Scribd
Upload
458 views3 pages

Alto Saxophone Kenny Garrett's Solo From Standard of Language

This document is a musical transcription of a saxophone solo performed by Kenny Garrett. It transcribes the solo note-by-note over the course of 74 measures. The solo explores various scales and motifs across different keys and rhythmic feels. It showcases Garrett's technical skill and improvisational abilities on the alto saxophone.

Uploaded by

David Gogokhia
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
458 views3 pages

Alto Saxophone Kenny Garrett's Solo From Standard of Language

This document is a musical transcription of a saxophone solo performed by Kenny Garrett. It transcribes the solo note-by-note over the course of 74 measures. The solo explores various scales and motifs across different keys and rhythmic feels. It showcases Garrett's technical skill and improvisational abilities on the alto saxophone.

Uploaded by

David Gogokhia
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 3

Alto Saxophone

XYZ
Kenny Garrett's Solo from Standard of Language
0:55 Kenny Garrett

q=240 1
     
Amin7
       
       
2 3 4 5 6
C minor Emphasis on b5

      
       

7 8 9

 
Gmin7

          
 
10 11 12 13
C7b9
 
FŒ„Š7(#11)

                        
 
14 15 16 3 17

E¨Œ„Š7(#11)
              
         
  
18 19 20 21
F Pentatonic
Dmin
    
Dmin Eb/D
 
Eb/D

    
22 23 24 25


Emphasis on #11
Dmin Eb/D
    Dmin 
Eb/D
   
     


26 27 28 29

           
2
Amin7
        
   
30 31 32 33

            
    

34 35 36 37

Dmin Pentatonic Amin Pentatonic


2 Alto Saxophone

    
Gmin7                
     
38 39 40 41
C Pentatonic
   
FŒ„Š7(#11)
      
motive from m.25

     
            
42 43 44 3 45

        
  
E¨Œ„Š7(#11)

     
     
46 47 48 49
Dmin Pentatonic
Dmin
   
Dmin Eb/D
Eb/D
              
     
                 
50 51 52 Eb/D 53
Dmin
    
 
Dmin Eb/D

        
   
54 55 56 57

 Amin7
            
Dalt. scale

         
 

 
58 59 60 61

        
Amin Pentatonic
 
      


3


62 63 64 65

Gmin7
  
          
3 3

 
66 67 68 69
 FŒ„Š7(#11)   
            
3 3

     
70 71 72 73

E¨Œ„Š7(#11)

   
        
3
74 75 F Pentatonic 76 77
 Dmin  Alto Saxophone
  Dmin     3
Eb/D
Eb/D

          

     
Dmin
 
78 79 80Dmin 81
Eb/D
Eb/D

    
         
82 83 84 85

     
Amin7
   
          
86 87 88 89

     
90
      
91 92 93
          
G‹

    
94 95 96 97 C Pentatonic

         
FŒ„Š7(#11)
 
              
98 99 100 101

                               
E¨Œ„Š7(#11)
rushed


102 ala Coltrane sim. 103 104 105

          Eb/D           
D‹ D‹
 
Eb/D

  
   
3 3 3 3
106 107 108 109

          
Eb/D
     
D‹ D‹

     

110 111 Dmin Pentatonic 112
Eb/D A‹7

         
113 114 115

You might also like