LESSON 155

TALISMAN CONSTRUCTION

According to the New Webster's Dictionary, the definition

of a talisman is: "An object having an engraved figure or symbol
which is thought to preserve the bearer from harm and bring luck;
something that produces extraordinary effects on human behaviour;
any charm or amulet.** The word talisman comes from the Chaldiac
'Tsilmonia' which is turn was said to have been derived from the
Hebrew TzLM which signifies an image, also from the Arabic word
'Talitsman', which is the same as its Hebrew counterpart in
meaning.

Aleister Crowley, in his Introduction to the Goetia took

what could be considered a modernistic viewpoint on talismans or
the spirits that guide them by considering that they are in fact
charged by portions of the human brain while the talisman itself
is the stimuli to activate these dormant regions of the mind.
Crowley also stated that the vibrations of the various god names
that charge these talismans control certain sections of the
brain, with the higher the name the more general the function
while the lower the name the more definite the function. Another
viewpoint that does not lean towards the modern concept of
mind control or to the ancient ideal of astral entities control-
ling the talisman alone but considers that the former is needed
to bring about the latter. Will alone is not enough to produce an
effective talisman as it must also be unified ( with some consi-
derable force) with devotion, for one without the other applied
to a talisman renders it incomplete.

Now that the mental frame of attitude has been established

towards a talisman we now come to another point, terms of
reference. This is the vast storehouse of gods, sigils and images
that the adept will draw from to construct his or her talisman
with. In the early days, one could draw from the spiritual
hierachy that one was familiar with which resulted in a certain
isolation of talismatic results. It was not until the Golden Dawn
that talismatic construction and consecration was turned into a
science by synthesisation of all previous methods into a single
practical system. The first point to consider is that the funda-
mental reference a talisman works through, when being constructed
along Order lines, is the Kabbalah, while the power it uses is a
planetary one which is guided by Kabbalistic angelic hosts.
Therefore it is extremely important that one understands the
functions and the relationships of the various hierachies of
Kabbalistic teachings before any attempt is made to construct a
talisman.

The inevitable question the student will ask (if he or she

is not already familiar with talismanic work) is: "How do I know
what force to apply to make a talisman." The answer is a simple
one , choose a planet that represents the force you wish to use

1
then find its corresponding Sephira by use of the fol1owi ng
tables which at best are only a generalisation.

KABBALISTIC SEPHIROTH PLANET MUNDANE MEANING

Kether Neptune Psychic, impressionism
Chokmah Uranus Invention, intuitiveness
Binah Saturn Wisdom, materialism
Chesed Jupiter Knowledge, wealth,success
Geburah Mars Force, destruction
Tiphareth Sun Vitality, life energy
Netzach Venus Love,beauty, rewards
Hod Mercury Intellect, comunication
Yesod Moon Change, emotions
Malkuth Elements Elemental meanings
Daath Pluto Rebirth, vast changes

Though the above mundane meanings are very general one

should before beginning talismatic work make a detailed study of
planetary meanings, and not only their mundane meanings but for
the esoteric consideration as well which modern authors like
Rudhyar and Arryo cover quite excellently. One interesting volume
that is a must as a talismatic reference manual is the 'Rulership
Book' by Rex. E. Bills (liacoy Publishing Co. USA) which gives an
almost endless list of associations to both planets and signs.

For those of you who wish to construct a talisman for health

reasons there are two books of interest that will prove
invaluable. The first is 'liedical Astrology' by Heinrich Oaath.
This book was apparently widely used by members of the Golden
Dawn and a copy exists in the New Zealand Order with a brief
note by W. B. Yeats to Felkin on the inside cover 'It is the best
book on medical astrology of our time'. Though nearly 90 years
have elapsed since Yeats wrote this message it is still difficult
to find a better one. Oaath considered that each planet contri-
buted to a variety of diseases (see appendix extracts from his
table) and to rectify these diseases one should use the bene-
ficial influence of the planet causing the problem. At any rate
this book is a must for those studying the health aspect of
talismanic work. The second book of interest is a modern one 'The
American Book of Nutrition and liedical Astrology' by Eileen
Nauman.

FLASHING TABLETS AND TALISMANIC CONSTRUCTION

A Flashing Tablet is one made in the complementary colours.

A flashing colour, then, is the complementary colour, which, if
joined to the original, enables it to attract, to a certain
extent, the Akashic current from the atmosphere, and to a certain
extent from yourself, thus forming a vortex which can attract its
flashing light from the atmosphere. Therefore, to make anything
of this description which shall be really operative it must
literally exhaust you and is a way of knowing that all your
energies and willpower have been directed at it.

