Learn to craft sound

BE AN AUDIO
ENGINEER
FROM THE
#1 EXCLUSIVE
AUDIO
ENGINEERING
CAMPUS IN
INDIA
Every great dream
begins with a
dreamer..
"There is no passion to be found playing small
in settling for a life that is less than
the one you are capable of living."

Sound Engineering is a part of audio science dealing with

recording and reproduction of sound through mechanical
and electronic means. The field of audio engineering
draws on many disciplines, including Broadcast Engineer-
ing, Acoustics, Acoustical Design, Music etc.
A Sound Engineer is a person who understands the impor-
tance of the sound track, which works in conjunction with
the visual image. Sound and picture share a symbolic
relationship and the result is magical, the magic of
Cinema industry.
A student aware of the importance of sound (or sounds)
in our life, attending this course will learn both technical
and creative aspects of the recording and faithful
reproduction of sound.. Students practice in state-of-
the-art equipment being used in professional studios and
upon completion they will be able to work successfully
and confidently in any avenues of the sound recording
industry.
An audio engineer should be familiarized with the opera-
tions of Sound Recording, Sound Reinforcement and
Audio Broadcasting Systems. Moreover, in the recording
studio the Audio engineer will do recording, editing,
mixing and the mastering of sound by technical means.
FROM THE DESK OF CEO

After a decade in the field of professional audio engineering, I feel

privileged in extending this message as the Chief Executive of SEA. This is
an auspecious time in the history of SEA as we celebrate our 14th year of
dedicated service in the field of audio engineering. We began our journey in
2004 and during the past fourteen years by our sincere and ardent effort we
could mould world class audio professionals who later became legends in
their chosen fields.

We have contributed many hundreds of Sound engineers, Sound Designers,

Audio Technicians, Sound Recordists, Broadcast Engineers& Live Sound
Engineers into the Pro audio Industry.

Looking ahead, We are focused on accelerating the execution of our growth

strategy while continuing to build on the strength, our training quality &
infrastructure - to increase the presence of SEA certified professionals
across the world and in bringing positive changes to the communities in
which we work and live. I am incredibly excited about this journey and truly
believe that the best of our products are yet to come.

A. R. VISHNU - DIRECTOR & CEO

Unbeatable excellency

A SOUND ENGINEERING
SCHOOL WITH
AUTHENTIC ROOTS
SEA was established in 2004, based on the firm belief that an intensive one-
year programme combining meticulously crafted curriculum with practical
studio experience would create an effective training ground for future au-
dio engineers ambitious to work in the real world of sound engineering. As
it turns out, SEA’s instincts were right on. Over the past Twelve years, SEA
has attracted students from in and around the country with a common trait
A fiery passion, to grab everything in audio. We enhance this passion by
complimenting, knowledge and experience that empower them to master
in their chosen field.

Curriculum & Facilities

When you choose SEA to become an audio professional, you will find out
our commitment for providing state-of-the-art facilities and curriculum.
SEA is committed to continuous improvement and accredited with a glow-
ing testimonial for high quality teaching as per the latest audit by the Inter-
national Organization For Standardization (ISO 9001-2015), which projects
out our strength in managing academic quality and facilities as per Inter-
national standards. At SEA, you will find the style of teaching and learning
that emphasis the needs of each student.

The SEA campus is located at Jagathy in Trivandrum, the capital city of

Kerala State, just 10 minutes from Central Railway station & Bus Terminal.
Excellent road links provide easy access to the city.

The Teaching, Learning & Evaluation methods of SEA is unique.

 A certified sound engineer
from SEA is equipped to
work with film, television,
radio, live sound, studio
or any kind of audio-visual
media with high degree of
professional expertise and

WHY
global industry standards.

