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Swinghouse - Drums

This document provides drum notation for the song "Swing House" composed by Gerry Mulligan. It includes notation for the drum set played at various tempos throughout the song, including quarter note=130, quarter note=260, and half time feels. The notation indicates patterns played on the snare, bass, hi-hat, and includes dynamics and feel markings to guide the drummer.

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Felix Con Botas
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0% found this document useful (0 votes)
114 views3 pages

Swinghouse - Drums

This document provides drum notation for the song "Swing House" composed by Gerry Mulligan. It includes notation for the drum set played at various tempos throughout the song, including quarter note=130, quarter note=260, and half time feels. The notation indicates patterns played on the snare, bass, hi-hat, and includes dynamics and feel markings to guide the drummer.

Uploaded by

Felix Con Botas
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Drums

Swing House
Transcribed by Pedro Bellora Composed by Gerry Mulligan

q = 130 (even 8's) (solo, march feel)


        
              
1 2
f (Brushes on snare)

      
                  
 
3 4

(SWING!)
a q = 130 (even 8's)

                        
5 6 7 8 9 10
mf (sim.) (to double time...)
q = 260 (Swing)
   2.
1.
    

  
           
11 12 13 14
 15 16
(to half time...)

b    
            
                
17 18 19 20
(SWING)
    
              
                
21 22 23 24

 
            
                
25 26 27 28

1.
        
                   
                 
29 30 31 32

2.
       
                 
                
33 34 35 36

pbellora@gmail.com
2 Drums

c
  (gtr, then bari)
          
37 38 39 40 41 42 43 44

        


45 46 47 48 49 50 51 52

        


53 54 55 56 57 58 59 60

 

         
61 62 63 64 65 66 67 68

d             
            
                
69 70 71 72
(just cue, don't kick)

            
            
                
73 74 75 76

(solo, trade)

                
77 78 79 80

                
81 82 83 84

e           (solo)
         
                
85 86 87 88
Drums 3
          (solo)
         
                
89 90 91 92

          (solo)
         
                
93 94 95 96

                
97 98 99 100

f
 
               
101 102 103 104
(back to light march feel)


               
105 106 107 108

                
109 110 111 112
(to swing...)

1.  
             
113 114 115 116

2. (opt.)
 
             
117 118 119 120

g (opt.)
 
             
121 122 123 124

  
            
125 126 127
(cue from gtr)

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