Reputation Stadium Tour

The Reputation Stadium Tour was the fifth concert tour by

American singer-songwriter Taylor Swift, in support of her sixth Reputation Stadium Tour
studio album Reputation (2017). The all-stadium tour began on Tour by Taylor Swift
May 8, 2018, in Glendale, Arizona, and concluded on November
21, 2018, in Tokyo, consisting of 53 shows. The tour received
2.88  million attendees and grossed $345.7  million in revenue. It
marked Swift's most successful tour to-date, and broke many
boxscore records, such as becoming the third highest-grossing
female concert tour of all time, and the highest-grossing tour ever
in the United States and North America.

Reflecting themes of Reputation, the concept of the Reputation

Stadium Tour incorporated Goth subculture, Broadway
theatricality and snake motifs. It featured a main stage, with a
wedge-shaped display resembling a skyscraper under construction,
and two smaller stages. The tour received universal acclaim from Location North America ·
contemporary critics and journalists, who commonly labeled it the
Europe · Oceania ·
best concert tour of 2018 and Swift's best tour yet, praising her
Asia
stage presence, wardrobe, and versatile performances. They
described it as a "hyper-maximalist" tour with high-tech Associated Reputation
production value. The tour has received several "Tour of the Year" album
accolades. Mark Dayton, Governor of Minnesota (2011–2019), Start date May 8, 2018
declared August 31, 2018, as "Taylor Swift Day" in the state,
honoring Swift's two consecutive dates (August 31 and September End date November 21, 2018
1) at the U.S. Bank Stadium in Minneapolis. He stated that No. of 53
"through her personal and honest music, Taylor Swift has shows
energized and inspired not only Minnesotans, but people all over
Supporting Broods · Camila
the world, and is a positive influence on her fans through her
example of truthfulness, grace, extensive philanthropy, and acts Cabello · Charli XCX
strength of character".[2] Attendance 2,888,922
Box office $345.7 million[1]
The October 6 show at AT&T Stadium in Arlington, Texas, was
recorded and released as a Netflix-original concert film of the same Taylor Swift concert chronology
name on December 31st.

Development
In August 2017, Billboard reported that Swift would be using Ticketmaster's Verified Fan program to
prevent bots and ticket scalpers from purchasing tickets. The program, named "Taylor Swift Tix", allowed
fans to purchase tickets in advance of the public on-sale by participating in boost activities to increase
chances of getting a pre-sale access code.[3][4] On November 13, 2017, Swift's management announced the
first round of dates for the tour jointly with Ticketmaster.[5][6] Tickets went on sale to the general public on
December 13, 2017, Swift's 28th birthday.[7]
In late November, Swift announced shows in Manchester, Dublin, and London. Due to overwhelming
demand, additional dates were announced for all three cities. Furthermore, the singer also announced extra
shows in North America for Pasadena, Chicago, East Rutherford, Foxborough, Toronto, and Atlanta due to
popular demand before the pre-sale began.[8][9] On December 3, Swift announced five dates for
Oceania.[10][11] In January 2018, due to huge demand, Swift went on to add second dates in Santa Clara,
Landover, Philadelphia, Minneapolis and Arlington and third dates in East Rutherford and Foxborough,
totalling 40 shows for the tour's North American leg.[12]

On March 1, 2018, Swift officially announced Camila Cabello and Charli XCX as the opening acts for the
Reputation Stadium Tour.[13] Cabello was previously speculated as the opening act because her Never Be
the Same Tour dates did not coincide with Swift's tour dates;[14] Portland's Live 95.5 also announced her in
a sweepstake for the concert of June 22, 2018, at Wembley Stadium in London through a since-deleted post
on Twitter, a day before Swift confirmed her as the opening act.[15]

On May 7, 2018, the day before the tour kicked off at Glendale, Arizona, Swift invited 2,000 foster and
adopted children to a private dress rehearsal.[16] The following day, she announced two shows in Tokyo in
partnership with Fujifilm Instax, with Charli XCX as the opening act.[17][18][19] In September, Broods was
announced as an opening act for the Oceania leg of the tour.[20]

