Aerosmith (BASS)
Aerosmith (BASS)
A5
Bass
mf
0 0 0 0 0 0
0 0 0 X 0 0 0 0
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0
Chorus
D
µ (E5)
I’m back,
f
5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7
0 5 6 7
Copyright © 1977 Mosaic Music, Song & Dance and Vindaloo Productions
All Rights Reserved Used by Permission 1
Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
I’m back in the sad - dle a - gain. I’m
End
Bass Fig. 1
7 7 7 6 7 7 7 6
5 7 5 5 7
7 8 9 5 7 7 7 8 9
0 5 6 7
Bass: w/ Bass Fig. 1
back, I’m back in the sad - dle a - gain.
Verse
A D A D
1. Rid - in’ in - to town a - lone by the light of the moon,
4 5 6 7 5 5 3 3 2 4 5 6 7 5
3 5 5 5 3 5 5 5
A
D
I’m look - in’ for old Su - kie Jones,
5 3 3 3 2 4 5 6 7 5
5 5 5
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A D
she cra - zy horse sa - loon.
Bass Fig. 2 End Bass Fig. 2
5 5 3 5 3 3 2 2 4 5 6 7 5 5 3 5 3 3 2
3 5 5 5
A D/A
Bar keep gim - me a drink, that’s when she caught my
4 5 6 7
5 5 5 5 5 5 5 5 5 5 5 5 5
A D/A A D/A
eye, she turned to gim - me a wink,
4 5 6 7 4 5 6 7
3 5 5 5 5 5 5 5 5 5 5 5 5 3 5 5 5 5
A D/A
that’d make a grown man cry. I’m
4 5 6 7
5 5 5 5 5 5 5 5 3 5 5 5 5 5 5 5 5 5 5 5 5
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Chorus
Bass: w/ Bass Fig. 1 (2 times)
µ (E5)
back in the sad - dle a - gain, I’m back. I’m
back in the sad - dle a - gain, I’m back.
Verse
Bass: w/ Bass Fig. 2 (4 times)
A D A D
2. Come eas - y, go eas - y, al - right till the ris - in’ sun. I’m
D
A A D
call - in’ all the shots to - night, I’m like a load - ed gun.
B E/B
Peal - in’ off my boots and chaps I’m sad - dle sore,
Bass Fig. 3
9 9 9 9
6 7 8 9
5 7 7 7 7 7 7 7 7
B
E/B
four bits gets you time in the rack I scream for more.
End Bass Fig. 3
9 9 9 9
6 7 8 9
5 7 7 7 7 7 7 7 7
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Bass: w/ Bass Fig. 3
B E/B B E/B
Fools gold out of their mine, the girls are soak - in’ wet. No tongue’s dri - er than mine,
Chorus
Bass: w/ Bass Fig. 1 (2 times)
µ (E5)
I’ll come when I get back. I’m back in the sad - dle a - gain.
I’m back, I’m back in the sad - dle a - gain.
Bridge
Asus4 A Bsus4/A B/A G/A µ A5
I’m rid - in’, I’m load - in’ up my pis - tol.
Bass Fig. 4
7 6
9 9 7
9 12 12 12
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 8 7 5 5 5 5
Asus4 A Bsus4/A B/A G/A µ A5
I’m rid - in’, I real - ly got a fist - ful.
End Bass Fig. 4
7 6
9 9 7
9
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 8 7 5 5 5 5 5 5 5 5
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Bass: w/ Bass Fig. 4
Asus4 A
Bsus4/A B/A G/A
µ
A5
I’m rid - in’, I’m shin - in’ up my sad - dle.
µ
Asus4 A Bsus4/A B/A G/A A5
I’m rid - in’, the snake is gon - na rat - tle. I’m
Chorus
Bass: w/ Bass Fig. 1 (2 times)
µ (E5)
back in the sad - dle a - gain, I’m back. I’m
back in the sad - dle a - gain, I’m back.
Outro
Bass: w/ Bass Fig. 4 (3 times)
Asus4 A Bsus4/A B/A G/A µ A5 Asus4 A
Rid - in’ high.
Rid - in’ high. Rid - in’ high.
O - le.
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A5 Asus4 A Bsus4/A B/A G/A µ
Got to. O - le.
O - le, o - le, o - le who.
7 7 7 5 5 5 5 5 7 7 5 5 5 5 7 7 5 5 5 5 7
0 0 0 0 0 0 0
7 6 5
9 7 7 5 5 5 7 5 5 7 7 5 5 7
0 9 0 0 0 0 0 0 0 0 0 0 0 0
8 7
Get on! Yeah! Huh!
7 6 5
9 9 7 7 5 5 7 7 5 4 5
9 9 0 0 0 0 0 0 0 0
8 7
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5 6 5 6 5 5
7 7 5 7 7 5 5 5 7
0 0 0 0 0 0 0 0 0 0 0 0 0
5 5 5 5 7 6
7 5 7 5 5 7 7 5 5 5 9 7
0 0 0 0 0 9
8 7
7 5 5 7 7 5 5 7 7 5 5 7
0 0 0 0 0 0 0 0 0 0 0 0
7 6
7 5 5 7 9 9 7
0 0 0 0 0 0 0 0 0 0 0 0 9
8 7
7 7 6
9 7 7
0 0 0 0 0 0 0 0 0 9 0 0 0 0 0 0 0 0 0
8 7
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from Aerosmith -Toys in the Attic
= 3
Intro Verse
Moderately q = 88
µ (E5) C#5 D5 D6 D5 D6 D5
1. Got me the strang - est wom -
Bass Bass Fig. 1
mf
4
4 7
7 7 7 7 7 7 7 7 7 5
D6 D5 G#5 A5 A6 A5 A6 A5 A6 A5 C#5
E
- an; be - lieve me, this chick’s no cinch. But
5 4
7 4 4 5 4
4 7 7 4
5
D5 D6 D5 D7 D5 D6 D5 D7 D5 E5 µ
3
I real - ly get her go - in’ when I whip out my big ten - inch
4 5 4
4 7 7 4
5 7
Copyright © 1952 by Bienstock Publishing Company, Jerry Leiber Music and Mike Stoller Music
Copyright Renewed
International Copyright Secured All Rights Reserved
Used by Permission 1
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Chorus
C#5 D5 D6 D7 D6 D5 D9 G#5
E
re - cord of a band that plays the blues, well, a band
End Bass Fig. 1 Bass Fig. 2
4 5 4
4 7 7 4
5
A5 A6 A5 A7 A5 A6 A5 Am7 E7
that plays the blues. She just love my big
4 5 4
4 7 7 4 4 5 6
5 7
E5 A5 A6 A5 A7 A5 A6 A5
ten - inch re - cord of her fa - vor - ite blues. Now my band!
End Bass Fig. 2
4 5 6 4 5 6 7 4
7 7 7 0
Guitar Solo
A5 G5 F#5 E5 A5 G5 F#5 E5 A5 G5 F#5 E5 A5 G5 F#5 E5 D5
5 3 2 0 5 3 2 0 5 3 2 0 5 3 2 0
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C5 B5 A5 D5 C5 B5 A5 G5 F#5 E5 A5 G5 F#5 E5
Bass Fig. 3
5 3 2 0 5 3 2 0
5 3 2 0 5 3 2 0
D5 C#5 B5 E5 D5 C#5 B5 A5 A6 A5 A7 A5 A6 A5 C#5
2. Last
End Bass Fig. 3
4 7 4
7 5 4 7 5 4 4 7 7 6
7 7 5
Verse
Bass: w/ Bass Fig. 1
D5 G#5 A5 A6 A5 A6 A5 A6 A5 C#5
night I tried to tease her; I gave my love a lit - tle pinch. But
cov - er her with kis - ses, ’n’ when we’re in a lov - er’s clench she
D5 D6 D5 D7 D5 D6 D5 D7 D5 E5 µ
3
3
she said, “Now stop the jiv - in’, ’n’ now whip out your
big ten - inch
gets all ex - cit - ed. When she beg for my
Chorus
Bass: w/ Bass Fig. 2
C#5 D5 D6 D7 D6
D5 D9
G#5
rec - ord of a band that plays the blues, well, a band
A5 A6 A5 A7 A5 A6 A5 Am7 E7 E5
that plays the blues.” She just loves my big ten - inch rec -
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1. 2.
A5 A6 A5 A7 A5 D5
A5
- ord of her fa - vor - ite blues. 3. I, I, .I’ll - ord of her fa - vor - ite blues.
7
4 5 6 7 4
7 6 7
4 5 6
0
µ
7 10
7 9 0 0 1 1 2 2 3 3 4 4 5 5 6 6 7 7
Harmonica Solo
Bass: w/ Bass Fig. 3
C#5
4. My
4 4 5 5 6 6
3 3 4 4 5 5 6 6 7 7
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Verse
Bass: w/ Bass Fig. 1
D5 A5
girl don’t go for smok - in’; liq - our just makes her flinch.
3
D5 E5 µ
Seems she don’t go for noth - in’; ’cept for my big ten - inch
Chorus
Bass: w/ Bass Fig. 2
C#5 D5
D6 D7 D6 D5 D9
G#5
A5 A6 A5 A7A5
A6 A5
rec - ord of a band that plays the blues, band that plays the blues.
Am7 E7 E5
She just love my big ten - inch
Outro
µ
rit.
rec - ord of her fa - vor - ite blues.
rit.