CHOOSE
SEA ?
1. As an exclusive Audio engineering campus we offer the best and unique curriculum and facilities for future audio engineers.
2. The only ISO 9001-2015 certified exclusive audio engineering campus which guarantees our international competency.
3. ITEC Certification shows our proven experience in academic & strategic planning.
4. Five state-of-the-art recording, editing, dubbing & mixing studios in the campus provide each student hands on
experience to meet, International industry standards.
5. From basics to advance level training in studio recording, live sound, audio for film & television, surround sound etc...
6. Projects & Practical in real professional platform.
7. Cost effective programs
8. Students from all over India & Abroad.
9. Excellent track record in placement.
10. SEA is the top ranked training campus in India, having the largest versatile sound reinforcement equipment lineup from
analog mixing consoles to world class digital mixing boards, DAWs, ground stack and line array speaker system for live
sound training and many more.
COURSES OFFERED
1. Diploma in sound engineering and sound recording
2. Certificate in live sound reinforcement
3. Certificate in sound recording
DIPLOMA IN
SOUND ENGINEERING &
SOUND RECORDING
Eligibility : 10 +2/10+ Diploma in any discipline
Duration : 1 Year

MODULE: 1 MODULE: 4 • Radio Signal Flow

AUDIO FUNDAMENTALS • Home Theater Receiver Signal Flow
MICROPHONE • Mixer Signal Flow
• What is Sound ? • Electromagnetic Induction • Advanced Signal Flow: The Recording Console
• Frequency, Wavelength, and Period • Types of micro phone
• Frequency and period • Microphone Specifications: Frequency Response
MODULE: 7
• Wavelength
• Transduction: Acoustic to Electric
• Sensitivity and Polar Response ANALOG MIXING CONSOLES
• Omni-Directional and Cardiod Microphones
• Amplitude • Hypercardiod and Supercardiod Microphones • Concept of an Audio Console
• Complex Waves • Shotgun Microphones • Understanding a Channel Strip
• Bi-Directional / Figure-of-8 Microphones • Input & Out put Options
MODULE: 2
• Groups, Aux & Master Section
AUDIO ELECTRONICS MODULE: 5 • Study of 8 Channel Analog Console
• Study of 16 & 32 Channel Mixing Console
• Basic Electricity AMPLIFERS & LOUD SPEAKERS • Parameters Of World Class Mixing Consoles
• AC & DC Generation and Distribution
• Loudspeakers
• Electrical accessories & control systems
• Moving-Coil Loudspeakers MODULE: 8
• Electrical wiring Protocol &Standards
• Electrostatic Loudspeakers
• Electrical Safety
• Baffle Types DIGITAL MIXING CONSOLES
• Basic Electronics
• Infinite Baffle & CONTROLLERS
MODULE: 3 • Loudspeaker Specifications Amplifiers Over view
• Types of Amplifiers • The Digital Console
AUDIO ELECTRONICS Continued • Analog and Digital I/O
• Pro Audio equipment & accessories familiarization • Input/output Matrix
MODULE: 6
• Audio connectors & cables • Paged Architecture
• Assembly of practical audio cables SIGNAL-FLOW • Select/Focus Channel
• Interconnectivity of audio equipment • Channel Strip
• Signal-Flow Principles and Symbols • The DAW Controller
• Lab Practice & Documentation • Effective Steps for Generating a Signal Flow
• Project
MODULE: 9