The complementary colours are:

 White complementary to Black and Grey
Red c omp1emen t ar y to Green
Blue complementary to Orange
Yel1om complementary to Violet
□1 i ve complementary to Red-Orange
Blue Green complementary to Russet
Violet complementary to Citrine
Reddish Orange c omp1emen t ar y to Green Blue
Deep Amber complementary to Indigo
Lemon Yellow complementary to Red Violet
Yellow Green complementary to Crimson

Coming now to the nature and method o-f -formation o-f the
Talisman, the -first thing to be remembered is that it is not
always a Just and right thing to ■form a Talisman with the idea o-f
completely changing the current o-f another person's Karma. In
any case you could only do this in a certain sense. It will be
remembered that the words o-f the CHRIST which preceded His cures
were "Thy sins be -forgiven the f," which meant that the Karmic
action was exhausted. ° Only an Adept who is o-f the nature o-f a
God can have the power, even i-f he have the right, to take upon
himsel-f the Karma o-f another, That is to say, that i-f you endea-
vour to change completely, (I am not now speaking o-f adapting and
making the best o-f a person's Karma) ,• the li-fe current, you must
be o-f so great a -force that you can take this Karma -from them by
right o-f the Divine Power to which you have attained - in which
case you will only do it in so -far as it does not hinder their
spriritual development.

I-f, however, this is attempted on a lower plane, it will

usually be -found that what you are endeavouring to bring about is
in direct opposition to the Karma o-f the person concerned. It
will not work the required e-f-fect and will probably bring a
current o-f exhaustion and trouble on yoursel-f. Without doing
much good you will have attracted his own Karma into your own
atmosphere and, in -fact, brought it on yoursel-f.

These remarks only apply to an attempted radical change in

the Karma o-f ano-ther, which is a thing you have no right to do
until you have attained the highest adeptship.

The -formation or adaptation o-f Talismans in ordinary matters

should be employed with great discernment. What may assist in
material things is o-ften a hindrance spiritually, seeing that -for
a -force to work, it must attract elemental -forces o-f the proper
description, which may thus, to an extent, endanger your spiri-
tual nature.

Also, in making Talismans -for a person, you must endeavour

to isolate yoursel-f entirely -from him. You must banish -from your
mind any -feeling o-f love or hate, irritation, etc., -for all the
■feelings operate against your power.

It is but rarely that a Talisman -for the love o-f a person is

3
a right and Justi-Fiable thing to construct. Pure love links us
to the nature o-F the Gods. There is a per-Fect love between the
Angels and the Gods because there is per-Fect harmony among them,
but that is not the lower and earthly love. Thus a talisman made
■For terrestrial love would be sealed with the impress o-F your own
weakness, and even i-F successful, would react on you in other
ways. The only way in which real power can be gained, is by
transcending the material plane and trying to link yourself to
your Divine and Higher Soul. That is why trouble is so great an
initiator, because trouble brings you nearer spiritual things
when material things fail.

Another point that beginners are apt to run away with, is

that Talismans can be made wholesale. Suppose a dozen Talismans
were made to do good to as many different people, a ray from
yourself must charge each Talisman. You have sent out a sort of
spiral from your aura which goes on to the Talisman and attracts
a like force from the atmosphere - that is, if you have learned
to excite the like force in yourself at the moment of consecra-
tion. So that, in the case supposed, you would have a dozen
links connecting with you, like so many wires in a telephone
switchboard, and whenever the force which any of these Talismans
was designed to combat becomes too strong for the force centred
therein, there is an instantaneous communication with you - so
that the loss of force to which you would be continually liable
might be such as to deplete you of vitality and cause you to
faint.

In cases where Talismans and symbols have done their work,

they should be carefully de—charged, and then destroyed. If this
is not done, and you take a symbol, say of water, still charged
and throw it into the fire to get rid of it, you are inflicting
intense torment on the elemental you have attracted, and it will
react on you sooner or later. Also, if you throw away a still
charged Talisman, thus desecrating it, it will become the pro-
perty of other things, which, through it, will be enabled to gi.'t
at you. It is for these reasons that the Talisman should be de-
charged with the Pentagram and Hexagram according as it partakes
of the planetary or zodiacal nature - and these remarks apply
equally to Flashing Tablets.