12 14 12
14 12 10
7 12 10
12
Free time
A9
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from Aerosmith -Greatest Hits
Come Together
Words and Music by John Lennon and Paul McCartney
Intro
Moderately slow q = 76
Voc.: w/ Voc. Fig. 1
μ (Dm7)
Bass Fig. 1
EndBassFig. 1
Bass
mf
10 10 10 10
12 12 12 12
10 12 10 12 10 12 10 12
10 10 10 10 10 10 10 10
Verse
D5 D6 D5 D6 D5 D6 D5 D6 D5 D6 D5 D6
1. Here come old flat top, he come groov - in’ up slow - ly. He got Joo Joo eye - ball, he one
Bass Fig. 2
10 10 10
12 12 12
10 12 10 12 10 12
10 10 10 10 10 10
D5 D6 D5 D6 A5 A6 A5 A6 A5 A6 A5 A6
ho - ly roll - er. He got hair down to his knee,
10 5 5
12 7 7
10 12 5 7 5 7
10 10 5 5 5 5
Voc. Fig. 1
(Exhale) Sha, sha, sha, sha.
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Voc.: w/ Voc. Fig. 1
Bass: w/ Bass Fig. 1
G5 μ μ (Dm7)
got to be a jok - er he just do what he please.
End Bass Fig. 2
Verse
Bass: w/ Bass Fig. 2
D5 D6 D5 D6 D5 D6 D5 D6 D5 D6 D5 D6
2. He wear no shoe - shine, he got toe jam foot - ball. He got mon - key fin - ger, he shoot
3. He bag pro - duc - tion, he got wal - rus gum - boat. He got O - no side board, he one
4. He roll - er coast - er, he got ear - ly morn - ing. He got Mud - dy Wa - ter, he one
D5 D6 D5 D6 A5 A6 A5 A6 A5 A6 A5 A6
Co - ca Co - la. He say I know you, you know me,
spi - nal crack - er. He got feet down be - low his knee,
mo - jo fil - ter. He say one and one and one is three,
G5 μ
one thing I can tell you is you got to be free.
hold you in his arm - chair; you can feel his dis - ease. Come to - geth -
got to be good look - in’ ’cause he so hard to see.
Chorus
B5 A5 G5 A5
- er right now o - ver me.
7 7 7 7 7 7 5 5 3 3 3 3 5
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1.
D5
2.
Guitar Solo
D5 D6 D5 D6 A5 A6 A5 A6
Play 4 times Play 4 times
Ow!
10 12 12 14 12 10 5
10 10
10 12 10 10
10 12
12
5 5
5 7
7
D.S. al Coda
μ (Dm7)
10 10 12 10 12 10
12
10 12 12
10 10 10 10
Coda
Outro
D5 D6 D5 D6
Oh!
10 7 5
12 5 7
10 12 5 5 5 5 5 5
10 10
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D5 D6 D5 D6 D5 D6 D5 D6 D5 D6 D5 D6
Come to - geth - er. Ooh.
7 5 7 7 5 7
5 7 5 7 5 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
D5 D6 D5 D6 D5 D6 D5 D6 D5 D6 D5 D6
Come to - geth - er. Choo! Come to - geth - er.
7 5 7 7 5
5 7 5 7
5 5 5 5 5 5 5 5 5 5 5 5 3 5 5 5 5 5 5
3 5
Begin fade
D5 D6 D5 D6 D5 D6 D5 D6 D5 D6 D5 D6
Ah! Come to - geth - er. Choo!
7 7 5 7
5 7
5 5 5 5 5 5 3 5 5 5 5 5 5 5 5 5 5 5 5 3
3 5 3 5
Fade out
D5 D6 D5 D6 D5 D6 D5 D6
Come to - geth - er. Ah, na, na, na, na, na.
7 5 7
5 7
5 5 5 5 5 5 5 5 5 5 5 5 3
3 5
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from Aerosmith - Big Ones
Intro
Moderately slow q = 76
G5
Ah!
Bass
mf
3 10 3
Csus2 Em7
Ya de at - na. Ah! La ve dat na la.
7 7 7
3 15 8 8 10 10
Verse
G5
1. La. I love to look in - to your big brown
2. Ahhh, like de - ja vu, I feel like I been
3 15
© 1993, 1994 EMI APRIL MUSIC INC., SWAG SONG MUSIC, INC., ALMO MUSIC CORP. and TESTATYME MUSIC
All Rights for SWAG SONG MUSIC, INC. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights for TESTATYME MUSIC Controlled and Administered by ALMO MUSIC CORP.
All Rights Reserved International Copyright Secured Used by Permission 1
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Csus2 Em7
eyes. They talk to me and seem to hyp - no -
here. Or some - where else but you been al - ways
7 7 7
8 8 10 10
G5
tize. They say the things no - bod - y dares to say.
near. It’s you that’s in my dreams I’m beg - gin’ for.
3 15
Csus2 Em7
And I’m not a - bout to let you fly a -
But I woke up when some - one slammed the door
7
8 8 10 0
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Pre-Chorus
2nd time, Bass: w/ Bass Fill 1
D C G
way. My lov - er with no jet lag we’re stay - in’ up all night in my sleep - ing bag. You got a
so hard I fell out - ta bed, scream - in’ ma - ma’s lit - tle ba - by loves short -’ning bread. And the
5 5 5 5 3
5 5 5 3
D F
3
heart beat - in’ rhy - thm from the sub - ter - ran’. I real - ly love you lit - tle girl, I don’t
mor - al of the sto - ry I can tes - ti - fy; I get stoned on you girl, that’s the
5 5 5
5 5 1
Chorus
G5 F5 C5
*
need to ex - plain.
best rea - son why. I love you ’cause your deuc - es are wild girl, like a
3
1 3 3 1
*Key signature denotes G Mixolydian.
Bass Fill 1
5 5 5 5 3 5 5 5
5 5 5 3 3 5 5 5
Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
1.
Bb5 F5 G5 F C5
dou - ble shot of love is so fine. Been lov - ing you since you was a child, girl, ’cause
1 1 3
1 3 1 3 3 1
Bb5 F5 G5
you and me is two of a kind.
1 1
1 3 10
2.
Bb5 F5 G5 F5 C5
dou - ble shot of love is so fine. I been lov - in’ you since you was a child, girl, ’cause
1 1 3 1 3 3
1 3 3 1 3 3 1
Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
Bb5 F5 G5 F5 C5
you and me is one of a kind. I love you ’cause your deuc - es are wild girl, like a
1 1 10 10 8 3
1 3 3
Bb5 F5 G5 F5 C5
dou - ble shot of love is so fine. I been lov - ing you since you was a child, girl, ’cause
1 1 3 3
1 3 1 3 3 1
Interlude
Bb5 F5 G5 Bb5
8va
you and me is two of a kind. Wow!
3 3
let ring
5 3 5 3
5 3 5 3
1 1 5 3 1 1 1 1 1 1 2
1 3
w/ ad lib. Voc.
C5 Bb/D C/E Bb5
3 3 5 5 7 1 1 1 1 1
0
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Outro-Chorus
C5 G5 F5 C5
I love you ’cause your deuc - es are wild, girl, like a
3 3 3 3 3 3 3 3 3
3 3 1
Bb5 F5 G5 F5 C5
dou - ble shot of love is so fine. I’ve been lov - ing you since you was a child, girl, ’cause
1 1 10 10 10 8 3 3
1 3 3
Bb5 F5 G5 F5 C5
you and me are two of a kind. I love you ’cause your deuc - es are wild, girl, yeah, a
1 1 1 3 1 3
1 1 3 3 3 1 3 3 1
Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
Bb5 F5 G5 F5 C5
dou - ble shot of love is so fine. I been lov - ing you since you was a child, girl, ’cause
let ring
5
1 1 5 5 3
1 3 3 3 3 1
Bb5 F5 G5 F5 C5
you and me is two of a kind. I love you ’cause your deuc - es are wild, girl, you
1 1 3
1 3 1 3 3 1
Bb5 F5 G5 F5 C5
know it, but I made up my mind. I been lov - ing you since you was a child, girl, ’cause
let ring
5
1 1 5 5 3
1 3 3 3 1
Bb5 F5 G5
1 1
1 3 3
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from Aerosmith - Aerosmith
Dream On
Words and Music by Steven Tyler
Intro
Moderately slow q = 78
(Guitar & Elec. Piano)
Fm Cm/Eb Dm7b5 Db,7#11 Fm Fsus4
Bass
mf
3 3 1 1 0 0 3 3 3 3 3
4 4
Fm Bb9 Eb Eº7 Fm
3 3 3 3 1 1 2 2 3
1 1 1 1
Verse
Fm Cm/F Dm7b5/F Db,7#11/F Fm Cm/F
1. Ev - ’ry time that I look in the mir - ror, all these lines in my
BassFig. 1
3 3
1 3
1
face get - tin’ clear - er. The past is gone;
End Bass Fig. 1
3
1 3 1 3
1 1
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Fm Cm/F Dm7b5/F Db,7#11/F Dm7b5 Csus4 C
it went by like dusk to dawn. Is - n’t that the way? Ev -
3
0 5 5 3 3
1
Dm7b5 Db,7#11 C Fm/C Cº7 C7
- ’ry - bod - y’s got their dues in life to pay. Well,
5 5 4 4 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Pre-Chorus
F5 Eb5 Db Ebsus2
I know no - bod - y knows where it comes and where it goes.
3 3 1 1 1 1
4 4
Db Ebsus Fm Cm/F
F5 Eb5
I know it’s ev - ’ry - bod - y’s sin; you’ve got to lose to know how to win.
3 3 1 1 1 1 3
4 4
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Dm7b5 Db,7#11
Fm Fsus4
Fm
3
1
Verse
Bass: w/ Bass Fig. 1 (1 3/4 times)
Fm Cm/F Dm7b5/F Db,7#11/F Fm Cm/F
2. Half my life’s in book’s writ - ten pa - ges, lived and learned from
Dm7b5/F Db,7#11/F Fm Cm/F Dm7b5/F Db,7#11/F Fm Cm/F
fools and from sag - es. You know it’s true all these things
E
Dm7b5/F Db,7#11/F F5 Eb5 Db5 Ebsus2
come back to you. Sing with me, sing for the years, sing for the laugh -ter ’n’ sing for the tears.
