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Sta Nel'ircana: Alcina (HWV 34) Act 3, Scene 3

This document contains musical notation from Act 3, Scene 3 of Handel's opera Alcina. It displays multiple lines of musical staffs containing notes over 120 measures of the piece.

Uploaded by

Alexandru Costea
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
100% found this document useful (1 vote)
353 views7 pages

Sta Nel'ircana: Alcina (HWV 34) Act 3, Scene 3

This document contains musical notation from Act 3, Scene 3 of Handel's opera Alcina. It displays multiple lines of musical staffs containing notes over 120 measures of the piece.

Uploaded by

Alexandru Costea
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Sta

nel'ircana
Alcina (HWV 34)


Act 3, Scene 3

       
                             
G.F. Handel

 
 = 120

    
                 
    


  
                    
                
 
5

 
       
         
   


                                
               
8

                


                          
              
10

            
   

   
    
12
Ruggiero


            
            
             
   
Stà nell' Ir ca na

            
   


       
          

        
        
16


   
pie tro sa ta na Ti gre sde gno sa, e in cer ta pen de,

                        

              

                 
  

     
     
 
19


                                   
      
se par te o at ten de il cac cia tor

          
      

  
        

22


               
                        
Ti gre sde gno

        

               

  
 
            
      
26


   
           
                      
sa


                         
            
       
29


in cer ta pen de, se parte, o at ten de, se par te, o at ten de il

          
                           
  
                     

                

32


                                   
cac cia tor, se par te, o at ten de il

  
            


                        

 
   
35


                         
cac cia tor.

     

      
         


                                  
           
 
37

                
     
               
  
40


    
Stà nell' Ir ca na pie trosa ta na Ti gre sde gno sa Ti gre sde gno sa,

                                 

                  
   



          

          

44


          
e in cer ta pen de, se par te, o atten de il caccia tor,

             
                  
  
                 
       


                  
  
47


  
                      
        
Ti gre sde gno

            

              
         

     
          
50


  
                            
             
 
                        
          
     
53


                
                

                  
     

 
              
  
56


       
sa in cer ta pende, se parte, o at ten de,

  
                                

                    
   


         
59

 


                  
           
se par te, o at ten de il cac cia tor, se


          
     

  
                    
    
61


      
 
                      
par te, o at ten de il cac cia tor, se par te, o at ten de, in

       
  
             
 
 
 


                   
65


      
           
cer ta pen de, se par te, o atten de il cac ciator.

     
 
           
            


     
                                     
           
69

            
    


                          
              
72

          
     



              

74 Fine



 
                              
              
Dal te so stra le guar dar si vuo le;

    

  

                 
 

 
                 

78


                        
                 
ma poi la pro le la scia in pe ri glio. Fre me e las sa

                         

 
                     

81


    
                             
le de sio di san gue, pie tà del fi glio;


                     
   


               
        
84


    
                                     
poi vin ce a mor, poi vin ce a mor fre me e l'assa le de sio di san gue,

    
    
                  
       

 
                   
88 Adagio D.C. al Fine


  
             
pie tà del fi glio; poi vin ce a mor, poi vin ce a mor.


         
   

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