SIGNAL PROCESSORS
• Types Of Processors MODULE: 14
• Internal & External Processors
• Signal Flow
DAW SIGNAL FLOW
• Effect Processors • Digital Signal Routing & Digital I/O
• Compressors & Limiters • DAW Input/Output Matrix
• DSP • Templates
• Cross Over 2 Way - 3 Way • Audio Tracks vs. “Voices”
• MIDI Tracks
MODULE: 10
• Virtual Instrument Tracks
EQ & DYNAMICS MODULE: 12 • VCA Masters
• Auxiliary (Aux) Inputs
• EQ Types DELAY, CHORUS & FLANGING • Busses
• Shaping sounds with EQ • Introduction to Delay and Delay Parameters • Serial vs. Parallel Processing
• Using EQ Effectively • Short Delays: Timbre Effects and Flanging
• Intro to Dynamics Processors: Gates and Expanders • Doubling and Chorusing
MODULE: 15
• Compressors and Limiters • Longer delays; Slap back and Tempo Delays RECORDING STUDIO
MODULE: 11 MODULE: 13 • Input Sources
REVERB & ACOUSTIC SPACE MIXING • Signal Output
• Microphones
• Understanding Reverb Parameters • Concept of Mixing Music • The A/D Converters
• Strategies for Using Reverb in a Mix • Setting up a Mixing Session • Recording Signal Flow
• Processing Reverb Sends and Creating • Dealing with Equalization • Monitoring Playback
• Multiple Reverb Sends • Effect Processing • Adding the Console
• The AIR Reverb Plug-ins • Automation Techniques • Combining Signals
• Sending to an External Reverb • Dynamics Processing • Complete Signal Flow
MODULE: 16 MODULE: 20 MODULE: 22

INTRODUCTION TO POST ACOUSTICS LIVE SOUND

PRODUCTION • Modes and Harmonics REINFORCEMENT
• Audio Post Production Overview • Decibels and Octaves Continued
• Assessing the Post Elements in a QuickTime Movie • Sound Level Measurement
• Room Acoustics • Power
• The History and Evolution of Sound for Film • Rigging
and Theater • Sound Isolation
• System Tuning
• Basic Pro Tools Set Up for Post Production MODULE: 21 • Wireless Technology
• Importing a QuickTime Movie into Your Pro Tools
Session LIVE SOUND • Sound Check
• Show Time
MODULE: 17
REINFORCEMENT • Safety
• Introduction to live sound
POST PRODUCTION IN DEPTH • Roles in live sound production
• The Process, Methods, Tools, and People of Produc- • Live Sound Reinforcement Signal Flow
tion and Post Production • Venue practicals
• Post Production Media • System Design
• Digital Audio File Formats • Backline
• Film and Video Formats and Applications • Gain Before Feedback
• Synchronization • Microphone Choice and Placement
• Ensuring that the SMPTE Reader in Pro Tools and
QuickTime are the Exact Same
MODULE: 18

LOCATION SOUND RECORDING

• The Process, Methods, and Tools of Location Sound
• Introduction to the Location Sound Crew
• In Depth Look at Transfers
• Reviewing and Assessing the Location
Sound Schedule for a Feature Film
MODULE: 19

MIXING MUSIC
• Overview of Mixing
• Mixing = Balance
• Panning
• Muting Techniques
• Designing a Mix
CERTIFICATE IN
LIVE SOUND REINFORCEMENT
Eligibility : 10 +2/10+ Diploma in any discipline. Based on experience in the Subject & Interview
Duration : 3 Months

MODULE: 1 MODULE: 4 • Ringing Out the System

• Wedge Monitors
THE SOUND OPERATOR MICROPHONE • In-Ear Monitors
• Qualifications of a Sound Operator • Microphone Design MODULE: 7
• Duties of the Sound Operator • Directional Characteristics
• Damages / Accidents • Additional Mic Characteristics and Applications GETTING READY
MODULE: 2 • Wireless Systems • Running an Efficient Setup and Sound Check
• Lavaliere and Headset Microphones • Sound Check Checklist
SOUND THEORY & ACOUSTICS • Setup Routine
MODULE: 5
• Your Sound System • Floor Monitor Level
• Sound Theory EQUALIZERS • In-Ear Monitors
• Waves • EQ Types • Stage Map and Channel List
• Amplitude • Filters • Front of House System Functionality
• Phase • Dynamics • Considerations when using a Digital Mixer
• Frequency and Wavelength • Using Effects • Creating a Mix Plan
• Velocity • Delay Effects MODULE: 8
• Harmonic Content
• Envelope MODULE: 6 PREPARING FOR THE MIX
• Acoustics SPEAKERS, AMPLIFIERS & • Building Great Sounds for the Core Instruments
• Hearing PROCESSORS • Track Assigning Techniques
• Documenting Your Sound System • Using Dynamics and Effects Appropriately
• Loud Speakers
MODULE: 3 • Bringing The Show In Control
• Line Array Speaker System