During the shows, Swift performed many "surprise songs" as part of an acoustic segment at different
concerts. The "surprise songs" varied according to venues, and were taken from Swift's back catalog. A
streaming-exclusive compilation playlist, Reputation Stadium Tour Surprise Song Playlist, was released to
digital music platforms on November 30, 2018.[21][22]

Critical reception
The tour received rave reviews from critics, being commonly labeled as the best of Swift's career thus far
and the best tour of 2018.[23][24][25] The concerts were complimented for Swift's on-stage persona and
intimacy with the audience, the versatile set list and the transition between songs, production value, the
stripped-down performances and wardrobe choices, with many commentators noting the Gothic visuals and
costumes, and the Broadway theatricality of the show.[24][26][27]

Stereogum 's Chris DeVille deemed it a "hyper-maximalist" tour

and "a perpetual gargantuan flex, a roving musical Infinity War that
amplifies everything extra about her persona to an exponential
scope" and added that it is designed to be "the biggest spectacle in
all of summer entertainment". He also described the tour as "an
oversized, high-tech touring Broadway production with a mostly
tremendous soundtrack" and concluded that "when discussing the
biggest artists of her [Swift's] generation, she's undeniably on the
shortlist" and that the singer has ascended to the same "rarefied"
tier as the "classic rock deities who've echoed across this venue The tour production incorporated
[the Horseshoe] before her, able to keep commanding stadium several snake elements.
status for the rest of her career".[27] Rob Sheffield of Rolling Stone
named the tour as Swift's "most astounding tour yet" and
complimented it for giving "it all the vibe of a mass communion" despite aiming for "maximum stadium-
rock razzle-dazzle bombast". He observed the acoustic performances of Swift's fan-favorite deep cuts and
dubbed them "a powerhouse performance that made all the different Taylors sound like part of the same
story".[28]
The Guardian's Bob Gordon thought that "...Ready for It?" is "an appropriate and compelling opener". He
opined that Swift made a "striking entrance" with "no elevation or descent, simply walking out from behind
a curtain bathed in brilliant white light, in what was a real 'now I'm here' moment, as Freddie Mercury
would once have put it".[29] Awarding the tour five stars, Roisin O'Connor of The Independent lauded the
set-list and how it "transitions seamlessly from one song to another, crafted out of some of the best from
Swift's canon". Also, she compared the tour to a Broadway show, because the stage was "flooded with red
lighting and dancers swing from trapeze with all the splendour of a Broadway show".[26] Lydia Burgham
of The Spinoff defined the tour's Auckland concert a "theatrical, mega-production that somehow also strips
down to raw intimate moments". Commenting on the set-list, she noted that Swift "had the crowd aching
for more with the commencement of every song, thanks to seamless transitions". Burgham highlighted the
intimacy of Swift's acoustic guitar and piano performances that proved Swift remaining "integral to her
singer-songwriter origins". She summarized her review by stating that "there may not be an artist in this
lifetime who quite manages to connect to thousands of people on a rainy night as well as Taylor Swift can –
and that's the reputation she will be remembered for".[30]

Variety's Chris Willman wrote that the show "had plenty of

fierceness, especially in the early going" but also the "pre-decedent
Taylor on the line… the guileless Swift we remember from two or
three skins ago", and commended Swift for using her two hours on
the stage to "paint a rewardingly holistic picture". Willman
believed that, despite the huge production, "we're still left not so
much with dragons or defensiveness but in the endearingly earnest
presence of pop's most approachable superstar". He further
remarked that the acoustic performance of "Dancing With Our
Hands Tied" proved that Reputation worked acoustically as well, The main stage featured a movable
without the "Max Martin-izing".[31] Randy Lewis of Los Angeles LED screen, splitting apart vertically
Times wrote that Swift gave "a master class in the constructive use and horizontally during different
of the modern technology that's allowed her to establish and songs.
nurture an exceptionally powerful connection with a massive
audience." He underlined the use of light-up bracelets that allowed
the attendees "to feel like participants, even collaborators, rather than passive observers" and appreciated
the stage's resemblance to "a skyscraper in progress, with six crane-like contraptions stretching up above a
wedge-like screen". Lewis summarized the show as "tightly structured for the most part, featuring elaborate
production numbers that rely on video projection, eye-popping lighting and pyrotechnics, choreography
and precisely coordinated interaction among the star, band, singers and dancers".[25]