If a Talisman is given to a person who goes away, and does

not return it, you can render it inoperative by invoking it
astrally and then de-charging it with great care and force.

A FLASHING TABLET should be carefully made, charged, and

consecrated, and then each morning the Adeptus should sit before
it and practise clairvoyance, endeavouring to go through it to
the plane it represents, and then to invoke the power and ask for
strength to accomplish the matter desired, which will be granted
if it be a lawful and laudable operation.

Any Flashing Tablet of two colours should be as nearly

balanced in proportion of the extent of colour as possible - the
ground one colour, and the charge another. There is also a mode

4
in which three colours can be used in a planetary talisman. This
is done by placing the seven colours on the . Heptagram, and
drawing two lines to the paints exactly opposite, which will thus
yield two flashing colours. This properly drawn, will give the
effect of a flashing light playing on the symbol, partly visible
physically and partly clairvoyantly, i.e. if property charged.
An advanced Adept should be able to charge his Tablet to a
certain extent as he constructs it.

The radical colour of the Planet is symbolical. But a

Talisman for harmony of idea say, could be well represented by
the TIPHARETH of VENUS - a beautiful yellow—green, and so on.

The Lion Kerub of VENUS would represent spiritual fire and

thus symbolises the inspiration of the poet - the colour being a
soft and beautiful pearl grey, and the charges should be white.
The watery part of Venus would represent the reflective faculty
and answer to spiritual beauty, colour a bluish-green. The
Vault (the Vault of the Adepti, which is part of the second Order
system) contains a perfect scale of Talismans of every
description, of Planet, Sign and Alchemical Symbol and shows how
a planetary man will look at everything according to the colour
of his aura, due to the planet under which he is born. The real
Adept comes forth from the sides to the centre. He is no longer
under the dominion of the stars.

Having made a Magical Talisman, you should use some form of

charging and consecrating it, which is suitable to the operation,
there are certain words and Letters which are to be invoked in
the charging of a Tablet, the Letters governing the sign under
which the operation falls, together with the Planet associated
therewith (if a planetary Talisman). Thus in elemental opera-
tions, you take the Letters of the appropriate zodiacal tripli-
city, adding AL thereto, thus forming an Angelic Name which is
th.e expression of the force. Hebrew Names as a rule, represent
the operation of certain general farces,while the names on the
Enochian or angelical Tablets represent a species of more parti-
cular ideas. Both classes of Names should be used1 in these
operations.

KAMEAS

A Kamea is a magical square relating to a particular

planet which illustrates its essence through ranks and columns of
numbers, each specifically placed in a cell of the square so that
through the language of maths the universal energy or blueprint
of the planet is mapped out. When sigils are traced through or
connect these numbers, they draw-out part of the power of the
planet, which is then directed to a desired result through the
will of the operator.

The number of cells that make up a planetary square are

determined by their Kabbalistic association to the Sephirath.
Each of the Kameas are farmed from the Sephirath far the number
of the Sephirath they relate to is the square root of each Kamea.

5
In other words, simply multiply the number o-F the Kabbalistic
Sephirah by itsel-F and you have the number o-F cells -For the magic
square. An example o-F this is that Saturn is related to Binah,
the third Sephira which when multiplied by itsel-F produces a
magic square o-F nine units. Chesed (relating to Jupiter) as the
-Fourth Sephirah produces a square o-F 16 cells, while Geburah
(Mars) is the -Fi-Fth Sephirah and produces a square o-F 25 cells
etc. The exceptions to this rule are the Sephiroth o-F Kether
(Neptune), Chokmah (Uranus) and Daath (Pluto) which are increased
by the power -o-F ten. Kether now has a unit structure o-F ten units
which produces a magic square o-F 100 cells. Chokmah now is 12
units and has a total o-F 144 cells and Daath has a unit structure
o-F eleven with a cell structure o-F 121 cells. This was needed due
to the tremendous power o-F these slower moving planets which are
considered a -Full unit above the seven traditional planets o-F the
ancients. For those o-F you who wish to -Find out how the magical
squares are -Formed see 'Magic Squares and Cubes' by W.S.Andrews.

