William Bruce (architect)

From Wikipedia, the free encyclopedia

Jump to navigationJump to search

Sir William Bruce

Painting of Bruce by John Michael Wright, c. 1664

Born c. 1630

Blairhall, Fife, Scotland

Died 1 January 1710 (aged c. 79)

Occupation Architect

Kinross House
Buildings
Hopetoun House
Thirlestane Castle
Holyroodhouse

Sir William Bruce of Kinross, 1st Baronet (c. 1630 – 1 January 1710), was a
Scottish gentleman-architect, "the effective founder of classical architecture in
Scotland," as Howard Colvin observes.[1] As a key figure in introducing
the Palladian style into Scotland, he has been compared to the pioneering English
architects Inigo Jones and Christopher Wren,[2] and to the contemporaneous introducers
of French style in English domestic architecture, Hugh May and Sir Roger Pratt.[1]
 Bruce was a merchant in Rotterdam during the 1650s, and played a role in
the Restoration of Charles II in 1659. He carried messages between the exiled king
and General Monck, and his loyalty to the king was rewarded with lucrative official
appointments, including that of Surveyor General of the King's Works in Scotland,
effectively making Bruce the "king's architect". His patrons included John Maitland, 1st
Duke of Lauderdale, the most powerful man in Scotland at that time, and Bruce rose to
become a member of Parliament, and briefly sat on the Scottish Privy Council.
Despite his lack of technical expertise, Bruce became the most prominent architect of
his time in Scotland. He worked with competent masons and professional builders, to
whom he imparted a classical vocabulary; thus his influence was carried far beyond his
own aristocratic circle. Beginning in the 1660s, Bruce built and remodelled a number of
country houses, including Thirlestane Castle for the Duke of Lauderdale,
and Prestonfield House. Among his most significant work was his own Palladian
mansion at Kinross, built on the Loch Leven estate which he had purchased in 1675. As
the king's architect he undertook the rebuilding of the Royal Palace of Holyroodhouse in
the 1670s, which gave the palace its present appearance. After the death of Charles
II Bruce lost political favour, and later, following the accession of William and Mary, he
was imprisoned more than once as a suspected Jacobite. However, he managed to
continue his architectural work, often providing his services to others with Jacobite
sympathies.

Contents

 1Early years
 2Political career
 3Family
 4Architectural works
o 4.1Influences
o 4.2Early works
o 4.3Holyroodhouse
o 4.4Country houses
 5Legacy
 6Notes
 7References
 8External links

Early years[edit]
Little is known of William Bruce's youth, and his date of birth is unrecorded. He was
probably born at Blairhall in western Fife, in around 1630, the second son of Robert
Bruce of Blairhall and Katherine Preston. He may have attended St Andrews
University in 1637–1638, which would suggest that his birth date was as early as 1625.
[3]
 The Bruces were a well-connected Episcopalian family, strongly loyal to the king, and
descended from Thomas Bruce, a cousin of King Robert II, who had been granted lands
in Clackmannan and Fife.[4] Bruce's first cousin Edward Bruce was created Earl of
Kincardine in 1643.
Letters in the Earl of Kincardine's papers show that William Bruce was in exile
in Rotterdam during the 1650s with his cousin, Alexander Bruce, brother of the Earl of
Kincardine. As Episcopalians, William and Alexander would have sought refuge from
the Puritan Commonwealth established by Oliver Cromwell. In Rotterdam, they were in
contact with Sir Robert Moray, a soldier and natural philosopher close to Charles II, who
then resided at Maastricht. William Bruce was a merchant, based in
the Scottish community in Rotterdam, but traveling widely. He owned a ship with
Alexander Bruce and John Hamilton of Grange, and was involved in the trade of wine,
coal, and timber between Norway, France, England, Scotland and the Low Countries.
He is recorded as having a house and a mistress in La Rochelle.[5] He may have had a
son Normand by this mistress since in 1672 he figures as a witness to the baptism at
Holyrood of a William Bruce, son of Normand Bruce, mason. [6] Moreover, the marriage
record of Normand Bruce states that he was employed at Balcaskie. [7] In 1658, William
and Alexander traveled together from Bremen overland to Maastricht to meet Moray.
Alexander Bruce and Moray were founder members of the Royal Society in 1660, and it
is likely that architecture featured in their discussions, particularly the new town hall in
Maastricht that Moray had recently advised on. [5]