Reviewing for V Magazine, Greg Krelenstein stated that Swift possesses "a rare gift of turning a stadium
spectacle into an intimate setting", with the new persona the singer adopted on Reputation album cycle
suiting itself "excellently to a show of this magnitude where she appears larger than life". He thought that
Swift fully embraced her vast back catalog and praised her command of the stage—"whether plucking a
guitar or leading an army of dancers" that showed that Swift's musical and performance evolution is an
"absolute success". Krelenstein concluded that the pop star "delivers in every way to a mesmerized and
devoted audience, re-defining what the modern stadium tour can be".[24] Ed Masley, from The Arizona
Republic, wrote that "there were many moments in the course Swift's performance that felt like she was
playing to the back rows of the stadium by simply sharing with her fans", while complimenting the tour's
production and Swift's connection with the crowd.[32] Jim Harrington of The Mercury News asserted that
the singer's vocal work and performance skills have improved over the years, and added that "her game is
well-rounded enough that she can excel equally at every different aspect of the show."[33] Chris Tuite, from
CBS San Francisco, wrote: "The only thing more prominent than the singer herself during her current
costume-change filled spectacle are the massive, vicious looking snakes that symbolically appear
throughout the set."[34] Michael Tritsch from 303 Magazine raved that the tour "broke new ground and set
the bar high for future stadium tours", burning "its way into the history books".[35]

Commercial performance

Ticket sales

After four days of sales through the Verified Fan platform and three days of
sales to the general public that began December 13, the tour had already
grossed $180  million from 33 dates in North America alone.[36] Pollstar
reported data supplied by the Gridiron Stadium Network, a consortium of
NFL facilities that work together to book concerts at their buildings, which
showed at least 35,000 tickets had been sold at ten of the stadiums on the
route as of December 18. The tickets sold ranged from 35,419 at Heinz
Field in Pittsburgh to a high of 48,039 at Lincoln Financial Field in
Philadelphia. With more than 47,000 tickets sold, it was reported the May
12, 2018, date at Levi's Stadium in Santa Clara was generating close to
Swift performing at Levi's $9  million in ticket revenue, which prompted the addition of an extra
Stadium in Santa Clara
date.[37]

According to StubHub, the tour is the best-selling female tour in the United
Kingdom in 2018.[38]

Boxscore

The first seven shows of the tour grossed $54 million with 390,000 tickets sold, leading Swift to the top of
Billboard 's Hot Tours chart in June 2018.[39] She performed to sold-out crowds of 59,157 in Glendale and
107,550 in Santa Clara (over two nights), grossing $7.21  million and $14  million respectively, while the
Pasadena shows combined for a gross of nearly $16.3  million and Seattle accounted more than
$8.6  million.[39][40][41] The concerts in Louisville and Columbus, reported in July 2018, grossed
$11.5 million with around 115,000 tickets sold, with the latter city having the highest gross and most tickets
sold, with approximately 63,000 tickets and $6.6 million. These concerts led the singer once again to the
top of Hot Tours chart.[42]

Records
The tour has broken multiple venue attendance and grossing records. The debut performance at University
of Phoenix Stadium set new venue records in both gross and attendance, topping Metallica's $5.2 million
gross earned in August 2017 by almost $2 million. With 59,157 tickets sold, she also broke the attendance
record set during One Direction's Where We Are Tour in 2014 by 2,633 seats.[43] With a $14 million take
from 107,550 sold tickets at Levi's Stadium she topped her own gross and attendance counts set during The
1989 World Tour in 2015. With more than 118,000 fans in attendance at the Rose Bowl, the two-show run
earned $16.2 million and set a new gross record for a single headliner at the venue, surpassing U2's 2017
record by over $467,000. Grossing records previously set by U2 as well were broken at Seattle's
CenturyLink Field, where she topped their Joshua Tree Tour 2017 gross by $2.4  million, and Denver's
Sports Authority Field at Mile High, where she surpassed the $6.6 million gross set by the band in 2011
during their 360° Tour by $1.2 million.[39]
Swift made history by becoming the first ever female artist to
headline Dublin's Croke Park twice, with reportedly 136,000 fans
in attendance.[44] Similarly, she achieved the milestone of
becoming the first woman to headline three consecutive nights at
MetLife Stadium[45] and Gillette Stadium.[46]

