Mt UT % Sincerity and Authenticity. 2 # The Charles Eliot Norton #8 | iH Lectures. 1969-1970 pr pe a eee x * 3 T = Ea AB HR fe RB - Queatane= Sincerity and Authenticity, ae The Charles Eliot Norton BR Lectures, 1969-1970 Ray ® eco *« # * te s 3 oe AH He HD Ort atimeBBERBA (CIP) BIB WIN / (3) EMA, IEE. — ABE SCA HAREL, 2006.11 (ARUP ED ) ISBN 7-5343-7844-3, 1 ik. D.OW.Ox.. Mceshe: Hue IWV.10-02 CALERA CIP BURAK ( 2006 ) 38 136204 5 SINCERITY AND AUTHENTICITY by Lionel Trilling Copyright © 1971, 1972 by President and Follows of Harvard College Published by arrangement with Harvard University Press Simplified Chinese translation copyright © 2006 by Jiangsu Education Publishing House ALL RIGHTS RESERVED FAS: 10-2005-215 BRAT BE PUR SR 31S ABE: 210009 http://www. 1088.com.cn ok a RH ERE a ee > Ro WES TL: BBA, 1969 — 1970 AF DEBRA «EAE SUE Ae BR AI 2 SE HG ZS CAE RU TE HE BR 165 210009) ACTA tH Bi F828 http://www. ppm.cn i at BS Sh BZ &s e FS & # eae ae cy a AGREES: ELBA EAE 8 7] rot eae a HET DUA HZ PHF 259 Hh i -010-88435200 940mm x 640mm 1/16 A 13.75 = x UUs TF Hi x 2006 4F 12 FS 1 He 2006 4 12 FYE 1K ET A tt 21.00 76, RTRS 010-68002890 68003077 FEAR DEH PRT AEP RRR590. EAPEUK 9708 HE LEENA RAK LE RC Disk, 2: semis pG web Ee 9 iW SPCR, SCARE Lite Ae TWAS ea CPSC WRAL, LFBRAS OPA MAE, WOT F/R, SSO MOAR SEOLLIEUREBYE, LORIE IRA) UWB. 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FE 22 ERE I, SCA EDP AB RE DLE “PP Oh” BE AREA SCE i A SA FF BPE PP OY EE “PED” ER PERE BU OP EES PALE RE RRA SD” , “SCRE TE EYE REAC , USC AE ih SA HAL HA TET A, Se MB LAA EHR” Se «#8 XAVR) ( The Well Wrought Urn) TESST SEAM + 74 SEFC Cleanth Brooks ,1906—1994) ,20 fit #2 3 FPR FUG CAPR ALTE” RAB EE RE BRUISE ACF NPE BR A SEN UE Sm EEA HE RTE BOR IE, SORRELL TE BO (5 EE TIE RACE) CBR HEY CC PHP) CHR LDS. PR CHB) EA 8 ENTS PIO RE LE" HE” CASS HE EAT AN ETAT EHR TXB AY CE) IRABUY CFR EY HEE BID AR A IB AS CH BE PY SEAN CHEE Rp Ta) EP DA HE IS BLO fs VA SB AA TT 9 ts TS BAH SPT — “BR” ACH, TAU ARRAS” BOLL” AR SCRE aR TB WT EAD CA EAR HE AE TEMPE BR YC ES PE AAR T 20 Ue PHT — HRA HH CHLFERIHES) ( Concepts of Criticism ) TESST HY - FFHIE( René Wellek ,1903—1995 ) , ATE MB IGA HB EB, ELS EMA KEKE ABR EAC BARE RR PER SCPE) SEA ABA BUR FIED 0 PH 5H SEAL 20 HPA HA EMER AME CEL R, th HU HAP TERS. FECHA BE) AG OBA TCE IC SP ALTP AU SCE eS