General George Monck, painted 1665–1666 from the studio of Sir Peter Lely

In 1659, Bruce acted as a messenger between General Monck, Cromwell's

commander-in-chief in Scotland, and the exiled King Charles II. A passport survives,
issued to Bruce by Monck in September 1659, and giving him permission to remain in
Scotland until his "returne to Holland," [8] and it appears that the messages he brought
from Charles persuaded Monck to march his army to London, a decisive event in the
Restoration.[9] The nature of their communications is not known, although it would
appear that Moray selected him for the task. [5] Sir Robert Douglas stated that Bruce
"painted the distress and distractions" of Scotland before the General, and suggested to
him "the glory that would be acquired in restoring the royal family." [10]

Political career[edit]
John Maitland, 1st Duke of Lauderdale, by Sir Peter Lely. Lauderdale was the most powerful man in
Scotland, and Bruce benefited from his patronage.

Following the restoration, William Bruce was appointed Clerk to the Bills in 1660, [11] and
Clerk of Supply to the Lords in Council in 1665. Both were lucrative positions, involving
collection of fees, from Parliament in the first case, and from petitioners to the Court of
Session in the latter. Meanwhile, Sir Robert Moray had established himself as a courtier
and scientist at Whitehall, London, and employed Bruce as a trusted messenger
between Whitehall and the Duke of Lauderdale, Secretary for Scotland.[5]
Moray later served on the Treasury Commission for Scotland, as did Alexander Bruce,
now Earl of Kincardine. Bruce reported to this Commission as a revenue collector, and
benefited from the patronage of its members.[5] The Commission had responsibility for
the King's Works, and in 1667 Bruce was appointed Superintendent and Overseer of
the Royal Palaces in Scotland. Four years later he was made Surveyor General of the
King's Works in Scotland, with a salary of £3600 Scots (£300 Sterling, or £ 50,000 in
2022), for the purpose of rebuilding Holyroodhouse. [1] In March 1671, Bruce was part of
a syndicate which bought the rights to collect taxes over a five-year period, paying
£26,000 Sterling (£ 4.3 million in 2022) for the privilege. As such, it would appear that
Bruce was not only the architect of Holyroodhouse, but one of the principal financiers of
the £21,000 project.[5]
As a key figure of the Restoration administration, William Bruce became close to other
Stuart loyalists, who included such powerful patrons as the Duke of Lauderdale, Lord
Haltoun, and the Earl of Rothes.[12] In 1667, he undertook his first building work for Lord
Rothes, overseeing the extensions to Leslie House, and later worked on several of
Lauderdale's properties, concurrently with Holyroodhouse. [5] In 1668 he was created
a Baronet of Nova Scotia.[1]
From 1669 to 1674 Bruce sat in the Scottish Parliament as shire commissioner for Fife,
and from 1681 to 1682 as a shire commissioner for Kinross.[13] From April 1685 to May
1686 he reached the peak of his political career, as a member of the Privy Council of
Scotland.[13] But, in 1674, he became embroiled in factional rivalry between his patron
Lauderdale, and his rivals the Duke of Hamilton and the Earl of Tweeddale. His actions,
which apparently included passing information to Hamilton, invoked the fury of
the Duchess of Lauderdale, who tried to persuade her husband to deprive Bruce of his
offices. Bruce survived, although his relationship with his patron was damaged.
[5]
 Lauderdale described him as "the bitterest factionalist partie man of his quality in all
Scotland".[14] This breakdown resulted in Bruce's eventual dismissal as Surveyor General
of the King's Works, on the false pretext that Holyroodhouse was finished. [5]
Bruce's earnings from his offices had made him a wealthy man, even by the standards
of his patrons.[15] This wealth allowed him to purchase the Balcaskie estate in 1665, and
to extend the house and gardens. In 1675 he purchased the larger estate of Loch
Leven, Kinross, from the Earl of Morton, which brought him the
hereditary sheriffdom of Kinross-shire.[13] In the late 1670s Bruce took on his first
architectural projects for entirely new houses.[5]

