FRENCH
HORN
Transposition:
F
French
Horn
(sounds
a
P5
lower
than
written)
Ranges
1.
Pedal
tones:
Very
difficult
to
play
and
tune,
requires
a
lot
of
air
(pp-p)
2.
Low
register:
Hard
emission,
not
very
agile,
difficult
to
play
ff.
3-4.
Middle
and
High
register:
best
range,
any
dynamic
and
color.
5.
Doble-High
register:
Bright
sound,
very
tiring,
needs
a
lot
of
rest,
requires
a
lot
of
pressure,
very
difficult
to
play
soft,
mostly
professional
players.
Natural
horn
o Harmonic
series
Modern
horn
o Valves.
Change
between
harmonic
series
quick
and
get
chromatic
open
sound.
o Double
horn
F/Bb.
The
second
group
of
valves
in
Bb
has
higher
pedal
tones,
so
it
makes
easier
to
hit
the
right
note
in
the
higher
register.
Dont
specify
unless
you
want
something
special,
the
horn
player
goes
back
and
forth
depending
on
the
sound
he/she
is
looking
for.
o Right
hand.
Use
right
hand
modifies
the
tuning
and
color
to
get
other
notes
outside
the
harmonic
series.
Types
of
sounds
and
colors
o Muted:
Straight
mute.
o Stopped:
Using
the
right-hand
technique
from
natural
horn
o Cuivr
(metallic)
o Bright/Dark,
Light/Intense:
Individual
color
can
be
modified
using
the
right
hand,
air
column,
pressure
and
usually
is
up
to
the
player,
but
if
you
have
an
idea,
ask
for
it!
Effects
o Glissandi.
Can
be
harmonic
(changing
pressure
in
the
same
harmonic
series
more
effective)
or
chromatic
(using
fingerings).
o Frulatti
(flat.)
o Trills.
There
are
lip
trills
(almost
all
whole
step
trills
in
the
middle- high
register)
or
fingered
trills
(half
step
trills
and
low
trills)
o Tremolos.
Harmonic
tremolos
require
a
lot
of
air
to
change
partials
in
the
same
series,
they
work
better
mf-ff.
Fingered
tremolos
can
be
done
too.