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Band Foliobook 1 Barítono BB

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0% found this document useful (0 votes)
95 views25 pages

Band Foliobook 1 Barítono BB

Uploaded by

Yhon Puma Xtlv
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
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Baritone T.C. BandFolio Band Method Book 1 To the student: Congratulations on your decision to join the band, I am sure that you will find ita rewarding and fun experience, and it may lead to a life-long love of playing music. If you listen carefully and follow the recommendati and having a lot of fun ina ns of your band director, you will be making beautiful mus very short time. The key to getting a good start in band is practice. Your band director will recommend how much time you should practice cach day. In order to get the most out of your practice sessions you should: + Warm up. your band director will recommend a procedure for preparing your body and your instrument to play + Set a goal for each practice session. + Practice the hard sections first, and break them down into smaller parts, Then put the parts together. * Play something fun at the end of each practice session * Practice every day. By working together with your band director and your classmates, band will become the high point of your school day, and will lead to years of musical enjoyment. Gi Jim Evans. nd {folio.com Music Education Resources © 2000 Jim Evans BandFolio.com Refé P; Baritone T.C eASrREO ARP ‘The Musical Alphabet Stat Bass Cle Treble Clee ABCDER&G. D eres Sicoone Then oes ope over and ver os coded. As you go through the laters, the note sound higher 925 (and four spaces) vn hich musi is writen Look up notes you don’t know on the Grand Staff. Pitches on the Grand Staff os Treble (G) Cler zg =o -0-% o see |= EFGABCDEFGABC|IDEFGABCDEFGA oe : -9-0.0 | © = Bass (Fy Clet { “DE = oo ooo" * Note that go above nd slow the mal are writen on cerns, Lines & Spaces Many people have memorized the notes ofthe st sway. Does ine : sitar = Gorm 6 Somes Fa ton cone = = Good Basic rhythm concepts Meter ture Quarter note Quarter rest Measures & Burlines AS Sen Desierto flnEMEASUTES bk the music between barnes iscalled a measure Basic Fingering Chart ‘Memorize all notes, mgerings, ad stall postons on this page Baritone T.C. Final Barline 1. Our First Pitch, (dhe end ofa piece) “ comrr 2H IAGA LHIHIKIH LKIKIKGH LEIA HLE 2, Our Second Piteh com & 2K IAIA LHIKIKRAK LHIKIKGH LKIAIHIE 3. Our Third Pitch com1 & 2k IK FH LHPHIRAK LHPAITRAK LHPRIBAE 4. Think Fast! com & PRI RAR LKIHIHAH LKIHIKGR LKIAIHIE 5. Going Down, comet & 2H THF KR LKIHIKG HR LHRIKIKGAR LHIKIHIE 6.Up & Down com 2 RIKER LKIRIKAR LRIKIKGR LKRIKIHIAE Baritone T.C. 7.Mary'sSong Write in the Counts Go t0 the next line! count: 8. Reading Music count: 9. Skill Builder count: 10, Stepping Out count 11, More Stepping Out count: Halt Note Accidentals Key Signature (B» Concert) resnves to beats Your Key of C @in¥A mere signature meer Baritone T.-C. jrurrees Humcsen ca SEE receives two beats of f ttstnirte “Tells whether notes are silence in 4d meter signature Pe 12, A New Note 13. Another New Note 14, Go for Two! 15. Take Five 16. Mix and Mateh breath mark 9 Lines 16 & 17 may be played together, 17, Putting it Together Common Time Baritone T.C. @ svther ay ofwing thet mater igre Whole Note Whole Rest Repeat Sign reccves fo heats ‘Go back tothe © rosives ur beusin ofatenee in $4 2st a iy 18. The Whole Thing ‘ae enker antes meter signature the selection agai 19, Whole & Half Hint: A whole resi fills up a whole measure. 20, Play it Again, Sam! 21. Claire de Lune 22. Up & Down Again 23. Skipping Around Rhythm Review ‘Dea line from the musical symbol is ume, J d ° 2 - - hole rest half est quarter rest whole note halt note ‘arte ne Baritone T.C. 24. Count It Out 25. Bar None! Draw in the barlines before you play 26, Note Review White the mame othe notes oe, = ° = s 27. Ode to Joy Ludwig van Beethoven D.C. al Fine Fine New Note A Gotucktoihe ——Theend baritone TC = mn 12 28. A New Note 29, Take it Easy 30, Make it Count 31. Twinkle, Twinkle Fine D.C. al Fine 32, Aura Lee Fighth Notes| Tho eiahth notes receive ome bet inthe 4/4 meter signature Baritone T.C 33, Rhythm Study. Clap Write in the Counts eT, Fi, FL oa count 34, Hot Cross Buns, 35. Farm Out 36, Bighth Note Challenge 37. Asked & Answered Special Holiday Concert Page Te Connect 180 Harmony , J. J Soe Soe Baritone T.C. "one sound. ‘ne Jingle Bells 1ereaese — Ww NS 39. Jolly Old