INTERCONNECT BASICS • Speaker Cable
• Amplifiers PROJECT
• Introduction to The Mixer
• System Processors
• Mixer Basics
• Basic Analysis: Setting the System Up
• Gain Structure
• White and Pink Noise
• Operating Level
• Real-Time Analyzer (RTA)
• Connecting a Recorder to Your Mixer
CERTIFICATE IN
SOUND RECORDING
Eligibility : 10 +2/10+ Diploma in any discipline. Based on experience in the Subject & Interview
Duration : 3 Months

LESSON 1 DECIBEL LESSON 7

SOUND FUNDAMENTALS • Exponent Laws DAW

• Logarithms • Digital Signal Routing
• What is Sound?
• Log Rules Digital I/0
• Frequency, Wavelength, and Period
• Calculating Logarithms • Trac ks [Recording/Edit] and Mixer
• Frequency and Period
• The deciBel Scale Windows
• Wavelength
• Exponential Change in Power * MIDI Tracks
• Transduction: Acoustic to Electric
• Power vs. Voltage/Pressure • Virtual Instrument Tracks
• Amplitude
• Oscilloscope • Sound Level, Power, and Voltage • Ptug-Ins and Inserts
LESSON 5 * Busses
• Complex Waves
• Recording, Editing, Mixing & Mastering
LESSON 2 AUDIO LEVELS
with DAW
MICROPHONES & LOUD SPEAKERS • 0 dB Reference PROJECT
• Signat-to-Noise and Dynamic Range
• Electromagnetic Induction • Inverse Square Law
• Microphones • Mic Sensitivity
• Microphone Specifications: Frequency Response
* Gain Structures
• Sensitivity and Polar Response
• The Proximity Effect LESSON 6

• Loudspeakers DIGITAL AUDIO

LESSON 3 • The A/D and D/A Conversion Process
AUDIO MIXER Pulse Amplitude Modutation [Sample]
• Hold
• Mixer Signal Flow
• Sampting Frequency
• Source to Destination
• D/A Process
• 8-Channel Mixer Signal Flow
• Recording, Transmission, and Storage
• Signal Flow: The Recording Console
• Word Clock Transmission
LESSON 4
TRAINING FACILITIES
Five fully equipped Studios with best in class equipments.
STUDIO I Equ ipment Line up

Yamaha 02R : Digital Mixing Consote

Mackie : Analog Mixing Console
Pro tools 12 : DAW
RECORDING AND MIXING DBX : Equalizer
Ultra Curve Pro- Signal Processor
This studio is mean for music recording and mixing in world class DSP 100 : Effect Processor
standards. Equipped with analog and Digital mixing consoles to signal 003 Rack : Audio Interface
processors such as DAWs, Protools-11 with 003 Rack, equalizer, ADAT : Digital tape recorder 8 track
compressor etc., Condenser Microphone, Dynamic Microphone
Yamaha HS 80 : Studio Monitors
STUDIO 2
Equ ipment Line up

EDITING Mac Machine

Digi 003 : Control Surface
This studio is integrated with pro tools and 003 control surface. Pro : Tools 11-DAW
EV Cardinal : Condenser Microphone
The control surface gives a smart and comfortable ptatform for
accurate editing. Here the students can edit their recorded ses- Signat Processors
sions and all the processing prior to finat mixing. Alesis : Studio Monitors
Sennheiser : Studio Head Phones
STUDIO 3 Equ ipment Line up

Yamaha 01V96i : Digital Audio Mixer

M-Audio Axiom pro : MIDI keyboard
Pro-tools 10 : DAW
MIDI STUDIO Cubase 6
Behringer
: DAW
: Studio Monitors
BSS : DI Box
Designed for MIDI Production, the students can do MIDI Program- Sennheiser : Studio Headphone
ming in the studio. The Program session can be recorded, edited
and mixed with state of the art infrastructure. Digital audio mixing
console and 61 key MIDI keyboard installed.
Pro-tools 10 and Cubase 6 are used as DAW
STUDIO 4
Equ ipment Line up

