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Kate Jeane Ashley Ashely
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Sculpture ; Pottery
History of Sculpture
The earliest known works of sculpture date from around 32,000 B.C.
Early man created utilitarian objects that were decorated with sculptural
forms. Ancient peoples also created small animal and human figures
carved in bone, ivory, or stone for possible spiritual or religious
purposes.
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OVERVIEW:
Luzon Visayas Mindanao
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Sculpture of Luzon
The Bulul Statue
The bulul is a carved wooden statue that the Ifugao people of Northern
Luzon used to guard their rice crop. They are carved from a single piece of
wood and depict humans with very unrealistic features. These bulul are
supposed to represent the ancestors of the Ifugaos, and the people
supposedly gain power from the presence of ancestral spirits within them.
The statues have the figures either standing or sitting down, and the male
and female statues are usually found next to each other. They each have
sex-related symbols: the mortar for the female and the pestle for the male.
Among the different types of Ifugao figurative sculptures, the bulul are the
most known and are the most abundant. Bulul are the most numerous and
best known of Ifugao figurative sculptures and usually take the form of
either a standing or seated figure. They are carved from a single piece of
wood and generally exhibit a stylised and geometric rendering of the
human body.
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Sculpture of Luzon
The Rizal Monument
The Rizal Monument in Calamba is a monument built to commemorate the
sesquicentennial (150th) birth anniversary of Dr. José Rizal, the
Philippines' unofficial national hero and the greatest son of Calamba. It is a
6.7 metres (22 ft) statue sculpted by Jonas Roces and is located at The
Plaza, a 6.7-hectare (17-acre) park in front of the Calamba City Hall
Complex along Bacnotan Road in the barangay of Real. President Benigno
Aquino III led the unveiling of the monument on June 19, 2011. The
monument was cited as the tallest Rizal monument in the world before
former Laguna Governor Jeorge 'E.R.' Ejercito Estregan inaugurated a 26
feet bronze Rizal Monument sculpted by Toym Imao, son of National Artist
for Sculpture Abdulmari Asia Imao in Santa Cruz, Laguna for the 2014
Palarong Pambansa hosted by the province.
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Sculpture of Luzon
How to create the bulul statue
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Sculpture
Sculpture of Visayas
Explanation :
Famous for its indigenous fiber production, Region VI is the place to be
when you’re looking for high-quality textiles. They come in different colors
and patterns, making them ideal travel souvenirs and home decors. Going
to the local neighborhoods, you’ll not only find these goods, but also the
very weaving communities that help preserve the vibrancy of the arts and
crafts in Visayas.Some of the provinces organize different festivals to
showcase products. That’s why when visiting the region, it’s best to time it
on days when districts come together for a celebration.
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Sculpture of Visayas
The Sleepy Santo Niño
Sleepy Santo Niño 400 Years After was created by Cebuano sculptor Fidel
T. Araneta in 1965 to commemorate the 400th anniversary of the arrival of
Miguel Lopez de Legazpi, his expeditionary forces, and the beginning of
Spanish Colonization in the Philippines. It was also a symbol of how
Christianity particularly Catholicism became ingrained in the historical,
cultural, religious, and social consciousness of the Filipinos. This wooden
sculpture by Araneta is currently on display at the National Museum of Fine
Arts in Manila since July 2019. It was donated to the nation by the artist.
The depiction of a sleeping Santo Niño or Child Jesus is unusual in
Philippine Religious Art. In Araneta's sculpture, the weary Santo Niño uses
his orb as a pillow while his crown is beside him. His imperial regalia is
clearly identified with his robe and boots.
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Sculpture of Visayas
The Lin-ay of Iloilo
The “Lin-ay sang Iloilo” or the beautiful Lady is the highlight on the dome of the new Iloilo
City Hall, the bronze statue that sculpted by Ed Defensor, was erected in 2011 during the
mayoralty of Jed Patrick Mabilog She stands a tall fifteen feet on her three-feet pedestal,
weighing 17 tons. It is a figure of an Ilongga peasant standing proud while cradling a
bundle of harvested rice on her right arm while the left-hand holds a scythe, both as a
symbol of prosperity and Iloilo’s great contribution to the rice-farming industry. The Lin-ay’s
clothing and accessory also exhibits the rich culture of Iloilo, on her head is a traditional
banda worn by farm ladies to protect them from the sun’s heat and on her neck is a
necklace which is prominent in the mythic past of our ancestors. She wears a detailed
blouse with a “sablay” of “hablon”, a textile that has contributed to the rising of Iloilo’s
economic status in the 19th century. Her waist is wrapped with “patadyong”, an Ilonggo
native handwoven wrap-around skirt. While the whole figure of the Lin-ay is abundant in
the symbolism of the Iloilo’s culture and heritage, the pedestal where she is standing is also
packed with meanings at each side. The front part of the pedestal shows rice- farming
industry, at the right, is the sugarcane industry, the left is the fishing industry and the back
depicts education. The four pillars of Iloilo’s continuing development.