DB] AR AR AK, RE SCE Eb HEE Be WEN EM SHEE MN AEE TPR. REAR SUPE, HE ABI BEAD TIE, TANS Se ES HR EE BAAR RAE RGA DEERE AN YAS CPS: Ht EAS) ( Discrimination ; Further Concepts of Criticism ) TESST WHY + FHSE( René Wellek 19031995) , 4 ME BA AE HR KER, ERE MAKE RERE AT KER BRS RE TERR SCAB) SBA ABA CBR PETES) PRE RE AALCHLIF LE) AREER, BE EI CHE AU BE EFL th RE MB ae, EE EE CE HERE TR FON SCAP AL DE AY SE BE SL CRE AS ER ID tthe SE BASS TRARY FE OH OE A AE TR TP SAR A FHC BREE, A A ARLE RRS HE OI, BAT HEARSE EAB NT Ho «RE ) ( The Postmodern Turn) TESST GAT + SRC Thab Hassan, 1925— ) , BUTE AAR RAERRB, YRRAHRGBRE LOE ZHS— RREBA SRE SED CRU IR AIMED ARBRE AGKAWTMCK, HK UME AA HER A TB PG BURE LEB RR. PEI AEE HH Ja BUR E HIPS — , TAT RIG TEAR, HY AEE A AE. ALT EAR AG SURE Be RPE LAG PERIL MT EE OS AE STR AL RAVE TE ALVA LEER TS AP GETS BRT ARI OEE — TH UEBK HEAP ALO FR TAAL RR EA FE. 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AFR AT IA TAP BER, RAR A REAR A RP A HCA SRALIS Td FB be BB, BRAT AR BE A TRA, RARE RAIL AREA RATT IK PETE BaD HST AR UL IRR HT AY CR HRA A A RZ Wh AWN ATT IA , A> aE EE HE BL AY ET HB A BWR, RA SEH PRE — 3A EEO —FE AY + STITH LB 4 EIR, BAT RE 1k ArH Hh IH FBT eH as. CORSE FETE) A — A TTT AS «WE EEL DRT AND EMD BUTT ANC STAR) PEAS, — PRESe Aik Riso | 5 ROK BEI St HR HEY TE FT HE A NERS EST HU. RSEAWH HAPTER, PEAT BEM — TES MI RATA WER SR. BB AMe RT DIE KKB, Meat A DAH ERAT ORARRR-#H, MT ACRK, ARAM AMAR OD SE FB Yes TESTE CS RR BT ASK BL, BU RBH ERT Th — Be BIR, VAR BR BR ATT tH BB A — Bi “SIR a HEA AY Fa CE OL AR OR A OO ALA , EA SR SEAR EAD TLE , AAT BAS Se Ha Bs Ot HAT HBS AS ABR, BORE, 2 MBAS FT SE es LT BI SB ae 5 EE, BE AS eR AAT 6” PR TT BK PARES A TE ED AS EG BO FR ATT AEH a) BRAT ED BR — BEATE AY AE OP — BK BY HED a A PETER ATA. BALE, EH, BLT Ey RRR ft AEX — Ped TA A) fy a J 3 0 AR RAG Ath THREE BE I A ETE te COR EEE) BSUS), WEE TRA. 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(RER FBI TK I CE — AE By Rw Bf A) YE — Be PRES: “Safe PRAT ANE, — AR Se EPR Ok» BO RBGRRE T AE fir HAE SE HA ER BR BA — Th A Eo” DEAT HAIER 4G AS BE BI A oe AAD) PE HE RATT E+ BT HE, ZLW—-TAMAR KE, SEPE, BEAM A: Atif RE BATRA RE BT, aeaaresesscs RRR , RANA A BANE HT TEETH, HARA HAR, RAR, D BSEMRE(W. Dexter) 44: CK BOW AABE) (The Letters of Charles Dickens) , Lon- don; Nonesuch Press, 1938 , 5% 