DUBBING & EFFECTS 02R96

Topaz
:
:
Digital mixing console
Analog mixing console
Fully equipped for film & television post production. Dubbing & Fo- Pevey : Analog mixing console
ley can be done here. With pro-Tools 10 as the DAW & 003 rack as Pro Tools 10 : DAW
the audio interface. 003 Rack : Audio interface
Yamaha : Studio reference monitors
The requirement of any type of post production can be satisfied
Audio Technica : Studio headphones
according to th e Industry standards.
Condenser Microphones
Dynamic Microphones
STUDIO 5
Equ ipment Line up

Yamaha LS9 : Live Sound Digital Console

JAMMING STUDIO/ Dynacord : Live Sound Analogue Console

PRACTICE PAD EV Live X

EV Live X
:
:
FOH Speakers
FOH Sub Woofers
EV ZLX : Wedge Monitors
All the facilities required for a music band to have their profession- Marshall : Guitar Amp
al practice with live recording facility. Hartek : Bass Amp
KlarkTeknik : DI Boxes
Here the students can learn about the requirements of artists in
Condenser Microphones
live music performance & concerts. All the equipment used here
Dynamic Microphones
are of live sound grade.
Drum Kit Microphones
EQUIPMENT
LINE-UP
THE REAL POWER BEHIND !

Professional audio processing compatible computers

[Windows & Mac]
AUDIO CONSOLES

DIGITAL AUDIO MIXERS DIGITAL AUDIO WORKSTATION

• Venue SC48 - Live Sound Reinforcement console • Pro tools 003 • Pro-tools M-Box
• Yamaha O2R - Broadcasting & mixing digital console • Pro-tools 001 • M-Audio Fast track Pro
• Yamaha 01V96 - Broadcasting & studio console
• Yamaha LS9-32 - Live Sound Reinforcement console STUDIO MONITOR SPEAKERS
• Yamaha 02R96 - Broadcasting & mixing digital console • ALESIS Monitor 1 • YAMAHA HS8O
• QSC Touch mix l6 • Basic Line DB Technologies • YAMAHA H550
• Sound Craft SI-Impact 32 • BEHRINGER TRUTH • YAMAHA HS8S
ANALOG AUDIO MIXERS SPEAKERS - LIVE SOUND
• Mackie 16-8 Studio console
• EV XLD 281 Line Array • EV ZXA 1
• Topaz 24-8 live and studio-audio console
• EV Tour X 2152 • Quest QSA 200i
• Yamaha MG - 24 live and studio-audio console
• EV ELX 112P • DB Basic
• DYNACORD CMS - 2200 live and studio-audio console
• EV ZLX 112P • Vallidoor
• DYNACORD CMS - 1600 live and studio-audio console
• PEAVY PV-10 Studio console SUB WOOFERS - LIVE SOUND
• Yamaha MG -12/4 Audio Console
• KORG Live recording & Mixing Console • Tour X 2185 • ELX 118 P • ZXAI • QRX • ETX
• Allen & Heath Ml5000 SOUND REFERENCE HEAD PHONES
CONTROL SURFACE • Sennehiser HD 215
• Pro tools 003 control surface for digital audio work • Audio Technica Mh 35
station interfacing and broadcasting.
AMPLIFIERS GRAPHIC EQUALIZER
• EVQ1212 • EVCP 4000 • Klark teknik - Square One • DBX 231
• EVQ 99 • VALLIDOOR
DI BOX
GUITAR & BASS AMPLIFIERS • Klark Teknik • BSS • ARX
• Hart ke HA 3500 • Marshall
• Carole Value Amp • Fender Twin Reverb MICROPHONES: Wired Micro Phones
• Electro Voice - CO9 • Electro Voice - RE 92H
HEAD PHONE AMPLIFIERS • Electro Voice - PL44 • Electro Voice - RE 90H
• Power play Pro 8 • Electro Voice - PL37 • Electro Voice - RAVEN
• Electro Voice - PL 35 • Electro Voice - CARDINAL
AUDIO SIGNAL PROCESSORS • Electro Voice - ND 868 • Electro Voice - PC DESKTOP
• Behringer VirtuaLizer Pro digital effects processor • Electro Voice - ND 967 • Electro Voice - BOUNDARY
• ALISES 32 - band sound equalizer • Electro Voice - ND 478 • AKG - C 411
• DRAWMER Compressor and limiter • Electro Voice - ND 468 • SHURE - SM58
• BBC Noice Gate • Electro Voice - ND 3675 • SHURE - SM57
• Ultra curve Pro • Electro Voice - RE 200
• DBX PA+
• Electro Voice - DC -One
Wireless Microphones
• Electro Voice - DX-46 • Electro Voice - R300 Hand Held
• Electro Voice - R300 Head Worn
• Electro Voice - RE 97 • Shure - SVX
A PLACE
WHERE
ALL MAJOR
BRANDS
IN PRO AUDIO
MEETS
LIVE
SOUND
REINFORCEMENT
PLATFORM
Here you will be exposed to the world of Live sound. It is said to be one of the most challenging segments in Audio industry.
You will get familiarized with ground Stack System to world class line array systems.
You will be trained to handle small, medium & Large format shows in International standards. In India, detailed training in
live sound production can only be found at SEA.
 For the past 14 years,
we have been contributing
hundreds of
Audio Engineers &
Technicians to the
Pro-Audio Industry.
We maintain 100%
placement track record.