3 3 1 1 1 1 1
3 3 4 4 4
1 1 3 4
Bass Fill 1
1 1 1 2
4 4 3
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F5 Eb5 Dm7b5 Db
Sing with me if it’s just for to - day, may - be to - mor - row the good Lord will take you a - way.
3 3 1 1 0 0
4 4
C
To Coda
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Interlude
Fm Fm(,7) Fm7add9 Bbadd9 Eb13 Eº7
3 3 3 3 3 3 3 1 1 2 2
1
D.S. al Coda
Fm Fsus2 Fm(,7) Fm7add9 Bbadd9 Eb7/6 Eº7
Well,
3 3 3 3 3 3 3 3 1 2
1
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Coda
Chorus
Bb5 C5 Db5 Eb5
Dream on, ’n’ dream on, ’n’ dream on, dream un - til your dream come
1 1
1 1 3 3 4 4
F5
true.
3 3 3 3
3 4
4 1 1 1 1
Bb5 C5
Db5 Eb5
(’n’) Dream on, ’n’ dream on, ’n’ dream on, dream un - til your dream come
1 1
1 1 3 3 4 4
F5
true.
1 1 10 10 10 8 10 10 10 10
3 1 1 3 3 1 1 3 3 3 3 3 3 3 3 3
3 3
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Bb5 C5 Db5 Eb5
(’n’) Dream on, ’n’ dream on, ’n’ dream on, ’n’ dream on.
1 1
1 1 3 3 4 4
F5 G5 Ab5 Bb5
Dream on, dream on, dream on, ah!
1 1
1 1 3 3 4 4
C5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Pre-Chorus
F5 Eb5 Db5 Ebsus2
Sing with me, sing for the years, sing for the laugh - ter ’n’ sing for the tears.
3 3 6
6 6 4 4 6 6
Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
F5 Eb5 Db5 Ebsus2
Sing it with me if it’s just for to - day, may - be to - mor - row the good Lord will take you a - way.
3 3 6
6 6 4 4 6 6
F5 Eb5 Db5 Ebsus2
Sing with me, sing for the years, sing for the laugh - ter ’n’ sing for the tears.
3 3 6
6 6 4 4 6 6
F5
Eb5
Dm7b5
Db
Sing it with me if it’s just for to - day, may - be to - mor - row the good Lord will take you a - way.
3 3 1 1 0 0
4
C C5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
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from Aerosmith - Permanent Vacation
Intro
Moderate Rock q = 136
A5 G5 A5
*
Dude
(Ah! Ah!
Bass
f
5 10
*Key signature denotes A Mixolydian.
D G5 A5 G5 A5 D5 G5 D
looks like a la - dy. Dude looks like a la - dy.
Ah! Ah!
Bass Fig. 1
5 10 10 5
A5 G5 A5 D G5 D A5 G5 A5
Dude looks like a la - dy. Dude
Ah! Ah! Ah! Ah!)
7 12 12
10 10
© 1987 EMI APRIL MUSIC INC., AERO DYNAMIC MUSIC PUBLISHING INC. and DESMOBILE MUSIC CO., INC.
All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
D G5 D * A5 G5 A5 D Dsus4 D
looks like a la - dy.
End Bass Fig. 1 Bass Fig. 2
5
12 5 7
5 3 5 5 3
3 5
*Vocal tacet on repeat
1. 2.
A5 G5 A5 D Dsus4 D D Dsus4 μ
End Bass Fig. 2
5 5
5 7 5 7
5 3 5 5 3 3
3 5 3 5
Verse
1st & 3rd times, Bass: w/ Bass Fig. 2 (2 times)
2nd time, Bass: w/ Bass Fig. 2 (1 3/4 times)
A5 G5 A5 D G5 D A5 G5 A5
1. Cruised in - to a bar on the shore. Her pic - ture graced the grime on the door.
2. Back - stage we’re hav - ing the time of our lives un - til some - bod - y say,
nev - er judge a book by it’s cov - er or who your gon - na love by your lov
D G5 D Dsus2 A5 G5 A5 D Dsus4 D Dsus2
She a long lost love at first bite. Ba - by may -
“For - give me if I seem out of line.” Then she whipped
er. Say love put me wise to her love in dis - guise. She had the
2nd time, Bass: w/ Bass Fil 1
D
A5 G5 A5 Dsus4 D Dsus2
E
- be you’re wrong but you know it’s al - right. That’s right!
out her gun and tried to blow me a - way.
bod - y of a Ve - nus, Lord, i - mag - ine my sur - prise.
Bass Fill 1
3 5 5 5 5 5
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1.
Bass: w/ Bass Fig. 2
A5 G5 A5 D Dsus4 D A5 G5 A5 D Dsus4 D
(Ah! Ah! Ah! Ah!)
2.
Chorus
Bass: w/ Bass Fig. 2 (2 times)
A5 G5 A5 D Dsus4 D A5 G5 A5
Dude looks like a la - dy. Dude
(Ah! Ah! Ah! Ah!
D Dsus4 D A5 G5 A5 D Dsus4 D
looks like a la - dy. Dude looks like a la - dy.
Ah! Ah!
(take 2nd ending)
A5 G5 A5 D Dsus4 D D Dsus4 D
Dude looks like a la - dy. 3. So looks like a la - dy.
Ah! Ah!)
Interlude
A5 G5 A5 F A5 G5 A5
Let me take a peek dear. Do
(Ba - by let me fol - low you down. Ba - by let me fol - low you
5 3 5 5 5 3 5 5
6
3
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F A5 G5 A5 F
5 3 5 5
6 6
D5 C5 D5 E G
Ba - by let me
fol - low you
Do me,
down.)
do me, do me, do me.
5 3 5 5
0 3
Guitar Solo
Bass: w/ Bass Fig. 2 (4 times) Play 4 times
A5 G5 A5 D Dsus4 D A5 G5 A5 D Dsus4 D
Bridge
E D E μ E D E
Ooh! What a fun - ky la - dy. Oh, she
5 5 5 3 3 5 5 5 5 3 3 5
4
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μ E D E μ
like it like it like it like that. Oh, he was a la - dy.
5 5 5 3 3 5
G
E D E
Yow! Yeah, yeah, yeah, yeah.
3
5 5 5 3 3 5
Chorus
Bass tacet Bass: w/ Bass Fig. 1
A5 G5 A5 D Dsus4 A5 G5 A5
Dude looks like a la - dy. Dude
(Ah! Ah! Ah! Ah!
D Dsus4 A5 G5 A5 D
looks like a la - dy. Dude looks like a la - dy.
Ah! Ah!
Outro
Bass: w/ Bass Fig. 2
A5 G5 A5 D Dsus4 D A5 G5 A5
Dude looks like a la - dy. Dude
Ah! Ah! Ah! Ah!
5
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D Dsus4 D A5 G5 A5 D Dsus4 D
looks like a la - dy. Dude looks like a la - dy.
Ah! Ah!
A5 G5 A5 D Dsus4 D A5 G5 A5
Dude looks like a la - dy. Dude
Ah! Ah! Ah! Ah!)
12 12 12 12 10 12 10 12
5 3 5 5 5 3 5 5
D Dsus4 D A5 G5 A5 D Dsus4 D
looks like a la - dy. Du, du, du, dude looks like a la - dy.
5
5 7 12 12 12 12 10 12 10 12
3 5 3 5 5
3 5
A5
G5
A5
Dsus4
D
D A5
G5
A5
Du, du, du, dude looks like a la - dy. Du, du, du, dude
7 10
5 5 5 3 5 5 5 5 3 5
3 5 8 3
6
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D Dsus4 D A5 G5 A5 D Dsus4 D
looks like a la - dy. Du, du, du, dude looks like a la - dy.
5 5
7 5 7
3 5 3 5 5 3
3 5 3 5
Ah!)
(Ah!
5
5 7
5 3 5 5 3
3 5
5
12 12 12 12 12 12 10 12 10 12 5 7
5 3 5 5 5 5 5 3 3 5 5 3
3 5
A G5
A5 D Dsus4
D A G5
A5 A Dsus4
D
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from Aerosmith - Big Ones
Bass
f
0 0 0 0 0 0 0 12 12
µ E5 µ
10 0 0 5
E5 E5 µ
5
5 5 7 5 7 5
6 6 5 3 3 0 0 3 5 6 6 5 3 3 0 0
µ E5 µ (Em7)
Bass Fig. 1
5
5 7 5 7 5 7 7
3 5 6 6 5 3 3 0 0 0 5 7 0 0 0 0 3 0
1. Well, I
End Bass Fig. 1
7 7 7 7 7 7
0 5 7 0 0 0 0 3 0 5 7 0 0 0 0 3 0 0 5 7 0 0 4 0 5 0 6 0 7
© 1992, 1993 EMI APRIL MUSIC INC., SWAG SONG MUSIC, INC., ALMO MUSIC CORP. and TESTATYME MUSIC
All Rights for SWAG SONG MUSIC, INC. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights for TESTATYME MUSIC Controlled and Administered by ALMO MUSIC CORP.
