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Prelude: Allegro Ben Ritmato e Deciso

The document is a musical score containing percussion parts for snare drum, bass drum, wood blocks, xylophone, marimba, and vibraphone. The score is divided into multiple lines representing the different instruments. Each line contains rhythmic notation indicating when each instrument should play. The score builds in complexity with additional layers and instruments added throughout.

Uploaded by

Mafalda Oliveira
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
51 views9 pages

Prelude: Allegro Ben Ritmato e Deciso

The document is a musical score containing percussion parts for snare drum, bass drum, wood blocks, xylophone, marimba, and vibraphone. The score is divided into multiple lines representing the different instruments. Each line contains rhythmic notation indicating when each instrument should play. The score builds in complexity with additional layers and instruments added throughout.

Uploaded by

Mafalda Oliveira
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Prelude

                     
     
Mafalda Oliveira G. Gershwin


     
Allegro ben ritmato e deciso
 = 100


Concert Snare Drum

         


      
Concert Bass Drum




 
   
Wood Blocks


     

        
Xylophone

                   

 
     

Marimba

     

 
                        
Vibraphone     
 

                   
 

         
6

      
Con. Sn.

     
Con. BD

          
Wd. Bl.

            
        
          
     
Xyl.

       


      
 

 
  
Mrm.

   
       
       
    
 
 

Vib.          
 

@MafaldaOliveira2019
         
 

   
11

   
Con. Sn.

   
Con. BD

   
    
Wd. Bl.

  
     
 

                 
Xyl.

  
Mrm.


        

    
 
Vib.
 
dim.

        
   
14

    
Con. Sn.

    
Con. BD

    
Wd. Bl.


   
   
Xyl.

                         
     
     
          
Mrm.

   
Vib. 

2 @MafaldaOliveira2019
                  
         
18

        
Con. Sn.

    
Con. BD
 

         
Wd. Bl.

 
    

    
     
Xyl.

       
        

     
  
Mrm.

   
Vib. 

                  
         
22

         
Con. Sn.

     
Con. BD
 

     
Wd. Bl.

          

       
        
Xyl.

 
      
                       
  
   
Mrm.

      
    

Vib.

@MafaldaOliveira2019 3
                    

         
27

        
Con. Sn.

    
Con. BD


 

  
                
Wd. Bl.

 

  
Xyl.

 
                   
  
  
   
      
Mrm.

Vib.
    
   

         
  

  
31

       
Con. Sn.

 
   
Con. BD

   
 
Wd. Bl.

        
      
Xyl.

   
       
 
     
Mrm.

                   
   
Vib.

4 @MafaldaOliveira2019
             
 

   
34

          
Con. Sn.

  
    
Con. BD


   
       
Wd. Bl.

          
 
  
Xyl.

       
       
     
 
             
 
Mrm.

  
     

Vib.

          
 
38

       
Con. Sn.

    
Con. BD


  
       
Wd. Bl.

      
      
                 
Xyl.

       
  

     
 
Mrm.

          

  
Vib.

@MafaldaOliveira2019 5
            
   

   
42

        
Con. Sn.

    
Con. BD

   
   
Wd. Bl.

            
          
  
Xyl.

            


    


    
          
  
 
        
Mrm.

   
         
  

        
Vib.
  

                  


46

Con. Sn.

         
  

   
Con. BD



  
   
Wd. Bl.

  
 
  
Xyl.

          


         
           


            
   
   
Mrm.

                


     

  
          

  
  
Vib.

6 @MafaldaOliveira2019
                 
49

       
Con. Sn.


   
Con. BD




Wd. Bl.

      
  
 

  
   
    
Xyl.

          

    
 
  

  


    
 
Mrm.

         
  
      


         
     
  

Vib.



              
 
52

     
Con. Sn.

   
Con. BD

 
   
    
       
  
Wd. Bl.

       
  
    
Xyl.

     
     
         
Mrm.

              
Vib.  

@MafaldaOliveira2019 7
               
       
55

   
Con. Sn.

   
Con. BD

            
Wd. Bl.

        
     
        
        
Xyl.

      
 

  
Mrm.

                 

Vib.

          
   
58

   
Con. Sn.

   
Con. BD


Wd. Bl.

         
           

Xyl.



   
    
Mrm.

     
Vib.

                  

8 @MafaldaOliveira2019
     
61

     
Con. Sn.




  
Con. BD




 
Wd. Bl.

            
   
Xyl.


         


  


        
     
Mrm.

 

    
   
             
Vib.



@MafaldaOliveira2019 9

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