The Bruce family vault, old Kinross churchyard

Following the accession of James VII in 1685, Bruce gradually fell from favour, and was
distrusted by the new regime.[1] After the Revolution of 1688, and the accession
of William of Orange as King, he was once again at odds with his Protestant rulers, and
he refused to take up his seat in Parliament. As a staunch Episcopalian, Bruce was
considered a potential Jacobite threat.[16] In 1693 he was briefly imprisoned in Stirling
Castle for refusing to appear before the Privy Council. He was incarcerated again at
Stirling in 1694, and from 1696 in Edinburgh Castle.[17] Bruce was expelled from
parliament in 1702, his seat passing to his son John Bruce. Despite these
imprisonments, he continued his architectural work, indeed the 1690s and 1700s were
his most prolific years.[3] Bruce was imprisoned at Edinburgh Castle again in 1708 and
was only released a short time before his death, at the beginning of 1710. [17]
He was buried in the family mausoleum at Kinross Kirk. The ruins of the church still
stand beside Kinross House,[1] the mausoleum remains intact in the churchyard. Dating
from 1675 it is probably by William Bruce in design, initially to house his parents.
Bruce's surviving account books show purchases of books on music, painting and
horticulture, as well as numerous foreign-language works, suggesting that William
Bruce was a learned man. He studied horticulture extensively, and applied his
knowledge of the subject in his own gardens at Kinross. He was a friend of James
Sutherland of the Edinburgh Botanic Garden, and may have known John Evelyn and
other English horticulturalists.[3]

Family[edit]
Bruce's first wife was Mary Halkett, daughter of Sir James Halkett of Pitfirrane. Their
son John succeeded to his father's baronetcy in 1710 and died on 19 March 1711.
Around 1687, John Bruce married Christian, Dowager Marchioness of Montrose. She
was the widow of James Graham, 3rd Marquess of Montrose, and the daughter of John
Leslie, 1st Duke of Rothes. John Bruce left no issue and the estate passed to his sister,
and then to her son, Sir William's grandson, John Bruce Hope.[18]
After the death of his first wife, Sir William Bruce married Magdalen Scott, widow of an
Edinburgh merchant called George Clerk, in 1700. They had no issue. Magdalen lived
until 1752, and gained a reputation as a Jacobite, establishing a Jacobite cell at her
home in Leith Citadel.[19]

Architectural works[edit]

The south front of Balcaskie, showing the near-symmetrical facade, and Italian terraces

Influences[edit]
The Netherlands provided William Bruce with many of his influences. He was in the Low
Countries at a time when Italian Classicism was the height of fashion, and similarities
have been observed between Bruce's work, particularly Holyroodhouse, and such
buildings as the Amsterdam City Hall (1648–65), the work of Jacob van Campen,
and Maastricht's City Hall (1659–64), by Pieter Post.[5][20] Alexander Bruce had married a
Dutch woman with family ties to the House of Orange, and it seems likely that he
provided links to the Dutch artisans who worked on some of Bruce's projects. [5]
Bruce was certainly familiar with northern France, and in 1663 he made a further
"foreign journey" at the behest of Lauderdale, although his itinerary is unknown.
[1]
 Whether by visit or through studying engravings, he knew several notable French
houses including Vaux-le-Vicomte, Blérancourt, and the Chateau de Balleroy, the last
the work of French architect François Mansart. These modern French designs,
incorporating features then unknown in Scotland, such as the double-pile of major
rooms in two enfilades, ranged back-to-back, were also influential on Bruce's designs. [21]
English influence is also visible in his work. His country houses took the compact Anglo-
Dutch type as their model, as introduced into England by Hugh May and Sir Roger
Pratt, but with Continental detailing, such as the rustication on the facade at Mertoun.
[22]
 Roger Pratt's Coleshill House of 1660 is often cited as a model for Bruce's Kinross
House. Konrad Ottenheym concludes that Bruce employed an "international style",
which was fashionable in France, Holland, and England, and that he was pivotal in
disseminating this style in Scotland.[20]
Early works[edit]
Bruce's early work involved advising clients and rebuilding existing houses, rather than
designing new buildings from scratch. Panmure House and Leslie House (seat of the
Earl of Rothes) had been projects of the king's master mason John Mylne. At Panmure,
although Bruce has been credited with the design in the past, the works were overseen
by Alexander Nisbet, although Bruce did design the gates and gate piers. [23] At Leslie,
Bruce oversaw the works after Mylne's death, and probably made his own amendments.
Panmure was demolished in the 1950s, and only a small part of Leslie House remains
standing, following a fire in the 18th century.[24] Bruce later advised the Duke of
Queensberry regarding his plans for Drumlanrig Castle.[25]