I-F one wanted to construct a talisman -From the name o-F a

person obtained -From a magical square you use the Kabbalah o-F the
nine'Chambers or Aiq Bekar (see lesson 6 on Temurah) e.g. use the
name Allan, traced over the Mercury Kamea. This in -Fact -Fuses
Allan with the Mercurial -Force which, i-F the Kamea was charged
(and in -Fact becomes a talisman) it would instill the blind -Force
o-F Mercury in Allans aura. In order to taper this so that the
negative aspects o-F Mercury can be avoided trace a sigil throu gh
another Kamea o-F the same planet which the particular aspect o-F
Mercury's nature that one wishes to attract to Allan. Generally
this is easily done by the sigil o-F a single word (such as
cummunication) placed beside the sigil o-F Allan with other
Mercurial names which are placed around the Kamea o-F Mercury on
one side o-F the talisman. The central Kamea o-F Mercury will
usually have only one seal traced on it and that is the Kamea o-F
the Planet which gives the whole Kamea a stabilising e-F-Fect.

SIGIL OF THE SEAL OF THE PLANET

The actual seal o-F a planet is the core essence o-F the
talisman and as such its sigil must pass through every square so
that the geometric pattern has every aspect o-F the square
ingrained in it. While the magic square or Kamea is the power
grid o-F the planet the seal is the power trans-Formed into a
geometric force. The seal in fact is the force which draws the
power from the square so that it can be used. Any form of
meditation on a seal of a planet will bring forth a balanced
state of your own level of consciousness which can be tuned into
that of the planet. Every planet in fact can have numerous seals
associated to them and the ones given here are considered the
tried and tested ones. One good rule to use if you wish to
experiment with different planetary seals is that one side of the
seal should be the mirror image of the other, which gives out a
balanced set of vibrations.

SIGIL OF THE ANGEL OF THE PLANET

6
 Though the planets are in the world a-f Assiah the angelic
-Farces a-f them relate to the world o-f Yetsirah or the Formative
world, one o-f mental energy. Mhen using the angelic planetary
names they should be restricted to the area o-f this world. It is
here that ideas are implanted in the minds o-f men to perform
tasks or to get the impetus to perform the desired task, for this
is the station where the angel works best in.

SIGIL OF THE INTELIGENCE OF A PLANET

Mhen the sigil of the intelligence of a planet is used it is

usually related to the material world of Assiah. The sigil, like
the seal, is a core essence of what the planet represents on this
level of existence. Any good books on astrology will provide the
mundane meaning of a planet, though the varying intelligences
(which are plural and not singular) in Assiah still work through
the four elemental planes and each one of these has an
intelligence.

SPIRIT OF A PLANET

This is to certain extent smiliar in concept to the seal of

the planet but more refined amd more concentrated than what the
seal represents. The seal draws out while the spirit directs.

7
SISILS OF THE ROSE CROSS

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The complete symbol o-f the Rose Cross, as shoMn above, is

often referred to as The Key of Sigils and Rituals' and
represents the forces of the letters in nature into a three.
seven and a twelve format.

The inner three petals of the Rose symbolise the active

Elements of Air, Fire and Water, operating in the Earth, which
acts as the recipient of their forces giving them a ground of
operation. They are coloured according to the paths of the King
Scale. When tracing a sigil on the talisman or in the air always
start with a circle until you finish the word, If two of the same
letters are traced one after another simply do a small wave or
loop in the sigil line at that point. Although a sigil of almost
any name_can be traced from the Rose Cross generally the names
from the Sephiroth are traced using the Rose while the planetary
names are formed from the Kameas.

GEOMANTIC SIGILS AND TALISMANS

Since all symbols have power of some sort one will find that
the geomantic symbols are no exception. They have been around in
one form or another since antiquity and as such lies their value.
They are symbols obtained from the collective unconscious and
because they are so widespread across the world it is assumed
they are more easily drawn forth from this area and are also more
recognisable. Having a set of symbols such as the geomantic
figures can be a real treat for occultists especially because
their meanings can easily be determined.

The following tables show geomantic figures with lines

drawn through them. This is done so that the mere impression the

S
dots give can be consolidated:

Puer Ami sso Albas Pop a 1 us Via

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Fort.Major Fort. Minor Fuel1 a Rubeus

Acquisitio Career Tristitia laeti ti a

Conj uncto Caput Darconis Caudia Draconis

The above linear modifications of the geomantic figures are

possibly the best of all the various geomantic variations when
examined carefully. If one studies some of the modifications of
these sigils (such as in the case of Agrippa) we have the
f ol lowi ng:

Amissio

X & X K
w o

X X
At first these variations of Amissio may appear to be
meaningless since there could be endless variations of this
figure, depending on the author but these were originally
designed to sit in astrological houses and the sigils were
originally designed with the house meanings in mind (for

9
divination purposes). The Golden Dawn variations work to a
di-f-ferent concept, that o-f utilising the circum-ference in an
unbroken line which consolidates the dots into a definite
vibrational rate, which is drawn onto a talisman producing the
effects, as listed below, on the vibrational force of the
talisman itself. in short these figures can hurry things, slow
things down and draw things out depending on what you want them
to do. You can place a figure that relates to a planet on the
talisman or use an entirely different figure so that the force of
the talisman can be modified.

