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Accidentally in Love: Violoncello

The document is a musical score consisting of symbols representing notes, rhythms, and other musical elements. It appears to be notating the song "Accidentally in Love" from the movie Shrek, though without titles or lyrics it is difficult to verify. The score spans multiple lines and uses symbols such as quarter notes, eighth notes, and repeats to represent the melody, harmony, and rhythm of the song.

Uploaded by

Carlos Nuno
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
195 views2 pages

Accidentally in Love: Violoncello

The document is a musical score consisting of symbols representing notes, rhythms, and other musical elements. It appears to be notating the song "Accidentally in Love" from the movie Shrek, though without titles or lyrics it is difficult to verify. The score spans multiple lines and uses symbols such as quarter notes, eighth notes, and repeats to represent the melody, harmony, and rhythm of the song.

Uploaded by

Carlos Nuno
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Violoncello Accidentally

in love
Shrek

     
   
           
     

  
            
 

     
                   

             
8

 
               
              
   
15

                          

        

           
21

                                    
           
27

   

                             
          
32

   

         
        
           
           
38

 

                      
               
45

 

              
                    
       
 
 
 
 
 
51

      
              

  
       
 
 
 
 
   
       
 
 
 
 

56

   

Carlos Nuño Berges


                   
2

     
 
 
 
 
      
 
 
 
 
 
               
61

                                       
     
66

       

      
     
   
72

                           
                     
88

            

               
                
     
92

                
    
97

Carlos Nuño Berges

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