The main front of Thirlestane Castle, largely as Bruce remodelled it

Bruce also worked on his own property at Balcaskie, Fife, which he bought in 1665, and
which does survive intact, although with later alterations. He doubled the L-plan house
to a near-symmetrical U-plan, and may have built the curving wing-walls and linking
pavilions. Gifford, however, attributes these to a later building phase. [26] The curving
walls, a form later seen at Hopetoun, were a new innovation if Bruce did carry them out,
possibly inspired by the work of the Italian Gian Lorenzo Bernini.[27] In the gardens he
laid out parterres and stepped "Italian" terraces, with a vista leading the eye to the Bass
Rock, all inspired by French baroque gardens such as Vaux-le-Vicomte.[27] Internally,
Bruce created a new layout of rooms, and it was for his continental-inspired internal
planning, as much as his exterior design, that he was sought after as an architect. [28]
In 1670 the Duke of Lauderdale commissioned Bruce to remodel Thirlestane Castle, his
16th-century tower house in the Border country. Bruce, working with King's master
mason Robert Mylne, extended the building with new corner pavilions and a new
entrance, and re-planned the interior. Lauderdale continued to employ Bruce, often
working closely with Lord Haltoun, Lauderdale's brother, during the 1670s, on his
homes at Brunstane near Edinburgh, and Lethington (later renamed Lennoxlove), as
well as commissioning a design for new gates at his English property, Ham House, near
London, in 1671. At Ham Bruce may have had further involvement with the remodelling
works going on there, under the direction of the English architect William Samwell.
[29]
 While engaged at Thirlestane, Bruce also designed the nearby Lauder Kirk, his only
complete church. One of very few 17th century cruciform-plan churches in Scotland, [3] it
may have been inspired by François Mansart's similar church at Balleroy in France. [30]
Holyroodhouse[edit]

The entrance front of Holyroodhouse, as designed by Bruce

William Bruce's appointment as Surveyor General of the King's Works in Scotland was
made chiefly for the purpose of rebuilding the palace of Holyroodhouse. Aside from this
project, he only carried out minor repairs to Edinburgh and Stirling Castles, and to the
fortifications on the Bass Rock.[31] Charles I had intended to extend and rebuild
Holyroodhouse, and plans had been drawn up in the 1630s. Nothing was done
however, and in 1650 the palace was burnt out, destroying all but the west range. Bruce
was contracted to design and oversee the works, with Robert Mylne acting as
contractor. Bruce's plans were drawn up by Mylne, as Bruce himself apparently lacked
the technical skills of architectural drawing.[32]
Charles II criticised Bruce's initial plans for the internal layout, and an improved scheme
was eventually approved. Construction began in July 1671, and by 1674 much of the
work was complete. Bruce built a second gothic tower to mirror the existing one built
by James V between 1528 and 1532, and created the courtyard block in a restrained
classical style.[1] A second phase of work started in 1676, when the Duke of Lauderdale
ordered Bruce to demolish and rebuild the main west façade, resulting by 1679 in the
screen wall, topped by a carved imperial crown, which forms the main entrance. [33]
Also in 1676, Bruce drew up plans for the completion of Heriot's Hospital in Edinburgh,
which had been started in the 1620s. His design, for the central tower of the south
façade, was eventually executed in 1693.[34]
Country houses[edit]

Old Dunkeld House, circa 1693

His first commission for a new building was for the construction of Dunkeld House, and
came from the Earl of Atholl in 1676.[1] The house had been badly damaged in 1654,
during the civil war, and Bruce was given the task of building its replacement. (The
house was later demolished). Another early full-scale commission was for Moncrieffe
House (1679), which burned down in 1957. [35]