All Rights Reserved International Copyright Secured Used by Permission 1
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Verse
Bass: w/ Bass Fig. 1 (3 times)
µ (Em7)
woke up this morn - ing on the wrong side of the bed. And
called up my head shrink - er and I told him what I’d done. He said you’d
E
how I got to think - in’ a - bout - a all those things you said. A - bout
best go on a di - et, yeah, I hope you have some fun. And - a
or - di - nar - y peo - ple, and how they make you sick. And if
don’t go burst a bub - ble or the rich folks who get rude. ’Cause you
call - in’ names kicks back on you, then I hope this does the trick. Uh, ’cause I’m
won’t get in no trou - ble when you eats that kind of food. Now they’re
7 7 7 7
0 5 7 0 0 0 0 3 0 0 5 7 0 0 0 0 3 12
Pre-Chorus
E5 F#5 G5 A5
sick of your com -
plain - ing a - bout how man - y bills. And I’m
smok - ing up their junk bonds, and then they go get stiffed. And they’re
lieve in all the good things that mon - ey just can’t buy. Uh, then
0 2 3 5 3 5
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E5 F#5 G5 A5 F#5
E5
sick of all your bitch - in’ ’bout your poo - dle and your pills. And I just can’t see no hu - mor a - bout
danc - in’ at the yacht club with Muff and Un - cle Biff. But there’s one good thing that hap - pens when you
you won’t get no bel - ly - ache from eat - in’ hum - ble pie. I be - lieve in rags to rich - es, your in -
0 2 3 5 5 12 12 0 2
G5 A5 B5 A5/B B5
your way of life. And I think I can do more for you with this here fork and knife.
toss your pearls to swine. Their at - ti - tudes may taste like shit, but go real good with wine.
her - i - tance won’t last. So take your Grey Pou - pon, my friend, and shove it up your ass!
7 12 12 12 14 14 14 14 14 14
3 5 5 6 7 7 7 7 7 7 7 14 14 14
Chorus
B5 G5
B5
E5 D5 A5 D5 A5 E5
Eat the rich, there’s on - ly one thing that they’re good for.
F
1/4
7 5 5 7
5 7 5 5 7 5 3 0 0
Eat the rich, uh, take - a one bite now, come back for more. Eat the rich, I
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To Coda
D5 B5 A5 G5 E5 D5 B5 A5
got - ta get this off my chest. Eat the rich, uh, take - a
1.
D5 B5 A5 G5 E5 µ (Em7)
one bite now, spit out the rest.
1/4
5 7 7 7 7 7
7 5 3 0 0 5 7 0 0 0 0 3 0 0 5 7 0 0 0 0 3
2.
D5 B5 A5 G5 E5
2. So I one bite now, spit out the rest.
1/4
0 5 7
7 7
0 0 0 0 3 0 0 5 7
7 7
0 0 0 6 5 3
5
7 5 3 0 0
µ E5
5
0 0 5 6 6 X 5 3 3 0 0
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µ
E5 µ
5 5
5 7 5 7 5 5 7 5 7
3 5 6 6 X 5 3 3 0 0 3 5
Guitar Solo
E5 A5 E5
5
6 6 X 5 3 3 0 0 5 5 5 5 0 0
A5 B5
0 0 5 5 5 5 7 7 7 7 7 7
D5 µ (Em7)
10 10 10 10 10 10 10 10 10 10
0 5 7
7 7
0 0 0 0 3 0 0 5 7
7 7
0 0 0 0 3
1. 2.
0 5 7
7 7
0 0 0 0 3 0 0 5 7
7 7
0 0 3 0 5 6 7
0 5 7
7 7
0 0 0 0 0 3
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D.S. al Coda
µ
Be -
* 8 1/2
* 8 1/2
0
*Pitch is lowered by turning tuning peg.
Coda
Bass: w/ Bass Fig. 2 (last meas.) Bass: w/ Bass Fig. 2 (3 times)
D5 B5 A5 G5 E5 E5 D5 B5 A5
one bite now, spit out the rest. Eat the rich, uh, there’s
B5
D5 B5 A5 G5 E5 E5 D5 A5 D5 B5 A5 G5 E5
on - ly one thing that they’re good for. Eat the rich, uh, take - a one bite now, come back for more.
E5 D5 B5 A5 D5 B5 A5 G5 E5
Eat the rich, uh, don’t stop me now, I’m go - in’ cra - zy.
E5 D5 B5 A5 D5 B5 A5 G5 E5
Eat the rich, well, that’s my i - dea of a good time, ba - by!
1/4
7 5 5 5
5 7 5 5 7 7 5 3 0 3 0
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from Aerosmith - Nine Lives
5 string bass:
(low to high) B-E-A-D-G
Intro
Moderate Rock q = 116 Bkgd. Voc.: w/ Voc. Fig. 1
F5 G5 F5 G5 F5 G5 F5 G5 F5 G5 F5 G5
Voc. Fig. 1 End Voc. Fig. 1
You
(You’re so bad, you’re so bad, you’re so...)
Bass
f
3 5
1 3 3 1 3 3 1 3 1 3 3 1 3 3
2nd time, Bass: w/ Bass Fill 1
D5 Gm/Bb Csus2 D5 Gm/Bb
think you’re in love, like it’s a real sure thing but ev - ’ry time you fall you get your
ain’t gon - na be no more beg - gin’ you please. You know what I want and it ain’t
Jones - in’ on love, yeah I got the D.T.’s. You say that we will but there ain’t
5 5 1 1 1 3 3 3 5 5 5 5 5 5 1 1 1
Bass Fill 1
5
3 3 3 5 5 5
© 1997 EMI APRIL MUSIC INC., SWAG SONG MUSIC, INC., UNIVERSAL MUSIC CORP. and AEROSTATION CORPORATION
All Rights for SWAG SONG MUSIC, INC. Controlled and Administered by EMI APRIL MUSIC INC.
All Rights for AEROSTATION CORPORATION Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights Reserved International Copyright Secured Used by Permission 1
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3rd time, Bass: w/ Bass Fill 3 2nd & 3rd times, Bass: w/ Bass Fill 2
Csus2 D5 Gm/Bb Csus2 D5
ass in a sling. You used to be strong, but now it’s “Ooh ba - by, please” ’cause
one of these. You’re bad to the bone and your girl - friend a - grees that
no guar - an - tees. I’m ma - jor in love but in all mi - nor keys ’cause
7
5 7 7
3 3 3 5 5 5 5 5 5 1 1 1 3 3 3 5
To Coda
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
Gm/Bb Csus2 G5 F5 G5 F5 G5 F5 G5
fall - ing in love is so hard on the knees.
5 1 1 3
3 3 1 3 3 1 3 3 1 3
Verse
F5 G5 F5 G5 F5 G5 G5 C5 Bb5 Eb5
1. We was mak - ing love when you told me that you loved me.
2. Chip off the old block, man you’re so much like your sis - ter.
Bass Fig. 1
mf
3 5 3 1 1 6 6 6
1 3 3 1 3 4 3
Bass Fill 3 Bass Fill 2
7 7
7 7 7 8 8
3 3 5 7 5 7 9 3 3 3 5 5 5 5
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C5 Eb5 Bb5 G5 C5
I thought ol’ Cu - pid, he was tak - ing aim. I was be - liev - er when you
My fan - ta - size, it must be out of luck. My old li - bi - do has been
3 6 6 6 6 1 3
3 1 3
Bb5 Eb5 C5 Eb5
told me that you loved me and than you called me some - one
blow - ing a tran - sis - tor. I feel like I have been hit
End Bass Fig. 1
1 1 6 6 6 3 6 6 6
11
1. 2.
Bb5 G5 F5 G5 F5 G5 F5 G5 F5 G5 F5 G5 F5 G5
D.S. al Coda
else - ’s name. Yeah! Eh! There by a fuck. Yeah! I’m
f
1
3 18 1 3 3 1 3 3 1 3
1 3 3 1 3 3 1 3
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Coda
F5 G5 F#5 G#5 G5 A5 G#5 A#5 A5 B5 Bb5
1 3 3 2 4 4 3 5 5 4 6 6 5 7 7 6
C5 Bb5 C5
Bridge
What are you look - ing for? It’s got to be hard - core. Must be some kind of nov - veau
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 6 8 8 8 8 8 8 8
B5
8 8 8 8 8 8 8 8 8 7 7 7 7 7 7 7 7
4 6 7 8
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Bb5 A5
Let’s get you on a tight - er leash. Own it, own it, own
10 12 12 12 10 12 10 12 10 12
6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5
D5 Solo
Guitar Gm/Bb Csus2 D5 Gm/Bb Csus2 D5
it. Yeah.
7 10
5 7 7
5 5 1 1 1 3 3 3 5 5 5 5 5 5 1 1 1 3 3
D5 Gm/Bb Csus2 D5 Gm/Bb
5 5 1 1 1 3 3 3 5 5 5 5 5 5 1 1 1
Csus2 G5 F5 G5 F5 G5 F5 G5 F5 G5 F5 G5 F5 G5
3 3 5
3 3 15 1 3 3 1 3 3 1 3 1 3 3 1 3 4
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Verse
Bass: w/ Bass Fig. 1
G5 C5 Bb5 Eb5 C5 Eb5
“You ain’t that good” is what you said down to the let - ter but you like the way I hold the
Bb5 G5 C5 Bb5 Eb5
mi - cro - phone. (echo repeat) Some - times I’m good, but when I’m bad I’m e - ven bet - ter.