FIGURE MEANING
Puer First catalyst reaction to set of other
reacti ons

Fortune Major Motion, fluidity, transition, reflector,

recei ver

Acquisitio Motion, intellect in its purest form or

structure

Cauda Draconis Seed, life given from above with enormous

energy and drive to the ne^t manifestation

Populus Psychic power, catalyst to bring from what is

above and send it to below

Rubeus Emotion, divine inspiration, fluidity

Laetitia Intuition- applying to recognition and use

Vi a Conceives, produces, transmits

Puella Violent and powerful motion applied to a

manageable element, strength of will, drawing
power from one area and sending it to another

Tri sti ti a Inspiration, emotion, intuition applied in

analysis and coming into conscious
understanding

Albus Rush of mind, continuous motion of thought

Fortune Minor Intellect at its best, controlled aspect

Career Sexual drive and energy, impulse into action

Amissio Love and emotion expressed in the material

Conjunctio Communication on the material level

Caput Draconis Fixed matter and reality

10
 By incorporating the geomantic sigils on the talisman one
can produce the above effects (more than one figure can be used
on a talisman) providing the are lined as in the Golden Dawn
method. The plain dotted geomantic figure as a power source is
not really good though it is fine for divination purposes . It
emits fragmented energies that can hamper the overall talismanic
effect though by Joining the dots together in an unbroken line
can consolidate and direct these geomantic energies to blend in
with the overall talismatic influence.

ADDITIONAL NOTES ON COLOURING A TALISMAN

There are in fact two main schools of thought on colouring a

talisman within the Golden Dawn. The first is that the side the
sigils of the Sephiroth are on is to be painted in the colour of
the Sephira with the sigils in the complementary colours (of the
Queen Scale). The side of the planet is to be coloured in the
path of the planet (of the King Scale) with the sigils and seals
in the complementary colour. The rim of the seal is to be painted
in the colowr- of the opposite side (as a background) with the
Hebrew letters in the complementary colour so that both sides
have a rim painted on it from the coloiur of the other side of
the talisman. This creates of fusion of both Sephira and planet
into a single force.

The other colouring concept is that one selects the

kabbalistic world the talisman relates to then paint it using the
Sephiroth and paths of a single scale. Other alternatives are a
mixture of all the scales for maximum effect. Both these methods
work but the suitability of either method is up to personel
preference. The former method was more widely used among temple
members.

11
The DIVINE NAME OF KEIHER -

EHEIEH

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ARCHANGEL OF KEIHER -

MEIAIBON .

pntataa

CHOIR CF ANGELS OF KEIHER -

CHATDIH HA-QADESH
 KAMEA OF NEPTUNE

41 43 96 95 25 26 80 79 9 11

44 42 93 94 28 27 77 78

13 15 48 47 97 98 3^ 6J/ DnnUGENCE OF NEPTUNE -

^1
16 14 45 46 < 62 NASHRIEL

65 67 2^ ^9 49 50 5 83 33 35

68 66 17 18 52 82 36 34
F
37 39 72 71 / U 56 55 85 87

40 38 69 70 4 3 53 54 88 86

89 91 24 23 73 74 8 7 52 59

92 90 21 22 76 75 5 6 60 58

41 43 96 95 25 26 80 79 9 11

44 42 93 94 28 27 77 78 12 10

13 15 48 47 97 98 32 31 61 63 SPIRIT OF NEPTUNE -

16 14 45 46 100 99 29 30 64 62 HUZMDTH

65 67 20 19 49 40 84 83 33 35

68 66 17 18 52 5V1 82 36 34

37 39 72 71 1 ? 85 87

69 70 4 3 88 86

89 91 24 ^4 8 52 59
\ 1
92 90 21 22 76 75 60 58
 KAMEA OF NEFIUNE

96 93 / a au i /y i \

13 3 3 3 BS SEAL OF NEFIUNE

6 10i 3'

