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Einaudi Experience

1. The document is a piano piece titled "Experience" composed by Ludovico Einaudi. It contains musical notation across 35 lines. 2. The piece explores different tempos and dynamics, beginning freely and becoming more animated with indications like "piu mosso" and crescendos. 3. Various melodic and rhythmic motifs are presented and developed throughout the piece.

Uploaded by

Inês Trewinnard
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
100% found this document useful (1 vote)
4K views6 pages

Einaudi Experience

1. The document is a piano piece titled "Experience" composed by Ludovico Einaudi. It contains musical notation across 35 lines. 2. The piece explores different tempos and dynamics, beginning freely and becoming more animated with indications like "piu mosso" and crescendos. 3. Various melodic and rhythmic motifs are presented and developed throughout the piece.

Uploaded by

Inês Trewinnard
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 6

Experience


              1. 
Ludovico Einaudi

   
Freely [ = 72]

      
2.

          
         
     
    
       


con Ped.

       
  
       
più mosso [ = 92]

   
6

       

   


           
   
                                        
1. 2.


8

    
     


         
         
11

               
    
 



             
13

           
    

For practise purposes Page 1 of 6
DundeePiano.co.uk Experience

 
           
15

       
    
 



                             
17

   
    


 
         
19

       
         
        
cresc.

      


 
         
   
21

   
                                 



          
23

       
         
            
   



 
        
25

       
                               

For practise purposes Page 2 of 6
DundeePiano.co.uk Experience

  
           
27

       

                          

       


   
                      
29

   
   
     
     
     


   
        
                 
 
31

                  


       


                
           

33

        
               
     



                
       
35

       
   

 
 


 

                
       
39

       
   
  
  
For practise purposes Page 3 of 6
DundeePiano.co.uk Experience

        
        
43

               
 
 


 

            
45

           
   
 


        
        
47

               
   
 


 
          
49

       
   
 



 
           
51

       
                          
cresc.

       



                         
53
1.

       
      
        
   
For practise purposes Page 4 of 6
DundeePiano.co.uk Experience

 2.
            
55

   
        
      
 


  
           
56

       
    


   

 


   
                      
58

   
           
   


 
         
         
60

                  


       


   
           
     
62

         
    
          

For practise purposes Page 5 of 6


DundeePiano.co.uk Experience

 
         
         
64

                  


       


       
             
      
1.
66

        
                
     


 
 2.            
  
   
68

      
 
        
   


   
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70 più lento

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74 allarg.

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For practise purposes Page 6 of 6


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