St. Nicholas 40. Up On the Housetop 10 — Meter Signature Dotted Half Note 3 beats in & measure reesines the ests in 4 . stor 4 ee Baritone T.C. = 41. Skip To My Lou 42. Long, Long Ago 43. The Dotted Half Note PR 2PRIHITR LHIPRI AIK FRIHTRIH LKIRIAIE 44. Oh, Dear, What Can the Matter Be? Pick-up Notes New Nate Key Signature Notes thal come bere the fin ful measure of u piece, at Bb First & Second Endings Baritone T.C. ad oe uy Key of Fs Concert 1 Play to the repeat sign then go Your Key of F ‘ack othe Beginning. When you eto the frt ening, skip cver and go tothe second ening, 46, There's a Hole in the Bucket Where's the thint beat? pick-up mores 47. The Man on the Flying Trapeze pick-up note 48. Johnny Has Gone 49. When Jesus Wept William Billings 1 adapted — - SSS SSS New Nate € . Fermata 7\ Dynamics Not Baritone T.C, = Hold notes undera YP pim-sof Peale eaTAne footie : snd drs teuoraiyen Sf eid ate di 80. Chorale director cuts you off. a St P St P 51. A New Note F ‘2, Christmas Greetings (A Four Part Round) 1 2 3 4 53, Red River Valley sr P f P f f Shur Comacets notes of sitlerem pte Tongue . Sees 5g si Baritone T.C. Dyeunted Lip Stur Se lgioee {Asin which the ings of each note ies ste the same receives oe boat mp woserately soit yom 2d 58. Lip Slurs nf — ‘56, Oranges, Lemons nf 57. Roll Over mp uy 58, Simple Gifts 59, Slur Study . Artiaaton Baritone T.C. How a noe payed Accent abs Staccato $ Vsea sattack.and gf Play ina derachec Smooth J ae ith amaceent mark: wt potd note Rr fll value. oF separated ssl, 60. Articulation Study SSS 61, Surprise! Frame Josef Haydn codapied >>> 63. Pictures At an Exhibition Majestically Modest Mussorgsky ‘adapted >: >S s$ 7 7 Ss New Note Baritone T.C. ‘Tempo ov fstor sow a plece ‘sploned Fiahih Note & Hiehih Rest Atoury en d. Mas Ln 64. Rhythm Study ‘Siow: walking speed boric 1 & Andante ne (66, March Madness Allegro fr Son > > = 67, Morning, ‘Andante Gt. = ea mp oS 68. Mighty Fortress is Our God Andante a > a 6 Baritone T.C ‘Tempo Dotted Quarter Note Fighth Note Largo ery stow d d _ | 69. Bs Concert Seale 1&2 e& 1 82 & Moderato — tS mf 70, Rhythm Study vom KTR IRA LKIKIHIK LKIKRIHIK LKIAKRTAIE 71, Theme from Symphony No. 9 Largo Antonin Dvorak P 72, Kum Bah Yah Andante 73. Finale (from The Firebird Suite) Lae Igor Stravinsky P Baritone T.C Meter Signature Sinteenth Note Combinations Cue Time Sree vaste PTs e Pa or 74. Rhythm Study sires be betotca& 1 &a Moderato Zz = Soca = Sere ee eee eer errr Youn LAA SCHAAR LR DCAIAIA HAIR ICRAM LR DERAIATR 75, Button, You Must Wander Allegro of 76, Bright Eyes Will Find You Andante == wee 7 + TT. Compares plece omer 75: How eee aie? How ae hey fore? 17-Tea Lie dans Hite nthe Cons Moderato mp 78. Name That Tune Write in the Counts ame wow al — GE reeadl* (fed eteaes seed) dooeee Pei eree | 4 Compare this piece to number 77. How are they alike? How are they different? 79. Skip To My Lou Revisited Moderato Gs f a ve Compound Meter sa mctrin which the Baritone T.C te : * Swi gill it ‘89, When the Saints Go Marching In 12345 6 Allegro tf 81. Blow the Man Down Allegro jn one mf’ f nf tf 82, For He's a Jolly Good Fellow Allegro in one nf 83. Yankee Doodle Allegro St 9 Syneopation Dotted ighth Note & Sixteenth Note gee dog hl bald Pere 1&2a le@a (ort ou tome) owed quaternte& eighth noe a1 When longer antes fall on weak Baritone T.C cor nexpected beats 84. Row, Row, Row Your Boat (a four-part round) leas Moderato in one 1 | nf 85, Simple Meter 1 2 3 4 SL Compare this piece 10 number 84. How are they alike? How are they differen? 86. Do, Lord 87. Shoo, Fly fo ° Baritone T.C ‘84, London Bridge Moderato mf 88, Bridal Chorus Moderato f 186, Can-Can Allegro } ss 87. Seale Study Start slow: then speed the tempo as vou improve oH, a Major Scales Baritone T.C. “Make sure tht yoware playing the exset pitch that is show. If the se me dent conina shar fh ora ap tomar Seale Arpeggio CDEF GABC BAGF EDC CEBC GEC Bs Comeert VourKey ore ; ; Seale Arpeggio FGAB CDEF EDCB AGF FAEF CAF Concert Your Key of F Seale Arpegaio, GABC DEFRG 6 F Concert t ‘Your Key of G Seale Arpegio DEF®G ABCD cha AG FRED DFHCHD A FED © Caneert Your Key of D Seale Arpegaio BCcDE FGAB AGFE> DCB BD AB F DB As Concert Your Key of a ed oo tes Rhythm Challenge as you cam without stopping, then work on problem rhythms Jody diss, ys dy diy yg dy a ly pu fy ud po yy LAL nj nny AAJ n,n ni, a, Mutu yA i Ju J my Rhythm Challenge peoodidi poi ny ny HAS, A) BAL BL, eed sy Jy] a, et ly db ep Ovrom oo. gpMOCRi eo, ay bd go. Joammmom os 4

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