 Coda
Outro


E5 E5/B B5 E5 E5/B B5

           


Jan - ie’s got a gun. Jan - ie’s got a gun.

    
           
           
   

2 2 2 2 2 2 2 2 2 2 2
0 0 2 2 0 0 2 2

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)

        
E5 E5/B B5 E5 E5/B B5

  
          
Jan - ie’s got a gun. Ev - ’ry - bod - y is on the run.

                    
       

4
2 4 4 2 4 4
2 2 2 2 2
0 2 0 0 2 2

w/ Bkgd. Voc. ad lib.


E5 E5/B B5 E5 E5/B B5

                     
   
Jan - ie’s got a gun. Her dog day’s just be - gun. Now, ev - ’ry -

     
           
            
   



2
2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 2 2 0 2


E5 E5/B B5 E5 E5/B B5

 
            
Play 3 times and fade

bod - y is on the run. Jan - ie’s got a gun.

  
           
             
   


4


4 4 4
2 2 2 2 2 2 2 2 2 2
0 2 2 0 0 2 2

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
from Aerosmith - Pump

Love in an Elevator
Words and Music by Tyler/Perry

Intro
K
Moderate Rock q = 98 (jq = iq)

         
µ (Em)

                   
    
Mm, mm, mm,

 
A5

                 
            
 
 
mm. Yeah!

                 
Bass

             
f


2 0 2 0 2 0 2 0
2 2 1 0 0 2 2 2 1 0 0 2
3 3 0 3 3 0 5

Verse


D5 E5 D/F# G5 C5 E7(no3rd) D/F# G5 C5

                       
          

  
1. Work - in’ like a dog fo’ deboss man, work - in’ fo’ de com - pa - ny. I’m
2. Jack - ie’s in the el - e - va - tor, lin - ge - rie, sec - ond floor. She
(Whoa. Whoa, yeah.)

       
    
Bass Fig. 1

            


5 5 10
12
 0 2 0 2 3 3
3
0 2 0 2 3 3
3

© 1989 EMI APRIL MUSIC INC. and SWAG SONG MUSIC, INC.
All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
 
E5 D/F# G5 C5 E7(no3rd) D/F# G5 C5

                            


   
bet - tin’ on the dice I’m toss - in’ I’m gon - na have a fan - ta - sy. But
said, “Can I see you lat - er and love you just a lit - tle more?” I
(Whoa. Whoa, yeah.)

     
            

3
0 2 0 2 3 3 8 0 2 0 2 3 3

                
  
A D5 G5 A D5 G5

  
 
where am I gon - na look? They tell me that love is blind. I
kind - a hope we get stuck no - bod - y gets out a - live. She said, I’ll

               
   

0 4 0 4 5 5 0 4 0 4 5 5 10
3


A D5 G5 A D5

               
          

real - ly need a girl like an o - pen book to read be - tween the lines.
show you how to FAX in the mail - room room hon - ey and have ya’ home by five.”

            
End Bass Fig. 1

   
 

0 4 0 4 5 5 0 4 0 4 5 5
3

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
                       
Chorus
B B6 B5 B B6 B5 B6 B5 B7sus4

          

Love in an el - e va - tor, liv - in’ it up when I’m go - in’ down.

  
Bass Fig. 2

              

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

1.

                       
B B6 B5 B6 B5 B B6 B5 Bb5 A5

           
Love in an el - e - va - tor, lov - in’ it up ’til I hit the ground.

   
End Bass Fig. 2

              


7 7 7 7 7 7 7 7 7 7 7 7 7 6 5

2.

                           
B Bsus4 B5 Bsus4 B/E


lov - in’ it up ’till I hit the ground. In the air, in the air, hon - ey one

 
               

7 7 7 7 7 7 7 7 0 0 0 0 0 0 0 0

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
                     
B B6 B5 B6 B5

      

more time now, it ain’t fair. Love in an el - e - va - tor,

 
                 

0 0 0 0 0 0 4 0 5 7 7 7 7 7 7 7 7

             
Guitar Solo
B B6 B5 B6 B5 A5 D5

  
*


lov - in’ it up when I’m go - in’ down.

               


7 7 7 7 7 7 7 7
 5
5
2

*Sing 1st time only.

µ A D

     
Play 3 times

                          
   

2 0 2
2
0
2 1 0
3
0
3
2
0
2 0 2
2
0
2 1 0
3
0
3
2
0
 5
5 5

     


Bridge
µ E
Bass tacet

   


Love in an...

                 
     

X 5 5
0 0 0 0 0 0 0

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
  
                              

el - e - va - tor.

                       
        


1/4 1/4

5 5 4 4
0 0 0 3 0 3 3 0 0 0 3 0 3 3 0 0 0 7

          
 
                     

0 0 3 0 5 3 0 3 0 0 5 3 0 5 6 7 0 0 0 3 0 5 6 7

                      
     
        

7 7 7 7 5 0
0 0 0 3 3 0 3 0 3 0 0 3 0 5 6 7 0 0 3

D A µ

                      
        

5 5 5 5 5 5 5
0 0 0 0 0 5 0 0 0 0

     
    
Go - ing down.