0/ 59 30 O" ■ l 0 ; JJ | J.>

uremonsiKi

k:4 2 5ft 5

38 53 i 5 VtitiTj j j
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41 43 96 95 25 26 <a! 79 9 11

44 42 93 94 28 27 7Q78^

13 15 48 47 97 98 ( 61 63 AtCEL OF NEPTUNE -

16 14 45 *$9 291 10 64 62 SnHJRTRON

!
65 67 ^9 49 50 84186 33 35

68 66 17 51 81 \8zi 36 34
S?2
37 39 72 71 . 2 ! 56 35} 85 87
\ i \
AO 38 69 % 4 VS.53 34 w 86

89 91 24 23 73 SffA w 12 59

92 90 21 22 76 75 Ow 58 i
 •\ DIVINE NAME OF OOCMAH

12 ^5 YAH
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ARGiANGEL OF CHOKMAH
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RAZIEL

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CHOIR OF ANGELS OF CHOKMAH

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AUPHANIM

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 KAMEA OF URANUS

r
49 63 62 52 129 143 142 132 17 31 h 20
INTELLIGENCE CF URANUS
54 55 57 140 134 135 137 28 22/' 23 25
AUSIUL
59 53 L36 138 139 133 24 27 21
*
61 ^50 64 141 131 130 150 29/ 19 18 32

33 47 36 65 79 78 68 ^7 111 110 100

44 38 76 70 71 108 102 103 105

40 42 43
sT2
74 75 L 104 106 107 101

45 35 34 48 67 J 80 109 99 98 112
h
113 127 126 116 ^3 L 4 81 95 99 84

124 118 119 121 12 6 7 9 92 86 87 89

120 122 123 127 8 10 11 5 88 90 91 85

125 115 114 128 13 3 2 16 93 | 83 82 96

49 63 62 52 129 143 142 132 17 31 A 20

60 54 55 57 140 134 135 137 28 A 23 25

56 58 59 53 136 138 139 133 T/ 26 27 21 SPIRIT OF URANUS

61 50 64 141 131 130 150^ 19 18 ZAAPHIEL

51 32

33 47 46 36 65 79 78/ 4 97 111 110 100

44 38 39 41 76 70 A 73 108 102 103 105

40 42 43 37 72 75 69 104 106 107 101

45 35 34 48 7/ 67 -12 109 99 98 112

113 127 126 116 ^15 14, f 4 81 95 99 84

124 118 119 121 ir 9 92 86 87 89

Vt6
120 122 123 127 8 1^ 11 5 88 90 91 85

125 115 114 128 13 3 2 16' 93 83 82 96

 KAMEA OF URANUS

5 OJ QZ 34 IZV 5 3 Ui T32 JJL JU

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SEAL OF URANUS
1:8 1:9

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© 46 in

5 7j 18 5

48 5 'i 9 105 \ TtTl

34 99

H 9

15 TTl 88

115 128 13 18 n 83 82

49 63 62 52 129 143 142 132 17 31,

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60 54 55 57 140 134 135 137 X 23^

56 58 59 53 136 138 13^. dT 24>i ^6 h 21 ANGEL OF URANUS -

iif
61 51 50 64 14 130 150 ^9 1/ 18 32 MAIiOEL
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97
33 47 46 79 78 / ni 110 100

44 38* "19 41 76 70 7/ 73 ige 102 103 105

/ /
a 42 43 37 72 7V 75 69i/ 104 106 107 101

45 35 34 48 77 66 / L09 99 98 U2

113 127 126 116 < 15 IV1 4 81 95 99 84

124 118 119 121 12 ^ 6 fl 9 92 86 87 89

120 122 123 127 8 V 11 5 88 90 91 85

125 115 114 128 13 3 2 16* 93 83 82 96

DIVINE NAME OF BINAH -

*HVH ELDHEM

ARCHANGEL OF BINAH -

TZAPHQIEL

CHOIR OF ANGELS OF BINAH -

ARALIM
KAMEA OF SATURN

ANGEL OF SATURN -

CASSIEL

XNTELUGENCE OF SATURN

AGIEL

SPIRIT OF SATURN -

ZAZEL

SEAL OF SATURN
 DIVINE NAME OF DAMH -
A. 12
si, YAH ELOHIM

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ABQiANGEL OF DAAHi -

si, MESUKIEL

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CHOIR OF ANGELS OF DAAIH -
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 KAMEA Of PLUTO

56 117 46 107 36 97 26 87 16 77

7 57 118 47 108 37 98 27 <T INTELLIGENCE OF PLUTO -

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