Following the tour's 29th show in North America at Hard Rock

Stadium in Miami, it had grossed $202.3  million in the continent
($191.1 million in the United States and $11.1 million in Canada) Swift performing at Sports Authority
thus breaking Swift's own record of the highest grossing North Field at Mile High in Denver,
American tour by a female artist, previously held by The 1989 Colorado, where she became the first
woman to headline a concert at that
World Tour, with fewer dates.[47] Nevertheless, the tour eventually
stadium
broke the record set by The Rolling Stones' A Bigger Bang Tour, to
become the highest-grossing tour in US and North American
history, grossing $266.1  million, besting the Stones' $245  million
gross. The Stones achieved their then-record from 70 American shows, while Swift did it with just 38
shows.[48] Additionally, the tour holds the Guinness World Record for 2018's highest-grossing tour by a
female artist.[49]

Awards
Year Organization Award Result Ref.

Top U.S. Tour Won

Billboard Live Music [50]
Top Tour Nominated
Awards
Top Boxscore (MetLife Stadium (July 20–22, 2018) Nominated

American Music [51]

2018 Tour of the Year Won
Awards

People's Choice [52]

Concert Tour of the Year Won
Awards
Guinness World [53]
Highest Grossing Music Tour by a Female Artist in 2018 Won
Records

Billboard Live Music Concert and Marketing Promotions Award (Taylor Swift x [54]
Nominated
Awards Fujifilm Activation for the Reputation Stadium Tour)

Pollstar Awards Best Pop Tour Won [55]

2019
iHeartRadio Music [56]
Tour of the Year Won
Awards

Ticketmaster Awards Touring Milestone Award Won [57]

Art Directors Guild [58]

2020 Variety, Reality or Competition Series Nominated
Awards

Set list
This set list is from the concert on May 8, 2018, in Glendale, Arizona. It is not intended to represent all
shows from the tour.[59]

1. "...Ready for It?"

2. "I Did Something Bad"
 3. "Gorgeous"
4. "Style" / "Love Story" / "You Belong with Me"
5. "Look What You Made Me Do"
6. "End Game"
7. "King of My Heart"
8. "Delicate"
9. "Shake It Off" (with Camila Cabello and Charli XCX)
10. "Dancing with Our Hands Tied"
11. “All Too Well”
12. "Blank Space"
13. "Dress"
14. "Bad Blood" / "Should've Said No"
15. "Don't Blame Me"
16. "Long Live" / "New Year's Day"
17. "Getaway Car"
18. "Call It What You Want"
19. "We Are Never Ever Getting Back Together" / "This Is Why We Can't Have Nice Things"

Notes
During the first show in Landover, the second show in Philadelphia, the third show in East
Rutherford, the third show in Foxborough, the second show in Toronto, and the second show
in Tokyo, Swift performed "So It Goes..." in place of "Dancing with Our Hands Tied".[60]
During the second show in Philadelphia, Swift performed "Our Song" and "Wildest Dreams"
a cappella after the levitating basket stage used during "Delicate" malfunctioned.[61]
During the second show in East Rutherford, Swift performed "Clean" before the "Long Live" /
"New Year's Day" medley.[62]

Surprise songs

The following songs were performed by Swift in place of "All Too Well":[63]