            
         

7
0 0 0 3 0 3 0 0 0 0 0 0 0 7

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
              
                   

5
0 0 3 0 3 5 7 0 0 0 7 0 6 3 0 0 0 3 0 5 6 7

  
D A µ

          
             

5 5 5
5 0 0 0 0 0 3 0 0 0 0 0 3 0 5 6 7

   
D A

      
       

5 5 5 5
0 0 3 0 5 6 7 5

Chorus

                       
Bass: w/ Bass Fig. 2
B B6 B5 B B6 B5 B6 B5 B7sus4

          
Love in an el - e va - tor, lov - in’ it up when I’m go - in’ down.

                       
B B6 B5 B6 B5 B B6 B5 Bb5 A5

          
Love in an el - e - va - tor, liv - in’ it up ’till I hit the ground.

Verse
Bass: w/ Bass Fig. 1

         


  
E9(no3rd) G5 C5 E9(no3rd) G5 C5

       
   
     
 
3. Gon - na be a pent - house pau - per, gon - na be a tril - lion - aire. I’m
(Whoa, Whoa, yeah.)

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
           
 
E9(no3rd) G5 C5 E9(no3rd) G5 C5

  
             
  
gon - na be a real fast talk - er and have me a love af - fair. Got - ta
(Whoa, Whoa, yeah.)

                 


A D5 G5 A D5 G5
    
      
   
get my tim - in’ right. It’s a test that I got - ta pass. I’ll
(Whoa. Whoa, yeah.)

           


A D5 G5 A D5
 
     
  

chase you all the way to the stair - way hon - ey. Kiss your sas - sa - fras.
(Whoa.)

Chorus

                       


Bass: w/ Bass Fig. 2 (1st 2 meas.) (2 times)
B B6 B5 B6 B5 B B6 B5 B6 B5 B7sus4

               
Love in an el - e - va - tor, lov - in’ it up when I’m go - in’ down.

                         
B B6 B5 B6 B5 B A5/B

          
Love in an el - e - va - tor, liv - in’ it up ’til I hit the ground. Do you care?

Outro

       
B/E

            
  
Do you care? Hon - ey one more time now, it ain’t fair.

 
                 

0 0 0 0 0 0 0 0 0 0 0 0 0 0 4 0 5

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
                          
B B6 B5 B A5/B

          
Love in an el - e - va - tor, liv - in’ it up when I’m go - in’ down. Do you care?

 
               

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

           
B/E

        
 

Do you care? Hon - ey one more time now, it ain’t fair.

 
                  

0 0 0 0 0 7 0 0 0 0 0 0 0 0 4 0 5 0 6

                          
B A5/B

          

Love in an el - e - va - tor, liv - in’ it up when I’m go - in’ down. In the air,

                

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
B/E

                     
  
in the air, hon - ey, one more, one more, one more, one more.

      
            

7 7 7 5
0 0 0 0 0 0 0 0 0 0 0 0 0

                          


B A5/E

               
Love in an el - e - va - tor, liv - in’ it up when I’m go - in’ down. In the air,

 
                 

7 7 7 7 7 7 7 7 7 7 7 7 7 6 5 5 4

        
B/E

              

in the air, hon - ey, one more, one more, one more, one more.

 
                  

0 0 0 0 0 0 0 0 4 0 4 0 0 4 0 4 0 5

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
                          
B A5/E

               
Love in an el - e - va - tor, liv - in’ it up when I’m go - in’ down. In the air,

                 

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5

  
B/E

                  
  
in the air, hon - ey, one more, one more, one more, one more.

 
                 

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 4 0 5

           
B A5/E
*

 
Love in an el - e - va - tor,

   
               

9
9
7 7 0 7 7 7 7 7 7 7 7 7 7 7 7 7
*Vocals fade out.

10

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
 
B/E

  
                 

0 0 0 0 0 7 0 0 0 0 7 0 0 0 0 7 0 4 0 5

                          
A5/E
B

        
*


Love in an el - e - va - tor, liv - in’ it up when I’m go - in’ down. In the air,

                       

5 5 5 5 5 5
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
*Vocals fade in.

B/E

                  
   
in the air, in the air, in the air.

 
Fade out

               

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Band tacet

          


     
           
µ

             
                     

Love in an el - e - va - tor, lov - in’ it up when I’m go - in’ down.

               

  
 
 
             

 

11

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
from Aerosmith - Aerosmith

Mama Kin
Words and Music by Steven Tyler
Intro
Moderately fast Rock q = 156

(Guitar)  
      
                
E5 B5 A5 E5
Bass

 


7
7 3 4 5 6 7 7 7 7 7
7 5 5

1.

                             
E5 B5 A5 E5

 
   

 
 7 7 5 7
7 7 7 5 7 5 5
3 4
7
5 6 7 7 7 7 7 7 5
7

2.


A5 Solo E5

            
Guitar

                      

7
7 7 7 7 7 7 7 7 7 7 3 4 5 6 7 7 7 7 7 7 5
0 0 2 2 3 3 4 4 5 5 7

 
 
A5 E5 A5 E5

   
                             
 
9
7 6 9 7
3 4 5 6 7 7 7 7 7 7 7 7 5 3 4 5 6 7
5 5 7 5 5

                                
F#5 B5

9 9 9 9 9 7 8 9
7 7 7 7 7 7 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9

Copyright © 1977 Mosaic Music and Song & Dance


All Rights Reserved Used by Permission 1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)

                    
(Guitar)

9 9 9 9 9 9 9 9 9 9 9 9 9 9

                  
E5 B5 A5 A5
    
   

7
7 3 4 5 6 7 7 7 7 5 7
7 5 5 7

      
                 

7 7 7 7 7 5 7 5 7 5 6 7 7 5 5
7 7 7 7 7

Verse
E5 B5 A5 E5

                   

  
  
1. It ain’t eas - y, liv - in’ like a gyp - sy. Tell ya, hon - ey, how I feel.

        

 
 

7 7

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
       
B5

  
  
I’ve been dream - in’, float -

   
              
   

7 5 6 7 5 7
0 7 0 7 0 7 0 7 7 7

               
A5 E5

   .
- in’ down the stream and los - in’ touch with all that’s real.