4% ,620—621 Hi.Re Wi ewe | 7 zreahiessiepe.o HAA CH ZH ART FA AY RR ME BAA He . WBA St AE HT A Te Oa a WATE WG RE ORAZ. RES RIK VEL Rt BE A ER eG Ge A A RA PR A HARRBER. PERL“ AMES BE EIA, RAT ATT, AERA ANA AOA, BREA A I, HK AH UBLIEAR ES > PAT ABH EE A BE — A HA” DA HY EM AERA TAM AR? RIKI, BORLA + BRET Bn SESE TAR” LI IER A EY FRY EEN AS “SAR” MART AB AR? MRA EE ABE ABET Lo AHERN , WORD Dy EAA 2K 8 “5 SE AY BR” , RL he EO “SRM AR” AA RE BRE RA, EAE OT Hh) RMA R RM, CHANT ARIE, MT ARM SSE MORITA EAM (LIE Be BLUE , HLL ERE wT DL PHORDAM RT. AUC IRAR EAR “WRI! WRSCML WR EY AREAS HEL 5 3 a it 8 A, HB Be AR Ee ER ACT EL AHEAD BOR RZ LL" REE LETT AM A RAST ABE, BAN] HATE BSE Ht a, EAE A IEA Br I 1 5 FE SEA GP Hae HSE OA, Da 30 Sg tT EBA OE By Ce AY ie EES LE PEASE D BESECC. B. Tinker) A197 HL ( H. F. Lowry) 48: (4545 » BULGE) ( The Poetical Works of Matthew Arnold) , London and New York; Oxford University Press, 1950 ,483 W, @ WR CF. Schiller) : (3 A459) (On the Aesthetic Education of Man) , ed. E. M. Wilkinson and L. A. Willoughby, Oxford; Clarendon Press, 1967,17 Bi. @ BA Nathaniel Hawthome) ; (41%) ( The Scarlet Letter) 85 24 Be“ 44 Fi” (HEIR FORSHEE OO CLF) , EMG: LE FEIC Hi MHL 1981 ,204—205 i. —HRRE) 08 | Rae EMR LAR, ROK LERARTPAS OPER HRARKP MANE WEEK CRANE, CHY RIE HA BESET RL. “RU” TT A A ERS BR FS, BANS AM BAe wy, Sei — A ae HE AH RBA, BATH RE A Ae PER EULA, SS A HE OE, ELPACBR A -TRH RSD LOTR RRE. “RRMA” EO) at LAR“ RA” AR SE A“ HOLA” SEBS bE“ MRA” A i, MS PRR BB CE TE FLAN , FEAR ALT, ROBB HE th BR EF IE Hy THE 3A BD ot, PR. AMER WU AT. S. SC A TEE A ERAS A PORE TT XK PY, BAT FON , BE A SE LURE A KIB RTE PIE. BRR CH IE ALI ay WE RE AR be Ej 20 Hh eh CA a A BARAK. EEK RAT Eh SRA ZAM U Fs AMA ARTA BR ATA RR. REE, Hh AAR EAE BE AE IT TT EA, BRR AEB A AAT HT AR A ROE ES SEA AB AOE YB TE ZAEWCAT. SEE RR HY EAS ke — TAR WL HE AEP HE AR UW IK tA” FE RR A Bit PR FEE FEE He, BL, SE A tT 0” $f i 2: fh —— bs “THe BR HE oh BAY HE — TER J 38 FA 0” DfT VAS TARAS AE TE Bt, BORAEDR T HME A DAMN BLA RELL + 5h HE AK (Jean Hyticr) BF MNY( 22 MR - 4AM) (Andre Gide, trans. R. Howard, Garden City, N.Y. : Doubleday Anchor, 1962; London; Constable, 1963 ) NAB RE SITE ROLL Et So — BH SR RATE HH EL CHEE TA HED (“Tradition and the Individual Talent” ) , F-H*397 005 WH (PAS REMY HARD (A Portrait of the Artist as a Young Man) S338,