Santa Clara (first show) and Tokyo (second show): "Wildest Dreams"
Santa Clara (second show): "The Best Day"
Pasadena: "Red"
Seattle: "Holy Ground"
Denver: "Teardrops on My Guitar"
Chicago (first show): "Our Song"
Chicago (second show), Foxborough (first show), and Sydney: "22"
Manchester (first show) and Perth: "I Knew You Were Trouble"
Manchester (second show): "I Don't Wanna Live Forever"
Dublin (first show): "Mean"
Dublin (second show): "How You Get the Girl"
London (first show): "So It Goes..."
London (second show): "Fifteen"
 Louisville: "Mine"
Columbus: "Sparks Fly"
Landover (first show): "State of Grace"
Landover (second show): "Haunted"
Philadelphia (first show): "Never Grow Up"
Philadelphia (second show): "Treacherous"
Cleveland: "Babe"
East Rutherford (first show): "Welcome to New York"
East Rutherford (second show): "Fearless"
East Rutherford (third show): "Enchanted"
Foxborough (second show): "Change"
Foxborough (third show): "Ours"
Toronto (first show) and Auckland: "Out of the Woods"
Toronto (second show): "Come Back... Be Here"
Pittsburgh: "A Place in This World"
Atlanta (first show): "This Love"
Atlanta (second show): "The Lucky One"
Tampa: "Invisible"
Miami Gardens: "Breathe"
Nashville: "Better Man"
Detroit: "Jump Then Fall"
Minneapolis (first show): "Begin Again"
Minneapolis (second show): "Tied Together with a Smile"
Kansas City: "The Story of Us"
Indianapolis: "Forever & Always"
St. Louis: "Hey Stephen"
New Orleans: "Speak Now"
Houston: "Wonderland"
Arlington (first show): "White Horse"
Melbourne: "I'm Only Me When I'm with You"
Brisbane: "Starlight"
Tokyo (first show): "I Know Places"

Special guests

Swift surprised fans throughout the tour with special guests, performing a duet with them.

May 18, 2018 – Pasadena: "There's Nothing Holdin' Me Back" with Shawn Mendes.[64]
May 19, 2018 – Pasadena: "My My My!" with Troye Sivan;[65] "Hands to Myself" with Selena
Gomez.[66]
June 22, 2018 – London: "Slow Hands" with Niall Horan.[67]
June 23, 2018 – London: "Angels" with Robbie Williams.[68]
July 26, 2018 – Foxborough: "Curious" with Hayley Kiyoko.[69]
August 4, 2018 – Toronto: "Summer of '69" with Bryan Adams.[70]
 August 25, 2018 – Nashville: "Tim McGraw" with Tim McGraw and Faith Hill.[71]
October 5, 2018 – Arlington: "The Middle" with Maren Morris.[72]
October 6, 2018 – Arlington: "Babe" with Sugarland.[73]

Concert film
Taylor Swift: Reputation Stadium Tour is a concert film Taylor Swift: Reputation
directed by Paul Dugdale.[74] It was released on December 31, Stadium Tour
2018, exclusively via Netflix. The film follows American
singer-songwriter Taylor Swift's second performance at AT&T
Stadium in Arlington, Texas on her record-breaking fifth
headlining concert tour, the Reputation Stadium Tour.[75]

Swift announced on social media on her birthday, December

13, that the concert film would be released globally in
partnership with Netflix on New Year's Eve. It was filmed on
the last day of the North American leg of the tour. For their
work on the film, Tamlyn Wright and Baz Halpin were
nominated in the category "Variety, Reality or Event Special"
at the 24th Art Directors Guild Annual Excellence in
Production Design Awards.[76]