                  
    

7 5 7 5
0 7 0 7 7 0 7 0 7 7 7

                  
B5 A5 E5
  
  
Whole earth lov - er, keep - in’ un - der cov - er, nev - er know - in’ where you been.

     
 
Bass Fig. 1

     
 

7 7

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
              
B5 A5

       
You’ve been fad - in’, al - ways pa - rad - in’. Keep

   
       
  
   

7 5 6 7 5 7
0 7 0 7 0 7 0 7 7 7

 
        
E5

  

in touch with ma - ma kin. Well, you’ve

   
      
End Bass Fig. 1

 
           

7 7
0 0 7 0 7 0 7 0 2 2 3 3 4 4

Pre-Chorus

                    


 
A5 E5 A5

  
al - ways got your tail on the wag, shoot - in’ fire from your mouth just like a

            
  
Bass Fig. 2

         

7 7
3 4 5 6 7 7 7 7 7 5 3 4 5 6 7
5 5 7 5 5

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
         
 
 
       
E5 A5 E5

   
drag - on. You act like a per - pet - u - al drag.

   

                    
      

9
6 9 7
7 7 7 7 7 7 7 7 5 7 3 4 5 6 7
5 5

                    
F#5 F#

  

You bet - ter check it out, ’cause some - day soon you’ll have to climb back on the

                          
End Bass Fig. 2
       

7 7 7 7 7 7 9 9 9 9 9 9 7 9 9 7 9 9 7 9 9 9 7 9 9 7 9

 
     
B5

   
wag - on.

                              

9 9 9 9 9 7 8 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
 Verse
1st time, Bass tacet
2nd time, Bass: w/ Bass Fig. 1 (1st 2 meas.) 1st time, Bass: w/ Bass Fig. 1 (last 9 meas.) 2nd time, Bass: w/ Bass Fill 1

                       


E5 B5 A5 E5

  
2., 3. It ain’t eas - y liv - in’ like you wan - na; mm, it’s so hard to find peace of mind,

2nd time, Bass: w/ Bass Fig. 1 (last 6 meas.)

       
     
B5

        

yes it is. The way I see it, you

                 
A5 E5

  
 
got to say sheeit, but don’t for - get to drop me a line. Said, you’re

Pre-Chorus
Bass: w/ Bass Fig. 2

          
  
       
A5 E5 A5

    

bald as an egg at eight - een, and work - in’ for your dad - dy’s just a

  
     




 
   
E5 A5 E5

    
drag. You still stuff your mouth with them beans.

     
          
F#5
   (F#)
      

You bet - ter check it out, ’cause some - day soon you’ll have to climb back on the

  
Bass Fill 1

       
   

5 6 7
5 0 0 7 0 7

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)

 B5
 
 
      
wag - on.

                              

9 9 9 9 9 7 8 9 9 9 9 9 9 9 9 9 9 9 9 9 9

Chorus
Bass tacet

      
       

      

E5 B5 E5

        


Keep in touch with ma - ma kin. Tell her where you

     
     
  
 
B5 E5 B5

     


gone and been. Liv - in’ out your fan - ta - sy,

          
E5 B5 E5 A5

       
    
 
 
sleep - in’ late and smok - in’ tea, mm. Keep in touch with


             
 

7 7 7
7
7 7

G5 D5 B5 E5 A5 G5 D5 B6

             
     
ma - ma kin. Tell her where you gone and been.


                     
   

5 7 7 7 5
5 7 5
7 7 7 7

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
To Coda 
                    
E5 A5 G5 D5 B5 E5 A5 G5 D5

        
Liv - in’ out your fan - ta - sy, sleep - in’ late and smok - in’ tea.

            
  
     
        
 
7 7 7 5 7 7 7 5
7 5 7 5
7 7

Interlude
C5 B5

                                  
 

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2 2 2
3 4

D.S. al Coda

 
A5 G5 A5

                            

4 4 5 5 6 6
5 3 5 5 3 3 2 0 0 2 3 5 3 5 5 0 5 5

 Coda
Slower q = 216

 
                    
C5 D5 E9

9 9
3 3 3 3 3 3 3 3 5 5 5 5 5 5 7 7


 

E5

   
   


9
9
7 7
0

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
from Aerosmith - Greatest Hits

Same Old Song & Dance


Words and Music by Steven Tyler and Joe Perry

  =  3 
Intro
Moderate Rock q = 120

 μ (G5)    
8va

    
Ah, ha,

   
             
Bass 3

      
3

   3
3
f


9 7
9 7
7 7 10 7 7 5
0 0 7 6 5 3

   

8va

   

right!