C5 Eb5 F5 G5 F5 G5 F5 G5
Don’t give me no lip, I’ve got e - nough of my own. There
3 6 6 6 18
1 3 3 1 3 3 1 3
Csus2 D5 Gm/Bb
ain’t gon - na be no more beg - gin’ you please. You know what I want, and it ain’t
5 1 1 3 3 3 5 5 5 5 5 5 1 1 1
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Csus2 D5 Gm/Bb
one of these. You’re bad to the bone and your girl -
5 7 12 7 8 8
3 3 3 5 5 5 5 7
Csus2 D5 Gm/Bb Csus2 D5
- friend a - grees that fall - ing in love is so hard on the knees. I’m
5 5 7
7 7
3 3 3 5 5 5 5 5 5 1 1 1 3 5
Jones’ - in’ on love, yeah I got the D. T’s. You
5 5 1 1 1 3 3 3 5 5 5 5
Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
Gm/Bb Csus2 D5 Gm/Bb
say that we will, yeah, but there ain’t no guar - an - tees. I’m ma - jor in love but in all
7 8 8
5 5 1 1 3 3 3 5 5 5 5 5 7 9
5 5
Csus2 D5 Gm/Bb Csus2 G5
mi - nor keys. ’Cause fall - ing in love is so hard on the knees.
7
3 3 3 5 5 5 5 5 1 1 1 3
3 3 10
Outro
1 3 3 2 4 4 3 5 5 4 6 6 5 7 7 6 6
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from Aerosmith - Pump
Intro
Moderately q = 112
(Guitar & keyboards)
* µ
G5
Dum, dum, dum, hon - ey what have you done? Dum, dum, dum it’s the
*Chord symbols reflect overall harmony.
sound of my gun. Dum, dum, dum, hon - ey what have you done?
E5
Dum, dum, dum it’s the sound, it’s the sound. Nyah, nyah, nyah.
B5 E5/B B5 E5
Nyah, nyah, nyah. Nyah, nyah, nyah. Nyah, nyah, nyah.
Verse
B5 E5/BB5 B6 B7 E5 E5/B B5
1. Jan - ie’s got a gun.
E5 E5/B B5 E5 E5/B
Jan - ie’s got a gun. Her whole world’s come un - done
B5 E5 E5/B B5
from look - in’ straight at the sun.
© 1989 EMI APRIL MUSIC INC. and SWAG SONG MUSIC, INC.
All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
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Pre-Chorus
E5 B5/E E A5 B5 E5 B5/E E A5
What did her dad - dy do? What did he put you through?
Bass
0 0 5 5 7 7 7 7 7 7 0 0 5 5 5
Chorus
B5
C#5 A5
They say when Jan - ie was ar - rest - ed, they found him un - der - neath a train.
7 X 7 7 9 9 9 9 9 5 5 5 5 5 5
E5 D5/E G5/E D5/E E5 C#5
But man, he had it com - in’. Now that
0 0 0 0 0 0 0 0 9 9 9 9 9
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A5 F#5 B5
Jan - ie’s got a gun she ain’t nev - er gon - na be the same.
5 5 5 5 5 2 2 2 2 2 2 7 7 7 7 7 7 7 7 7 7 7
Verse
E5 E5/B B5 E5 E5/B
2. Jan - ie’s got a gun. Jan - ie’s got a gun.
4
2 2 2 2
0 0 2 0 0 2
B5 E5 E5/B B5
Her dog day’s just be - gun. Now ev - ’ry -
4
2 2 2 2
0 0 2
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Pre-Chorus
B5 E5/B B5 E5 B5/E E A5 B5
bod - y is on the run. 1. Tell me now it’s un - true.
2. What did her dad - dy do? It’s
2 4
2 2 2 2
0 0 2 0 0 5 5 5 7 7 7 7 7
Chorus
E5 B5/E E A5 B5 C#5
What did her dad - dy do? He jacked a lit - tle bit - ty ba - by. The
Jan - ie’s last I O. U. She had to take him down eas - y and
0 0 5 5 5 7 7 7 7 7 7 9 9 9 9 9
man has got to be in - sane. They say the
put a bul - let in his brain. She said, “’Cause
(Ma, ma, ma, ma.)
5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0
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C#5 A5 F#5
spell that he was un - der the light - ning and the thun - der knew that some - one had to stop the rain.
no - bod - y be - lieves me. The man was such a sleaze. He ain’t nev - er gon - na be the same.”
9 9 9 9 9 5 5 5 5 5 5 2 2 2 2 2
B5
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
Bridge
C5
D5
E5
Run a - way, run a - way from the pain, yeah, yeah,
8 8 8 7 8 10 10 10 10 10 0
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D/E
C5
D5
yeah, yeah, yeah. Run a - way, run a - way from the
0 8 8 8 7 8 10 10 10 10 10
E5 D/E Cmaj7
pain, yeah, yeah, yeah, yeah, yeah, yeah, yeah. Run a - way,
0 8 8 8 7 8
D% A5 Bsus4
3
run a - way, run, run a - way.
10 10 10 10 10 5 5 5 5 5 7 7 7 7 7
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1.- 5. 6.
E5 D5 G5 A5 A5
*
Woo!
7 7 7 7 7 7
0 3 3 5 5 5 5 5
3 5 5 5 5 5 5
3 3
*Sing 1st time only.
B5
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
Verse
Bass tacet
E5 E5/B B5 E5 E5/B B5
3. Jan - ie’s got a gun. Jan - ie’s got a gun. Her
E5 E5/B B5 B5 E5/B B5
D.S. al Coda
dog day’s just be - gun. Now ev - ’ry - bod - y is on the run.
Coda
Outro
E5 E5/B B5 E5 E5/B B5
2 2 2 2 2 2 2 2 2 2 2
0 0 2 2 0 0 2 2
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E5 E5/B B5 E5 E5/B B5
Jan - ie’s got a gun. Ev - ’ry - bod - y is on the run.
4
2 4 4 2 4 4
2 2 2 2 2
0 2 0 0 2 2
E5 E5/B B5 E5 E5/B B5
Jan - ie’s got a gun. Her dog day’s just be - gun. Now, ev - ’ry -
2
2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 2 2 0 2
E5 E5/B B5 E5 E5/B B5
Play 3 times and fade
4
4 4 4
2 2 2 2 2 2 2 2 2 2
0 2 2 0 0 2 2
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from Aerosmith - Pump
Love in an Elevator
Words and Music by Tyler/Perry
Intro
K
Moderate Rock q = 98 (jq = iq)
µ (Em)
Mm, mm, mm,
A5
mm. Yeah!
Bass
f
2 0 2 0 2 0 2 0
2 2 1 0 0 2 2 2 1 0 0 2
3 3 0 3 3 0 5
Verse
D5 E5 D/F# G5 C5 E7(no3rd) D/F# G5 C5
1. Work - in’ like a dog fo’ deboss man, work - in’ fo’ de com - pa - ny. I’m
2. Jack - ie’s in the el - e - va - tor, lin - ge - rie, sec - ond floor. She
(Whoa. Whoa, yeah.)
Bass Fig. 1
5 5 10
12
0 2 0 2 3 3
3
0 2 0 2 3 3
3
© 1989 EMI APRIL MUSIC INC. and SWAG SONG MUSIC, INC.
All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
1
Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
E5 D/F# G5 C5 E7(no3rd) D/F# G5 C5
bet - tin’ on the dice I’m toss - in’ I’m gon - na have a fan - ta - sy. But
said, “Can I see you lat - er and love you just a lit - tle more?” I
(Whoa. Whoa, yeah.)
3
0 2 0 2 3 3 8 0 2 0 2 3 3
A D5 G5 A D5 G5
where am I gon - na look? They tell me that love is blind. I
kind - a hope we get stuck no - bod - y gets out a - live. She said, I’ll
0 4 0 4 5 5 0 4 0 4 5 5 10
3
A D5 G5 A D5
real - ly need a girl like an o - pen book to read be - tween the lines.
show you how to FAX in the mail - room room hon - ey and have ya’ home by five.”
End Bass Fig. 1
0 4 0 4 5 5 0 4 0 4 5 5
3
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Chorus
B B6 B5 B B6 B5 B6 B5 B7sus4
Bass Fig. 2
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
1.
B B6 B5 B6 B5 B B6 B5 Bb5 A5
Love in an el - e - va - tor, lov - in’ it up ’til I hit the ground.
End Bass Fig. 2
7 7 7 7 7 7 7 7 7 7 7 7 7 6 5
2.
B Bsus4 B5 Bsus4 B/E
lov - in’ it up ’till I hit the ground. In the air, in the air, hon - ey one
7 7 7 7 7 7 7 7 0 0 0 0 0 0 0 0
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B B6 B5 B6 B5
more time now, it ain’t fair. Love in an el - e - va - tor,
0 0 0 0 0 0 4 0 5 7 7 7 7 7 7 7 7
Guitar Solo
B B6 B5 B6 B5 A5 D5
*
lov - in’ it up when I’m go - in’ down.
7 7 7 7 7 7 7 7
5
5
2
µ A D
Play 3 times
2 0 2
2
0
2 1 0
3
0
3
2
0
2 0 2
2
0
2 1 0
3
0
3
2
0
5
5 5
Love in an...
X 5 5
0 0 0 0 0 0 0
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el - e - va - tor.
1/4 1/4
5 5 4 4
0 0 0 3 0 3 3 0 0 0 3 0 3 3 0 0 0 7
0 0 3 0 5 3 0 3 0 0 5 3 0 5 6 7 0 0 0 3 0 5 6 7
7 7 7 7 5 0
0 0 0 3 3 0 3 0 3 0 0 3 0 5 6 7 0 0 3
D A µ
5 5 5 5 5 5 5
0 0 0 0 0 5 0 0 0 0
Go - ing down.
7
0 0 0 3 0 3 0 0 0 0 0 0 0 7
Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
5
0 0 3 0 3 5 7 0 0 0 7 0 6 3 0 0 0 3 0 5 6 7
D A µ
5 5 5
5 0 0 0 0 0 3 0 0 0 0 0 3 0 5 6 7
D A
5 5 5 5
0 0 3 0 5 6 7 5
Chorus
Bass: w/ Bass Fig. 2
B B6 B5 B B6 B5 B6 B5 B7sus4
Love in an el - e va - tor, lov - in’ it up when I’m go - in’ down.