SEA
WORLD WIDE
PLACEMENT
TRACK
RECORD
OFFICIALS &
FACULTIES
Sound Engineering Academy

SEA - OFFICIALS
Mr. A.R. VISHNU
Director & CEO
• Audio Engineer & Designer
• IT Professional

Prof. N. KRISHNAN
Principal
• Formerly Professor and Head of the combined departments of
history & political science
• Chairman - Board of Studies, Mahatma Gandhi University
• Faculty Member - KeraLa, Mahatma Gandhi, Calicut Universities

Dr. P BALASHANKOR
M.Ed, PHD in Education
Course Director
• Former Head KeraLa University Research Center Mithranikeathan
• Former Consultant in Educational Technology, MG University

FACULTIES &
DEPARTMENT IN CHARGE
Mr. K.S. RAVI
B.Sc, Dip. Film (SE & SR) Dip. Eng. (Electronics)
Department of Audio Technology
• Former Tutor FTII, Pune
• Film Division, Mumbai
• Doordarshan Kendra, Mumbai
Mr. SANU DHARAN
Department of Sound Reinforcement
• Sound Engineering & Sound Recording
• Certified professional with hands on experience in the industry
• Former Chief Sound Engineer - Benson Digitals

Mr. CHANDRA SHEKHAR

Mixing & Mastering

Mr. VINOD HARIHARAN

Broadcasting

Mr. JOHN ANTHONY

Department of Music Production
• Internationally renowned Musician

VISITING
FACULTY PANNEL
Mr. TENNYSON
Live Sound
• The Leading Live Sound Engineer In India