     
               
     

0 0 0 0 0
2 2 2 2 2
0 0 3 3 0 0 3 0 0 3

Verse

      
μ (E5)

         
loco

   
1. Get your - self cool - er, lay your - self low. Co -

   
                     

0
2
3 0 0 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Copyright © 1977 Mosaic Music, Song & Dance and Vindaloo Productions
All Rights Reserved Used by Permission 1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
            
            
in - ci - den - tal mur - der with noth - in’ to show. When the judge - ’s con - sti - pa - tion

 
                       

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

 
     
               

goes to his head, and his wife’s ag - gra - va - tion, you soon end up dead. It’s the same

 
                       

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 3

Chorus

  
G A C5 D5 μ (E5)

             

old sto - ry, same old song and dance, my friend.

       
       


     

0 0
3 3 5 5 2 2
3 3 5 5 0 3

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  
G A C5 D5

                


It’s the same old sto - ry, same old song and dance,

    
                  

0
2 3 3 5 5
3 0 0 2 3 3 5 5 0

 Verse
  
μ (E5) μ (E5)
  
 E
          

my friend. 2. Sha - dy look - in’ los - er you
down and dir - ty from

   
     
           
      

0 0 0
2 2 2 5 7 7 7
0 3 3 0 0 0 0 0 0 0 0 0

        
          
 
   

played with my gun. No smooth face law - yer can get you un - done.
Say love
walk - in’ the street with your old hur - dy gur - dy, no one to meet.

 
                       

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)

         
          
ain’t the same on the south side o’ town. You could look but you ain’t gon - na

 
                      

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Chorus

   
G A C5 D5

                  

find it a- round. It’s the same old sto - ry, same old song and dance,

  
                   

3 3 5 5
0 0 0 0 0 0 2 3 3 5 5 0

 
μ (E5) G A C5
             

my friend. It’s the same old sto - ry, same

   
          
        

0 0 0
2 2 2 3
0 3 3 0 0 2 3 3 5 5

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To Coda 
            
D5 F5 G5 A5 C5 D5

     
old sto - ry, same old song and dance.

           
     
    

7
3 3 5 5 0 0 3 5
1 1 3 3

Guitar Solo
μ (E5)

    

       

          

0 0 0 0 0
2 2 2 2 2
0 0 3 3 0 0 3 0 0 3

     
                           

0 0 0 0 0 0
2 2 2 2 2 2
3 0 0 3 0 0 3 3 0 0 3 0 0 3

Bridge

 
* B5 A5 G5 A5 B5 A5 G5 A5 B5

       
           
1. Fate comes a - knock - in’, doors start lock - in’. Your old
2. Saxophone solo

               

     


0
2
3 0 0 3
2  2 2 2 2 2
3
0 2

*Chord symbols reflect guitar parts throughout Bridge.


5

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 
A5 G5 A5 B5 A5 G5 A5 B5 A5 G5 A5 B5

                   
 
time con - nec - tion, change your di - rec - tion. You ain’t gon - na change it, can’t

          
 
    
  

2 2 2 2 2 2 0 2 2 2 2
3

 
A5 G5 A5 B5 A5 G5 A5 B5 C#5 D5 D#5

        
           
re - ar - range it. Can’t stand the pain when it’s all the same to you

      
   

        
   

2 2 0 2 2 2 2 2 4 5 6
3 0

1. 2.

μ (E5) μ (E5)

          

my friend.

  
 

        
     
   


0 3
2
0 0
2
0
2
3 0 0 3
2  0 3
2
0 0
2

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
D.S. al Coda

       

3. When you’re low

     
  
            
     

0 0 0 0
2 2 2 2 5 7 7
3 0 0 3 0 0 3 3 0 0

 Coda

  
μ (E5)

              

0 0 0
2 2 2
0 0 3 3 0 0 3 0

    
           
          

0 0 0 0 0
2 2 2 2 2
0 3 3 0 0 3 0 0 3

     
           
3

      

0 0 0 0 0
2 2 2 2 2
3 0 0 0 3 0 3 0

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
from Aerosmith - Toys in the Attic

Sweet Emotion
Words and Music by Steven Tyler and Tom Hamilton

Intro
Moderately q = 96

   
Bass Fig. 1 End Bass Fig. 1

                        
Play 7 times
Bass


f

 

12 14 12 14
 12 12 12 12 12 12
12
12 12
11
12 12 12 12 12 12
12
12 12
11

Chorus

  
Bass: w/ Bass Fig. 1, 4 times

   
μ(A) (D/A) (A)

     
Sweet e - mo - tion.

 Verse
    
A5 D A A5

           

1. Talk a - bout things and no - bod - y cares, you’re


pulled in - to town in a po - lice car, you’re

         
Bass

             

7 7 7 7 7 7 7
12 0 0 0 0 0 0
3 5 3 5 3 5 3 5

 D  A       
D A

    

wear - in’ out things that no - bod - y wears. You’re


dad - dy said I took you just a lit - tle too far. You’re

          End Bass Fig. 2


Bass Fig. 2

             

7 7 7 7 7 7 7 7
0 0 0 0 0 0
3 5 3 5 3 5 3 5

Copyright © 1975; Renewed 2003 Music Of Stage Three (BMI)


Worldwide Rights for Music Of Stage Three Administered by BMG Chrysalis
International Copyright Secured All Rights Reserved 1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
 D
Bass: w/ Bass Fig. 2, 2 times

          
A D A

  


call - in’ my name, but I got - ta make clear, I
tell - in’ her things but your girl - friend lied, you

 D          
A D A

   


can’t say, ba - by, where I’ll be in a year.
can’t catch me ’cause the rab - bit done died. Yes it did!