Critical reception

The film received widespread critical acclaim upon release,

with many critics labeling the film as "immortalizing" and Netflix poster
"unforgettable". The commentators praised the camerawork Directed by Paul Dugdale
from director Paul Dugdale for documenting Swift's Produced by Taylor Swift
"stardom", the crowd's emotions, and the production involved
in the concert. Rolling Stone's Rob Sheffield wrote that the Starring Taylor Swift
film "immortalizes her best tour yet" and that the film shows Cinematography Brett Turnbull
off "the stadium-rocking spectacle without toning down any of
Edited by Tom Watson
her songs' one-on-one emotional intimacy".[75] Describing the
Netflix special as "the end of an era", Amanda Petrusich of Jose Fortanel
The New Yorker opined that the film "will soon either be Simon Bryant
regarded as a museum piece or as a testament to Swift's era- Bill DeRonde
defying longevity".[77]
Adrianna Merlucci
Billboard's Denis Warner stated that the film "illuminates the Ben Wainwright-
singer's power, dedication, and strength as an artist". He Pearce
further stated that the film "allows you to get more of a feel of
the singer as a performer – and experience just how delicately Music by Taylor Swift
everything is staged" and appreciated Swift for giving "a Production Taylor Swift
gorgeous look into her [Swift's] world as one of today's company Productions
greatest entertainers".[78] Decider's Benjamin Smith called the
Distributed by Netflix
film as an "intimate document of an impersonal event". He
further expanded that Swift "will stand the test of time more Big Machine
than her fellow early 21st century pop queens", stating the Records
reason "Taylor Swift is perhaps the only one who has figured
Release date December 31, 2018
out a way to turn her music into something more than mere Running time 125 minutes
pop".[79] Complimenting Swift's connection with her fans,
Country United States
Nardin Saad of Los Angeles Times stated that "the 10-time
Grammy-winner's star power is tantamount as evidenced" in Language English
the film.[80]

Katie Collins of CNET opined that the film "serves as a reminder that no matter what else happens, Swift's
stardom is perennial" and praised the film for "the divine showcase of the costumes, the dancing and
especially Swift's own barely-contained effervescent joy at being on stage". She further complimented the
camerawork, stating "closeups brought new insights" into the show.[81] Nicholas Hautman of Us Weekly
appreciated the camerawork for depicting "the fans hysterically crying and screaming in support of their
idol".[82] Writing for Uproxx, Chloe Gilke labelled the film as a "masterful documentation of the magical
energy at a pop show" and as "a love letter to the audience at her shows, and to her fans", while stating that
the film "honors the sacred joy of her [Swift's] performance that night, and the people who made it
happen". She lauded the camerawork for capturing "the massive scope of the production from every
angle," and the audio which "is crystal-clear and beautiful, with the crowd quieted down so viewers at
home can hear Swift best."[83]

Performances

Nineteen songs were performed in the following order in the film:

 1. "...Ready for It?"
2. "I Did Something Bad"
3. "Gorgeous"
4. "Style" / "Love Story" / "You Belong with Me"
5. "Look What You Made Me Do"
6. "End Game"
7. "King of My Heart"
8. "Delicate"
9. "Shake It Off" (with Camila Cabello and Charli XCX)
10. "Dancing with Our Hands Tied"
11. "All Too Well"
12. "Blank Space"
13. "Dress"
14. "Bad Blood" / "Should've Said No"
15. "Don't Blame Me"
16. "Long Live" / "New Year's Day"
17. "Getaway Car"
18. "Call It What You Want"
19. "We Are Never Ever Getting Back Together" / "This Is Why We Can't Have Nice Things"

Shows
List of concerts, showing date, city, country, venue, opening acts, attendance (tickets sold / total available), and
gross revenue[3][84][85]
Date Opening
City Country Venue Attendance Revenue
(2018) acts

North America[86]
University of 59,157 /
May 8 Glendale $7,214,478
Phoenix Stadium 59,157
May 11 Camila 107,550 /
Santa Clara Levi's Stadium Cabello $14,006,963
May 12 107,550
Charli XCX
May 18 118,084 /
Pasadena Rose Bowl $16,251,980
May 19 118,084
United
States
Charli 56,021 /
May 22 Seattle CenturyLink Field $8,672,219
XCX[a] 56,021

Sports Authority 57,140 /

May 25 Denver $7,926,366
Field at Mile High Camila 57,140
Cabello
June 1 105,208 /
Chicago Soldier Field Charli XCX $14,576,697
June 2 105,208

Europe[88]
June 8 Camila 77,258 /
Manchester England Etihad Stadium Cabello $6,169,724
June 9 77,258
Charli XCX
 June 15 133,034 /
Dublin Ireland Croke Park $8,567,769
June 16 133,034

June 22 Wembley 143,427 /

London England $12,214,933
June 23 Stadium 143,427

North America[89]

