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Singing Through The Transition

This document discusses how the voice changes during adolescence and transitioning, including what happens physically during voice cracks and transitioning genders. It provides exercises to help students access their full vocal range and match pitch during vocal changes.

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Jorge Pipopiux
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0% found this document useful (0 votes)
198 views14 pages

Singing Through The Transition

This document discusses how the voice changes during adolescence and transitioning, including what happens physically during voice cracks and transitioning genders. It provides exercises to help students access their full vocal range and match pitch during vocal changes.

Uploaded by

Jorge Pipopiux
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Singing Through the

Transition
Dr. Ryan Olsen
Baker University
ryan.olsen@BakerU.edu
Slides available at www.ryanaolsen.com/handouts
Pronouns: He/Him/His
• Brief review of vocal anatomy and what
physically happens in the main regions of vocal
production during adolescence

• What happens during a voice "crack?"

• What about the transgender voice change?

• Exercises to help students use their new


instrument, match pitch, and access registers
Structures of the Larynx
• Hyoid bone acts as suspension
system

• Tongue connects to hyoid bone

• Hyoid bone hinges upward when


swallowing

• Cricothyroid pulls and tips thyroid in


order to lengthen vocal folds and raise
pitch

• Boys' larynx grows more anterior to


posterior than girl's to account for
more length and thickness of vocal
folds (Adam's Apple)
Top view of larynx
• B - Interarytenoids - bring two
arytenoids together to close rear
portion of the glottis (weakness causes
mutational chink in girls)

• D - Thyroarytenoid (scientific name


for part of the vocal folds) muscle also
lowers pitch by thickening vocal folds
(less involved than cricothyroids)

• Unchanged voices avg of 2mm of


vibrational length. Adult females
avg 10mm and male avg 16mm
vibrational length
• Raising/jutting chin pulls vocal tract
and raises larynx

• Pulling head back depresses larynx

• Tongue tension can raise larynx

• Pulling tongue back can depress larynx


and create false, dark tone

• Turning head in order to see


conductor can tense muscles and pull
vocal tract

• Sing [a] while rotating head and neck,


then raise, lower, and jut chin

• Tongue rolls & lip buzzes


http://www.nydailynews.com/life-style/health/texting-puts-pounds-
pressure-spine-study-article-1.2013885 (August 2016)
How shoes can impact alignment
• Boys' voices progress through above stages

• Some pass quickly through a stage, some linger

• Can take one to two years to complete (avg 14 months)

• Speaking fundamental frequency lies approx m3 above lowest singing


range

• Lower range tends to be more stable while upper range fluctuates


dramatically
The Transgender Voice
• Anatomy/physiology during puberty matters

• Trans men

• Administration of testosterone will cause vocal folds to thicken but not lengthen

• Lower doses will transition into tenor range, while higher doses to baritone or bass

• Larynx, vocal tract and other resonators do not grow

• Singing in low chest range can help ease the transition as long as not frying or straining

• Trans women can't significantly change range after puberty without surgery (risky) or therapy
(primarily for speech)

• Voice Dysphoria
• The Singing Teacher’s Guide to Transgender Voices by Liz Jackson Hearns & Brian Kremer, Plural Publishing, 2018.

• Training the Transgender Singer: Finding the Voice Inside By Shelagh Davies posted to NATS.org on 1:45 PM, April 14, 2016 http://
www.nats.org/cgi/page.cgi/_article.html/What_s_New/Training_the_Transgender_Singer_Finding_the_Voice_Inside

• Shelagh Davies, Viktória G. Papp & Christella Antoni (2015) Voice and Communication Change for Gender Nonconforming Individuals: Giving
Voice to the Person Inside, International Journal of Transgenderism, 16:3, 117-159, DOI: 10.1080/15532739.2015.1075931 http://dx.doi.org/
10.1080/15532739.2015.1075931
SUPPORTING GENDER DIVERSITY IN THE MUSIC CLASSROOM - OLSEN

MEET HOLDEN MADAGAME, TRANSGENDER OPERA SINGERS

▸ Introduction Video https://www.youtube.com/watch?


v=PTtk-DlJ22c

▸ 6 Weeks on T https://www.youtube.com/watch?
v=YkpHpOn4Tb0

▸ 7 Months on T https://www.youtube.com/watch?
v=mbJk746OF1s

▸ 16 Months on T https://www.youtube.com/watch?
v=BqaO196y9M8
Psycho-Social Concerns
• Adolescence is a time of physical and social struggle and discovery

• Refer to voice parts by their technical names rather than gender


pronouns

• Be aware of gendered speech habits (you guys, be a man, man up)

• Consider gender neutral ensemble names

• Place students in sections based upon voice range rather than gender
(esp. MS!)

• Consider concert black or gender-neutral concert attire

• Be conscious of gender specific language in repertoire


What happens during a voice crack?
• Abrupt register transition

• Musculature can't maintain


tension and force release

• Muscles reengage after register


transition

• Similar to manual
transmission

• Can actually be beneficial in


learning where a voice's
passaggio points are located
Exercises & Techniques
• Guitar peg

• Find Speaking Fundamental Frequency (SFF)

• Track and train the registration shifts

• Play fundamental frequency in left hand

• Double melody/pitches to be matched an octave (or two)


higher

• Chart vocal progress weekly or bi-weekly

• Keep them singing, but make music fit their voice not vice
versa

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