Interlude

   
μ

  
Bass

                  

5 3 5 3
5 0 2 2 3 3 3 4 4 5 5 0 2 2 3 3 3 4 4 5

 
     
2. Some

   
4. You

            
       

5 3 5 3
5 0 2 2 3 3 3 4 4 5 5 0 2 2 3 4 5

Verse
1st time, Bass: w/ Bass Fig. 2, 4 times


2nd time, Bass: w/ Bass Fig. 3, 4 times

           
D A D A
     

sweet talk - in’ ma - ma with a face like a gent said my


stand in the front just - a shak - in’ yo ass, I’ll

 D  A    
     
D A

     

get up and go must - ’ve got up and went. Well, I


take you back - stage you can drink from my glass. I’m

  
Bass Fig. 3

                  

5 3 0 0 5 3 0 0
5 5 5 3 3 5 5 5 3 3

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       
D A D A

         


got good news, she’s a real good li - ar, ’cause my
talk - in’ ’bout some - thin’ you can sure un - der - stand, ’cause a

 D 
A
      
D A

 


back - stage boo - gie set yo’ pants on fire.
month on the road and I’ll be eat - in’ from your hand.

Interlude

   
μ

  
Bass

                  
5 3 5 3
5 0 2 2 3 3 3 4 4 5 5 0 2 2 3 3 3 4 4 5

   
                                   

5 3 5 3 5 3
5 0 2 2 3 3 3 4 4 5 5 0 2 2 3 3 3 4 4 5 5 0 2 2 3 3 3 4 4 5

To Coda 

   
                               

5 3
5 0 2 2 3 3 3 4 4 5
5 3
5 0 2 2 3 3 3 4 4 5
5 3
5 0 2 2 3 4 5 
Chorus 1. 2.

  
D.S. al Coda

    
Bass: w/ Bass Fig. 1, 4 times


μ(A) (D/A) (A) (A)

     
 
Sweet e - mo - tion. tion. 3. I

 Coda
        
   

5 3
5 0 2

Outro

  
Play 12 times and fade
μ(E7)

          
                 
 
 0 0
5
0
7 7
5 0 3 4 0 0
5
0
7 7
5 0 3 4

3

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
from Aerosmith - Toys in the Attic

Toys in the Attic


Words and Music by Steven Tyler and Joe Perry

Intro
Moderately fast q = 204
E5

  
Bass Fig. 1

   


*


(Backwards cymbal) Bass

         
f


  2 0 0 2 0 0 2 0 0
2 2 2 2 2 2
0 3 0 0 3 0 0 3 0
*Key signature denots E Mixolydian.

D5 A5 E5

                   
Play 3 times

 
            


0 5
0 5
 0
2 0
2
0
2
3 0 0
2 0
2
0
2
3 0 0
2 0
2
0
2
3 0

      
Bridge

     


D5 B5 A5 E5 D5

    

In the at - tic, lights, voic - es scream;

     
End Bass Fig. 1 Bass Fig. 2

     
 

0 5 0 2 0 5
5 0

      
      
A5 G5 D5 A5 B5


 


    
noth - in’ seem real’s the dream.

                
   
End Bass Fig. 2

   

5 5 3 3 3 5 9 7
5 0 5 5 5 0 5 7 9
7

Copyright © 1977 Mosaic Music


All Rights Reserved Used by Permission 1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
Verse

     
E5

 

                         

    

9 7
9 5 7 9 9 5 6 7 7 7 7 7 7 7
7 7 0 5 6 7 7 7 7 7

     
        
1. Leav - in’ the things that are real be - hind,

                         
Bass Fig. 3

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

        
       
but e - ven the things that you love

                        

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
      
 


re - mind, uh.

                         

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

              


All of the things that you learn from fears,

                         

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7


A5

     
      

noth - in’ is left but the years.

                
End Bass Fig. 3

 

7 7 7 7 7 7 7 7 7 7 7 7 7 7
5

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
 
Bridge

     

A5 E5 D5 A5

 
   
Voic - es scream; noth - in’

  Bass Fig. 4    


    

5 5 0
5 0

         
G5 D5 A5 B5

   
 
seem real’s the dream...

            
      

5 3 3 3 5 9 7
5 5 5 5 0 5 7 9
7

   

               
 
End Bass Fig. 4

 
    
9 7
9 5 7 9 9
7 7 0 5 6 7 7 7 7 0 3

Chorus

    
 
 
     
Bass: w/ Bass Fig. 1

 
E5 D5 A5

   






Toys, toys, toys in the at - tic.

    
  
 
  
     
     
 

E5 D5 A5 E5

 








Toys, toys, toys in the at - tic. Toys, toys,

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
   
 
       
 
 
D5 A5 E5

   






toys in the at - tic. Toys, toys,

Bridge
Bass: w/ Bass Fig. 2

       
    
D5 B5 A5 E5

  
 
    
   



toys  in the at - tic. Lights, voic - es

       

      
D5 A5 G5 D5 A5

 
    
 
scream; noth - in’ seem real’s the dream.

 
  
B5

  

 
                                

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

Guitar Solo

  
Bass: w/ Bass Fig. 5 (3 times)


C5

  

        
Bass Fig. 5 End Bass Fig. 5

         

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
     
  
decresc.