B B6 B5 B6 B5 B B6 B5 Bb5 A5
Love in an el - e - va - tor, liv - in’ it up ’till I hit the ground.
Verse
Bass: w/ Bass Fig. 1
3. Gon - na be a pent - house pau - per, gon - na be a tril - lion - aire. I’m
(Whoa, Whoa, yeah.)
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E9(no3rd) G5 C5 E9(no3rd) G5 C5
gon - na be a real fast talk - er and have me a love af - fair. Got - ta
(Whoa, Whoa, yeah.)
chase you all the way to the stair - way hon - ey. Kiss your sas - sa - fras.
(Whoa.)
Chorus
Love in an el - e - va - tor, lov - in’ it up when I’m go - in’ down.
B B6 B5 B6 B5 B A5/B
Love in an el - e - va - tor, liv - in’ it up ’til I hit the ground. Do you care?
Outro
B/E
Do you care? Hon - ey one more time now, it ain’t fair.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 4 0 5
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B B6 B5 B A5/B
Love in an el - e - va - tor, liv - in’ it up when I’m go - in’ down. Do you care?
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
B/E
Do you care? Hon - ey one more time now, it ain’t fair.
0 0 0 0 0 7 0 0 0 0 0 0 0 0 4 0 5 0 6
B A5/B
Love in an el - e - va - tor, liv - in’ it up when I’m go - in’ down. In the air,
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
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B/E
in the air, hon - ey, one more, one more, one more, one more.
7 7 7 5
0 0 0 0 0 0 0 0 0 0 0 0 0
Love in an el - e - va - tor, liv - in’ it up when I’m go - in’ down. In the air,
7 7 7 7 7 7 7 7 7 7 7 7 7 6 5 5 4
B/E
in the air, hon - ey, one more, one more, one more, one more.
0 0 0 0 0 0 0 0 4 0 4 0 0 4 0 4 0 5
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B A5/E
Love in an el - e - va - tor, liv - in’ it up when I’m go - in’ down. In the air,
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5
B/E
in the air, hon - ey, one more, one more, one more, one more.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 4 0 5
B A5/E
*
Love in an el - e - va - tor,
9
9
7 7 0 7 7 7 7 7 7 7 7 7 7 7 7 7
*Vocals fade out.
10
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B/E
0 0 0 0 0 7 0 0 0 0 7 0 0 0 0 7 0 4 0 5
A5/E
B
*
Love in an el - e - va - tor, liv - in’ it up when I’m go - in’ down. In the air,
5 5 5 5 5 5
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
*Vocals fade in.
B/E
in the air, in the air, in the air.
Fade out
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Band tacet
11
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from Aerosmith - Aerosmith
Mama Kin
Words and Music by Steven Tyler
Intro
Moderately fast Rock q = 156
(Guitar)
E5 B5 A5 E5
Bass
7
7 3 4 5 6 7 7 7 7 7
7 5 5
1.
E5 B5 A5 E5
7 7 5 7
7 7 7 5 7 5 5
3 4
7
5 6 7 7 7 7 7 7 5
7
2.
A5 Solo E5
Guitar
7
7 7 7 7 7 7 7 7 7 7 3 4 5 6 7 7 7 7 7 7 5
0 0 2 2 3 3 4 4 5 5 7
A5 E5 A5 E5
9
7 6 9 7
3 4 5 6 7 7 7 7 7 7 7 7 5 3 4 5 6 7
5 5 7 5 5
F#5 B5
9 9 9 9 9 7 8 9
7 7 7 7 7 7 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
(Guitar)
9 9 9 9 9 9 9 9 9 9 9 9 9 9
E5 B5 A5 A5
7
7 3 4 5 6 7 7 7 7 5 7
7 5 5 7
7 7 7 7 7 5 7 5 7 5 6 7 7 5 5
7 7 7 7 7
Verse
E5 B5 A5 E5
1. It ain’t eas - y, liv - in’ like a gyp - sy. Tell ya, hon - ey, how I feel.
7 7
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B5
I’ve been dream - in’, float -
7 5 6 7 5 7
0 7 0 7 0 7 0 7 7 7
A5 E5
.
- in’ down the stream and los - in’ touch with all that’s real.
7 5 7 5
0 7 0 7 7 0 7 0 7 7 7
B5 A5 E5
Whole earth lov - er, keep - in’ un - der cov - er, nev - er know - in’ where you been.
Bass Fig. 1
7 7
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B5 A5
You’ve been fad - in’, al - ways pa - rad - in’. Keep
7 5 6 7 5 7
0 7 0 7 0 7 0 7 7 7
E5
End Bass Fig. 1
7 7
0 0 7 0 7 0 7 0 2 2 3 3 4 4
Pre-Chorus
al - ways got your tail on the wag, shoot - in’ fire from your mouth just like a
Bass Fig. 2
7 7
3 4 5 6 7 7 7 7 7 5 3 4 5 6 7
5 5 7 5 5
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E5 A5 E5
drag - on. You act like a per - pet - u - al drag.
9
6 9 7
7 7 7 7 7 7 7 7 5 7 3 4 5 6 7
5 5
F#5 F#
You bet - ter check it out, ’cause some - day soon you’ll have to climb back on the
End Bass Fig. 2
7 7 7 7 7 7 9 9 9 9 9 9 7 9 9 7 9 9 7 9 9 9 7 9 9 7 9
B5
wag - on.
9 9 9 9 9 7 8 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
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Verse
1st time, Bass tacet
2nd time, Bass: w/ Bass Fig. 1 (1st 2 meas.) 1st time, Bass: w/ Bass Fig. 1 (last 9 meas.) 2nd time, Bass: w/ Bass Fill 1
2., 3. It ain’t eas - y liv - in’ like you wan - na; mm, it’s so hard to find peace of mind,
B5
yes it is. The way I see it, you
A5 E5
got to say sheeit, but don’t for - get to drop me a line. Said, you’re
Pre-Chorus
Bass: w/ Bass Fig. 2
A5 E5 A5
bald as an egg at eight - een, and work - in’ for your dad - dy’s just a
E5 A5 E5
drag. You still stuff your mouth with them beans.
F#5
(F#)
You bet - ter check it out, ’cause some - day soon you’ll have to climb back on the
Bass Fill 1
5 6 7
5 0 0 7 0 7
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B5
wag - on.
9 9 9 9 9 7 8 9 9 9 9 9 9 9 9 9 9 9 9 9 9
Chorus
Bass tacet
E5 B5 E5
Keep in touch with ma - ma kin. Tell her where you
B5 E5 B5
gone and been. Liv - in’ out your fan - ta - sy,
E5 B5 E5 A5
sleep - in’ late and smok - in’ tea, mm. Keep in touch with
7 7 7
7
7 7
G5 D5 B5 E5 A5 G5 D5 B6
ma - ma kin. Tell her where you gone and been.
5 7 7 7 5
5 7 5
7 7 7 7
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To Coda
E5 A5 G5 D5 B5 E5 A5 G5 D5
Liv - in’ out your fan - ta - sy, sleep - in’ late and smok - in’ tea.
7 7 7 5 7 7 7 5
7 5 7 5
7 7
Interlude
C5 B5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2 2 2
3 4
D.S. al Coda
A5 G5 A5
4 4 5 5 6 6
5 3 5 5 3 3 2 0 0 2 3 5 3 5 5 0 5 5
Coda
Slower q = 216
C5 D5 E9
9 9
3 3 3 3 3 3 3 3 5 5 5 5 5 5 7 7
E5
9
9
7 7
0
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from Aerosmith - Greatest Hits
= 3
Intro
Moderate Rock q = 120
μ (G5)
8va
Ah, ha,
Bass 3
3
3
3
f
9 7
9 7
7 7 10 7 7 5
0 0 7 6 5 3
8va
right!
0 0 0 0 0
2 2 2 2 2
0 0 3 3 0 0 3 0 0 3
Verse
μ (E5)
loco
1. Get your - self cool - er, lay your - self low. Co -
0
2
3 0 0 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Copyright © 1977 Mosaic Music, Song & Dance and Vindaloo Productions
All Rights Reserved Used by Permission 1
Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
in - ci - den - tal mur - der with noth - in’ to show. When the judge - ’s con - sti - pa - tion
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
goes to his head, and his wife’s ag - gra - va - tion, you soon end up dead. It’s the same
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 3
Chorus
G A C5 D5 μ (E5)
old sto - ry, same old song and dance, my friend.
0 0
3 3 5 5 2 2
3 3 5 5 0 3
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G A C5 D5
It’s the same old sto - ry, same old song and dance,
0
2 3 3 5 5
3 0 0 2 3 3 5 5 0
Verse
μ (E5) μ (E5)
E
my friend. 2. Sha - dy look - in’ los - er you
down and dir - ty from
0 0 0
2 2 2 5 7 7 7
0 3 3 0 0 0 0 0 0 0 0 0
played with my gun. No smooth face law - yer can get you un - done.
Say love
walk - in’ the street with your old hur - dy gur - dy, no one to meet.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
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ain’t the same on the south side o’ town. You could look but you ain’t gon - na
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Chorus
G A C5 D5
find it a- round. It’s the same old sto - ry, same old song and dance,
3 3 5 5
0 0 0 0 0 0 2 3 3 5 5 0
μ (E5) G A C5
0 0 0
2 2 2 3
0 3 3 0 0 2 3 3 5 5
Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
To Coda
D5 F5 G5 A5 C5 D5
old sto - ry, same old song and dance.