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Sculpture of Visayas
How sculptures in visayas are made
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Sculpture
Sculpture of Mindanao
The arts and crafts of Mindanao include their cultural attire, textiles,
tapestries, crafts, accessories and body ornaments which are a combination
of designs from indigenous people that resides in the regions and the colorful
and rich influence from their indigenous belief system. Most of their crafts are
made of materials that are abundant in their areas.
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Sculpture of Mindanao
The Lon Wa Buddhist Temple
Lon Wa or Long Hua, which means "Temple of the Dragon", is home to
Kung Fu monks and nuns of the Philippine Academy of Shakya, a Buddhist
religion movement. Many Chinese tourists and migrants visit this place to
worship and pay respect. The Temple's architecture is a marvel in itself.
The Temple walls are laden with slabs of Italian marbles and the grounds
are beautifully landscaped with lush greenery of several varieties of
flowering plants and palm trees. At the entrance, a smiling Buddha awaits
visitors to the Temple where two large lion statues close to the flight of
stairs stand guard at the foreground of the temple.The Temple is generally
simple and austere. The serenity and the prevailing sweet smell of incense
of the Temple make this shrine a welcome retreat away from the everyday
noise of the city and the toxic demands of urban living in this otherwise
predominantly Muslim region in the Philippines.
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Sculpture of Mindanao
The Rare Wooden & Metal Islamic Buraq Figure
This extraordinary figure is a buraq, a half-horse, half-human, winged figure from the
Islamicised people of the southern Philippines, most probably Mindanao. It has been carved
from several pieces of wood, with dark staining, and has various decorative hammered plates
of silvered copper attached to it, as well as wire earrings in the ears. It stands on four feet, on a
flat platform. The crowned head is detachable, as are the carved wings. The wings are carved
on both the upper and undersides with Islamic-inspired, Malay-like scrollwork typical of
Mindanao and the Sulu Archipelago. The head is able to swivel around so that it can ‘look’ in
any direction. Such figures were decorative and were displayed among the Maranao people of
Mindanao during important feasts. The buraq is not mentioned in the Koran, but according to
Islamic tradition, it is supposed to have carried the Prophet Muhammad, accompanied by the
Angel Jibril (Gabriel), to the sacred mosque in Mecca and later to the (then) farthest mosque,
today known as the Al-aqsa Mosque in Jerusalem. The Prophet is then said to have ascended
to heaven from the Temple Mount in Jerusalem with the help of the buraq, passing through
seven heavens, communing with several angels and prophets along the way, before meeting
with God.
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Sculpture of Mindanao
Kublai Millans Sculptures
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Sculptures ; Pottery
History of Pottery
pottery, one of the oldest and most widespread of the decorative
arts, consisting of objects made of clay and hardened with heat.
The objects made are commonly useful ones, such as vessels for
holding liquids or plates or bowls from which food can be served.
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Pottery of Luzon
The Sagada Pottery
The Sagada Pottery not only sells finish products, they also demonstrate
pottery making while explaining the whole process. Each of the earthen
pieces is moulded with a lot of love and care, bringing out the perfect
flawless shape. They are then beautifully painted and decorated, giving an
antique look. In 2011, 90 distinctly-crafted stoneware by Indigenous
Sagada potters Lope Bosaing, Siegrid Bangyay, Teresita Baldo & Jesse
Degay was exibited in Cav Wine Shop-Café, Bonifacio Global City, Taguig.
Sagada has a rich array of geologic materials for pottery. These potters
work with various types of locally sourced materials in their clay body and
glaze mixtures. Sagada glaze materials like lumiang mineralized soil, pine
ash, or wood ash are blended with materials from other sources.
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Pottery of Luzon
The Kalinga Pottery
Kalinga pottery tradition dates back to the third millennium and plays a vital
role in trade and social relationships in Kalinga society. If you’ve never
heard about Kalinga ceramics, you’ll find the history of this pottery art
fascinating, as it could reveal the past of this ancient culture.Kalinga
pottery is an ancient clay art tradition widely distributed in Kalinga, a
province located in the Philippines’ Cordillera Mountains. This pottery art
has a few distinctive features, one of which is its unique geometric motifs.
Having transcended beyond the borders of countries of the world, pottery
has found a home in this quaint province of Kalinga in the Philippines. Due
to the soil topography or the province, the clay deposits found there are
perfect for all kinds of pottery. The kind of pottery practiced by the Kalinga
people is so unique that it goes by no other name than the province where
it is practiced.
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Pottery of Luzon
The Making of Sagada Pottery
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Sculpture ; Pottery
Pottery of Visayas
Explanation :
Traditional pottery making in Barangay Bari in Sibalom, Antique is a very
famous town when it comes to quality pot making. Someone who makes
pottery is usually called a “potter” locally termed as Manugdihon. One of
the primary sources of income in this barangay is pottery making aside
from farming and fishery. They use the traditional method of collecting clay
found near the Sibalom River and use wooden paddles to manually mold
the clay. A palayok is a clay pot used as the traditional food preparation
container in the Philippines. Palayok is a Tagalog word; in other parts of the
country, especially in the Visayas, it is called a kulon; smaller-sized pots
are referred to as anglit.