µ (C5)
   
        
    
    
5 3 5 3
1 3 5 5 3 1 1 3 5
3 3 1 3
0 1 3

   
               
     
      

5 3 5 3
5 3 1 1 3 5 5 3 1 1 3 5
3 1 3 3 3 1 3 3
0 1 3 0 1 3

  


Eb5 E5

                
   

5 3 1
3 1 3 6 7 7 7 7 7 7 7 7 7 7 7 7 7
3

Verse
Bass: w/ Bass Fig. 3

      
E5

              
2. Leav - in’ the things that are real be - hind, but

                

e - ven the things that you love re - mind.

               

All of the things that you learn from fears,

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
Bridge

                


Bass: w/ Bass Fig. 4
A5 A5 E5 D5 A5

  
    
noth - in’ is there but the years. Voic - es scream; noth - in’

 G5    


     
D5 A5 B5

    
 
seem real’s the dream.

Outro-Chorus
Bass: w/ Bass Fig. 1 (1st 4 meas.) (4 times)

 
E5 D5 A5

  
              

                   
  
      




Toys, toys, toys  in the at - tic.


(Uhhh, m, m, m, g. g, g, g, g, g, g,

E5 D5 A5
 
              
                       

       






Toys, toys, toys in the at - tic.


g, g, g, g, g, g, g, g, g, g, g, g, g, g, g, g, g, g, g, g, g, g, g, g, gaah!)

     
  
 
       
E5 D5 A5

   






Toys, toys, toys were in the at - tic.

     
  
 
      
E5 D5 A5

   






Toys, toys, toys in the at - tic.

Begin fade Play 3 times and fade


Bass: w/ Bass Fig. 1 (1st 4 meas.) (till fade)

   
 
 
 
       
E5 D5 A5

      






Toys, toys, toys in the at - tic.

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
Train Kept A-Rollin’
Words and Music by Tiny Bradshaw, Lois Mann and Howie Kay

Intro Guitar Solo


Free time Moderately q = 102


µ G5

            
 
       
(Guitar)

 
f

 3 0 0 3 3 0 3 3 0 0 3 3 0 3


        
A5 G5 A5 B5 A5 G5 F#5
     
              

5 0 0 5 5 0 5 3 0 0 3 3 0 3 5 7 5 3 2

Verse

   
G5 G5

            
1. Well, on a train, I met a dame. She was rath - er

       
    
       

3 0 0 3 3 0 3 3 0 0 3 3 0 3

 
                     
A5

 

hand - some; we kind - a looked the same. She was pret - ty, from New York Cit - y. I’m

 
      
           

3 0 0 3 3 0 3 5 0 0 5 5 0 5

Copyright © 1951 by Bienstock Publishing Company, Jerry Leiber Music, Mike Stoller Music, Fort Knox Music Inc. and Bug Music-Trio Music Company
Copyright Renewed
International Copyright Secured All Rights Reserved
Used by Permission 1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
     
G5 A5 B5 A5 G5 F#5
           
 
walk - in’ down that old fair lane. I’m in heat, I’m in love, but I


 
          
      

3 0 0 3 3 0 3 5 7 5 3 2

Chorus

 G5          
G5
         
 


just could - n’t tell her so. I said, train kept a - roll - in’ all night long,

   
    
       
   

3 0 0 3 3 0 3 3 0 0 3 3 0 3

         A5
        
 


train kept a - roll - in’ all night long. Train kept a - roll - in’ all night long,

 
      
           

3 0 0 3 3 0 3 5 0 0 5 5 0 5


G5
          
A5
   
B5 A5 G5 F#5
 
  
train kept a - roll - in’ all night long with a heave and a ho, but I


 
    
            

3 0 0 3 3 0 3 5 7 5 3 2

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
 
Guitar Solo

 
G5 G5

      


  
just could - n’t tell her so. No, no, no!

   
    
       
   

3 0 0 3 3 0 3 3 0 0 3 3 0 3


A5 G5

   

              
     
         

3 0 0 3 3 0 3 5 0 0 5 5 0 5 3 0 0 3 3 0 3


A5 B5 A5 G5 F#5 G5
  
   
2. Well, got it


 
        
        

5 7 5 3 2 3 0 0 3 3 0 3

Verse

           
G5

    

long, sweet lit - tle wom - an, get a - long, on your way. Get a -

   
    
       
   

3 0 0 3 3 0 3 3 0 0 3 3 0 3
3

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
          
A5 G5
    
  
long, sweet lit - tle wom - an, get a - long, on your way. I’m in

 
    
         
   

5 0 0 5 5 0 5 3 0 0 3 3 0 3

       
A5 B5 A5 G5 F#5 G5
           
 

heat, I’m in love, but I just could - n’t tell her so. No, no,


 
          
      

5 7 5 3 2 3 0 0 3 3 0 3

Guitar Solo

 E5    µ
  
µ (E5)

E5 µ

 
no.