7
3 3 5 5 0 0 3 5
1 1 3 3
Guitar Solo
μ (E5)
0 0 0 0 0
2 2 2 2 2
0 0 3 3 0 0 3 0 0 3
0 0 0 0 0 0
2 2 2 2 2 2
3 0 0 3 0 0 3 3 0 0 3 0 0 3
Bridge
* B5 A5 G5 A5 B5 A5 G5 A5 B5
1. Fate comes a - knock - in’, doors start lock - in’. Your old
2. Saxophone solo
0
2
3 0 0 3
2 2 2 2 2 2
3
0 2
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A5 G5 A5 B5 A5 G5 A5 B5 A5 G5 A5 B5
time con - nec - tion, change your di - rec - tion. You ain’t gon - na change it, can’t
2 2 2 2 2 2 0 2 2 2 2
3
A5 G5 A5 B5 A5 G5 A5 B5 C#5 D5 D#5
re - ar - range it. Can’t stand the pain when it’s all the same to you
2 2 0 2 2 2 2 2 4 5 6
3 0
1. 2.
μ (E5) μ (E5)
my friend.
0 3
2
0 0
2
0
2
3 0 0 3
2 0 3
2
0 0
2
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D.S. al Coda
3. When you’re low
0 0 0 0
2 2 2 2 5 7 7
3 0 0 3 0 0 3 3 0 0
Coda
μ (E5)
0 0 0
2 2 2
0 0 3 3 0 0 3 0
0 0 0 0 0
2 2 2 2 2
0 3 3 0 0 3 0 0 3
3
0 0 0 0 0
2 2 2 2 2
3 0 0 0 3 0 3 0
Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
from Aerosmith - Toys in the Attic
Sweet Emotion
Words and Music by Steven Tyler and Tom Hamilton
Intro
Moderately q = 96
Bass Fig. 1 End Bass Fig. 1
Play 7 times
Bass
f
12 14 12 14
12 12 12 12 12 12
12
12 12
11
12 12 12 12 12 12
12
12 12
11
Chorus
Bass: w/ Bass Fig. 1, 4 times
μ(A) (D/A) (A)
Sweet e - mo - tion.
Verse
A5 D A A5
Bass
7 7 7 7 7 7 7
12 0 0 0 0 0 0
3 5 3 5 3 5 3 5
D A
D A
7 7 7 7 7 7 7 7
0 0 0 0 0 0
3 5 3 5 3 5 3 5
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D
Bass: w/ Bass Fig. 2, 2 times
A D A
call - in’ my name, but I got - ta make clear, I
tell - in’ her things but your girl - friend lied, you
D
A D A
can’t say, ba - by, where I’ll be in a year.
can’t catch me ’cause the rab - bit done died. Yes it did!
Interlude
μ
Bass
5 3 5 3
5 0 2 2 3 3 3 4 4 5 5 0 2 2 3 3 3 4 4 5
2. Some
4. You
5 3 5 3
5 0 2 2 3 3 3 4 4 5 5 0 2 2 3 4 5
Verse
1st time, Bass: w/ Bass Fig. 2, 4 times
2nd time, Bass: w/ Bass Fig. 3, 4 times
D A D A
D A
D A
Bass Fig. 3
5 3 0 0 5 3 0 0
5 5 5 3 3 5 5 5 3 3
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D A D A
got good news, she’s a real good li - ar, ’cause my
talk - in’ ’bout some - thin’ you can sure un - der - stand, ’cause a
D
A
D A
back - stage boo - gie set yo’ pants on fire.
month on the road and I’ll be eat - in’ from your hand.
Interlude
μ
Bass
5 3 5 3
5 0 2 2 3 3 3 4 4 5 5 0 2 2 3 3 3 4 4 5
5 3 5 3 5 3
5 0 2 2 3 3 3 4 4 5 5 0 2 2 3 3 3 4 4 5 5 0 2 2 3 3 3 4 4 5
To Coda
5 3
5 0 2 2 3 3 3 4 4 5
5 3
5 0 2 2 3 3 3 4 4 5
5 3
5 0 2 2 3 4 5
Chorus 1. 2.
D.S. al Coda
Bass: w/ Bass Fig. 1, 4 times
μ(A) (D/A) (A) (A)
Sweet e - mo - tion. tion. 3. I
Coda
5 3
5 0 2
Outro
Play 12 times and fade
μ(E7)
0 0
5
0
7 7
5 0 3 4 0 0
5
0
7 7
5 0 3 4
3
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from Aerosmith - Toys in the Attic
Intro
Moderately fast q = 204
E5
Bass Fig. 1
(Backwards cymbal) Bass
f
2 0 0 2 0 0 2 0 0
2 2 2 2 2 2
0 3 0 0 3 0 0 3 0
*Key signature denots E Mixolydian.
D5 A5 E5
Play 3 times
0 5
0 5
0
2 0
2
0
2
3 0 0
2 0
2
0
2
3 0 0
2 0
2
0
2
3 0
Bridge
In the at - tic, lights, voic - es scream;
End Bass Fig. 1 Bass Fig. 2
0 5 0 2 0 5
5 0
A5 G5 D5 A5 B5
noth - in’ seem real’s the dream.
End Bass Fig. 2
5 5 3 3 3 5 9 7
5 0 5 5 5 0 5 7 9
7
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Verse
E5
9 7
9 5 7 9 9 5 6 7 7 7 7 7 7 7
7 7 0 5 6 7 7 7 7 7
1. Leav - in’ the things that are real be - hind,
Bass Fig. 3
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
but e - ven the things that you love
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
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re - mind, uh.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
All of the things that you learn from fears,
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
A5
End Bass Fig. 3
7 7 7 7 7 7 7 7 7 7 7 7 7 7
5
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Bridge
A5 E5 D5 A5
Voic - es scream; noth - in’
5 5 0
5 0
G5 D5 A5 B5
seem real’s the dream...
5 3 3 3 5 9 7
5 5 5 5 0 5 7 9
7
End Bass Fig. 4
9 7
9 5 7 9 9
7 7 0 5 6 7 7 7 7 0 3
Chorus
Bass: w/ Bass Fig. 1
E5 D5 A5
E5 D5 A5 E5
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D5 A5 E5
toys in the at - tic. Toys, toys,
Bridge
Bass: w/ Bass Fig. 2
D5 B5 A5 E5
D5 A5 G5 D5 A5
scream; noth - in’ seem real’s the dream.
B5
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
Guitar Solo
Bass: w/ Bass Fig. 5 (3 times)
C5
Bass Fig. 5 End Bass Fig. 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
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decresc.
µ (C5)
5 3 5 3
1 3 5 5 3 1 1 3 5
3 3 1 3
0 1 3
5 3 5 3
5 3 1 1 3 5 5 3 1 1 3 5
3 1 3 3 3 1 3 3
0 1 3 0 1 3
5 3 1
3 1 3 6 7 7 7 7 7 7 7 7 7 7 7 7 7
3
Verse
Bass: w/ Bass Fig. 3
E5
2. Leav - in’ the things that are real be - hind, but
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Bridge
noth - in’ is there but the years. Voic - es scream; noth - in’
seem real’s the dream.
Outro-Chorus
Bass: w/ Bass Fig. 1 (1st 4 meas.) (4 times)
E5 D5 A5
E5 D5 A5
E5 D5 A5
E5 D5 A5
E5 D5 A5
Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
Train Kept A-Rollin’
Words and Music by Tiny Bradshaw, Lois Mann and Howie Kay
µ G5
(Guitar)
f
3 0 0 3 3 0 3 3 0 0 3 3 0 3
A5 G5 A5 B5 A5 G5 F#5
5 0 0 5 5 0 5 3 0 0 3 3 0 3 5 7 5 3 2
Verse
G5 G5
1. Well, on a train, I met a dame. She was rath - er
3 0 0 3 3 0 3 3 0 0 3 3 0 3
A5
hand - some; we kind - a looked the same. She was pret - ty, from New York Cit - y. I’m
3 0 0 3 3 0 3 5 0 0 5 5 0 5
Copyright © 1951 by Bienstock Publishing Company, Jerry Leiber Music, Mike Stoller Music, Fort Knox Music Inc. and Bug Music-Trio Music Company
Copyright Renewed
International Copyright Secured All Rights Reserved
Used by Permission 1
Guitar Instructor Trial Subscription for Paul Turner, valid through October 15, 2017 (5266059)
G5 A5 B5 A5 G5 F#5
walk - in’ down that old fair lane. I’m in heat, I’m in love, but I
3 0 0 3 3 0 3 5 7 5 3 2
Chorus
G5
G5
just could - n’t tell her so. I said, train kept a - roll - in’ all night long,
3 0 0 3 3 0 3 3 0 0 3 3 0 3
A5
train kept a - roll - in’ all night long. Train kept a - roll - in’ all night long,
3 0 0 3 3 0 3 5 0 0 5 5 0 5
G5
A5
B5 A5 G5 F#5
train kept a - roll - in’ all night long with a heave and a ho, but I
3 0 0 3 3 0 3 5 7 5 3 2
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Guitar Solo
G5 G5
just could - n’t tell her so. No, no, no!
3 0 0 3 3 0 3 3 0 0 3 3 0 3
A5 G5
3 0 0 3 3 0 3 5 0 0 5 5 0 5 3 0 0 3 3 0 3
A5 B5 A5 G5 F#5 G5
2. Well, got it
5 7 5 3 2 3 0 0 3 3 0 3
Verse
G5
long, sweet lit - tle wom - an, get a - long, on your way. Get a -
3 0 0 3 3 0 3 3 0 0 3 3 0 3
3
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A5 G5
long, sweet lit - tle wom - an, get a - long, on your way. I’m in
5 0 0 5 5 0 5 3 0 0 3 3 0 3
A5 B5 A5 G5 F#5 G5
heat, I’m in love, but I just could - n’t tell her so. No, no,
5 7 5 3 2 3 0 0 3 3 0 3
Guitar Solo
E5 µ
µ (E5)
E5 µ
no.