Camila 52,138 /
June 30 Louisville Cardinal Stadium $4,928,219
Cabello 52,138
Charli XCX
62,897 /
July 7 Columbus Ohio Stadium $6,606,529
62,897

July 10 95,672 /
Landover FedExField $11,396,004
July 11 95,672

July 13 Lincoln Financial 107,378 /

Philadelphia $11,951,047
July 14 Field 107,378
United
States FirstEnergy 51,323 /
July 17 Cleveland $5,148,757
Stadium 51,323

July 20
East 165,654 /
July 21 MetLife Stadium $22,031,386
Rutherford 165,654
July 22

July 26
174,764 /
July 27 Foxborough Gillette Stadium $21,779,846
174,764
July 28

August 3 100,310 /
Toronto Canada Rogers Centre $11,177,000
August 4 100,310

United 56,445 /
August 7 Pittsburgh Heinz Field $6,230,876
States 56,445

August 10 Mercedes-Benz 116,746 /

Atlanta $18,089,415
August 11 Stadium 116,746

Raymond James 55,909 /

August 14 Tampa $7,244,264
Stadium 55,909

Miami Hard Rock 47,818 /

August 18 $7,072,164
Gardens Stadium 47,818

56,112 /
August 25 Nashville Nissan Stadium $9,007,179
56,112
49,464 /
August 28 Detroit Ford Field $6,597,852
49,464

August 31
U.S. Bank 98,774 /
September Minneapolis $10,242,024
Stadium 98,774
1
September Arrowhead 58,611 /
Kansas City $6,730,138
8 Stadium 58,611

September Lucas Oil 55,729 /

Indianapolis $6,531,245
15 Stadium 55,729
 September The Dome at 47,831 /
St. Louis $4,884,054
18 America's Center 47,831
September Mercedes-Benz 53,172 /
New Orleans $6,491,546
22 Superdome 53,172

September 53,800 /
Houston NRG Stadium $9,350,275
29 53,800

October 5 105,002 /
Arlington AT&T Stadium $15,006,157
October 6 105,002

Oceania[88][90][91][92]
50,891 /
October 19 Perth Optus Stadium $4,153,658
50,891

63,027 /
October 26 Melbourne Marvel Stadium $6,755,570
63,027
Australia
Charli XCX 72,805 /
November 2 Sydney ANZ Stadium $7,686,564
Broods 72,805
43,907 /
November 6 Brisbane The Gabba $4,338,127
43,907

New Mount Smart 35,749 /

November 9 Auckland $3,617,593
Zealand Stadium 35,749

Asia[93][94]

November
20 100,109 /
Tokyo Japan Tokyo Dome Charli XCX $14,859,847
November 100,109
21

2,888,922 /
Total 2,888,922 $345,675,146
(100%)

Notes
a. Due to hospitalization from dehydration and orders from doctors, Cabello cancelled her
appearance for the Seattle show.[87]

See also
List of highest-grossing concert tours
List of original films distributed by Netflix

References
1. "Taylor Swift Closes Reputation Stadium Tour with $345 Million" (https://www.billboard.com/
biz/articles/news/touring/8489131/taylor-swift-closes-reputation-stadium-tour-with-345-millio
n). Billboard. December 7, 2018. Retrieved December 7, 2018.
2. Lynch, Joe (September 1, 2018). "Taylor Swift Reacts to Minnesota's 'Taylor Swift Day' at
Joyous Minneapolis Tour Stop" (https://www.billboard.com/articles/columns/pop/8473228/ta
ylor-swift-minneapolis-reputation-tour). Billboard. Retrieved February 15, 2020.
 3. "Events" (https://web.archive.org/web/20171129111407/https://taylorswift.com/events).
November 13, 2017. Archived from the original (https://taylorswift.com/events) on November
29, 2017. Retrieved November 24, 2017.
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External links
Official website Events (https://web.archive.org/web/20171129111407/https://taylorswift.co
m/events)

Retrieved from "https://en.wikipedia.org/w/index.php?title=Reputation_Stadium_Tour&oldid=1149165616"