                   
         
    

0 2 0 0 2 0
0 2 0 2 1 0 0 2 0 2 1 0
0 3 0 0 0 2 3 0 0 3

       
E5 µ A5 µ A5 µ
          
    

0 2 0
0 2 0 2 1 0
0 2 3 0 0 3 0 0 0 2 3
0 0

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
      
A5 µ A5 µ E5 µ

       
           

0 2 0
0 2 0 2 1 0 0 2 0
0 0 3 0 0 0 2 0 2 1 0
0 2 3 0 0 3

E5 µ E5 µ E5
                    
         

0 2 0
0 2 0 2 1 0 0 1
0 0 0 2 3 0 0 3 0 0

   
B5 C5 C#5 D5 D#5 E5 F5 F#5 G5

     
             

2 2 3 4 5 6 6 7 7 8 8 9 10 10 10
0 0 3 3 0 3

A5 G5

              
     
         

3 0 0 3 3 0 3 5 0 0 5 5 0 5 3 0 0 3 3 0 3

Interlude
Faster q = 198
Bass tacet


(Snare drum & guitar)


A5 B5 A5 G5 F#5 G5 E5
     
      
      

5 7 5 3 2 3 0 0 3 3 0 3 0

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
G5
  
                   

3 0 3 0 0 3 0 3 3 0 3 0 0 3 0 3 0 0 3 0

A5
   
                   

3 3 0 3 0 0 5 0 5 0 0 5 0 5 5 0 5 0 0

G5 A5 B5
  
                     

3 0 3 0 0 3 0 3 3 0 3 0 0 5 5 5 5 7

   
A5 G5 F#5 G5

    
3. Yeah, on a

 
    
            

7 5 3 3 2 3 0 3 0 0 3 0 3 3 0 3

Verse

 G5                  

train, I met a dame. She was rath - er hand - some, we kind - a

 
                    

3 0 3 0 0 3 0 3 3 0 3 0 0 3 0 3 0 0 3 0

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
 
A5
                 
 
looked the same. She was pret - ty, from New York Cit - y. I’m

   
                   

3 3 0 3 0 0 5 0 5 0 0 5 0 5 5 0 5 0 0

     
G5 A5 B5
         

walk - in’ down that old fair lane. I’m in heat, I’m in love,

   
                    

3 0 3 0 0 3 0 3 3 0 3 0 0 5 5 5 5 7

      
A5 G5 F#5 G5

          
    

but I just could -n’t tell her so. I said,

 
  
              

7 5 3 3 2 3 0 3 0 0 3 0 3 3 0 3

Chorus

               
G5
 
  

train kept a - roll - in’ all night long, train kept a - roll - in’ all

 
                    

3 0 3 0 0 3 0 3 3 0 3 0 0 3 0 3 0 0 3 0

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
    
A5
        
   


night long. Train kept a - roll - in’ all night long,

   
                   

3 3 0 3 0 0 5 0 5 0 0 5 0 5 5 0 5 0 0

 
G5 A5 B5
             
   


 
train kept a - roll - in’ all night long, with a heave, with a ho,

  
                     

3 0 3 0 0 3 0 3 3 0 3 0 0 5 5 5 5 7

A5 G5 F#5 G5
       
           
   
but I just could - n’t tell her, ah, g, g, g, g, g, g,

 
  
              

7 5 3 3 2 3 0 3 0 0 3 0 3 3 0 3

Guitar Solo


G5


    
ga!

 
                    

3 0 3 0 0 3 0 3 3 0 3 0 0 3 0 3 0 0 3 0

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
A5
   
                   

3 3 0 3 0 0 5 0 5 0 0 5 0 5 5 0 5 0 0

G5 A5 B5
  
                     

3 0 3 0 0 3 0 3 3 0 3 0 0 5 5 5 5 7

  
A5 G5 F#5 G5
   

4. Well, get a -

 
  
              

7 5 3 3 2 3 0 3 0 0 3 0 3 3 0 3

Verse

        
G5

   

long, sweet lit - tle wom - an, get a - long,

 
                    

3 0 3 0 0 3 0 3 3 0 3 0 0 3 0 3 0 0 3 0

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
       
A5

          
on your way. Get a - long, sweet lit - tle wom - an, get a -

   
                   

3 3 0 3 0 0 5 0 5 0 0 5 0 5 5 0 5 0 0

G5 A5 B5
        
    



long, on your way. I’m in heat, I’m in love,

  
                     

3 0 3 0 0 3 0 3 3 0 3 0 0 5 5 5 5 7


A5 G5 F#5 G5

  
            
 
but I just could - n’t tell her, ’eah, yeah,

 
  
              

7 5 3 3 2 3 0 3 0 0 3 0 3 3 0 3

Bridge


E5 µ(E5) (F#5) (G5) (E5) (F#5) (G5)
 

      Play 6 times


 
yeah!

 

          
 
0 0 2 3
 0 2 3

10

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
G5
    
     

3 3 3 3 3 0

 
Guitar Solo
G5
 
                         


 3 0 3 0 0 3 0 3 3 0 3 0 0 3 0 3 0 0 3 0 3 3 0 3 0 0

A5 G5
 
                           

5 0 5 0 0 5 0 5 5 0 5 0 0 3 0 3 0 0 3 0 3 3 0 3 0 0


1.
A5 B5 A5 G5 F#5 G5

   
   
                    


5 5 5 5 7 5 3 3 2 3 0 3 0 0 3 0 3 3 0 3

2.
Verse

     
µ (E5) G5
                 
    

5. Yeah, we made a stop in Al - bu - quer - que. She must - a thought I was a

    
     
              

3 3 0 3 0 3 3 0 3 0 0 3 0 3 0 0 3 0

11

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
  
A5

             

real cool jerk. Got off the train and put her hands up, look -

   
                
 

3 3 0 3 0 0 5 0 5 0 0 5 0 5 5 0 5


B5

    
G5 µ G5 G#5 A5
       
   
- in’ so good, I could - n’t let her go. Oo,

      
         

3 3 4 5 5 7

      
A5 G5 F#5 G5
       
   
but I just could - n’t tell her so. I said,

 
  
              

7 5 3 3 2 3 0 3 0 0 3 0 3 3 0 3

Chorus
G5
                
 

train kept a - roll - in’ all night long, train kept a - roll - in’

 
                    

3 0 3 0 0 3 0 3 3 0 3 0 0 3 0 3 0 0 3 0

12

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
   
A5
         

all night long. Train kept a - roll - in’ all night long,

   
                   

3 3 0 3 0 0 5 0 5 0 0 5 0 5 5 0 5 0 0

   
G5 A5 B5
             
 
train kept a - roll - in’ all night long. I’m in heat, I’m in love,
   
                    

3 0 3 0 0 3 0 3 3 0 3 0 0 5 5 5 5 7

 
Free time

    
A5 G5 F#5 G5

          
  

but I just could - n’t tell her, ah, yeh, y - yeah!