Mr. K.T. FRANCIS

Advanced Live Production & Mixing
• Well Known and Leading Mix- Engineer in the Industry.
SEA TIME LINE
2015
• Extended vast relation with the
Pro Audio Industry World Wide
• Signed up with Iconic professionals
2009 2013 from the Industry as project guides
2007 • This year witnessed a leap forward in • Ranked as the top training campus in for students
• 23 students. training methodology. 2011 India, by the industry. • Added Avid’s ICONIC digital mixing
• Bifurcation in training Programme. • Framed a curriculum of our own to • The First Audio Engineering Institute • Introduced Jamming Studio console to our training inventory
• Commissioned own Recording studio compete with any of the advanced in India recognized by IGNOU. in the Campus. • MNC’s like BOSCH & Electro-Voice 2017
and Institute is shifted to a spacious applications & systems in Sound • Commissioned 4th Recording Studio. • Launched Full Fledged Live Sound (USA) deliver their certification • Established traning aliance with Bose
2005 building at Jagathy, Trivandrum. Engineering Industry. • SEA stamped its presence System With Ev Line Array. training at SEA • Introduced floating campus, an
• 9 students. • The first ISO 9001-2000 certified • Field Training, Projects, institutional Internationally. • Alliance with Electro Voice USA, for • Accrued Land For SEA’s International unique approach on tranning
• 2 staff members. Audio Engineering Campus in India. tie up were introduced. • Award for excellence from Sri Lanka. product training and certification. Campus • Established SEA Online Radio Station
2004

2005

2006

2007

2008

2009

2010

2011

2012

2013

2014

2015

2016

2017

2018
• Inception in the year 2004 2006 2008 2010 2012 2014 2016 THE VOYAGE
• With 3 students & • Installed own Studio Equipment. • SEA is registered as a trust with • Launched 3rd Studio with full fledged • Introduced a new Department Exclusively • Entered into lOth year of dedicated • Established training CONTINUES . . .
1 faculty on a rented building & • SEA stamped its presence in the media a governing body. equipment line up. for Live Sound Re-enforcement. Installed and unbeatable training. alliance with HARMAN
rented studio at Poojappura, & entertainment industry through our • Academic system is structured as • ISO 9001-2OOO upgraded to equipments of `Electrovoice’ the world • Became the only pro audio campus International We are moving forward with dedicated
Trivandrum. trained students. Prof. N.Krishnah (Principal), ISO 9001 - 2008. class brand in professional Audio. with five departments. • Introduced Entertainment research and practice to produce the
• Get Affiliated with Information • Dr. Balasanker Mannath • Introduced trio training program - Music • Started a new department, Department • The only audio engineering campus Electrics in training best products for the Industry.
Production, Audio for Film and Live
Technology Education Council, Kerala (Course Director), Adv. R Saju Sound reinforcement. of Theatre & Performing Arts. with five onsite studios and module As mentioned in our CEO’s message,
(IT in charge) and a visiting faculty • Started a department of Commissioned MIDI recording studio. complete Equipment up for • Introduced Project We, the entire team members of Sound
is framed with a panel of experts. Audio Engineering and Electronics. • Win the award for innovative & quality live sound. Oriented Training System Engineering Academy are “incredibly
• Commissioned the 2nd Studio. • International Malayalee Achievement training from Rotary Club. • SEA became the first and only • International Standards in excited about this journey and truly
Award from Singapore for the excellency campus with own Line Array Live Sound Training believe that the best of our products are
and contribution in Audio Engineering
Training. speaker system in India. yet to come”
• Trained 20 Batches and maintained
100% placement track record.
• Became the top campus in India
having the largest line up of
pro audio equipment.
ARE
YOU READY ?
• This is the magic of SEA’s success
• This is the reason why SEA is unbeatable in Pro Audio Training
• This is why SEA become the Synonym for Pro AudioTraining
• This is why in past 14 years many others disappeared, while SEA became unbeatable, unique & most preferred campus
• This is why the Industry’s #1 option is now SEA products
• This is how we serve you & the society
APPLICATION FORM

The candidates should submit two application forms for processing prior to admission

1. Application for Interview

2. Application for Admission
Ÿ SEA requires applicants to submit their application in hard copy with
the said documents.
Ÿ Application can be sent through courier / speed post or by hand.

Application for Interview - Documents Required

1. Two recent Passport size photographs
2. Address Proof
3. INR 500/- as application processing Charge by cash / Demand Draft

Application for Admission - Documents Required

1. 500 word essay or 2-to-4 minutes video presentation

(uploaded to YouTube in which you:
Ÿ Tell us about your background, particularly any experience with sound / music/or
the entertainment industry.
Ÿ Share your goals for pursuing a course in Sound Engineering & Sound Recording
Ÿ Discuss your career aspirations; what is your envision for your future in
Audio / Related Industry?
Ÿ Describe how a degree from SEA will help you to achieve your personal,
professional, and creative goals.