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Pottery of Visayas
Iloilo Pottery
In Iloilo, pottery making has been a thriving industry since. One of the ancient
means of livelihood and crafts, “Pottery” still holds true to residents of two
barangays of Municipality of Pavia, Pandac and Jibao-an, providing activities in
those barangays and improving their way of life. Because of being famous in
pottery, Pandac and Jibao-an is known as the pottery center of Western Visayas.
Actors in the pottery industry in Pavia include the suppliers of clay, sand, and
coloring materials, pottery producers, wholesaler and retailers. One major player
in pottery making industry is the Pandac PikPik Koron (PPPK), an association of
local pottery producers in Pavia. It was formed to enable members share their
limited resources to produce the volume requirement of the local market for
pottery products. After two years of PPPK operation, their products became
known in the market for its quality and durability. Products include flower pots,
cooking pot, kalan (stove), vases, jars, and other décor.
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Pottery of Visayas
Kalanay Pottery
The Kalanay Cave is a small cave located on the island of Masbate in central Philippines. The
cave is located specifically at the northwest coast of the island within the municipality of Aroroy.
The artifacts recovered from the site were similar to those found to the Sa Huynh culture of
Southern Vietnam. The site is part of the "Sa Huynh-Kalanay Interaction Sphere" which was an
Iron Age maritime trading network associated with the Austronesian peoples of the Philippines,
Vietnam, Taiwan, as well as most of northeastern Borneo and Southern Thailand. The type of
pottery found in the site were dated 400 BC to AD 1500. The "Sa Huynh-Kalanay Interaction
Sphere" is characterized by a remarkable continuity in trade goods, including decorated pottery
and double-headed pendants and earrings known as lingling-oThe pottery excavated from the
site was divided into varieties, Kalanay and Bagupantao pottery. The pottery also showed great
variations in size, shape and decoration. Some of which are plain, while some are incised with
tools. Common decoration patterns found around the neck of the pottery are curvilinear scrolls,
rectangular meanders, triangles, etc.The paste used for the Kalanay pottery was of typical
blackish gray color while Bagupantao pottery was of red-brown and was much finer than in
Kalanay. Though after microscopic inspection, their paste are fundamentally the same. Most of
the jars were probably for storage or cooking and some were used as ritual bowls.
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Pottery of Visayas
Pottery of Iloilo, Pavia
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Sculpture ; Pottery
Pottery of Mindanao
Explanation :
Traditional pottery making in Barangay Bari in Sibalom, Antique is a very
famous town when it comes to quality pot making. Someone who makes
pottery is usually called a “potter” locally termed as Manugdihon. One of
the primary sources of income in this barangay is pottery making aside
from farming and fishery. They use the traditional method of collecting clay
found near the Sibalom River and use wooden paddles to manually mold
the clay. A palayok is a clay pot used as the traditional food preparation
container in the Philippines. Palayok is a Tagalog word; in other parts of the
country, especially in the Visayas, it is called a kulon; smaller-sized pots
are referred to as anglit.
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Pottery of Mindanao
The Kulaman Burial Urns
The burial jars of Kulaman Plateau are unique in that they are carved out of
limestone; in contrast, most ancient jars found in other areas of the
Philippines are made of clay. The Dulangan Manobo, the original
inhabitants of Kulaman Plateau, used the jars during the late Neolithic (or
Early Iron) Age to store the bones of their departed family members. In the
analysis of human bones found in one of the jars, the collagen yielded a
radiocarbon date of 585 AD, plus or minus 85 years.
The jars are either round or squarish with vertical fluting or geometric
patterns on the side. On average, the jars are about 60 cm tall and 25 cm
wide. Jar lids vary in decoration from simple handles to elaborate gabled
(roof-like) or conical forms, occasionally stylized with anthropomorphic
(human form) or zoomorphic (animal form) elements.
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Pottery of Mindanao
The Maitum Anthropomorphic Burial Jars
The Maitum anthropomorphic burial jars are earthenware secondary burial vessels
discovered in 1991 by the National Museum of the Philippines' archaeological team in Ayub
Cave, Barangay Pinol, Maitum, Sarangani Province, Mindanao, Philippines. The jars are
anthropomorphic; characterized by a design that suggests human figures with complete or
partial facial features of the first inhabitants of Mindanao. Furthermore, they give emphasis
to the Filipinos’ popular belief of life after death. According to Eusebio Dizon, head of the
archaeological team, this type of burial jars are "remarkably unique and intriguing" because
they have not been found elsewhere in Southeast Asia. Thus, many archaeologists from
Vietnam, Thailand, Malaysia, Laos, Cambodia, Burma and Indonesia gained interest on this
initial find and a number of archaeological – either government or privately sponsored –
excavations have been conducted to recover these artifacts. These jars have
characteristics that belong to the Developed Metal Age Period in the Philippines [calibrated
date of 190 BC to 500 AD]. According to the laboratory results determined through
radiocarbon dating, these secondary burial jars date back to the Metal Age.
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Pottery of Mindanao
Maitum Anthropomorphic Pottery
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