 
   
               

7 5 3 3 2 3 0 3 0 0 3 0 3 3 0 3
Outro
q = 198


E5
                    



                     
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

E7#9
                            
                           
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Free time

 

E5 G5 A5 E5

 
 3
 
   
rit. 

0 3 5
0 0 0

13

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
from Aerosmith - Toys in the Attic

Walk This Way


Words and Music by Steven Tyler and Joe Perry

Intro
Moderate Rock q = 120
µ
  A5

   
(Drums) (Drums & gtr.) Bass



f

 0

 Verse

             
          
µ (C7)


3


1. Back - stroke lov - er al - ways hid - in’ ’neath the cov - ers, “Gon - na talk to you,” my dad - dy say, said, “You
2. School girl skin - ny with a class - y kind - a sas - sy lit - tle skirt’s climb - in’ way up her knee, there was

 
Bass Fig. 1 End Bass Fig. 1

               
      
3 3 1 3 0 3 3 1 3 1 1
0 1 3 3 0 1 3 3

          
Bass: w/ Bass Fig. 1 (2 times)

  
             
ain’t seen noth - in’ till you’re down on a muf - fin and you’re sure to be a - chang - in’ your ways.” I met a
three young lad - ies in the school gym lock - er when I no - ticed they was look - in’ at me. I was a

                   
   
cheer - lead - er, was a real young bleed - er all the times I cound rem - i - nisce, ’cause the
high school los - er, nev - er made it with a la - dy ’til the boys told me some -thin’ I missed, then my

                   
A5

       

best things in lov - in’ with a sis - ter and a cou - sin on - ly start - ed with a lit - tle kiss, a - like this!
next door neigh - bor with a daugh - ter had a fav - or so I gave her just a lit - tle kiss a - like this!

              
        
3 3 1 3 0 3 3 1 3
0 1 3 3 0 3 5

Copyright © 1977 Mosaic Music


All Rights Reserved Used by Permission 1

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
Interlude
µ (E5)
Bass Fig. 2


                      

7 7 7 7
5 6 7 5 6 7 0 5 6 7 5 6 7 0

A5

       
End Bass Fig. 2

               

7 7 7 7 0
5 6 7 5 6 7 0 5 6 7 5 6 7

Verse
Bass: w/ Bass Fig. 1 (3 times)

                   
µ (C7)

   
2., 4. See - saw swing - in’ with the boys in the school and your feet fly - in’ up in the air, I sing,

                    
    
“Hey did - dle did - dle” with your kit - ty in the mid - dle of the swing like you did - n’t care. So I

             *
    
      


took a big chance at the high school dance with a mis - sy who was read - y to play, was a
*Sing harmony 1st time only.

                

          
me she was fool - in’ ’cause she knew what she was do - in’
 and I know’d love was here
when she told me how to walk
to
this
stay
way.
when she told me to...
She told me to...

           
          

3 3 1 3 0 3 3 1 3 1 2
0 1 3 3 1 3

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
Chorus
C7 F7

         
 

 

 
          
 
(Walk this way, talk this way,

                                    
Bass Fig. 3 End Bass Fig. 3

3
1 2 3 3 3 3 3 3 3 3 3 5 5 3 1
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 1

1st time, Bass: w/ Bass Fig. 3 (3 times)


2nd time, Bass: w/ Bass Fig. 3 (2 times)
C7 F7 C7

              
  
 

 

 
               
walk this

way, talk this way,
 walk this

way,
To Coda 
F7 C7 F7

     
              
 
 

 

 
               
   
Uh, just gim - me a kiss.
talk this way, walk this way, talk this way.)

Guitar Solo

 
µ (C7)

    

       
      
         
      
8 9
8 8 9 10
3 3 1 3 0 3 3 10 10 3 3 1 3 0
0 1 3 3 0 1 3 3

Interlude


Bass: w/ Bass Fig. 2 D.S. al Coda

  
  
A5 µ (E5) A5

        

A - like this! Oo, Uh.

          
   

3 3 1 3
0 3 5

Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
 Coda
C7 F7

          
    

 


          
  


Uh, just gim - me a kiss.
walk this way, talk this way.)

  
                 
       
1 2
10 8 1 2 3
3 3 3 6 10 10 3
1 1 1

Guitar Solo


µ (C7)

  


 
       
               

8 9
8 8 9 10
3 3 1 3 0 3 3 10 10
0 1 3 3

   
A5

     


Like this!

     
              
  

3 3 1 3 0 3 3 1 3
0 1 3 3 0 3 5

                 
Play 12 times and fade

            

 
 0 3 4
7
5 6 7
7
0 0 3 4
7
5 6 7
7 0 
4

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