2. Song Review
Ÿ Select a song [Indian/ Western, Film/ Non Film] of your choice.
Ÿ Try to identify the different instruments used in the recording, time signature & if
possible try to explain the mixing techniques used. Your findings should not exceed
200 words. For uncommon tracks, please provide web link or CD.
 3. Official Transcripts
Ÿ Qualifying Examination’s Certificate Copy
Ÿ Class X / Equivalent certificate copy
Ÿ Medical Fitness Certificate

4. Recent Color photographs

Ÿ 8 recent color passport size photographs

NOTE
Application for interview ADMISSION REQUIREMENTS AND PROCEDURE
is attached along
The board of admissions takes into consideration both academics as well as aptitude for
with this prospectus
Sound Engineering Studies. SEA will be conducting three levels of screening prior your
application for
admission.
admission will be sent
to you after telephonic TELEPHONIC INTERVIEW
interview.
This will be the preliminary level screening over phone after receiving your Application
for Interview. The short listed candidates will be given the main Application form for
admission where the candidate should produce their personal, academic & aptitude level
information in detail.

MAIN APPLICATION & APTITUDE LEVEL SCREENING

The main application should be submitted with all the relevant documents for screening.
You will be considered for the final level screening according to the merit in the previous
screenings.
PERSONAL INTERVIEW
This will be the final level screening before getting enrolled.
Student s form Kerala should attend the interview at SEA campus & the students from
outside state & international students can attend the interview via video conferencing.
Sound Engineering Academy
CS Road, Jagathy, Thycaud P.0, Trivandrum - 695014, Kerala

APPLICATION FORM FOR INTERVIEW

Name of the Candidate:............................................................................................. Affix

Photograph
Course Name: ........................................................................................................... Here
Correspondence Address: .........................................................................................

...................................................................................................................................

...................................................................................................................................

................................................................Nationality: ................................................

Phone Number: .....................................................................Mobile Number: .....................................................

e-mail ID: ..............................................................................................................................................................

Date of Birth: ...................../................../.....................Male Female

Father’s Name: ......................................................................Father’s Occupation:...............................................

Mother’s Name: .....................................................................Mother’s Occupation:..............................................

Educational Background (in Chronologicl order)

Name of Institution Course Duration Year of completion

Subject Related Training (state sound engineering related training attended if any).

.................................................................................................................................................

.................................................................................................................................................

1. Whether attending any course at present .........................................................................................................

2. Experience in Audio Engineering if any ............................................................................................................

3. Artistic background if any .................................................................................................................................

Referred By (state how you heard of SEA) ............................................................................................................

I ............................................................here by dec/are that the information provided in this app/ication is true.

Signature of candidate Date Signature of guardian Date

FOR OFFICE USE ONLY

Date:...................................................... Ref No.:...............................................

Received Date:...................................... Remarks:......................................................................................

Declaration

............................................................................The candidate seeking admission to Sound Engineering Academy, Trivan-

drum solemnly declare that I will strictly abide by the rules and regulations of the college and that may be framed here
after, and will not indulge in any anti-social, anti-national or any spurious activities. I will not involve in any act of indis-
cipline and breach of rules. I further agree to reimburse any damage of property, apparatus etc., which may be caused by
the carelessness or wantonness on my part. I will be responsible to abide with any disciplinary action taken by the college
authorities on violation of any of the rules and regulation of the institution.

Authorised Signatory
Sound Engineering Academy

Website: www.seaindia.in, e-mail: info@seaindia.in, Ph : +91 9895 745 100

CS Road, Jagathy, Thycaud P.0,
Trivandrum - 695014, Kerala.
Ph : +91 9895 745 100
E-mail: info@seaindia.in

www.seaindia.in