0 2 0 0 2 0
0 2 0 2 1 0 0 2 0 2 1 0
0 3 0 0 0 2 3 0 0 3
E5 µ A5 µ A5 µ
0 2 0
0 2 0 2 1 0
0 2 3 0 0 3 0 0 0 2 3
0 0
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A5 µ A5 µ E5 µ
0 2 0
0 2 0 2 1 0 0 2 0
0 0 3 0 0 0 2 0 2 1 0
0 2 3 0 0 3
E5 µ E5 µ E5
0 2 0
0 2 0 2 1 0 0 1
0 0 0 2 3 0 0 3 0 0
B5 C5 C#5 D5 D#5 E5 F5 F#5 G5
2 2 3 4 5 6 6 7 7 8 8 9 10 10 10
0 0 3 3 0 3
A5 G5
3 0 0 3 3 0 3 5 0 0 5 5 0 5 3 0 0 3 3 0 3
Interlude
Faster q = 198
Bass tacet
(Snare drum & guitar)
A5 B5 A5 G5 F#5 G5 E5
5 7 5 3 2 3 0 0 3 3 0 3 0
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G5
3 0 3 0 0 3 0 3 3 0 3 0 0 3 0 3 0 0 3 0
A5
3 3 0 3 0 0 5 0 5 0 0 5 0 5 5 0 5 0 0
G5 A5 B5
3 0 3 0 0 3 0 3 3 0 3 0 0 5 5 5 5 7
A5 G5 F#5 G5
3. Yeah, on a
7 5 3 3 2 3 0 3 0 0 3 0 3 3 0 3
Verse
G5
train, I met a dame. She was rath - er hand - some, we kind - a
3 0 3 0 0 3 0 3 3 0 3 0 0 3 0 3 0 0 3 0
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A5
looked the same. She was pret - ty, from New York Cit - y. I’m
3 3 0 3 0 0 5 0 5 0 0 5 0 5 5 0 5 0 0
G5 A5 B5
walk - in’ down that old fair lane. I’m in heat, I’m in love,
3 0 3 0 0 3 0 3 3 0 3 0 0 5 5 5 5 7
A5 G5 F#5 G5
7 5 3 3 2 3 0 3 0 0 3 0 3 3 0 3
Chorus
G5
train kept a - roll - in’ all night long, train kept a - roll - in’ all
3 0 3 0 0 3 0 3 3 0 3 0 0 3 0 3 0 0 3 0
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A5
night long. Train kept a - roll - in’ all night long,
3 3 0 3 0 0 5 0 5 0 0 5 0 5 5 0 5 0 0
G5 A5 B5
train kept a - roll - in’ all night long, with a heave, with a ho,
3 0 3 0 0 3 0 3 3 0 3 0 0 5 5 5 5 7
A5 G5 F#5 G5
but I just could - n’t tell her, ah, g, g, g, g, g, g,
7 5 3 3 2 3 0 3 0 0 3 0 3 3 0 3
Guitar Solo
G5
ga!
3 0 3 0 0 3 0 3 3 0 3 0 0 3 0 3 0 0 3 0
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A5
3 3 0 3 0 0 5 0 5 0 0 5 0 5 5 0 5 0 0
G5 A5 B5
3 0 3 0 0 3 0 3 3 0 3 0 0 5 5 5 5 7
A5 G5 F#5 G5
4. Well, get a -
7 5 3 3 2 3 0 3 0 0 3 0 3 3 0 3
Verse
G5
long, sweet lit - tle wom - an, get a - long,
3 0 3 0 0 3 0 3 3 0 3 0 0 3 0 3 0 0 3 0
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A5
on your way. Get a - long, sweet lit - tle wom - an, get a -
3 3 0 3 0 0 5 0 5 0 0 5 0 5 5 0 5 0 0
G5 A5 B5
long, on your way. I’m in heat, I’m in love,
3 0 3 0 0 3 0 3 3 0 3 0 0 5 5 5 5 7
A5 G5 F#5 G5
but I just could - n’t tell her, ’eah, yeah,
7 5 3 3 2 3 0 3 0 0 3 0 3 3 0 3
Bridge
E5 µ(E5) (F#5) (G5) (E5) (F#5) (G5)
Play 6 times
yeah!
0 0 2 3
0 2 3
10
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G5
3 3 3 3 3 0
Guitar Solo
G5
3 0 3 0 0 3 0 3 3 0 3 0 0 3 0 3 0 0 3 0 3 3 0 3 0 0
A5 G5
5 0 5 0 0 5 0 5 5 0 5 0 0 3 0 3 0 0 3 0 3 3 0 3 0 0
1.
A5 B5 A5 G5 F#5 G5
5 5 5 5 7 5 3 3 2 3 0 3 0 0 3 0 3 3 0 3
2.
Verse
µ (E5) G5
3 3 0 3 0 3 3 0 3 0 0 3 0 3 0 0 3 0
11
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A5
real cool jerk. Got off the train and put her hands up, look -
3 3 0 3 0 0 5 0 5 0 0 5 0 5 5 0 5
B5
G5 µ G5 G#5 A5
- in’ so good, I could - n’t let her go. Oo,
3 3 4 5 5 7
A5 G5 F#5 G5
but I just could - n’t tell her so. I said,
7 5 3 3 2 3 0 3 0 0 3 0 3 3 0 3
Chorus
G5
train kept a - roll - in’ all night long, train kept a - roll - in’
3 0 3 0 0 3 0 3 3 0 3 0 0 3 0 3 0 0 3 0
12
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A5
all night long. Train kept a - roll - in’ all night long,
3 3 0 3 0 0 5 0 5 0 0 5 0 5 5 0 5 0 0
G5 A5 B5
train kept a - roll - in’ all night long. I’m in heat, I’m in love,
3 0 3 0 0 3 0 3 3 0 3 0 0 5 5 5 5 7
Free time
A5 G5 F#5 G5
but I just could - n’t tell her, ah, yeh, y - yeah!
7 5 3 3 2 3 0 3 0 0 3 0 3 3 0 3
Outro
q = 198
E5
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
E7#9
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Free time
E5 G5 A5 E5
3
rit.
0 3 5
0 0 0
13
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from Aerosmith - Toys in the Attic
Intro
Moderate Rock q = 120
µ
A5
(Drums) (Drums & gtr.) Bass
f
0
Verse
µ (C7)
3
1. Back - stroke lov - er al - ways hid - in’ ’neath the cov - ers, “Gon - na talk to you,” my dad - dy say, said, “You
2. School girl skin - ny with a class - y kind - a sas - sy lit - tle skirt’s climb - in’ way up her knee, there was
Bass Fig. 1 End Bass Fig. 1
3 3 1 3 0 3 3 1 3 1 1
0 1 3 3 0 1 3 3
Bass: w/ Bass Fig. 1 (2 times)
ain’t seen noth - in’ till you’re down on a muf - fin and you’re sure to be a - chang - in’ your ways.” I met a
three young lad - ies in the school gym lock - er when I no - ticed they was look - in’ at me. I was a
cheer - lead - er, was a real young bleed - er all the times I cound rem - i - nisce, ’cause the
high school los - er, nev - er made it with a la - dy ’til the boys told me some -thin’ I missed, then my
A5
best things in lov - in’ with a sis - ter and a cou - sin on - ly start - ed with a lit - tle kiss, a - like this!
next door neigh - bor with a daugh - ter had a fav - or so I gave her just a lit - tle kiss a - like this!
3 3 1 3 0 3 3 1 3
0 1 3 3 0 3 5
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Interlude
µ (E5)
Bass Fig. 2
7 7 7 7
5 6 7 5 6 7 0 5 6 7 5 6 7 0
A5
End Bass Fig. 2
7 7 7 7 0
5 6 7 5 6 7 0 5 6 7 5 6 7
Verse
Bass: w/ Bass Fig. 1 (3 times)
µ (C7)
2., 4. See - saw swing - in’ with the boys in the school and your feet fly - in’ up in the air, I sing,
“Hey did - dle did - dle” with your kit - ty in the mid - dle of the swing like you did - n’t care. So I
*
took a big chance at the high school dance with a mis - sy who was read - y to play, was a
*Sing harmony 1st time only.
me she was fool - in’ ’cause she knew what she was do - in’
and I know’d love was here
when she told me how to walk
to
this
stay
way.
when she told me to...
She told me to...
3 3 1 3 0 3 3 1 3 1 2
0 1 3 3 1 3
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Chorus
C7 F7
(Walk this way, talk this way,
Bass Fig. 3 End Bass Fig. 3
3
1 2 3 3 3 3 3 3 3 3 3 5 5 3 1
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 1
walk this
way, talk this way,
walk this
way,
To Coda
F7 C7 F7
Uh, just gim - me a kiss.
talk this way, walk this way, talk this way.)
Guitar Solo
µ (C7)
8 9
8 8 9 10
3 3 1 3 0 3 3 10 10 3 3 1 3 0
0 1 3 3 0 1 3 3
Interlude
Bass: w/ Bass Fig. 2 D.S. al Coda
A5 µ (E5) A5
3 3 1 3
0 3 5
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Coda
C7 F7
Uh, just gim - me a kiss.
walk this way, talk this way.)
1 2
10 8 1 2 3
3 3 3 6 10 10 3
1 1 1
Guitar Solo
µ (C7)
8 9
8 8 9 10
3 3 1 3 0 3 3 10 10
0 1 3 3
A5
Like this!
3 3 1 3 0 3 3 1 3
0 1 3 3 0 3 5
Play 12 times and fade
0 3 4
7
5 6 7
7
0 0 3 4
7
5 6 7
7 0
4
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