East front of Kinross House, seen through the garden gate

In 1675, Bruce bought the estate of Loch Leven from the Earl of Morton. The estate
included an old manor near Kinross, as well as the ruins of Loch Leven Castle, famous
as the jail of Mary, Queen of Scots. After carrying out repairs on the old manor, and
beginning to lay out the gardens, Bruce began work on his new home, Kinross House,
in 1686, employing master mason Thomas Bauchop. The Palladian building bears
some resemblance to Roger Pratt's Coleshill House of 1660 (demolished), but with
features Bruce derived from French sources. These features, ultimately classical and
Italian in origin, include the rusticated basement stonework, and the giant
order of corinthian pilasters, the latter possibly deriving from Bernini's first designs for
the Louvre.[36] Following Bruce's fall from favour, he found himself increasingly in debt,
which delayed the completion of the house until 1693. [37] Kinross was one of the earliest
Palladian-style country houses in Scotland, and was recognised as one of the finest
buildings in the country; Daniel Defoe described it as "the most beautiful and regular
piece of Architecture in Scotland", and Thomas Pennant called Kinross "the first good
house of regular architecture in North Britain". [38]

The west front of Hopetoun, which was designed by Bruce for Charles Hope. The east front was
enlarged and remodelled by William Adam.

Despite William Bruce's fall from political favour, and his intermittent imprisonment, he
continued to practice. During the 1690s he completed Hill of Tarvit (1696), Craighall
(1697–99) in Fife, and Craigiehall (1699) near Edinburgh. The latter, built for
the Marquess of Annandale, still stands, and is used as the British Army's Scottish
headquarters. From 1698 he was working on a new house for the young Charles Hope,
later first Earl of Hopetoun. Hopetoun House, near Edinburgh, was completed in 1702,
and represents Bruce's grandest country house design. The master mason was again
Thomas Bauchop, and the inspiration was again Anglo-Dutch, with French rustication.
The bulk of Bruce's work is now obscured by 18th-century remodelling, carried out
by William Adam.[39] Bruce was commissioned again by Hopetoun in 1708, to build a
private aisle at Abercorn Kirk. The Hopetoun Loft overlooks the interior of the kirk, and
connects to a retiring room with an oval "squint" giving a view of the pulpit. [40]
In 1702 Bruce was commissioned by the burgesses of Stirling to design the new Stirling
Tolbooth. Bruce provided only sketch plans, which were executed by local masons
between 1703 and 1705. Bruce's last country houses were Harden House (now known
as Mertoun House), built for the Scotts in the Borders, and his smallest
house, Auchendinny in Midlothian. His final work, in around 1710, was for Nairne
House, for the Jacobite Lord Nairne. The house was not completed until two years after
Bruce's death, and the extent of his involvement is unclear. Nairne House was
demolished in 1760, although the cupola was retained and installed on the roof of the
King James VI Hospital in nearby Perth.[41]
Legacy[edit]
Although Daniel Defoe called Bruce "the Kit Wren of North Britain", [42] for his role as the
effective founder of classical architecture in that country, Gifford suggests he is more
comparable to Hugh May and Roger Pratt in his achievements. Like May and Pratt, he
popularised a style of country house amongst the nobility, encouraging the move away
from the traditional "tower house", which came to be perceived as increasingly
anachronistic, towards a more continental, leisure-oriented architecture. [1] Sir John Clerk
of Penicuik named Bruce as "the chief introducer of architecture in this country", [25] while
to Colen Campbell, compiler of Vitruvius Britannicus, he was "justly esteem'd the best
Architect of his time in that Kingdom". [43] His work was a major influence on the design of
country houses in the 18th century, an influence which was spread through the masons
and draughtsmen he worked with, including Mylne and Bauchop, James Smith,
and Alexander Edward.[44] At Kinross his deliberate alignment of the main vista on the
ruins of Lochleven Castle suggested to Howard Colvin "that Bruce, like Vanbrugh, has a
place in the prehistory of the picturesque".[25]